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You know the deal, Mr. Charles. I’ve done it many times, and oh boy and I not stopping anytime soon. Please look at the soundtrack for Sky: Children of the Light. Signing off till the next one.
I just enrolled in the Ultimate Bundle and I can say that Charles is a great teacher, the exercises are progressively hard. You always have the feeling that you just discovered something new and exciting very easily. Totally worth it in my honest opinion. Best deal for the bucks if you really want to learn to play the piano. Keep up the great work!
I love the idea of an 11 year old going to Disney and being excited about the dissonant relationships in the melodies of the music in various attractions
@@wvmcc82 I know, I desire to get a masters in film scoring eventually and its things like these that both make me incredibly excited and super intimidated. The montage style of the opening perfectly pairs with the constantly changing keys of the song.
Charles: "Let's choose some spooky songs..." Charles: *chooses Danny Elfman* Well, I mean, if you're gonna talk spooky you might as well start with the best.
Danny is also the king of chromatic harmony, these tone changes are wild (also the ones in other famous themes like Spiderman), he just goes all over the place.
I really have very little musical knowledge or ability. I watch because it's a joy to see how much passion Charles has in figuring out what's happening in a song and hear some stunning piano licks.
Around 7:10 I heard "classically spooky" sound related back to the "Funeral March", but I also like how you brightened it up, added some hope, and made it the Avengers theme.
I thought I was the only one who had that full progression! I think he looks at the camera and smirks like “shhh, let’s just let this happen..,” 😂 7:05
Stuff like this is why I watch Tim Burton films. Not just the strange worlds, but the music Danny Elfman puts with those worlds that really makes each and every film a memorable experience.
I remember reading somewhere that Danny Elfman just wrote what he thought sounded cool to him, not necessarily what would be considered “conventional” I suppose music composition wise, which makes me honestly love him more because that means this man has an amazing ear
I thought going by the thumbnail that the video would be about Tim Minchin's "F Sharp", which is both hilarious, actually scary, and musically absolutely astonishing if not nerve-wracking. That'd be an amazing one to pick apart - or anything by Tim for that matter. Dude is a magnificent musician.
"I Know I'm Losing You" done by The Faces has a great deal of clashing between the F sharp note and F natural among the instruments, and the driving rhythm and Rod's voice make it explosive and unsettling.
12:25 - my wife and I spent LOTS of time at Disneyland when annual passports were more sanely priced. That scene is the child blowing out the candles when the ghosts appear and disappear during the party. Side note is the BTS videos on how they accomplished that so many years ago is pretty amazing!
In my choir class, we sang a (shortened) version of This is Halloween and (I kid you not) the composition put the entire thing in C major because the key changes were too much to even bother inserting.
playing a piece in concert band rn that does the same thing. nearly every note is an accidental lol. it's called dreidel dance it's a lotta fun on tuba at least
First, when Grim Grinning Ghosts switches to 3/4 you’re in the Ballroom scene. Second I’d love to see you talk about other Disneyland music specifically Michael Giacchino’s Space Mountain score, it’s amazing
I love how I went from understanding nothing but just loving the sheer passion in his voice, to starting to understand some of what he’s talking about and pick up on it in other music once I started taking theory and comp classes.. Like woah, now I want to be this passionate!
Lol This Is Halloween always gets me hyped now thanks to beta club. We played a medley with that song, What's This, Oogie Boogie Man, Sandy Claws, and Sally's Song, which was my first time performing rock and performing on an organ sound. Thanks for the nostalgia trip, Charles!
