Nice! Expansion essentially just makes the quieter sounds quieter, and the loud sounds louder, - I've got a dbx 118 which I use for de-compressing breakbeats, so I can add my on processing, and it can help remove some of the reverb and ambience from a drum loop.
aaahhhhh That's awesome to know! literally the opposite of compression haha. I guess "expansion" never made me think that. but i can see, or hear rather, it now!
i thought about that! but i dig all the cables on one side as much as possible.. BUT i might give it a shot so i don't keep running into the cables haha
A handful of his little 90º cables is the best of both worlds: lower profile than the knobs and jacks all line up. Plus they are stylishly colored. @@RickyTinez
Oh wow, I never thought you could do smaller than the Intellijel pallette case for a minimalist modular setup. I've been looking for a quality Eurorack compressor forever! Thank you.
Sago Ricky I try to chk out your videos as often as I can. You never disappoint. Sharing your knowledge and learning moments is greatly appreciated by many. Keep Sharing your gift.👍👍👍👍
Hmm, 2hp gap for a stereo end of chain box. Annoying, and gets me thinking. Given it's so small, can't help feeling the Intellijel Outs is taking up more room than it needs to. You could swop that out for a Befaco Output v3, and gain 2hp and cue, while not losing anything significant. Then, with 4hp there's more useful stereo modules. WMD have a couple of interesting stereo 4hp moduesl. Their SCSL is 4hp stereo a DBX style overeasy compressor, with a limiter mode. From past experience, these sound so good on dynamic house drum machine driven music with 909s, Jomox type sounds. WMD SCLPL ('Scalpel') is a morphing stereo 5-band EQ designed for mixing or end of chain use. Or ADDAC have a simpler one-knob tilt EQ. Or, Happy Nerding FX Aid might be nice to have as master effects with it's possibly better reverb or a distortion with a dedicated dry/wet control.
Great video! I am using a little 40HP case for the exact same purpose, stocked with Per4mer and a Disting MK4 on DJ filter, plus four of our North Coast Modular Collective Flint Fader modules for hands-on control. I use slim right-angle cables to make Per4mer’s buttons easier to reach, and that helps a bunch. Luigi and Tendrils cables make my controls much easier to get to in my performance cases.
I have a very similar master FX chain in my studio, but mine uses a Roland AIRA Scooper -> Modbap Perf4mer -> WMD Overseer. I've connected a physical crossfader to control the Scooper input / buffer mix. It's a lot of fun!
Nice vid and awesome module! .. but, Ricky, you confused the Ceiling and Room parameters and treated them the opposite way. Ceiling is the level or threshold and Room is a bipolar control which set it to either Expansion or Compression :)
I'd give a passive output a try to get rid of that little buzz. The goal with Eurorack is turn it way down once you're outside of the power rails, that's how Doepfer designed it to save us all money with TS instead of TRS patch cables. Active outputs need to be very well designed to avoid the noise issue. Give something like a DIY (or second hand) Rip a try and see if that does it, plus I think you will appreciate the transformers in those.
I didn’t really know about compression, this was very interesting. I realise listening to you using this setup that compression must be used in a lot of house music, and used prolifically in French House Music, the latter seems to use it a lot for bringing things up and down, in and out of the mix, and French House has really full punchy beats, and are typically very funky with intricate basslines, both of which must be frequently compressed I guess?
Also to defend modbap with the i/o placement because if you look at even just that set up all the jacks are at the bottom and line up...but I do also agree with you that it’s a shame that they aren’t at the top.
Cool setup. The issue is thought that the modular probably costs over £1000. Boum is less but still expensive, and the 404 is less than £500 and it’s a sampler as well
The advantage this has over a 404 is: You can do all the effects simultaneously in real time, where with a 404 you get one effect or 4 with the MKII. I swapped the overseer with a TipTop audio MODFX FSU, and I’m using an Endorphin.es S+M as my MIDI controller. I put it all in a Power Lunch from Synthrotek. This gave me the ability to add an Intellijel Steppy and ZeroScope. I now have an “SP404” with 16 effects I can do all at once, a step sequencer, and a Scope to see the audio from each channel (left and right). Having enough SP-404’s to do this would cost me about $4800 (assuming I bought them used at $300 each), or $2400 if I bought 4 MKII’s at $600 each…
Yeah it probably makes more sense if you are already a bit into modular to do something like this, but the little box he has set up maybe is closer to having 2 OTO fx boxes in function/quality so the price isn't that far off.. plus the little midi utility just saves you a bit of headache in a live set up.
