Pierre Rode: Violin Concerto No.1 in D Minor, Op.3, Friedemann Eichhorn (violin)

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  • เผยแพร่เมื่อ 16 มิ.ย. 2024
  • Pierre Rode - Violin Concerto No.1 in D Minor, Op.3, Friedemann Eichhorn (violin), Jena Philharmonic Orchestra, Nicolás Pasquet (conductor)
    I. Maestoso - 00:00
    II. Adagio - 16:05
    III. Polonaise - 22:43
    Jacques Pierre Joseph Rode (16 February 1774 - 25 November 1830) was a French violinist and composer. Rode was born in Bordeaux on 16th February, 1774. The son of a perfumer, he showed early musical precocity and was taken to Paris at the age of thirteen by his teacher, Flauvel. Rode became the star pupil of Giovanni Batista Viotti, the foremost violinist of the day and the founder of the modern French violin school. In 1790 he made his solo debut in Viotti's Violin Concerto No. 13; he also joined the orchestra at the Theatre de Monsieur, where he met his longtime colleague Pierre Baillot. He also joined the violin department of the newly organized Paris Conservatoire. There he collaborated with Baillot and Kreutzer on a manual of instruction for the violin.
    Rode composed almost exclusively for his own instrument. His works include sonatas, quartets, airs variés, thirteen violin concertos, various miscellaneous works, and pedagogical works, most notably the 24 Caprices in the Form of Etudes.
    Rode’s works represent the full flowering of the French violin school that traced its origin to Viotti’s arrival in Paris in 1782. Rode’s greatest contribution to the violinist’s art (along with the 24 Caprices), was his thirteen violin concertos. Roeder, in his History of the Concerto, described Rode’s concertos as “technically somewhat more demanding of the soloist than those of Viotti, while displaying a thorough idiomatic understanding of the instrument”. Rode, and the French School generally, had a wide influence on the romantic sensibility of the nineteenth century. As Boris Schwarz has shown, also influenced Beethoven when he came to write his own violin concerto.
    Boris Schwarz called Rode’s Violin Concerto No. 1 in D minor “a remarkably mature work”, and continued: “Though his handling of form became more concentrated, his expression more supple, his technique more finished, he remained unchanged in the fundamental aspects of his musical personality, and later progress seems small compared to his astonishing Opus 1.” This concerto, along with Concerto No. 7 in A minor, was one of the very few works (besides his own) that Paganini consented to play.
    The concerto no. 1 is dedicated to his mentor, “Citizen” Viotti. (from review by Bruce R. Schueneman to Naxos album)
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ความคิดเห็น • 42

  • @richardmoschberger6503
    @richardmoschberger6503 7 หลายเดือนก่อน +2

    Merci beaucoup, magnifique !!! Ce compositeur mérite d''être connu 👍👍👍🙏

    • @sibarit101
      @sibarit101  7 หลายเดือนก่อน +1

      Merci, je suis d'accord avec vous : ce compositeur mérite d'être connu!

    • @Amourtendresse
      @Amourtendresse หลายเดือนก่อน

      Extrêmement touchée de lire ton commentaire maintenant que tu n'es plus mon cher époux 😔💔

  • @Amourtendresse
    @Amourtendresse 8 หลายเดือนก่อน +1

    Magnifique, composition très riche, de la dentelle, un vrai bonheur. Et quelle performance pour le violoniste 🎻 🎶❤️🎶✨

  • @galinakrivulin6767
    @galinakrivulin6767 2 ปีที่แล้ว +5

    Thank you for the recommendation. Love Pierre Rode: Violin Concerto No.3. The beautiful sound of Friedemann Eichhorn’s violin is so rich. Pure pleasure! Sharing.

    • @sibarit101
      @sibarit101  2 ปีที่แล้ว

      Thank you very much, glad you liked it!

  • @martinrcontreras876
    @martinrcontreras876 2 ปีที่แล้ว +5

    Nice to listen again to a beautiful composition posted by you, Yulia. Thanks!

    • @sibarit101
      @sibarit101  2 ปีที่แล้ว +1

      Thank you very much. I'm glad you like this concerto. I listen too, quite often, to his violin concertos.

  • @AthSamaras
    @AthSamaras 2 ปีที่แล้ว +3

    Good morning dear friend, I am here and I enjoy your beautiful posts. A really beautiful concert and an amazing performance. Thanks again ...

    • @sibarit101
      @sibarit101  2 ปีที่แล้ว +1

      Good morning, I'm glad you liked this concerto.
      Thank you for being a good friend! Take care of yourself!

  • @pmmdrt
    @pmmdrt 2 ปีที่แล้ว +4

    I always enjoy the concerts of Pierre Rode and certainly his first. This posting is as always very important. Hope everything will go well for you this also important month! I think about it every day Yulia.

    • @sibarit101
      @sibarit101  2 ปีที่แล้ว +1

      Dear Pieter, I'm very glad you like Rode's concertos, they are all melodious. I would listen to them with great pleasure in a concert hall.
      Thank you again for your caring words, and for your emotional support. I'll tell you next week if all went well.
      Greetings from deep in my heart for you and your wife!

  • @valeriykhasyanov9011
    @valeriykhasyanov9011 2 ปีที่แล้ว +2

    🌹🌹🌹

  • @stefanstamenic3640
    @stefanstamenic3640 2 ปีที่แล้ว +3

    Wonderful concert, great played, thank you for posting - a student of Vioti's violin tradition; Pierre Joseph Rode, great Giovanni Battista Viotti, who found the boy so talented that he charged him no fee for the lessons. Pierre Joseph Rode transferred Viti's tradition to Ludwig Spohr. Vitti also influenced Paganini (through Paul Alday and August Duranowski), Rodolphe Kreutzer, Bethoven...