Ever listened to Patapon 1/2/3 music? That game series and it's music is a diamond in the rough (remasters are less so 'cause of some bugs, but still good). I think you might enjoy it. The music is also dynamic, with extra vocals and sounds playing in-game based on what the player does, and what song is playing. Each bit of music has a few stages. There's stage 0, 1, 2, then Fever Mode, and each point will change the music depending on how well the player keeps their beat. I recommend seeing the early gameplay of Patapon 2 for a bit of context, then listening to the Instrumental tracks especially Gyorogyoro, Acchichichi/ Hot Hot Hot (desert theme), Pokkurimakka (which a really good instrumental can be heard for Patapon 3, on a level (Evilmass of Adamance) which on Floor 1 and 2 fits really well with the traps), and last: Hey Whazzat (final boss of Patapon 2, who also acts with double speed, challenging the player's rhythmic mindset along with music that is so chaotic yet somehow melodic.) And if you're fine with spoilers, watch the boss fights of Patapon 2, and Patapon 3's Evilmass of Adamance level (Floor 1 and 2 only). You'll hear the dynamic aspects kick in, and it's great. Just one last thing to note: Videos with instrumentals and gameplay vary in quality. A range of "Instrumental" videos include the dynamic audio too, but that's not a good representation without gameplay with the dynamic audio. And gameplay can potentially be brute-forced, especially stunlocking Patapon 2's final boss or just nuking things so fast you don't get to listen to the music enough.
07:05 I just hear the Chopin funeral march or whatever it’s called. I imagine that had a huge influence and might be the reason this chord relationship appears often in darker compositions.
Charles, I’ve been following you for a long time. Just letting you know that you’re amazing. Keep doing what you’re going cause you’re making an impact in the musical community. We always learn a lot with you.
06:45 I hear two thing here: one is the half-step transition of one of the notes, the other one is some kind of diminished flavour, kinda like the B chord in C major scale. So pretty much the two most dissonant combinations that introduce the most of uncomfortable tension.
Gollum’s Song (Emiliana Torrini). The chorus uses that “minor-chords a major third apart” device. Doug Adams book on that trilogy’s film scores is a great read!
Also, the awesome chord shifts that you have in this score really comes from Danny elfman's training, and his lack thereof. He trained in music by traveling all around through Africa and Europe, but he has no formal training in that sort of music theory of Western academic music. Music. It serves to his benefit many times, especially since he's always had such a lock on for the macabre. Check out some of the music of Oingo Boingo, like Nasty Habits.
God I love this channel. After watching literally every video you upload I find myself improvising for like 2 hours. So many ideas in such short videos. Keep it up!
3:08 fundamentally, this rift is very reminiscent of Holst's Neptune Suite. Obviously written before spooky music was associated with spooky films. I wonder if that type of music sounded spooky to those in the audience in the early 1900s.
I just think that it's fantastic that there's people that still haven't heard this song or just like any of the stuff he reacts to and it's fantastic to watch him discover it!
Analysis of Danny Elfman's key changes in Nightmare Before Christmas would be amazing! Charles got the i-iii, and there's some typical Disney key changes (just going up a half or whole step to keep the tune from getting stale), but linking those to ducting in the song (anticipation, payoff, misdirect) would be super interesting.
I learned Victor's Piano Solo from Corpse Bride by ear, and improvised an ending with arpeggios... Danny Elfman has such a different style! Great video as always!
As always, Charles delivers very informative content. The first time I listened to Elfman's "This is Halloween" instruments only with the intent of making a chord map, I just about had a heart attack. That song is all over the place. It's like trying to predict where a fly is going to land next! Excellent video, timely, and massively fun!
Playing the “classically spooky” sound on piano makes it sound like i’m walking through a dark gothic mansion alone waiting for something to jump out at me. I think our mind makes up the context even without having been exposed to movies with that music in that context. That’s kind of just how music works in the brain. Just like certain chord progressions are inherently melancholy.
I feel like im hearing the Imperial March in those disney song chords. Thanks for a wonderful video, Chaz. I finally got my musical keyboard set up under my desk so i can get the feeners movin' while I watch ALL OF YOUR VIDEOS! Keep doing what you do. I love it.
I heard when the composer for 'Grim Grinning Ghosts' was working on it, he was constantly asked to make it sound more chaotic and cacophonic. He really struggled to do so, as he was a well trained musician and wanted to stay on key. I'm really happy with the result though. It's a classic.
