One thing I love about these kinds of videos is that the principles don't even JUST apply to animation. This is important for character illustration as well and keeps them from looking static. It goes along with line of action and takes out a lot of guess work when sketching. Fantastic stuff once again, sir!
Great video and great message! One question: I remember how it was when I was a student doing this class back in college. We don't get a lot of immersive teaching; at that point, I was barely understanding how to even use Maya effectively in animation, not to mention graph editor and technicalities like that. We'd only touch on each exercise for a few weeks and move on. Personally, my college work was robotic and lifeless and the character acting only really came into play once I went into the jobforce and got more comfortable with the animation tools. So I'd like to know, how effective is it to ask students to take all this acting notes into mind when they barely have a grasp on basic animations? How have your students handled this?
@@AnimatorIsland Thank you so much for this video, I pointed that out in my animation notebook. It's very important to always ask "why". Your channell helps me a lot, I'm improving ridicolously fast thank to sources like yours.
you should do more of these and it will be nice if you can go over some of the japanese animations and review it, such as Ghibli or animators like Yutaka nakamura keep up the good work
![Blueprint for good animation / Anticipation & Breakdown in a Headturn - How to animate 2D [#005]](http://i.ytimg.com/vi/KeKFk8iOePo/mqdefault.jpg)
![Blueprint for good animation / Anticipation & Breakdown in a Headturn - How to animate 2D [#005]](/img/tr.png)
I love this SHORT concise video format packed with valuable information. Please keep them coming.
Thank you! 😊 The plan is to do a lot more 5 minute videos, so maybe I can do more in total. We will see how that goes. 👼
One thing I love about these kinds of videos is that the principles don't even JUST apply to animation. This is important for character illustration as well and keeps them from looking static. It goes along with line of action and takes out a lot of guess work when sketching. Fantastic stuff once again, sir!
Short and simple! This video is easy to understand. Can’t wait to watch more like these in the future.
Great video and great message! One question: I remember how it was when I was a student doing this class back in college. We don't get a lot of immersive teaching; at that point, I was barely understanding how to even use Maya effectively in animation, not to mention graph editor and technicalities like that. We'd only touch on each exercise for a few weeks and move on. Personally, my college work was robotic and lifeless and the character acting only really came into play once I went into the jobforce and got more comfortable with the animation tools.
So I'd like to know, how effective is it to ask students to take all this acting notes into mind when they barely have a grasp on basic animations? How have your students handled this?
FUN FACT. Those three guys with boxes actually are presented at their life-changing moment. Each of them.
Wow you are so right! I didn't even notice. I need to talk about life changing events in a video :D Thank you so much for pointing it out!
@@AnimatorIsland Thank you so much for this video, I pointed that out in my animation notebook. It's very important to always ask "why". Your channell helps me a lot, I'm improving ridicolously fast thank to sources like yours.
these videos are so underrated
Much appreciated video 👍
I appreciate your kind comment! 😊
Love this...
great video sir really helped me to realise a lot of stuff
Glad it was helpful 😁
Thank you 🙏
Thanks for watching 😊
非常感谢您得分享
you should do more of these
and it will be nice if you can go over some of the japanese animations and review it, such as Ghibli or animators like Yutaka nakamura
keep up the good work
Thank you so much :D
Thank you for watching! :)
god this was sooo good