One Year of Piano Progress | Pianist Reacts
ฝัง
- เผยแพร่เมื่อ 15 ก.ย. 2023
- In this video I react to Joel Snape's video of his first year of piano progress.
Here is the original video:
• One year of piano prog...
Looking for some help with the piano?
www.matthewcawood.com/book-a-...
Join my "Monday Music Tips" mailing list to receive tips, guides and news!
www.matthewcawood.com/mailing...
My Beginner Sight Reading Exercises Book (420 Exercises):
www.matthewcawood.com/store/p...
If you have anything to add, be sure to comment! I read through all the comments and they definitely help me decide what videos to make next! If you enjoyed the video then slap, poke or tickle the like button and subscribe for future videos (which I'm sure will be just as excellent!).
Socials:
TH-cam: / @matticawood
Instagram: matticawood
TikTok: tiktok.com/@matticawood
Website: www.matthewcawood.com/
For enquiries:
enquiries@matthewcawood.com
MY EQUIPMENT (affiliate links included):
Camera: Sony A7iv - amzn.to/3zH8S58
Lens: Tamron 28-75mm f2.8 Di III VXD G2 - amzn.to/3UjFKtn
2nd Camera: Sony ZV-1 - amzn.to/3zCAEQv
Overhead Microphone: Rode NTG2 - amzn.to/3fAYLZ6
Background Lights: Govee Light Bars - amzn.to/3sZYou9
Lighting: Neewer Soft Box - amzn.to/3NxpOki
Electric Piano: Yamaha P45 - amzn.to/3Wt0DUc
Audio Interface: Focusrite Scarlett 18i8 - amzn.to/3FJzbvE
Recording Microphone: Shure SM7B - amzn.to/3T8BCe6
Desk Microphone Arm: Rode PSA1 - amzn.to/3h3ybbf
Piano Microphones: Rode M5 - amzn.to/3t1XKfq
Electric Guitar - Epiphone ES-339 - amzn.to/3WtZaNj
Bass Guitar (not the exact one, but similar) - amzn.to/3WygTDE
Electric Drum Kit: Alesis Crimson II - amzn.to/3FM9RoC
Midi Keyboard: M-Audio Oxygen Pro 61 - amzn.to/3sWv5IN
#pianist #piano #learnpiano - เพลง
Thank you for showing this video. I'm 54 I had a piano teacher when I was a teenager. My biggest problem was lack of discipline practicing daily. I still have a desire to play the piano. This video encouraged me to use the pedal that I do have for my electric piano. And just not to give up in general. Thanks again:-)
No problem, I’m glad you found it helpful! Little and often is the best way to go…try not to do too much at once, a couple of minutes of working on something you couldn’t do before is all you need when you don’t feel like sitting down at the piano 😊
Very important point mentioned here. No other skill when learning either piano / keyboard is more important than to disassociate visually from what your hands are doing on the keys. Playing 'blind' forces the brain to develop muscle memory, and this is key to easily finding intervals as you play. The problem here is that until someone learning becomes aware of this and begins to rely on it, they default to hand-eye co-ordination rather than the hand-brain co-ordination necessary to play an instrument. Keyboard instruments have this 'flaw' inherently, and it is less of a problem with string instruments such as guitar, and completely absent in brass instruments, such as trumpet. Without reading music while playing, the eyes naturally fall on the hands, reinforcing playing as a skill requiring visual reliance, when that should be disassociated in favour of a far better and quicker skill of playing by muscle memory 90% of the time. Otherwise the outcome is playing which amounts to slowly plodding around the keys rather than music, ad infinitum. Even someone learning to play 'by ear' would be well advised to look at a dot on the wall while learning, otherwise the brain will always rely on hand-eye co-ordination rather than building up muscle memory, which is massively more speedy once the skill is learned. People already ahev something that they can relate this principle to: A touch typist will always type at least twice as fast as someone who has learned while watching their hands, and can read what they're typing too. Same basic concepts apply to playing piano and reading music. Playing/learning without music in front of you, or not keeping your eyes on it as much as possible, first causes then later compounds this issue.