If I were to have this man’s level of musical understanding I would be simultaneously interested in all music and completely bored by it. Great video btw
Chromatic thirds always work, unless you're in a band called Chicago. I'd love to see you analyse some Edward MacDowell. He did some great spooky pieces, sometimes for for hands, so you have the whole range of the piano.
Yah know it's reeeaaal good when someone says "WHOA" more than twice. Hahaha. Danny Elfman is the GOAT of amazing orchestrations and cool key changes in cool and kooky film music! Always loved his pieces and songs! 🔥🔥🔥
hey! I've had Killing Me Softly With His Song running through my head for like a week, and I don't have the music theory know how to decifer what's going on and why it's SO GOOD. Especially the chorus. That's the part that gets me. I would love to see a video on that someday!
Wow. That short footage of Disney's Haunted Mansion ghost ride came in as a real kicker. Haven't seen that since 1979 and the footage brought me right back.
I am slowly learning musical terms and phrases for things for notes, and things that I missed out on in my piano lessons after I moved, and I could I never found another piano teacher never got back into it I suppose. So thank you for the knowledge.
7:03 😂 these changes just happen to come directly from the lord of the rings score 😍 when Gandalf comes back to helms deep … followed by the two cords of the fellowship motive 😋
Please react to the Blade Runner soundtracks! Vangelis’ synth compositions are so beautiful and Hans Zimmer and Benjamin Wallfisch managed to recapture that signature sound perfectly.
I love this channel ❤. I kept wanting to sing the Imperial March from Star Wars when he describes the triad chords 😂. I’m trying to remember if it was this channel that had a video about the “Devil’s chord” that originated in various classical Dies Irae pieces, and now makes almost every movie more dramatic/spooky
For a great example of spooky in a (mostly) major key, check out Lizst's Mephisto Waltz #1. Superb use of chromatics to produce a feeling of unease, madness, and malevolence. Cameron Carpenter's transcription for organ is a favorite.
Love seeing you analyze The Nightmare Before Christmas. I've watched the movie so many times and I love seeing it spelled out and seeing your reactions to everything that jumps out at you.
2:32 To me, this i-iii or i-bvi vamp is synonymous with more melodic black metal. Sounds a little strange to hear it on a piano, I'm used to hearing it on distorted guitars hehe
at 6:15, Chopin used that in his Bb minor sonata, second movement.... other progressions that you reference can be heard in John Williams "Duel of the Fates" from the Star Wars Episode 1.
`the only problem with going up/down to the major 3rd and making it the minor is that you have only 3 changes and you are back to the original key, so you do have to modulate or simply jump to another key, even if it's a semitone up or down.
Hey man just stopping by to mention that you really should hear and talk about the Outward soundtrack. I don’t know much about music so I’m very curious to know what you think of it. It’s a fun game too, but the soundtrack is something I always go back and listen to. It’s amazing ☺️❤️
At around 7:05, that chord progression he played sounded very reminiscent of Blue Wind from Spring Awakening or something from Bare: A Pop Opera. Both are angsty teen shows
I'm learning a lot about music theory through this channel, which is helping me out a lot as a newbie composer. Request - what makes things sound like winter? Not so much Christmas, but like January and February in Siberia or Greenland where you want to evoke a blistering chill and not so much festivities. I'm guessing minor chords, high pitched notes, echo-y reverb.
Chromatic mediants is used a lot in film . You can pick any major or minor chord then go up or down 3 or 4 half steps and play that chord major or minor you can keep going until you have all the chords you want
Obviously there were no moving pictures when Beethoven, Bach, Mozart, and composers alike would write melodies that seemed spooky or mournfully haunting. So I do believe music gave us that feeling before film gave it context. Even before their time people wrote melodies from what they felt. Music is a feeling first, so it takes a feeling of dread or pain to then write a melody that would convey that same feeling to another person. Blues is a perfect example of that.
