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เข้าร่วมเมื่อ 26 ก.ย. 2015
Louis Spohr: Symphony No.1 Op.20, NDR Radiophilharmonie, Howard Griffiths (conductor)
Louis Spohr - Symphony No.1 Op. 20, in E Flat Major, NDR Radiophilharmonie Hannover, Howard Griffiths (conductor)
I. Adagio - Allegro - 00:00
II. Larghetto con moto - 11:52
III. Scherzo: Allegro - 16:33
IV. Finale: Allegretto - 24:05
Louis Spohr (5 April 1784 - 22 October 1859), baptized Ludewig Spohr (his family called him by the name of Luis), later often in the modern German form of the name Ludwig, was a German composer, violinist and conductor.
Spohr received his first violin from his father in 1789, and - with no instruction at first - he attempted to play the melodies he heard. Eventually, he began taking his first lessons with Johann Andreas Riemenschneider, the principal of the school in Seseen, and Spohr soon began to take part in evening musical activities with the Spohr.
When he came of age, Spohr went to Brunswick, where he took violin lessons with Kammermusicus Gottfried Kunisch (1764- 1808). He also studied music theory with the organist Karl Augustus Hartung (1733-1800) - the only formal theory training Spohr ever received.
In 1805, Spohr obtained a position as concertmaster at the court of Gotha, where he stayed until 1812. Spohr later worked as conductor at the Theater an der Wien (1813-1815), where he was on friendly terms with Beethoven; subsequently he was opera director at Frankfurt (1817-1819). Spohr's longest period of employment, from 1822 until his death in Kassel, was as the director of music at the recently succeeded William II, Elector of Hesse's court of Kassel, a position offered him on the suggestion of Carl Maria von Weber.
In 1857 he was pensioned off, much against his own wish, and in the winter of the same year he broke his arm, an accident which put an end to his violin playing.
“As a composer, Spohr produced more than 150 works with opus numbers, in addition to a number of nearly 140 works without such numbers. He wrote music in all genres. His nine symphonies (a tenth was completed, but withdrawn). Between 1803 and 1844 Spohr wrote more violin concertos than any other composer of the time, eighteen in all, including works left unpublished at his death. There are two double-violin concertos, four clarinet concertos, 36 string quartets, as well as four double quartets for two string quartets. He also wrote an assortment of other quartets, duos, trios, quintets and sextets, an octet and a nonet, works for solo violin and for solo harp, and works for violin and harp.
Between 1820 and 1835, Spohr’s works were viewed by many as perfect representations of modern art. Widely admired and famous during his lifetime, Spohr’s works were ranked among the masterpieces of Bach, Mozart, Weber, Haydn, and Beethoven. In most of his compositions, Spohr followed the traditional ‘rules,’ of harmony, although occasionally he would ‘break’ them in order to achieve musical expression. “Also characteristic of his music is its thorough craftsmanship” (Weyer 1980). His music contained the qualities of sensitivity and sorrow, as well as “an aversion to popular effects” (ibid.). His emotional compositions could bring the listener into a state of great ecstasy or stimulate tears (Ciliberti 2001).” (by Stephanie Lynnette Vogler San Marcos, Texas)
“Spohr attempted his first symphony in 1811 at the suggestion of Georg Friedrich Bischoff (Symphony No. 1 in E flat major, Op. 20), and as Clive Brown and others have noted (including the present liner-note writer, Bert Hagels) the composer used Mozart's Symphony No. 39 in E flat major, K543, as something of a model. The general outlines of Spohr's movements, such as their time signatures and sentiments, can be traced to Mozart's 1788 work. Yet far from being a slavish imitator, Spohr in fact infuses Mozartean forms and themes with his own formidable contrapuntal and thematic designs, a procedure characterized by the late Charles Rosen as 'classicizing'; such works were 'based on the exterior models, the results of the classical impulse, and not upon the impulse itself'” (from an article published online by Cambridge University Press)
I. Adagio - Allegro - 00:00
II. Larghetto con moto - 11:52
III. Scherzo: Allegro - 16:33
IV. Finale: Allegretto - 24:05
Louis Spohr (5 April 1784 - 22 October 1859), baptized Ludewig Spohr (his family called him by the name of Luis), later often in the modern German form of the name Ludwig, was a German composer, violinist and conductor.