My piano teacher always told me to not look at my hands cause they are not going anywhere. I think I understand why he was saying that now😅
I’ve been watching a lot of “one year progress” videos. I think most of them are fake. This guys progress was feasible. But what I’m really looking to see is Alfred’s book one, alpine melody etc. The earliest Hanon exercises etc. Those are the progress videos I love, not just because they’re more authentic but also it feels they’re learning skills rather than pieces. A lot of these videos learn pieces they want to play and move on quickly without ever mastering it because they can’t, it’s too advanced for them. If I wanted to play Vanessa Carlton I wouldn’t be happy with his version and I’d end up coming back to it sometime later when I was able to play it fully, so I find it a waste of time when could have been learning a grade one/two piece. It’s better not to rush, and take on things once you’re able to do them well. The tried and tested beginner paths are the best way to learn the piano. If you only want to learn particular pieces then this approach is okay but slower progress but with better technique is best for the long term.
I'm using SimplyPiano. It gets the job done. Dont know how far it will take me but as a stepping stone it's gold
I'm thinking, this guy in the video has an above average talent or he's training himself just right for the best way his brain works. Maybe he was a piano prodigy that never picked up the piano until into his thirty's. Undiscovered, untapped until now. Perhaps, there are a lot of superstars out there in the world in all disciplines untapped, undiscovered. I mean undiscovered by themselves.
I don’t want to knock his progress at all but he’s far from a prodigy. I think the current trend a lot of people teach themselves piano is from apps or videos picking grade 5 pieces right out of the gate and managing to stumble through them before moving onto another eventually gaining skill. But they don’t learn the fundamentals you’re supposed to learn as you work your way through the grades. Basically he spends more time on a piece that is too hard for him than less time on pieces he can perfect in a short period. Isn’t really up to me to say it’s wrong but definitely not a prodigy, more an efficient way of making a good video. He’s learning pieces not the piano.
Could also be fake, like many progress videos. Not saying it is, but yanno… worth mentioning
Are you kidding? Personal anecdote: it took me a month to learn Bach's minuet in G minor, and before that I must have only had a few keyboard lessons as a child. One day I just picked up an old keyboard and learned everything practically from scratch. My wife nearly went mad listening to me repeat the same phrases every day until I got it. A few months later I started taking lessons and was already playing the first piece from Schumann's Kinderzennen. Then came the pandemic, children, some personal issues and I never played again. I only say that because I consider myself to be pretty average, I also started in my mid-thirties and I can tell you that anyone can make much more progress than the guy in the video if they want to learn and seek out a teacher to correct their mistakes right from the start. You don't have to be a prodigy.
When I started over a decade ago, there was a price difference between an 88-keyboard with weighted keys and a portable 61 or 49 so got myself a 61 before the upgrade. Today the price difference would be negligible.
Personally I've seen students who struggled to read an easy piece quit music after a year. Many teachers prefer students start reading from day 1. We also have to admit not all students are naturally good at reading. This is why some prefer the Suzuki approach of teaching students to play by ear for Y1 before introducing notations.
Many teachers tend to focus on getting students to be good at reading. On the other hand, ear training is also important. Students need to be good at both. In the beginning someone like myself tend to be better at 1 than the other. If you allow students who are not good readers to learn a few songs by ear while developing their reading skills, I'm sure many people who are poor readers would still be playing years later.
There is a debate whether a student should learn pieces above his level than work on easier pieces first. Not all are inclined to start with "Mary Had a Little Lamb", then "Minuet in G", Bach Prelude in C from easy pieces up. Learning a hard piece means you set the bar higher what you can achieve. It's a personal achievement just learning the notes even without the nuances like dynamics, phrasing, etc. In the future learning a similar piece would be easier.
I am a clarinet player who wants to learn piano to write original songs. I have had a 61 key Casio, but I have upgraded to a Roland FP30 (88 weighted keys with simulated hammer feel). I made sure to add a stand and three pedals and adjustable bench the same day.
Clarinet demands and a busy schedule have slowed my piano progress, but I am getting back into the swing of it.
You didn't mention the fact that even with the new piano he's got it sitting so far fom him that his arms are stretched out straight. I think I saw this laundry room beginner a while back. The thing that changed my journey after self-teaching for two years was seeing a choir accompanist play incredibly rhythmically and read music, flipping pages all the while. I got a coach. That was four years ago. My goal is rhythmic and keyboard fluency so I can play from lead sheets, improvising the accompaniment. So many adult beginners are content brute-forcing complex pieces to impress people. My coach's goal for me is that I become addicted to how good playing feels.