I don't comment much on your videos, but I just wanted to say that your videos have kept me happy lately. I have played trumpet for about 10 years. I started when I was about 12. A few months ago I got hit by a car and it broke 2 of my teeth. I got them fixed, but one was my very front tooth. I recently wanted to play again for the first time after the accident and with only about 15 minutes of play time, my crown on my front tooth started to hurt and is now loose. I don't use a lot of pressure, but the small amount I do use over a prolonged period has loosened my crown and it is nearly 1000 dollars to redo the crown if it breaks. So that means I can't play trumpet anymore and that really upsets me. So thanks for creating these entertaining and interesting videos. Much love and you will always have a view from me as long as you keep creating.
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9:33 Here's some info about that song... Who played the piece before Grim-Grinning Ghosts, AKA the "Otherworldly Concerto", is still up to debate. Most people think it was Gaylord Carter, an organist from the silent movie era. The organ used was a Robert Morton at the Lorin Whitney Studio in L.A. They had him improvise "spooky" sounding stuff until they had enough, and stuffed it into a 10 minute track.
I think it’s because this type of music is both whimsical and poignant, which fits being spooky. It’s a festival for honouring the dead, so there’s both whimsy or a sense of celebration, but poignancy in reminiscing and honouring those who have passed.
The Rachmaninoff Prelude in G starp minor has that delightfully eerie g sharp to e minor and back again quite a lot throughout. The love theme from Flash Dance fades out with A minor to F sharp minor and back again.
You're almost out of time to get our Ultimate Intro Bundle!! It's our Intro to Piano, Intro to Theory AND Intro to Improvisation Courses all bundled together for $99 check it out! cornellmusicacademy.com/ultimateintrobundle
You know the deal, Mr. Charles. I’ve done it many times, and oh boy and I not stopping anytime soon. Please look at the soundtrack for Sky: Children of the Light. Signing off till the next one.
Keep going broo
Can you react to Hades ost? Must songs have very interesting time signatures
And its metal (kind of).
I just enrolled in the Ultimate Bundle and I can say that Charles is a great teacher, the exercises are progressively hard. You always have the feeling that you just discovered something new and exciting very easily. Totally worth it in my honest opinion. Best deal for the bucks if you really want to learn to play the piano. Keep up the great work!
Can you analyse the Chainsae Man intro?
I love the idea of an 11 year old going to Disney and being excited about the dissonant relationships in the melodies of the music in various attractions
me at 11, autistic:
LITERALLY ME! Even at age 5 I was giggling while riding Haunted Mansion and listening to the musical genius of its theme!
Honestly some of the most brilliant song writing. Just so many harmonic ideas that marry so well with each other.
Danny Elfman, man
@@wvmcc82 I know, I desire to get a masters in film scoring eventually and its things like these that both make me incredibly excited and super intimidated. The montage style of the opening perfectly pairs with the constantly changing keys of the song.
@@apothecurio No kidding. It's quite apparent that there's a reason Elfman, Williams, etc get paid the big bucks. They know what they're doing!
Charles: "Let's choose some spooky songs..."
Charles: *chooses Danny Elfman*
Well, I mean, if you're gonna talk spooky you might as well start with the best.
Danny is the king of spooky vibes. Even oingo boingo was great, he took every rock genre and blended it beautifully
@@scalderiso well, it's Ska
@@lEGOBOT2565 yea lots of Ska influence, but also new wave and rock
Danny is also the king of chromatic harmony, these tone changes are wild (also the ones in other famous themes like Spiderman), he just goes all over the place.
@@scalderiso Amen. He nailed it with Oingo Boingo.
I really have very little musical knowledge or ability. I watch because it's a joy to see how much passion Charles has in figuring out what's happening in a song and hear some stunning piano licks.
If you soak in what he says it'll make you a better musician slowly
@@coldtea7 definitely becoming more familiar with the language. Though not sure if my kazoo playing has improved
I also like that when the music does something unexpected he says, "Whoa!"