@@habitat2990 yeah the only real issue with big flagship DJ mixers is they add a huge chunk to your live footprint, and generally they FX are not of the same quality.. they are definitely good but stuff like there compressors and delays are almost always a bit of a let down if you are used to having more control.
@@bartjanc Nice I never got into the modular stuff so I would be starting from scratch but yeah sounds like it might work out for people that already have invested in this fomat
Great vid! That compressor module seems really nice, specially at the price of the Oto boum ATM. Would be nice to see how you map that effect case with your controler and OT!
All I want is that multiband compressor.. I don’t have a modular setup at all. What’s the easiest way to get that compressor at the end of my chain for live use? Can I just buy a 10hp euro rack case? Do they exist? Do I need anything else? It sounds so gooooood
I'm using the Analog Heat Mk2 as end of chain warmer. Experimenting with adding the SP404 MkII before it. The SP really likes being not subtle, so dialling in things is necessary, but I like the results. No multiband compression like that though, but I kind of have that with per channel compression on the Model 12 mixer I'm using. Like this, I also still get to avoid the money pit that is modular 😁
I wonder how many polydactyl versios were sold off the back of this video. Cos I can tell you from experience that it's DEFINITELY at least 1! I hope you get a good deal for the custom you bring to peeps.
It's deff not better then the Oto Boum. The analogue warmth and distortion in my opinion is more lively and fat. I do like the multiband aspect of it as a stereo mastering chain.
Are you running the OT straight into the WMD Overseer? I was expecting you to have something in between to bring the line level output to Eurorack voltage. If you don't need that, a palette big enough to fit a Doepfer mixer could be exactly what I've been looking for to add effects and mix 2x stereo + 1x mic input instead of a pedalboard and a mixer.
Polydactyl Compressor seems super legit.. makes me tempted for sure. I have been rocking 2x alm MFX lately because I love the compressor and wanted to use some of the other fx also. If I went Polydactyl then I could have 2 other MFX algos going :O ..I would say consider finding a way to bring an MFX into your little fx system because it really is that good.
You may have just convinced me to get a Versio module... Especially considering you can load it with any other Versio firmware! BTW, I just got that Tubbutec USB-MIDI Bridge myself! Very handy.
hi Ricky ! Thanks for your contents, it's a real pleasure to watch your videos. Do you think it's possible to make a "cheapest version" of this fx box ?
2:10 In this before & after comparison, there's no gain matching - the "after" is much louder - so of course it sounds better after you gain it up. 5:26 the way you explain this, it's a little misleading. To paraphrase, you say: "It seems as if it's louder, but [I used compression and make-up gain to make it louder]." Except, the way you linked your explanation of compression and make-up gain with the 1st assertion "It seems... but..." implies that it only SEEMS louder... but that's misleading - it really IS louder, as you explained that the quieter frequencies are boosted, while the loud frequencies are first squashed, but then boosted back up. Having said that, I still think it's a valuable demo to get an idea how much loudness you can get vs the amount of distortion, and to hear what's the vibe of that system. If it's for mostly live use, viewers probably don't care as much about a level matched before & after comparison. The only issue I have is the words that implied the "after" example wasn't really louder, and that's really a suggestion to think about for future videos rather than asking to amend this one.
Ricky, how noisey is the polydactyl versio in comparison to the oto boum. I own a boum and love it, but noise is my only complaint. It’s got a very hot output.
Hey Ricky, your vids are amazing. I get some interessting ideas of them. I am insecure of playing my stuff live, because of the diferent soundsystems. How do you get a solid sound live? Any hints I should have inmind for playing live? That would be great to know, so I can press play and perform with more eas. Thank you and keep on doing what you do!
Nice one man! That MB compressor sounds great. Wondering if you've ever looked into Stimming's Instant Mastering Chain? I would love to hear how it sounds but it's a grip (like $2000... woof).
Am I crazy or is there a loop running out of sync? As it gets towards the end of the second bar a kick or something starts drifting. Like when you are DJing and one track is floating slightly out of sync
that is probably another good option, i've never tried it. What got me stoked on Polydactyl was that its multi-band. That's super important to me to help level out a mix especially when my gear doesn't have the best ability to EQ themselves live
Lol, your “minimalistic modular case” costs around 1500€. Is that the Price to pay for such a small Setup? I know, laptops might kill the vibe for some but having one with you with a decent 2x2 channel interface might bring you the same result for a lower price. Given you already own the laptop with the software. An iPad might also do the trick.
it’s definitely not as attractive of an option and that’s honestly at least half of what modular and synth culture is about: selling us attractive shortcuts. I get there’s the portability aspect, fair, but how many are actually performing enough to justify it? When it comes to these sorts of functions in particular, just use a daw.
