Enclosures - Greg Fishman shares his system for teaching enclosures (long version)
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- เผยแพร่เมื่อ 10 ก.พ. 2018
- D'Addario Woodwind artist Greg Fishman shares his system for teaching enclosures. This is a sample video from the new Greg Fishman Jazz Studios video lesson course at www.gregfishmanjazzstudios.com. Visit the site for a free PDF download study notes for this video!
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You are a masterful educator and player Thanks Greg
A good teacher
Thank you for fantastic playing
Thank you teacher! Regards from Brazil!
You're welcome, Hélio!
Thanks Greg
Thanks for your lessons!!
Glad that you're enjoying the lessons. Please check out my video lesson subscription site....50+ new videos, plus PDF LESSON NOTES! www.gregfishmanjazzstudios.com. Thanks!
Thanks Greg ,
Thank you so much sir!
Thanks Greg! Top stuff!
Thanks, Mike!
Thank you
brilliant
Cool sound 😎
Thanks gracias x compartir❤
Great video! and Inspiring background too, I will buy an hourglass...you are the best online teacher, congrats!
Thanks, Alexandre! Glad that you're enjoying the videos. Would love to have you as a member of my new video lesson course. I think you'd really enjoy it. Details here: www.gregfishmanjazzstudios.com
Thanks, Alexandre. Glad you enjoyed the video. Please check out my video subscription lesson site....I think you'd really get a lot out of it. www.gregfishmanjazzstudios.com
Thanks
Greg: enjoyed the enclosure video. Just getting started with these. From your old student (33 years ago.)
Great to hear from you again! Wow! Great to reconnect! Hey-please consider a subscription to my new video course. You would love it. Over 250 lessons. Also, we can do a Skype lesson sometime. www.gregfishmanjazzstudios.com
thnx..
nice!!
Subscribed
awesome tip!
you end the (bp) phrase hitting target note on up beat. main enclosure hits target note on downbeat. why one or the other? that seems to make a huge difference.
Good observation! Yes, Bud Powell changed the rhythm. This is a bit of an unusual example, because in many cases, the enclosure is used to set up a target note in a moving line of eighth-notes. In the case of this example, Bud Powell used the enclosure itself as a melodic phrase with a cool rhythmic variation at the end. Listen to the tune, "Dance of the Infidels" by Bud. It's full of surprising accents and edited phrases with that little surprise at the end of the lines. They're not enclosures in that tune, but it is a similar rhythmic device. I think of this shift to arrive at the target note a half-beat sooner, as an edited phrase. This is a beginning level video, so I purposely kept things simple, with the target note on the downbeat. However, if you want the effect of ANTICIPATING the upcoming chord change, you can actually move the entire enclosure a 1/2 beat sooner, starting it on an upbeat, which would arrive at the target note a 1/2 a beat earlier, as well. This is less common than starting on the downbeat, but it does happen occasionally. Another thing to consider...this is a bit difficult to discuss without a clear harmonic context (which I also purposely left out of this video). A more advanced video (planned for the future) will explore various harmonic applications of the enclosures. For example, the target note could actually be the root, 3rd, 5th, 7th, b9, 9, #9, #11, 13, etc. of the chord. It all depends on what you're setting up as the target. In the end, you need to experiment with both ways, arriving on the downbeat and the upbeat, and go with the one that sounds best at the time.
Great vid as usual. I have found that using the enclosures "backwards" works very well too. ex: (aiming at C) play B, Db, C. Is this something you do as well? I find that interchanging the "standard" (above-below-target) mixed with some "backwards" ones give some interesting variations of licks. Make sense?
Hi Joe. Thanks! Yes, putting the lower neighbor first, then the upper neighbor, and then the chord tone -- (backwards) works, as well. Not as common, but nice for a change. Glad that you enjoyed the video. Please check out my video lesson course, now available on my website. Over 65 new videos, with detailed PDF lesson notes. gregfishmanjazzstudios.com
did he just day d flat holding a tenor of all instruments. also thanks was a great vid
Hi Greg,What tunes used in your etudes?
Not all heros were capes some have tenor Saxaphones !
😂👍👍👍
Hi Greg, it´s Dave Guardala mouthpieces?
No, it's a "Stubby" Bobby Dukoff from the late 1940's. #5 facing. Similar to an old Otto Link, with a bit more rounded sidewalls.