Greg Fishman teaches how to mix a minor triad with dim7
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- เผยแพร่เมื่อ 6 ก.ย. 2024
- In this video, D’Addario Woodwinds artist Greg Fishman demonstrates his technique for combining a minor triad with a diminished seventh chord to achieve a very cool "quasi classical" effect when improvising.
www.gregfishmanjazzstudios.com
Amazing! My dad use to say you can play and enjoy music your whole life. With his clear and precise sharing of his vast knowledge Fishman truly enhances this process.
Love your Guitar book!
Thanks for spelling out the notes, I did not think you were gonna do it!
Yeah! I've been learning Charlie Parker's "Bebop" in all 12 keys because I love that cool minor/diminished/quasi-classical intro.
I've been playing this idea for a while and it never gets old. Thanks Greg.
Awesome video and concept, very helpful. Thanks for sharing Greg, your lessons and etude books are wonderful.
Very practical and useful. Thanks!
What a great teacher!
Thanks, Mark! Please check out my website to read some of my theory articles. I think you'll enjoy them. gregfishmanjazzstudios.com
At my level of learning the Jazz vocab, this is possibly the best instructional video I've seen. Practical formula for melodic phrasing, absolutely invaluable. How about one in this excellent format on a Dominant 7 ? Perhaps a similar rule exists to get that 'out' sound that gives the music its colours.......did I say, great work Greg?!
Thanks Greg, I play by ear but you are taking me way beyond the basics, where Im trying to go. Thanks big time! You make me realize how little I know.
Thanks, Danny! Glad that you're enjoying the videos. Please also check out my new video lesson subscription site. I think you'd really enjoy it. Best, Greg
www.gregfishmanjazzstudios.com
This is an awesome lesson. I've been trying to incorporate more diminished licks into my playing recently. Just hard trying to do it on my own! Awesome lick, can't wait to play around with it!
great chordal line on these two chords Greg. Thanks for info.
great lesson thanks !!!
~~ Such a nice idea Greg....thank you for spelling it out so clearly...you are a great teacher :D
Hi Greg,
I don't understand English, but I understand the notes. It is very good !
Great tips, really effective and well explained. Thanks
Great Lesson Greg! I especially enjoyed the minor ending you added. It was a little tricky though! I think this concept would be great in your next book of Hip Licks!
Great teaching style!!
just love it ..its great...thnx greg fishman..
VERY GOOD!
If you enjoy my teaching concepts, please check out this short video in which I describe the concept behind my latest book,
The Lobster Theory by Greg Fishman
This is a V7b9 - 1m, as he mentions. You could also do flat 2 dominant 7 (tritone sub). Just watch the voice leading.
A very Dex-y lick!
Charlie Parker or Barry Harris
Appreciate the map! Learning these licks and such for me can be likened to that first time you drive to a friend's place. First time going will lightly refer to the map/directions as a guide, but next time I drive over it's not really needed. After that, visiting said friend is usually via a more scenic route, discovering cool pit stops and whatnot, maybe even finding a shortcut or two. Always seem to end up taking the long way home though; for some reason... guess maybe you can blame Supertramp lol.
Nice analogy! Got the Supertramp reference. Thanks, Jason.
I play guitar but this guys lessons are golddddeennn.
Same here - damn right!
Thanks Greg. Really useful.
A bit of magic there.
It is a very cool tips,
Thanks Greg.
You're welcome, Serio. Glad that you enjoyed the video lesson.
Very cool! Thanks!
Great video! thanks!
I noticed this idea in your Hip Licks book in the minor section! Hip Licks For Sax is here amzn.to/1hb9Zr1 and there's a guitar version with tab as well.
You're right, Will! I use this device in some of the minor licks from Hip Licks for Saxophone Volume 1. (Also in the Hip Licks for Guitar book).
You got a sub outta me!
Please remind us guitarists to transpose!
We ain't all that bright. LOL!
Nice lesson Greg! A little like Tickle Toe right? You should make more videos like this!
Hi Kip. Thanks. Yes, this is similar to Tickle Toe. Sonny Stitt used this technique quote a bit on many minor tunes. BTW, I have over 170 video lessons (in hi-res) on my new video lesson subscription course. They also include detailed practice notes so you can play right along with me. Nice to meet you. Here's a link to my new video lesson course: gregfishmanjazzstudios.com/membership-welcome/
@@GregFishman thanks Greg I’ll check these out!
Works going upwards as well👍
OMG! you just advanced my skillset by 20 years !!!!i've been wondering for years how beboppers played such beautiful long runs. now i get it!i'm gonna go and try this in all 24 keys ...
Thank-you
great vid. sound super hip on modal tunes haha. thanks!
Thanks !! I will Buy Your App ! Merci
THANK YOU!
So tasty man! Love it. Great recommendation youtube.
Thanks, RM. Glad that you enjoyed the video lesson. I have a new video lesson site with over 65 videos plus PDF lesson notes. You can check it out on my site: www.gregfishmanjazzstudios.com. Thanks, again! Greg
Greg that this was absolutely awesome. I am so glad to have come across your videos for me you are what the doctor ordered! I don't have an Ipad device is your product compatible with a desk top pc?
Hi Barmani,
Glad you're enjoying the videos. The ipad apps only work on the ipad. However, you should just order the books from my site or from amazon. I think you'll really enjoy them.
Nice to meet you.
Greg
All the music theory goes over my head because I've never studied it... but it all makes sense once you hear the pattern.
pretty cool
help! can anyone clarify a b dimished is flat3 flat5 and a flat FLAT 7?
That's correct. If you look at the fingering of the last note he's playing an Ab. I had to look it up myself because I confused B diminished (B D F Ab) with B half-diminished (B D F A).
A fully diminished 7th chord is b3 b5 and bb7 (double flat 7)
It is a symetrical stack of minor thirds and there are only 3 of them. Every note can be the root depending on the context. Another way to thing about it is a dominant 7 with a raised root.
* think about it as. Damn auto correct.
diminished seventh chord = 1, b3 ,b5, bb7 (double Flat)
A fully diminished chord is made up of all minor third intervals.
Please video in horizontal always ;)
Are you joking? What does it matter?
Get Hip Licks for Saxophone on Amazon here: amzn.to/1lQBPAT
Get Hip Licks iPad app here: itunes.apple.com/us/app/hip-licks-for-tenor-saxophone/id804081976?mt=8
Harmonic minor. 25 1
Bach.
I've been using this for a few years now. It is very useful. I call it the b9 chord for short. Works in the relative major also. What it made me realize was that weaving between the tonic and the dominant, is always cool, no matter when.
Rico reed artist? 😂😂😂