I want to see him use only major chords to make something sound spooky
It’s not that hard to do if you use extensions. Another way would just be to modulate around to various keys via major 7 chords.
Check out the band Burly Gates, they do this a lot on their EP (specifically the song 6/7)
My favorite song that sounds spooky and is only major chords is Radiohead's pyramid song... Maybe not spooky but its sad and melancholy for sure.
F# maj to C maj. classic batman
I major to IIb major can sound pretty spooky if orchestrated right
Around 7:10 I heard "classically spooky" sound related back to the "Funeral March", but I also like how you brightened it up, added some hope, and made it the Avengers theme.
that was Avengers theme
I heard the same...
I was about to say the same thing
Indeed! That uses Gm and Ebm, even Dbm. The whole “minor unwinding” feel, i - bvi and EVEN i - bv
I thought I was the only one who had that full progression! I think he looks at the camera and smirks like “shhh, let’s just let this happen..,” 😂 7:05
Stuff like this is why I watch Tim Burton films. Not just the strange worlds, but the music Danny Elfman puts with those worlds that really makes each and every film a memorable experience.
The way this man processes music is fantastic. Like every time he’s like “WOAH” it just brings me so much joy
I remember reading somewhere that Danny Elfman just wrote what he thought sounded cool to him, not necessarily what would be considered “conventional” I suppose music composition wise, which makes me honestly love him more because that means this man has an amazing ear
I thought going by the thumbnail that the video would be about Tim Minchin's "F Sharp", which is both hilarious, actually scary, and musically absolutely astonishing if not nerve-wracking. That'd be an amazing one to pick apart - or anything by Tim for that matter. Dude is a magnificent musician.
I love "F sharp"! After you have heard it only once it sounds "correct" as is, but still so weird and funny.
Yes!! I'd love this!! Tim is a genius songwriter! And hilarious
"I Know I'm Losing You" done by The Faces has a great deal of clashing between the F sharp note and F natural among the instruments, and the driving rhythm and Rod's voice make it explosive and unsettling.
This is the Danny Elfman style. I’ve been a fan of his since Spider-Man. I love the way he harmonizes.
12:25 - my wife and I spent LOTS of time at Disneyland when annual passports were more sanely priced. That scene is the child blowing out the candles when the ghosts appear and disappear during the party. Side note is the BTS videos on how they accomplished that so many years ago is pretty amazing!
At 7:03 the running gag of you finding the Avengers theme in EVERY breakdown is always freakin hilarious
I didn’t even notice 😂
In my choir class, we sang a (shortened) version of This is Halloween and (I kid you not) the composition put the entire thing in C major because the key changes were too much to even bother inserting.
I appreciate 🙏 your comments and likes on my videos using the medium to appreciate some lucky subscribers text ☝️☝️to claim your reward 🎁..
playing a piece in concert band rn that does the same thing. nearly every note is an accidental lol. it's called dreidel dance it's a lotta fun on tuba at least
First, when Grim Grinning Ghosts switches to 3/4 you’re in the Ballroom scene. Second I’d love to see you talk about other Disneyland music specifically Michael Giacchino’s Space Mountain score, it’s amazing
I've got to say, the beginning sounds alot like Dr Strange's main theme song, if used on an organ.
I love how I went from understanding nothing but just loving the sheer passion in his voice, to starting to understand some of what he’s talking about and pick up on it in other music once I started taking theory and comp classes.. Like woah, now I want to be this passionate!
Lol This Is Halloween always gets me hyped now thanks to beta club. We played a medley with that song, What's This, Oogie Boogie Man, Sandy Claws, and Sally's Song, which was my first time performing rock and performing on an organ sound. Thanks for the nostalgia trip, Charles!
Ever listened to Patapon 1/2/3 music? That game series and it's music is a diamond in the rough (remasters are less so 'cause of some bugs, but still good). I think you might enjoy it.
The music is also dynamic, with extra vocals and sounds playing in-game based on what the player does, and what song is playing.