@@johnhowell-sayers8152 I totally get that. I, personally hate making Music on a computer. But I would consider it as a „end of chain“ device sitting somewhere under the desk just doing its compression thing. For this usecase not even a monitor is required. Just „set and forget“.
Anybody know what I mean by 'black bar audio'?....mastering until the audio file looks like a black bar? Hahhahahhaha. Take your favorite professionally produced songs and compare their images/profiles within a wave editor. It's interesting.
His mini modular fx box cost 2 grand Yeah he is bought and payed for by corporate advertisers Not even a musician did not hear any good tunes coming out of his hands
![รวมมิตร ภาพนี้ก็ฮาเหมือนกันนะเนี้ย #4 SS2 [ พากย์นรก MEME.EXE ] | easy boy](http://i.ytimg.com/vi/kl86m9gnLt8/mqdefault.jpg)
Nice!
Expansion essentially just makes the quieter sounds quieter, and the loud sounds louder, - I've got a dbx 118 which I use for de-compressing breakbeats, so I can add my on processing, and it can help remove some of the reverb and ambience from a drum loop.
aaahhhhh That's awesome to know! literally the opposite of compression haha. I guess "expansion" never made me think that. but i can see, or hear rather, it now!
I heard modular is over you bro😂
"I think this is going to be the final iteration of it" - famous last words! :)
You could always turn the performer upside down. I love your videos man. Full of inspiring methods.
i thought about that! but i dig all the cables on one side as much as possible.. BUT i might give it a shot so i don't keep running into the cables haha
Wait maybe you could turn the whole thing upside down lol
A handful of his little 90º cables is the best of both worlds: lower profile than the knobs and jacks all line up. Plus they are stylishly colored. @@RickyTinez
Multiband compression is great. It's always on my master when I'm working in a daw. Been looking for something like this
Oh wow, I never thought you could do smaller than the Intellijel pallette case for a minimalist modular setup. I've been looking for a quality Eurorack compressor forever! Thank you.
Dont know if youve tried Disting mk4 compressors, they are not bad...
@@jsogman Really? I do have a Disting mk4 but I've never tried its compressor algorithm.
The fact I can pick what the compressor is doing just on phone speakers says alot
I was thinking of a similar case thanks for sharing, this was helpful. I have USB bright A and love it.
Sago Ricky
I try to chk out your videos as often as I can. You never disappoint. Sharing your knowledge and learning moments is greatly appreciated by many. Keep Sharing your gift.👍👍👍👍
Hmm, 2hp gap for a stereo end of chain box. Annoying, and gets me thinking. Given it's so small, can't help feeling the Intellijel Outs is taking up more room than it needs to. You could swop that out for a Befaco Output v3, and gain 2hp and cue, while not losing anything significant. Then, with 4hp there's more useful stereo modules. WMD have a couple of interesting stereo 4hp moduesl. Their SCSL is 4hp stereo a DBX style overeasy compressor, with a limiter mode. From past experience, these sound so good on dynamic house drum machine driven music with 909s, Jomox type sounds. WMD SCLPL ('Scalpel') is a morphing stereo 5-band EQ designed for mixing or end of chain use. Or ADDAC have a simpler one-knob tilt EQ. Or, Happy Nerding FX Aid might be nice to have as master effects with it's possibly better reverb or a distortion with a dedicated dry/wet control.
Always a pleasure to get a modular video
6:02 i love that loop. Could dance to it all day
Great video! I am using a little 40HP case for the exact same purpose, stocked with Per4mer and a Disting MK4 on DJ filter, plus four of our North Coast Modular Collective Flint Fader modules for hands-on control. I use slim right-angle cables to make Per4mer’s buttons easier to reach, and that helps a bunch. Luigi and Tendrils cables make my controls much easier to get to in my performance cases.
Those tracks... Chef kiss.
I have a very similar master FX chain in my studio, but mine uses a Roland AIRA Scooper -> Modbap Perf4mer -> WMD Overseer. I've connected a physical crossfader to control the Scooper input / buffer mix. It's a lot of fun!