I am 43 and playing 1 hour everyday ........................... I am learning the notations................. I am loving the learning moments. I know someday I will be able to play the piano and I am going to miss the learning sessions.
That's never going to happen even expert pianists say they keep learning
Im thirteen and I’m rcm lvl 10. Beautiful video, agreed with all honesty.
Nice work! I’m glad you enjoyed the video 😊
He is doing a lot better than me.
I think he showed good rhythm from early on. And it starts to be really useful when he goes for the Mozart...
Did he have lessons with a teacher? He looks tense as hell. One thing I fortunately learned in the first few weeks is to keep a relaxed posture.
I have a piano for few months but didn't had discipline to learn and I was also away from home half the time, so i'm starting now, but i'm not attempting fur ellise or any other song till i don't know the notes on the piano and on the sheet lol.
You can do it! Small steps and you will be great in no time. Commit to learning for a month or two and let me know how much progress you’ve made 😊
xd
I don't even like Fuer Elise. I haven't learned it. Something like Schumann's "Album for the Young" contains a lot of pieces, both easier and harder than FE, and more interesting IMO. I am intermediate, but I use it for sight reading practice. One book and 60 odd short pieces, it's really useful!
What is your handspan, sir?
love your Videos
Thank you, I’m glad you enjoy them 😊
In my opinion a 61 key is more than adequate to learn piano!
Just started playing the keyboard a week ago the first song I'm learning is the Entertainer. Yes, i know i should pick an easy song but that's the song i want to learn lol and moonlight sonata the 1st movement
Go right ahead with your hard pieces! Absolutely. No harm there. but also, also, follow a progressive method with the super easy things, read the instructions very carefully and follow them strictly, they teach things you don’t even know you’re learning. Eventually you will catch up to the harder songs that you like and are the reason to play. And they will become much easier to learn.
Day Four - Fur Elise. LOL Yeah...
It is possible to learn it as your first piece, entirely, if you already know how to read music notation and focus on the right practice routine. There's even an elaborate guide on how to learn it as your first piece. No idea where it was - it was on a website by a Taiwanese engineer and high level amateur pianist who wrote a summary of piano practice routine. Came across it on the PianoStreet forums a decade or so ago. His approach was actually useful even to me, an advanced amateur (albeit with sloppy practice habits)
Nah you can play the first let's say 15 notes of Für Elise because I highly doubt he had learned the whole thing or much more than what is shown in the video
When I was 9 years old, my first piece was Fur Elise, and will for sure by my first piece again, after 20 years without playing piano, I find this song to be pretty easy to touch, because left hand is easy most of the time
Idk but i taught my self a bit of für Elise by ear and I'm not a professional but not the full thing just a small bit lol
erm... why shouldn`t you be able to connect a sustain pedal to a 61key instrument?
You can, there’s no reason why not 😊 however, they don’t usually come with one and a keyboard is a different instrument to a piano and has different use cases…so you wouldn’t usually need one if you are using it as a keyboard rather than as a piano replacement.
And more importantly, why do 5 octave keyboards not run from F to F like Mozart era fortepianos? They'd allow performing all Baroque and classical repertoire and even some early Romantic works. Impossible with a C to C keyboard.
right.@@classicallpvault8251 on the other side not many will be able to play e.g. the "Gone but Not Forgotten" solo in proper speed on a weighted keyboard. Well - i wouldn`t be able to play that piece on ANY keyboard 🤣 imho there are different keyboard types for different purposes. And btw, many 73-key synth and workstation variations are around with half and non-weighted keys, too.
@@classicallpvault8251 th-cam.com/video/7fIgKUkfwTg/w-d-xo.html
Been trying to get in touch about a a possible commission. What's the best way to contact you?
Hi Peter, email is the best way! Apologies for the delay I’ve now responded to your email.