Each bit of music has a few stages. There's stage 0, 1, 2, then Fever Mode, and each point will change the music depending on how well the player keeps their beat.
I recommend seeing the early gameplay of Patapon 2 for a bit of context, then listening to the Instrumental tracks especially Gyorogyoro, Acchichichi/ Hot Hot Hot (desert theme), Pokkurimakka (which a really good instrumental can be heard for Patapon 3, on a level (Evilmass of Adamance) which on Floor 1 and 2 fits really well with the traps), and last: Hey Whazzat (final boss of Patapon 2, who also acts with double speed, challenging the player's rhythmic mindset along with music that is so chaotic yet somehow melodic.)
And if you're fine with spoilers, watch the boss fights of Patapon 2, and Patapon 3's Evilmass of Adamance level (Floor 1 and 2 only). You'll hear the dynamic aspects kick in, and it's great.
Just one last thing to note: Videos with instrumentals and gameplay vary in quality. A range of "Instrumental" videos include the dynamic audio too, but that's not a good representation without gameplay with the dynamic audio.
And gameplay can potentially be brute-forced, especially stunlocking Patapon 2's final boss or just nuking things so fast you don't get to listen to the music enough.
6:15 The major third shift down to a major chord is the chord change associated with the traditional Funeral March.
Composer: We’re gonna play “This is Halloween”
Band: ok what key is it in?
Composer: Yes.
07:05 I just hear the Chopin funeral march or whatever it’s called. I imagine that had a huge influence and might be the reason this chord relationship appears often in darker compositions.
its really cool that you can hear bits of sally's song inside this is Halloween showing the strong connection between her and the pumpkin king jack,
Charles, I’ve been following you for a long time. Just letting you know that you’re amazing. Keep doing what you’re going cause you’re making an impact in the musical community. We always learn a lot with you.
I know there’s a lot of great Halloween music, but a look at Vince Guaraldi’s music from the Peanuts Halloween special would be fantastic
That passage from minor to major that he talks about at 7:05 has massive The Batman vibes
06:45 I hear two thing here: one is the half-step transition of one of the notes, the other one is some kind of diminished flavour, kinda like the B chord in C major scale. So pretty much the two most dissonant combinations that introduce the most of uncomfortable tension.
Gollum’s Song (Emiliana Torrini). The chorus uses that “minor-chords a major third apart” device. Doug Adams book on that trilogy’s film scores is a great read!
Also, the awesome chord shifts that you have in this score really comes from Danny elfman's training, and his lack thereof. He trained in music by traveling all around through Africa and Europe, but he has no formal training in that sort of music theory of Western academic music. Music. It serves to his benefit many times, especially since he's always had such a lock on for the macabre.
Check out some of the music of Oingo Boingo, like Nasty Habits.
"he has no formal training in that sort of music theory of Western academic music " thats why he can write awesome chord shifts. elaborate .. .
Thanks for the suggestion!!
Minors are indeed very spooky
She's 10,but she's 10.
Not if you're just looking for a cupcake
she's a 10. . . but she's 10 😔
I hate minors outside My door every spooky day
Not to dream
Those three chords at 7:06 give me the chills.
I love that you brought up the haunted mansion music, I love that ride and track
0:23 sounds more like my man is having a seizure.
The amount of ideas composers can get from almost any of your video's is absolutely crazy, but this one has topped it for me. Thank you for this!
God I love this channel. After watching literally every video you upload I find myself improvising for like 2 hours. So many ideas in such short videos. Keep it up!
For example, a Grimm grinning ghosts, at haunted mansion 0:07
3:08 fundamentally, this rift is very reminiscent of Holst's Neptune Suite. Obviously written before spooky music was associated with spooky films. I wonder if that type of music sounded spooky to those in the audience in the early 1900s.
The little 'hehehehehe' grin when you connected the Avengers chord progression KILLED ME 🤣🤣💀
I just think that it's fantastic that there's people that still haven't heard this song or just like any of the stuff he reacts to and it's fantastic to watch him discover it!