Dayum. Going to have to get one of these. MB Comp is my secret weapon. Makes tracks CRUSH!
Nice vid and awesome module! .. but, Ricky, you confused the Ceiling and Room parameters and treated them the opposite way. Ceiling is the level or threshold and Room is a bipolar control which set it to either Expansion or Compression :)
That's a sharp outfit. FX skiff not bad either.
Very inspiring ! I'm gonna try to do the same thing on my master in Ableton and midi map the controls. It should do the trick
I'd give a passive output a try to get rid of that little buzz. The goal with Eurorack is turn it way down once you're outside of the power rails, that's how Doepfer designed it to save us all money with TS instead of TRS patch cables. Active outputs need to be very well designed to avoid the noise issue.
Give something like a DIY (or second hand) Rip a try and see if that does it, plus I think you will appreciate the transformers in those.
I didn’t really know about compression, this was very interesting.
I realise listening to you using this setup that compression must be used in a lot of house music, and used prolifically in French House Music, the latter seems to use it a lot for bringing things up and down, in and out of the mix, and French House has really full punchy beats, and are typically very funky with intricate basslines, both of which must be frequently compressed I guess?
Great video, Ricky..... may check one out myself, BUT.... the SP404-MK2 is staying in the setup, she's a keeper... hahahahaha....keep jamming, bro !
Love the tiny modular case, I could be tempted to experiment with something that size.
its a challenge haha, but rewarding at the same time when you nail it. i missed it by 2hp.. but close enough!
@@RickyTinez Certainly close enough for rock and roll
Would it make sense to fill it with a limiter after the polydactyl? if someone makes one that size?
I always wanted a polydactyl cat.
Love the 'yo... come on' at 2'20''!
what about the Really Nice Compressor? has side chain and all that.
Great video and great setup. Throw a happy nerding fx aid in there and you'll be set!
Also to defend modbap with the i/o placement because if you look at even just that set up all the jacks are at the bottom and line up...but I do also agree with you that it’s a shame that they aren’t at the top.
Cool setup. The issue is thought that the modular probably costs over £1000. Boum is less but still expensive, and the 404 is less than £500 and it’s a sampler as well
Is the 404 compression comparable to this versio?
The advantage this has over a 404 is:
You can do all the effects simultaneously in real time, where with a 404 you get one effect or 4 with the MKII.
I swapped the overseer with a TipTop audio MODFX FSU, and I’m using an Endorphin.es S+M as my MIDI controller. I put it all in a Power Lunch from Synthrotek. This gave me the ability to add an Intellijel Steppy and ZeroScope. I now have an “SP404” with 16 effects I can do all at once, a step sequencer, and a Scope to see the audio from each channel (left and right). Having enough SP-404’s to do this would cost me about $4800 (assuming I bought them used at $300 each), or $2400 if I bought 4 MKII’s at $600 each…
Yeah it probably makes more sense if you are already a bit into modular to do something like this, but the little box he has set up maybe is closer to having 2 OTO fx boxes in function/quality so the price isn't that far off.. plus the little midi utility just saves you a bit of headache in a live set up.
@@habitat2990 yeah the only real issue with big flagship DJ mixers is they add a huge chunk to your live footprint, and generally they FX are not of the same quality.. they are definitely good but stuff like there compressors and delays are almost always a bit of a let down if you are used to having more control.
@@SLRPS Definitely take up more room I’ll give you that
great setup! thanks for the VID
🙌🏼 That multiband 👀
That Cuckoo!
You can flip modules upside down, I've done it when jacks are just in the wrong place for the rig.
Been tempted to just make a rack of versios I swear
you really put some thought into that little case, and nailed it!
maybe too much thought haha, racking my brain on it and i STILL missed 2hp..
Awesome video..... come back to mini modular 😭
Forget Kenton, check out the CV.OCD !
2Hp left? - Shakmat HiPass!
I was looking at a pioneer rmx-1000 for my end-of-chain, but this looks fun as well
RMX 1000 will be about $700 cheaper plus it’s just plug and play here
@@habitat2990 not $700 for me, already have room and power in my eurorack case and also already have a versio of which i can flash the firmware 😬
@@bartjanc Nice I never got into the modular stuff so I would be starting from scratch but yeah sounds like it might work out for people that already have invested in this fomat
People think you have to mount fx with writing so you can read it. Just install it upside down
oh my gawwwd that customfx box is (how we say in the UK) "the dogs bollocks" (the best) ! WANT
Nice way to beef up the OT signal, that track is FIRE!!!