Spohr received his first violin from his father in 1789, and - with no instruction at first - he attempted to play the melodies he heard. Eventually, he began taking his first lessons with Johann Andreas Riemenschneider, the principal of the school in Seseen, and Spohr soon began to take part in evening musical activities with the Spohr.
When he came of age, Spohr went to Brunswick, where he took violin lessons with Kammermusicus Gottfried Kunisch (1764- 1808). He also studied music theory with the organist Karl Augustus Hartung (1733-1800) - the only formal theory training Spohr ever received.
In 1805, Spohr obtained a position as concertmaster at the court of Gotha, where he stayed until 1812. Spohr later worked as conductor at the Theater an der Wien (1813-1815), where he was on friendly terms with Beethoven; subsequently he was opera director at Frankfurt (1817-1819). Spohr's longest period of employment, from 1822 until his death in Kassel, was as the director of music at the recently succeeded William II, Elector of Hesse's court of Kassel, a position offered him on the suggestion of Carl Maria von Weber.
In 1857 he was pensioned off, much against his own wish, and in the winter of the same year he broke his arm, an accident which put an end to his violin playing.
“As a composer, Spohr produced more than 150 works with opus numbers, in addition to a number of nearly 140 works without such numbers. He wrote music in all genres. His nine symphonies (a tenth was completed, but withdrawn). Between 1803 and 1844 Spohr wrote more violin concertos than any other composer of the time, eighteen in all, including works left unpublished at his death. There are two double-violin concertos, four clarinet concertos, 36 string quartets, as well as four double quartets for two string quartets. He also wrote an assortment of other quartets, duos, trios, quintets and sextets, an octet and a nonet, works for solo violin and for solo harp, and works for violin and harp.
Between 1820 and 1835, Spohr’s works were viewed by many as perfect representations of modern art. Widely admired and famous during his lifetime, Spohr’s works were ranked among the masterpieces of Bach, Mozart, Weber, Haydn, and Beethoven. In most of his compositions, Spohr followed the traditional ‘rules,’ of harmony, although occasionally he would ‘break’ them in order to achieve musical expression. “Also characteristic of his music is its thorough craftsmanship” (Weyer 1980). His music contained the qualities of sensitivity and sorrow, as well as “an aversion to popular effects” (ibid.). His emotional compositions could bring the listener into a state of great ecstasy or stimulate tears (Ciliberti 2001).” (by Stephanie Lynnette Vogler San Marcos, Texas)
“Spohr attempted his first symphony in 1811 at the suggestion of Georg Friedrich Bischoff (Symphony No. 1 in E flat major, Op. 20), and as Clive Brown and others have noted (including the present liner-note writer, Bert Hagels) the composer used Mozart's Symphony No. 39 in E flat major, K543, as something of a model. The general outlines of Spohr's movements, such as their time signatures and sentiments, can be traced to Mozart's 1788 work. Yet far from being a slavish imitator, Spohr in fact infuses Mozartean forms and themes with his own formidable contrapuntal and thematic designs, a procedure characterized by the late Charles Rosen as 'classicizing'; such works were 'based on the exterior models, the results of the classical impulse, and not upon the impulse itself'” (from an article published online by Cambridge University Press)
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Exquisito tercer movimiento!
Very good. Wonderful!
Beautiful and delicate
Many thanks!
Aggiungo una nota personale: chi vuole ascoltare un Mozart speciale non deve rivolgersi in genere alle orchestre inglesi perché non producono il suono giusto. Una eccezione le sinfonie di Mozar t dirette da Jeffrey Tate e la Chamber orchestra
Violini e oboe armonia e suono meraviglioso
작곡가도 처음이지만 네개 악기의 협주곡도 처음입니다 귀하덕분에 듣고 갑니다. 감사합니다.
