More nerdy analysis please! Seeing how you name the patterns and how they show up in actual recordings from the masters is always enlightening and helps to process and absorb new language. Love it!
You don’t need to apologize for these videos. They are awesome and as a professional musician with over 30 years experience I learn so much from you. None of us can please everyone. It’s not possible. And no one is forcing anyone to watch these. So the haters can go fk themselves. Please keep doing what you’re doing.
sounds great for guitar too. wonderfull bit, just incredible that this man could improvise such a wonderfull thing on the spot. thanks for the analysis it makes it very learnable to me at least
I've been listening to jazz most of my life to the point where decided to go buy myself a sax. This is the thing hearing music doesn't equal understanding the how's and whys of the music in order to replicate the language !!! Enclosures are a vital part of this. GOD I LOVE THIS ART FORM.
This might be nerdy. But you are helping me understand the language. I’ve asked myself, “Why don’t I sound like Red?” By listening to Red, and others like him, I’ve internalized some pieces of the language. However, your analysis is helping put the pieces together. Thank you!
Yeah, that's particularly beautiful. I had this record on vinyl back in the day. I love Philly Joe, but Arthur Taylor was an even better choice for this setting.
When you say the first two bars of the A section, are you referring to the third and fourth bars on the top line that have been notated as Gm7 and C7b9 ?
More nerdy analysis please! Seeing how you name the patterns and how they show up in actual recordings from the masters is always enlightening and helps to process and absorb new language. Love it!
Wags in Britain call this tune: 'what is this thing called, love?'...
You don’t need to apologize for these videos. They are awesome and as a professional musician with over 30 years experience I learn so much from you. None of us can please everyone. It’s not possible. And no one is forcing anyone to watch these. So the haters can go fk themselves. Please keep doing what you’re doing.
What a way to set up Art Taylor's tasty little fill as well. SUCH a delicious example of tension and release!
sounds great for guitar too. wonderfull bit, just incredible that this man could improvise such a wonderfull thing on the spot. thanks for the analysis it makes it very learnable to me at least
I've been listening to jazz most of my life to the point where decided to go buy myself a sax. This is the thing hearing music doesn't equal understanding the how's and whys of the music in order to replicate the language !!! Enclosures are a vital part of this. GOD I LOVE THIS ART FORM.
You really are the best at explaining Enclosures and how they're used.
Great job ! I have been looking for such a video for the past 25 years. Thank you so much.
Sylvain, amateur jazz pianist in Paris, France
Do not EVER apologize for analysis of great works. If someone gets offended by this or anything like it, it’s pure politics.
Or if you do say it, maybe just once is enough.
Thank you Red Garland. And thank you Adam. I really enjoy these.
Yes. Yes. Thankyou. Keep on diggin'. This is where the greatness lies
This might be nerdy. But you are helping me understand the language. I’ve asked myself, “Why don’t I sound like Red?” By listening to Red, and others like him, I’ve internalized some pieces of the language. However, your analysis is helping put the pieces together. Thank you!
Keep doing what you're doing
Brilliant. Just brilliant.
Underrated and underexposed. Red Garland was a legend.
Sherman Irby (JALC lead alto) suggested listening to this album by Red Garland. I put it on most days just in the background - it's sublime 😁
Awesome. You hit it right on the nail. Thanks for this and keep um comin.
Yeah, that's particularly beautiful. I had this record on vinyl back in the day. I love Philly Joe, but Arthur Taylor was an even better choice for this setting.
Sounds very similar to Bill Evans' lines! Red preceding Bill of course.
Hella good. I'm gonna work this.
Hi, What is this practice tool?
How valuable would the bebop course be for a guitarist?
1:57
Bravo
Don't forget the hard, almost brutal, accentuations who give the life to the phrase...
Loved it
FUN, thank you! BTW, pretty sure the 1st note in bar 8 is an A, not a G.
Is it just me , but aren’t the bar lines in the wrong place ? Great video though.
🤯
red is doing the exact same break on a foggy day, off the same record
the notes on the screen are not in sync with the music
True. Try using your ears as well.
High notes are accentuated.
That red line throws me off! Lol
Killer licks though!
💯
1:24 music starts
Please, Adam, Red and Paul play C9 on the first two bars of the A section. Try giving up theory and listening to what the cats play.
When you say the first two bars of the A section, are you referring to the third and fourth bars on the top line that have been notated as Gm7 and C7b9 ?
confusing to say you are singing it . bs