ALL HAIL SWEET XENU!
Ok now i want to build my own fx box from euroracks module aswell :D
The end jams should be way longer
Thank you for the never ending inspiration.
Great vid! That compressor module seems really nice, specially at the price of the Oto boum ATM. Would be nice to see how you map that effect case with your controler and OT!
All I want is that multiband compressor.. I don’t have a modular setup at all. What’s the easiest way to get that compressor at the end of my chain for live use? Can I just buy a 10hp euro rack case? Do they exist? Do I need anything else?
It sounds so gooooood
Dope video bruh. Really dope set up too. powerful small footprint fx rig indeed.
Bro you just nailed it
I'm using the Analog Heat Mk2 as end of chain warmer. Experimenting with adding the SP404 MkII before it. The SP really likes being not subtle, so dialling in things is necessary, but I like the results. No multiband compression like that though, but I kind of have that with per channel compression on the Model 12 mixer I'm using.
Like this, I also still get to avoid the money pit that is modular 😁
BEER! I always wanted to buy him one. Maybe someday I will.
I wonder how many polydactyl versios were sold off the back of this video. Cos I can tell you from experience that it's DEFINITELY at least 1! I hope you get a good deal for the custom you bring to peeps.
It's deff not better then the Oto Boum. The analogue warmth and distortion in my opinion is more lively and fat. I do like the multiband aspect of it as a stereo mastering chain.
I wonder if the endorphin golden master would be better then the versio....?
Seems to have more options (like muting parts) and is half the price
Are you running the OT straight into the WMD Overseer? I was expecting you to have something in between to bring the line level output to Eurorack voltage. If you don't need that, a palette big enough to fit a Doepfer mixer could be exactly what I've been looking for to add effects and mix 2x stereo + 1x mic input instead of a pedalboard and a mixer.
When I use my octatrack I never set the master out too loud but it can be set really loud.
Praying to sweet xenu 😂 you are hilarious Ricky
Polydactyl Compressor seems super legit.. makes me tempted for sure. I have been rocking 2x alm MFX lately because I love the compressor and wanted to use some of the other fx also. If I went Polydactyl then I could have 2 other MFX algos going :O ..I would say consider finding a way to bring an MFX into your little fx system because it really is that good.
You may have just convinced me to get a Versio module... Especially considering you can load it with any other Versio firmware!
BTW, I just got that Tubbutec USB-MIDI Bridge myself! Very handy.
I feel like this could work well as an fx unit for djing
That's a nice setup 👍
Very cool
Have you checked out the modbap Hue? Might be nice in that end of chain case.
14:50 that’s the real question. Why are those Kenton usb devices so expensive
It's obvious to me why you're name comes up so much 👊
@ricky tinez are you going to get a Synthstrom Deluge now that it has a fancy screen on it? Would love to see what you so with it.
I think it’s sound more like a. rack amplifiers for night clubs with detailed equalizers
im looking for a case that size!
Wow that’s cool wish I could afford one Thanks love your vids 👏✌️❤️👍😎
hi Ricky ! Thanks for your contents, it's a real pleasure to watch your videos. Do you think it's possible to make a "cheapest version" of this fx box ?
this setup is brilliant but the cost of such a rig is prohibitive to a lot of us.
2:10 In this before & after comparison, there's no gain matching - the "after" is much louder - so of course it sounds better after you gain it up.
5:26 the way you explain this, it's a little misleading. To paraphrase, you say: "It seems as if it's louder, but [I used compression and make-up gain to make it louder]." Except, the way you linked your explanation of compression and make-up gain with the 1st assertion "It seems... but..." implies that it only SEEMS louder... but that's misleading - it really IS louder, as you explained that the quieter frequencies are boosted, while the loud frequencies are first squashed, but then boosted back up.
Having said that, I still think it's a valuable demo to get an idea how much loudness you can get vs the amount of distortion, and to hear what's the vibe of that system. If it's for mostly live use, viewers probably don't care as much about a level matched before & after comparison. The only issue I have is the words that implied the "after" example wasn't really louder, and that's really a suggestion to think about for future videos rather than asking to amend this one.
Wow thank you for all this info! And taking the time to write it. Super valuable
This sounds fantastic and might be the video that gets me to jump into modular. Also, where can I hear that Me Myself and I remix you’ve been playin?