Analysis of Danny Elfman's key changes in Nightmare Before Christmas would be amazing! Charles got the i-iii, and there's some typical Disney key changes (just going up a half or whole step to keep the tune from getting stale), but linking those to ducting in the song (anticipation, payoff, misdirect) would be super interesting.
Timbers gonna be shivered
Bones rattled.
I learned Victor's Piano Solo from Corpse Bride by ear, and improvised an ending with arpeggios... Danny Elfman has such a different style! Great video as always!
Some of the chords he played sounded very star wars villains and others were very batman. I love this channel.
As always, Charles delivers very informative content. The first time I listened to Elfman's "This is Halloween" instruments only with the intent of making a chord map, I just about had a heart attack. That song is all over the place. It's like trying to predict where a fly is going to land next! Excellent video, timely, and massively fun!
Playing the “classically spooky” sound on piano makes it sound like i’m walking through a dark gothic mansion alone waiting for something to jump out at me. I think our mind makes up the context even without having been exposed to movies with that music in that context. That’s kind of just how music works in the brain. Just like certain chord progressions are inherently melancholy.
I feel like im hearing the Imperial March in those disney song chords. Thanks for a wonderful video, Chaz. I finally got my musical keyboard set up under my desk so i can get the feeners movin' while I watch ALL OF YOUR VIDEOS! Keep doing what you do. I love it.
Yes! I heard it too & went right to the comments to make sure I wasn't the only one hearing things :)
It's amazing how much those minor cords a major 3rd apart remind me of the spooky imperial death march.
I heard when the composer for 'Grim Grinning Ghosts' was working on it, he was constantly asked to make it sound more chaotic and cacophonic. He really struggled to do so, as he was a well trained musician and wanted to stay on key. I'm really happy with the result though. It's a classic.
I had that same Disney CD when I was a kid, so many classics
Have you had a chance to look at the sound design and music of Tenet. Sooo good.
Thanks I really needed to set the mood when my nemesis enters my lair while I play the organ in the shadows
I've been watching the 90s xmen cartoon and that theme man, why is it so catchy, I wanna know that from more of a trained ear
7:03 I thought you were going for the avengers them 😆😭
You mean when he played the Avengers theme?
7:08 The Avengers...nice
If I were to have this man’s level of musical understanding I would be simultaneously interested in all music and completely bored by it. Great video btw
Chromatic thirds always work, unless you're in a band called Chicago.
I'd love to see you analyse some Edward MacDowell. He did some great spooky pieces, sometimes for for hands, so you have the whole range of the piano.
Yah know it's reeeaaal good when someone says "WHOA" more than twice. Hahaha. Danny Elfman is the GOAT of amazing orchestrations and cool key changes in cool and kooky film music! Always loved his pieces and songs! 🔥🔥🔥
hey! I've had Killing Me Softly With His Song running through my head for like a week, and I don't have the music theory know how to decifer what's going on and why it's SO GOOD. Especially the chorus. That's the part that gets me. I would love to see a video on that someday!
6:36
Sinester, You're Welcome
Wow. That short footage of Disney's Haunted Mansion ghost ride came in as a real kicker. Haven't seen that since 1979 and the footage brought me right back.
I am slowly learning musical terms and phrases for things for notes, and things that I missed out on in my piano lessons after I moved, and I could I never found another piano teacher never got back into it I suppose. So thank you for the knowledge.
7:03 😂 these changes just happen to come directly from the lord of the rings score 😍 when Gandalf comes back to helms deep … followed by the two cords of the fellowship motive 😋
That's basically the funeral march by Chopin
Chopin’s Funeral March, the original spooky piece.
My man is throwing his shot with that girl at the end ahaha
The two chords in the thumbnail, transposed, are the main pulse of the Imperial March from Star Wars
Every second thing he played stood out as Star Wars-ey to me. Around the 11:20 mark it's pure Imperial March.
Really surprising that he didn't notice that, right?