Thank you too!
비제 선생도 일찍 돌아가셨네요 하늘도 무심하게
I am 90 years old, a lifelong lover of classical music, and never heard of Paul Wranitzky. Thank you!
Thank you too! I'm glad you enjoyed listening to his music! (Many classical music lovers have not yet heard of this very talented and prolific composer in his time. His music has been recorded in the last 10-15 years.)
Impresionante obra!!!! Maravilloso Pavel Wranitzky
Like a student given an assignment, "Write a concerto with a faux Arabian/Oriental flair, add a Clementi-like piano replete with lots of trills and simplistic playing d no matter the tempo, melody or instrument, make it all sound the same." He got an A+ Seriously, we don't need to praise things that we are secretly hoping will end ASAP
Bellisimo
Hermosa sinfonía concertante.. El compositor saca lo mejor de cada instrumento!!!
Agree with you!
Hace tiempo tenía guardado este elegante concierto para Viola..Ahora estoy aquí disfrutándolo de nuevo.. Tienes buenas maravillas en tú canal.. Gracias..
Thank you too!
Hermosa sinfonía..
Es espectacular ésta sinfonía.. Conocía música de camara de Danzi pero no sinfonías.. Sibarit me volveré loco con tanta maravilla de música..Gracias..
Thanks again! Unfortunately, these talented composers are almost unknown to the general public and their music is not played in concert halls.
Un concierto hermoso para Viola y orquesta.. Aquí estoy disfrutàndolo una vez más..además sé tocarlo.. Gracias linda Sibarit!!!!
❤❤❤❤❤❤❤❤
This is the work of a 18years old !!!
Una sinfonía solemne,grandiosa.. Qué hermosa!!! Tiene algo de Von Weber?
I'm glad you liked it! Yes, I also posted some of Carl Maria Von Weber's music. If you want to find them easier, please access the playlists on my channel. There you will find almost all my posts by musical categories. You will find Weber in the playlists: "Piano concertos", "Instrumental work", "Symphonies". Thank you!
Beautiful music from Catalan composers❤❤
Thank you!
Exquisite.
Música y autores poco difundidos que, por este medio tenemos la suerte de descubrirlos. Gracias.
Thank you too! I'm glad to hear that many classical music lovers find enjoyable music worth listening to even if the composers are less well-known.
A Pleyel lo conocía por duos para Violin y Viola,pero desconocía sus sinfonías..Son realmente majestuosas y virtuosas!!! Gracias mil veces Sibarit!!!!
Thank you too! I'm glad you find music "news" on my channel!
Exquisito.. El cello es un hermoso instrumento con un sonido especial!!!!! Estoy disfrutando tú canal sibarit!!!!
I totally agree with you about the cello. Thank you!
Hola Sibarit...Esta sinfonía concertante y el concierto para Viola los conozco muy bien.. Una delicia para disfrutar!!! Saludos..
Thank you! Greetings and good thoughts from me!
Sparkling and fresh
Thank you for listening!
Hermosa sinfonía.. El solo de Flauta en el 2° movimiento es soberbio..me recuerda un poco al concierto n°5 para Violin y orquesta de Mozart (Turco) justo cuando comienza el violin después de la introducción en el primer movimiento.. Genios de la música...
glorious and fresh
Solamente con la introducción es suficiente para darse cuenta de la calidad del compositor!!!!
Qué música tan fina!!! Delicatesen!!!
Cuánta música desconocida injustamente. Gracias Sibarit por darlo a conocer y que nosotros disfrutemos!!!!
Thank you very much!
Éste ciclo de 6 sinfonías (Les Métamorphoses D'Ovide) es de la música más hermosa escrita..Qué belleza!!!! Gracias Sibarit..
Thank you too!