6:41How can I play the 11bar
There is fingering on the notes so it should help guide u
These channels always seem to condemn “self taught” pianist. Is getting a teacher the only way to learn piano? I want to get into it but so far it’s been very demotivating because everyone seems to share the same rhetoric. 😔
There’s nothing wrong with self taught, it just depends what your goals are and having a teacher will get you to where you want to be faster without knowledge gaps…but there’s definitely nothing wrong with learning by yourself and I did a video on how to get started self taught - th-cam.com/video/p00zsi71t6I/w-d-xo.htmlsi=Ch2rkso9-XZhG-fZ
I've seen a baby practicing. So he cant even reach the pedals. 😂 Not maybe for another 6 years ish. 😂 So yeah, that doesn't mean he isn't improving. We all improve and if this is a life long instrument. Even better. We will always be learning.
PSA. There will never be a "im done learning". Never with nothing. So keep playing, keep growing plants, keep painting, keep enjoying what you love.
As a pianist in the first few minutes of him. Playing fur Elise i know its fake. Said he had no previous musical experience so how did he learn to read music and then TRANSFER the notes to the keys in question?? Sorry but impossible in four days
Not with TH-cam.
By ear. Not hard
@@averyintelligence no it takes a while. I have both relative and perfect pitch but you don't have the correct technique day 1/2 anyway you're obviously going to disagree so i don't really care what you say
@@markaprill6501 hahaha yeah everyone is a genius on yt 😎
@@ciararespect4296 I can play the piano and read music. Now they have videos where they show you which keys to press without sheet music. They also have those videos where the colored squares drop down and hit the correct keys on the piano so sheet music is not necessary to learn a song. That’s what I was trying to say.
Just so you know that within 3 months since I started playing I learned Rafsuda 2 and Rafsuda La Campella in a year I was able to play Rafsuda 2 the entire piece and also Raft 6 a little Mi La Campana in a year and a half I was able to learn Grieg Gammadim in addition to works by Chopin and other works by Liszt Don Juan Idiot 4 of Liszt Mzepa plus Layman 8 of Liszt plus Chopin Fantasia a year and 6 months soon I in two years managed the very difficult parts in La Campana Liszt to love the dream plus Liszt 419 s plus Chopin Vint Wind from the flight of the bee I am still learning now Chopin Vint Wind this From a hard time I want to learn Liszt 420 and Chopin Torrent
Tf kinda language you're speaking dude
Probably the language of someone who is extraordinarily experienced or that of someone who is extraordinarily incompetent. (most likely lap ladder) trying to flex on those with lesser experience. What do you believe?
Campanella in a year PROPERLY played is impossible. Just like the fact that you’ll become a real pianist.
Any upload please. Or just in Printing?
@@chironchiron5053yes. As a beginner I think I could play the notes at like 0.25/half of the tempo but not an actual good version in kinda the next ten years
all keyboards have sustain input man, and an arrangement keyboard has nothing to do with a synth, it works with samples. you even know what you're talking about when you do these videos?
I said “more similar to a synthesiser” which is correct…a keyboard works with samples, as can a synth…a synth just has more ability to manipulate the sounds and use sine waves etc.
All keyboards do indeed have a sustain input (and I said this in a recent video), however they don’t tend to come with one…because if you are using a keyboard as it is intended to be used….as a keyboard. You wouldn’t use one. Whereas using a keyboard as a piano, you would need one, but you are lacking the remaining keys, weighted keys etc.
most professionals don't use the pedal since the most it requires less skill than finger control
Absolute bunk. Every professional pianist or half decent amateur uses the sustain pedal and music starting around the time of Clementi is written specifically with it in mind (or at the very least the knee-operated lever which preceded it, does the exact same, albeit less convenient although functionally 100% identical). Before that, a hand stop was used to lift the dampers but this was of course much more limited in its usefulness.
Opinion on the una corda pedal is sharply divided. My first piano teacher (who studied with, IIRC, Joop Grubben at the Maastricht Conservatoire) is against it. My second piano teacher, who studied with Avi Schönfeld at the very same conservatoire, swears by it. Liszt used it copiously. Chopin dissuaded his pupils from doing so.
@@classicallpvault8251 The pedal is required to play a lot of songs, for example Ludovico Einaudi - Experience, if you look at him playing, he uses the pedal a lot, and I'm pretty sure, he is very very far from be an amateur pianist