Wow Charlie, You have created a Paradigm shift for the Modes learning curve and more importantly Soloing. This feels more structured and I appreciate you sharing different Keys and chord progression examples to get the concept visualized. Sounds awesome and very much low hanging fruit for Melodic improvisation. Thanks
@@SolidBuildersInc thanks; I didn’t create the concept as some of the greatest players use it often. But - it’s definitely not talked about as much as scales in the guitar world especially 🎸🎶🔥
Your knowledge of this instrument just blows me away week after week. Another brilliant concept that as usual I didn't have a clue about. Thanks a lot for sharing, it is truly appreciated.
Wow! Ive been practicing the the major Arpeggios and the modal arpeggios in all positions i have never heard this explained in this way so i never thought of combining them.. until now.. this is game changing Charlie! It gives a clear foundation for finding the notes that fit the feeling.. this is going to take a while to digest... And I can't wait to hear the different combinations.. Ive watched this twice so far to get my head around it and it just clicked.. 🤯🤯🤯🤯 Thank you so much for sharing 😎🙏🕊️✨
Great video as always I know my modes and theory, but you always give me a different perspective which I really enjoy ... i'll be sharing this video like I always do and tell my buddies to subscribe. Keep up the great work thanks.
Hi Charlie Paul from Ireland here long time fan........can you tell me how to work out what triad pairs to use that work with each other........i can already improvise in a melodic fashion using triads but i really like this triad pairs concept..........thanks in advance
@@paulkelly6853 hey Paul!! You’re looking for 2 triads that have no common notes because we want to create a hexatonic scale. You want to make sure the “unique” note of the mode you’re trying to approximate is there. For instance in the key of G… to get A Dorian you can use Bm and Am (Bm has the F# which is the raised 6th of Dorian). C Lydian you can use C and D major… D mixolydian also D and C major. But there are other pairs that work for those sounds…as well as altered sounds, Phrygian dominant, etc. Too much to get into in a short reply but hope this helps!!!
@@matthewhull5384 See TH-cam videos in the results of this search: “modal chord progressions” and “acoustic guitar lessons”. But you don’t have to select the pair of triads based on this. Can use any pair in the key of the song. Also “3 ways to create music using Dorian mode” on same you tube channel. That one (method 3 of accessing a mode) is what Charlie is essentially covering, using adjacent triad pairs matching the chord or key.
The “get into the woodshed” part hits hard and it’s just what I needed to hear. Thank you Charlie
Great lesson Charlie... triad pairs are a ton of fun! Em and D major also fit with E dorian so thats a great pair for "most" minor situations!
@@ultimateinspirationguitar thanks!! Will check out your channel! 🎸🎶🔥🎶🎸
Wow Charlie,
You have created a Paradigm shift for the Modes learning curve and more importantly Soloing.
This feels more structured and I appreciate you sharing different Keys and chord progression examples to get the concept visualized.
Sounds awesome and very much low hanging fruit for Melodic improvisation.
Thanks
@@SolidBuildersInc thanks; I didn’t create the concept as some of the greatest players use it often. But - it’s definitely not talked about as much as scales in the guitar world especially 🎸🎶🔥
Your
knowledge of this instrument just blows me away week after week. Another brilliant concept that as usual I didn't have a clue about.
Thanks a lot for sharing, it is truly appreciated.
@@martynspooner5822 thanks as always! Rock on!! 🎸🎶🔥🎶🎸
Wow! Ive been practicing the the major Arpeggios and the modal arpeggios in all positions i have never heard this explained in this way so i never thought of combining them.. until now.. this is game changing Charlie! It gives a clear foundation for finding the notes that fit the feeling.. this is going to take a while to digest... And I can't wait to hear the different combinations.. Ive watched this twice so far to get my head around it and it just clicked.. 🤯🤯🤯🤯 Thank you so much for sharing 😎🙏🕊️✨
Glad you found this helpful! Makes me happy to hear that it clicked for you. 🎸🎶🔥🎶🎸
Very nice video! Appreciate the information!
@@GregoryA.SinnettHunt glad you enjoyed it - and I appreciate the comment!! 🎸🎶🔥
Great video as always I know my modes and theory, but you always give me a different perspective which I really enjoy ... i'll be sharing this video like I always do and tell my buddies to subscribe. Keep up the great work thanks.
@@mikecisco7941 thank you for the support 🎸🎶🔥
Charlie, class lesson mate
@@kevinhudson7555 thanks for watching and taking time to comment 🎸🎶🔥
Great lesson
@@alchemysticgoldmind4164 thank you and all the best with your playing 🎸🎶🔥
Hi Charlie Paul from Ireland here long time fan........can you tell me how to work out what triad pairs to use that work with each other........i can already improvise in a melodic fashion using triads but i really like this triad pairs concept..........thanks in advance
@@paulkelly6853 hey Paul!! You’re looking for 2 triads that have no common notes because we want to create a hexatonic scale. You want to make sure the “unique” note of the mode you’re trying to approximate is there. For instance in the key of G… to get A Dorian you can use Bm and Am (Bm has the F# which is the raised 6th of Dorian). C Lydian you can use C and D major… D mixolydian also D and C major. But there are other pairs that work for those sounds…as well as altered sounds, Phrygian dominant, etc. Too much to get into in a short reply but hope this helps!!!
Good lesson
TY
@@The300zxsupra thanks for watching and commenting!!!
i might be asking the wrong question but how do i pick what triads to pair together ?
Ah I think I decoded how you pick the pairs. It’s based on which chords in the key are “characteristic” or “cadential”
Please expand on this theory….
@@matthewhull5384
See TH-cam videos in the results of this search:
“modal chord progressions” and “acoustic guitar lessons”. But you don’t have to select the pair of triads based on this. Can use any pair in the key of the song.
Also “3 ways to create music using Dorian mode” on same you tube channel. That one (method 3 of accessing a mode) is what Charlie is essentially covering, using adjacent triad pairs matching the chord or key.