Ricky, how noisey is the polydactyl versio in comparison to the oto boum. I own a boum and love it, but noise is my only complaint. It’s got a very hot output.
Groovy.
Hey Ricky, your vids are amazing. I get some interessting ideas of them. I am insecure of playing my stuff live, because of the diferent soundsystems. How do you get a solid sound live? Any hints I should have inmind for playing live? That would be great to know, so I can press play and perform with more eas. Thank you and keep on doing what you do!
That last 2hp is begging for a 2HP FREEZ.
Great little setup! Can you tell me what options you got on your headphones? I'm considering getting a pair and not sure what options to choose
Nice one man! That MB compressor sounds great. Wondering if you've ever looked into Stimming's Instant Mastering Chain? I would love to hear how it sounds but it's a grip (like $2000... woof).
Yea i bet it sounds amazing. but that price tag is what has been keeping me at bay haha
Does this setup add latency, because i want to do live finger drumming and need a very very low latency end of chain setup
how would the sp404 mk2 go as an end of chain compressor? Does it lack the warmth of the Boum?
Am I crazy or is there a loop running out of sync? As it gets towards the end of the second bar a kick or something starts drifting. Like when you are DJing and one track is floating slightly out of sync
Would love to see when you get the launch pad hooked up through the midi converter and how you use it. 🤩 🤤. Love the set up.
i'd be using the LaunchCONTROL XL instead of a launchpad for this setup
OK-- now I'm interested. How much did that rig set you back? Ballpark--
At least 1350 if you add up the 4 modules.. So probably more like 1500 or something.
Have you used the Korg electribe emx2? That unit is really powerful!!
i have an EMX, never tried the EMX2
omg don't make me go back to eurorack please i have bills to pay!
What do you use to boost the line input to eurorack levels for the compressor?
Hey Ricky this sounds really great! Got me interested as soon as I hear it. Curious - why not Librae Legio which is meant for end of chain?
that is probably another good option, i've never tried it. What got me stoked on Polydactyl was that its multi-band. That's super important to me to help level out a mix especially when my gear doesn't have the best ability to EQ themselves live
@@RickyTinez Polydactyl sounds great man, can't argue with that.
You got 6 pieces of modular(in this setup), is that right? 🤓
Awesome, but really hard for understanding specially about minimalist setup 😅
f**k i want it... omg
Anyone else want the secret sauce multiband compression Ableton tip?
I'll set it up and see if i can save it for the members! thanks for being apart of it
@@RickyTinez ❤️😍
🤘🤘🤘🤘🤘
fahck!!! SO GREAT
Lit
First! (I always wanted to do that) 😅
Life goals
Lol, your “minimalistic modular case” costs around 1500€. Is that the Price to pay for such a small Setup?
I know, laptops might kill the vibe for some but having one with you with a decent 2x2 channel interface might bring you the same result for a lower price. Given you already own the laptop with the software.
An iPad might also do the trick.
it’s definitely not as attractive of an option and that’s honestly at least half of what modular and synth culture is about: selling us attractive shortcuts. I get there’s the portability aspect, fair, but how many are actually performing enough to justify it? When it comes to these sorts of functions in particular, just use a daw.
💯I was thinking an iPad and a midi controller
not everyone wants to make music on an iPad or a computer
@@johnhowell-sayers8152 I totally get that. I, personally hate making Music on a computer.
But I would consider it as a „end of chain“ device sitting somewhere under the desk just doing its compression thing.
For this usecase not even a monitor is required. Just „set and forget“.
Anybody know what I mean by 'black bar audio'?....mastering until the audio file looks like a black bar? Hahhahahhaha. Take your favorite professionally produced songs and compare their images/profiles within a wave editor. It's interesting.
His mini modular fx box cost 2 grand
Yeah he is bought and payed for by corporate advertisers
Not even a musician did not hear any good tunes coming out of his hands
🤙🌌🤙
"essentially infinity, but its still there." naaah.
You've been jamming way too little on your latests videos! Give us the whole drill
That per4mer sounds baaaad lollllzzz fack mate.
why is he wearing 2 shirts?
you didnt hear? Jimmy Two-Shirts passed away yesterday. Founder of Pie Face Records. So its in honorarium.
The outer one appears to be more of a jacket. They actually have a portmanteau name and call them shackets.
@@UnconsciousChanting i have also heard jert tossed around in avant garde circles 🤓