Toco la viola en la orquesta sinfónica de Madrid..cada año tocamos las grandes obras de la literatura orquestal sinfónica(poemas sinfónicos de R.Strauss,sinfonías de Beethoven,Tchaikovsky,Mahler,Brückner etc...) todo este repertorio es espectacular pero lo q yo amo es esta música del período clásico tan genial..No lo toco pero lo disfruto gracias a Sibarita..Felicidades..
I am very happy to hear this! I admire all musicians, be they instrumentalists or conductors, and the violin, the cello, the viola, all string instruments in general are my favorites. I believe that these instruments can express all human feelings. I congratulate you and envy you for living in the world of music. Thank you and I wish you and the Madrid Orchestra much success!
Thank you so much.. Best wishes for you lovely woman!!!
Plaisant et festif 🎶❤️🎶
Gracias por subir esta hermosa sinfonía..Tienes un gran gusto musical!!!Éste es el período de la música q más me gusta!!!!
Thanks again for supporting my TH-cam channel!
Beautiful violin concertos from Maddalena Laura Lombardini Sirmen for historical instruments🎻❤❤
Thanks! Glad you like this concerto!
Virtuosismo ed eleganza creativa. Orchestra ottima
Thank you!
Beautiful symphony from Vranický ⭐👏👏
Thank you!
GREAT MUSIC...THANKS
Thank you too!
Definitivamente he caído enamorado de la música de este genio!!!!.Ingeniosa,espectacular y fresca...
Thank you! It's natural to love his music because of his brilliant style.
Soberbia..Impresionante.. Gracias sibarita..
Thank you too!
Qué buen gusto tienes sibarita!!! Gracias por compartirlo..un saludo desde Madrid..
Thank you again! I'm Iulia (Yulia), from Constanța, a port city in Romania. I wish you all the best!
Seguramente un hermoso lugar para vivir....
Dave Hurwitz, the great American music critic calls Djabadary's Piano Concerto Op. 10 "The worst piano concerto ever written." The Georgian Rhapsody really isn't that bad. Sounds to me a little bit like Rachmaninov or, perhaps, Arthur Rubenstein in his earlier piano concerto years.
Thank you again for this comment!
Dave Hurwitz, the noted American classical music critic calls this concerto the "Worst piano concerto ever written." Is it that bad? To my classically trained ears, not really but it could use a little bit of more polish ... or is that Polish as in Poland. Too late, Djabadary is long dead and, perhaps, should be?
Thank you! On this channel I mainly posted music from unjustly forgotten, lesser known or underappreciated composers. So, as a simple listener, I say again that I enjoy listening to this concerto and I am interested in the opinion of the listeners, not the critics. Over time, I have found that many listeners liked this music and I was really glad to hear that.
Qué música más fresca y deliciosa.. Gracias por subir estas joyas musicales!!!!
Thank you again for this comment!
Magnifique concerto, enjoué, élégant, un réel plaisir à écouter 🎶❤️❤️🎶
Toujours autant de plaisir à réécouter cette merveille, et ce fabuleux Rondo allegretto ❤🎶❤️🎶✨
Merci encore!
Waouh, quel splendide concerto, d'une intensité folle, quasiment en apnée, suspendue au chant du violon, à la fois passionné, triste et mélancolique. Quelle envolée lyrique ❣️🎶❤️🎶✨
Qué música!!Vaya solo de oboe del pianissimo al forte como una flor q se abre y muestra su encanto.. Gracias desde Madrid..
Thank you too for this nice comment! May you have a prosperous New Year!
Feliz año nuevo 2025 hermosa dama!!!
любимейший фильм король танцует и открыл для меня люлли в жизни и король и люлли выглядели по другому но актеры сыграли великолепно и конечно же музыка особенно меня потряс танец масок рядом с умирающим мольером когда мне очень плохо я пересматриваю этот фильм простие что пишу без знкав препинания не знаю всех тонкостей обращения с клавиатурой
Thank you! I'm glad you liked both the film and Lully's music.