  • @qusayalmusi5362
    @qusayalmusi5362 2 ปีที่แล้ว +3

    What an orchestration !!!! ❤

  • @ernesthemingway9469
    @ernesthemingway9469 2 ปีที่แล้ว +2

    I wish I could buy this ♥️

  • @fernandorivas7419
    @fernandorivas7419 2 ปีที่แล้ว +3

    Hello my dearest friend.
    I'm very happy you reuplouding Wonderful music on your Chanel TH-cam.
    I hope sincerely you and your family and beloved country are better in all sense.
    My best wishes and God bless you.From Santiago,
    Sincerely yours.
    Fernando. 🤝👏👏🙏✝️🙏✝️🎼🎼🇨🇱🇨🇱🇷🇴🇷🇴.

    • @sibarit101
      @sibarit101  2 ปีที่แล้ว

      Thank you very much, dear Fernando, I am so happy that you like the music posted by me!
      Thank you also for your wishes. I'm fine, just like everyone in my family. I hope everything is OK with you too.
      Warm greetings!

  • @samitobribiesca6320
    @samitobribiesca6320 2 ปีที่แล้ว +2

    FASCINANT, ÈPOUSUFLANT , MERVEILLEUSEMENT PRODIGUX GRANDE MERCI !

  • @Dogaradodia
    @Dogaradodia ปีที่แล้ว +1

    Certifié intergalactique ! 🌹

  • @liang.
    @liang. 2 ปีที่แล้ว +3

    I feel it somewhat like Viotti’s work… very delicate 🥰🥰

    • @sibarit101
      @sibarit101  2 ปีที่แล้ว +1

      Thanks. I agree: Viotti was his mentor and model.

  • @gsermih
    @gsermih 2 ปีที่แล้ว +4

    Прочитав комментарии португальского подписчика, полностью согласен, что темы первой части, где-то перекликаются с темами сонат Россини. Но так или иначе, у композиторов прошлого, есть свежесть в изложении даже осевших в памяти, но чужих тем, в своей манере подачи музыкального образа и особой неповторимости восприятия нами. Недавно слушал концерт для ф-но C-dur Антонио Сальери и в анданте, просто явственно прозвучали темы из анданте А-dur'ного (№23) концерта Моцарта, хотя Сальери написал свой концерт раньше Моцарта, хотя у обоих звучат очаровательно и у каждого по-своему необыкновенно.

    • @sibarit101
      @sibarit101  2 ปีที่แล้ว +1

      Thank you! I agree with you: at that time the atmosphere was imbued with music, and the composers influenced each other, including through the collective memory of the performers and listeners.
      But, in my opinion, here we should be talking about Rode's concerto, not just looking for similarities with the music of other composers.

  • @HishamElHennawy
    @HishamElHennawy 2 ปีที่แล้ว +4

    Thank you very much for making this work available to us. It is my first time to listen to a concerto of Rode.

    • @sibarit101
      @sibarit101  2 ปีที่แล้ว +1

      Glad you enjoyed it!

  • @markalanlongo
    @markalanlongo 2 ปีที่แล้ว +4

    THANK YOU AGAIN ❤️❤️❤️❤️

  • @pietrolandri6081
    @pietrolandri6081 2 ปีที่แล้ว +5

    Rode's concertos are indeed all beautiful. And despite #1 op 3 is his first work it's extremely mature and robust in both solo and orchestra parts.
    In my opinion) although Viotti influence is clear, I find it musically more akin the French early romanticism (Mehul and others) than the Italian school (Viotti melts together the two great violin cultures but his background is clearly Italian ...... ). However, it's so true that Viotti was so well established into French culture that some believes the "Marseillaise" anthem's tune has been "inspired" by a violin piece of Viotti ..........
    I do agree that Rode solo parts are more demanding, technically speaking, than Viotti (but IMHO Vieuxtemps ones are even more difficult, not to mention Paganini).
    However, being demanding does not hide at all a crystalline musical flow that Eichhorn renders extremely clean and inspired

    • @sibarit101
      @sibarit101  2 ปีที่แล้ว +1

      Many thanks for this analysis. Rich and essential content.

  • @jjgsol
    @jjgsol 2 ปีที่แล้ว +3

    Thanks for another enjoyable violin concerto.

    • @sibarit101
      @sibarit101  2 ปีที่แล้ว

      Thanks for listening!

  • @andersoncarvalho4617
    @andersoncarvalho4617 2 ปีที่แล้ว +5

    Este segundo movimento é de facto celestial. Seu canal no TH-cam é uma bênção e um bálsamo para a alma dos amantes da boa música. Muito obrigado pelo seu divinal trabalho e que Deus lhe dê sempre muita saúde, paz e alegria.

    • @sibarit101
      @sibarit101  2 ปีที่แล้ว +1

      Thank you very much! Let's all be healthy and enjoy the music!

  • @marcosPRATA918
    @marcosPRATA918 2 ปีที่แล้ว +2

    Forte influência da música italiana para cordas. Em alguns momentos lembra o estilo das sonatas de Rossini.

    • @sibarit101
      @sibarit101  2 ปีที่แล้ว

      I'm sorry, I don't understand: who influenced whom?
      When Rode composed this concerto Rossini was 2 years old.

    • @marcosPRATA918
      @marcosPRATA918 2 ปีที่แล้ว +1

      @@sibarit101 você está correta, as sonatas para cordas de Rossini são de 1804, posteriores. O ponto de similaridade entre ambos é apenas a música italiana, no caso a influência de Viotti que foi ampla; obrigado pela atenção e correção. Eis a importancia das datacões.

    • @sibarit101
      @sibarit101  2 ปีที่แล้ว +1

      @@marcosPRATA918 Thank you too!