The Mozartists - Mozart and Haydn Quartets
ฝัง
- เผยแพร่เมื่อ 21 มี.ค. 2024
- Mozart Divertimento in D major, K.136
Mozart String Quartet No. 3 in G major, K.156
Haydn String Quartet in C major, Op. 20, No. 2
Mozart 2nd movement, Andante, from Divertimento in F major, K.138
Matthew Truscott (violin 1)
Julia Kuhn (violin 2)
Max Mandel (viola)
Sarah McMahon (cello)
Simon Weir - Director
Tristan Hackney - Cameras
Morgan Roberts - Sound
Ian Page - Artistic Director
Filmed on 15 March 2023 ad St Giles Cripplegate
Special thanks for Continuo Foundation for supporting this project - เพลง
Finally a string quartet ensemble where violins sit at the sides and viola & cello at the inner seats!
Thanks for the lovely program, nice video recording and upload!
How nice, how close, how calming, and humble this is! Thank you! Each instrument behaves independently, flows separately, but still peacefully and feels together friendly. Resembling a world in which instruments themselves also have their own feelings...
What would be the world of music without Mozart.
What a wonderful program! Thanks to all for making this happen and sharing it 💖
Magnificent music played by an awesome group of musicians.
2,500m up in the Italian Alpes, frying garlic and getting outside a nice Gavi, with fileds of snow and b right sunshine - this is the perfect accompaniment! Thank you x
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First time I hear The Mozartists. I enjoyed a lot, you transmit a controled emotion and high technical quality. I wish your ensemble future success, you deserve it. I will listen to your upcoming videos.
Superb!! What a delight!!
Thanks, Mozartists & Ian!!💜🎻🎶
You play this beautiful music perfectly. Thank you as always to the Mozartists and Ian Page!
Beautiful, enjoyable playing. Bravo!!! At 3:01 we come across one of those rare solos for the second fiddle, (very well executed, by the way.) There's another in Mozart's 20th piano concerto and another in his 23rd piano concerto. There's one in Borodin's second symphony, in Beethoven's third symphony, in Bartok's concerto for orchestra, and in Verdi's Traviata toward the very end. All of them are crucial solos.
Not hammering to any thunderous conclusion, but a blending of souls to express a pleasant interlude.
Μαγεία! Τι υπέροχο πρωινό κάτω από την υπεραιωνόβια ελιά να ακούω αυτές τις υπέροχες μελωδίες, δίπλα ο Μάκο, το καναρίνι μας να παρασύρεται κι αυτός και να συνοδεύει τους καταπληκτικούς μουσικούς. Έρρωσθε και Ευδαιμονείτε.
A light delicious Viennese confection.
_Viennese_ with two n's, like _Vienna._
@@herrickinman9303of course The text editor didn't catch that.
Thank you for posting. Beautiful 🤩
Stellar performance w/ absolutely uplifting and emotive pieces.
Thank you..
Absolutely delightful - thank you very much from Toronto
Mozart sempre maravilhoso. Excelente conjunto.
this is beautiful , i dont know how to play violin or if this piece is a hard one to play but violin1 play in way that looks so easy and make me want to try it. that amazing
美妙又甜蜜的音樂
Comfort is the essence of performance
This wonderful performance is to the ear and to the mind and to the soul, and impeccable and inspirational
Bravo!
Great music, great musicians and great production.
nice!
참 좋습니다!
Прекрасная игра! Спасибо!
Согласна. Но если бы не изображали чувств. было бы гораздо лучше,
It’s that bloke from the Mahler Orchestra
Superb recording , a clean set up , no cables/mics etc in view . Assume it is a live recording , not "mimed". Look forward to more videos .
their bows are tight
To stop Mozart and squeeze in an ad?! I'm leaving.
Determine your priorities… pony up…. TH-cam premium. No ads. Download saved to your phone to enjoy at your leisure even when you don’t have service. It doesn’t get much better than that. About 10 bucks a month. One person at a time….
Totally. Criminal offensive
How old are your instruments?
Clarity but the sound is so dry
It's sounds "dry" to you because they don't use the sickening, relentless, syrupy vibrato you're addicted to.
It’s supposed to sound this way!
Saying capitalism is bad is like saying barterism is wrong
Oops
Listen to the music!
Interesting to note the almost complete lack of dotted notes/rhythm. As usual, Mozart puts in a dotted note or two in one downwards arpeggio. Why is he so obsessed with obliterating any reference to other musics/folk music from even when he was a teenager?
Very telling and interesting.
Гдр,ляйпциг,