@@alpardal I'm sure he's fully aware just chose not to mention it - probably waiting to see how many people commented on it :D
I felt he was playing the Funeral March to me. Though it does have its inspiration for the Imperial March.
6:36, going from a minor up a major 3rd gives off ominous vibes in my ears.
I was literally playing around with this song in the whole month of october and now he makes a video about it! Amazing :D
Please react to the Blade Runner soundtracks!
Vangelis’ synth compositions are so beautiful and Hans Zimmer and Benjamin Wallfisch managed to recapture that signature sound perfectly.
So tragic that we lost Vangelis earlier this year.
I love this channel ❤. I kept wanting to sing the Imperial March from Star Wars when he describes the triad chords 😂. I’m trying to remember if it was this channel that had a video about the “Devil’s chord” that originated in various classical Dies Irae pieces, and now makes almost every movie more dramatic/spooky
I believe it was Adam Neely
07:04-07:14 mmm sounds like the Avengers theme 😂
if your still in a autumn/halloween mood you should check out the over the garden wall soundtrack it’s one of the best cartoon soundtrack ever
Out of all the spooky songs, you picked my favorite movie, and I'm still amazed how you recognize the specific chords, keep it up, I love this.👍👋
6:44 the Ab min to E major just makes me think of Chopin's funeral March
10:08 I have that CD with all the soundtracks from Disneyland, that’s crazy
😂 I always love how you always somehow find the avengers theme within other songs. Cracks me up every time.
7:05
Lol, you laughing to yourself when you found the Avengers in there...
7:05 I understood that reference! :D
For a great example of spooky in a (mostly) major key, check out Lizst's Mephisto Waltz #1. Superb use of chromatics to produce a feeling of unease, madness, and malevolence. Cameron Carpenter's transcription for organ is a favorite.
Love seeing you analyze The Nightmare Before Christmas. I've watched the movie so many times and I love seeing it spelled out and seeing your reactions to everything that jumps out at you.
2:32 To me, this i-iii or i-bvi vamp is synonymous with more melodic black metal. Sounds a little strange to hear it on a piano, I'm used to hearing it on distorted guitars hehe
I feel like, even if you didn't know the name or where it had been used, Danse Macarbe by Camille Saint-Saëns would still feel spooky to listen to.
at 6:15, Chopin used that in his Bb minor sonata, second movement.... other progressions that you reference can be heard in John Williams "Duel of the Fates" from the Star Wars Episode 1.
`the only problem with going up/down to the major 3rd and making it the minor is that you have only 3 changes and you are back to the original key, so you do have to modulate or simply jump to another key, even if it's a semitone up or down.
Im self thought piano player and I hear music exactly like this man, finally I found somebody "insane" like me
Hey man just stopping by to mention that you really should hear and talk about the Outward soundtrack. I don’t know much about music so I’m very curious to know what you think of it. It’s a fun game too, but the soundtrack is something I always go back and listen to. It’s amazing ☺️❤️
At around 7:05, that chord progression he played sounded very reminiscent of Blue Wind from Spring Awakening or something from Bare: A Pop Opera. Both are angsty teen shows
I’m working on a piano concerto and I’m making it spooky, so this helped! Thanks!
I'm learning a lot about music theory through this channel, which is helping me out a lot as a newbie composer. Request - what makes things sound like winter? Not so much Christmas, but like January and February in Siberia or Greenland where you want to evoke a blistering chill and not so much festivities. I'm guessing minor chords, high pitched notes, echo-y reverb.
Chromatic mediants is used a lot in film . You can pick any major or minor chord then go up or down 3 or 4 half steps and play that chord major or minor you can keep going until you have all the chords you want
Obviously there were no moving pictures when Beethoven, Bach, Mozart, and composers alike would write melodies that seemed spooky or mournfully haunting. So I do believe music gave us that feeling before film gave it context. Even before their time people wrote melodies from what they felt. Music is a feeling first, so it takes a feeling of dread or pain to then write a melody that would convey that same feeling to another person. Blues is a perfect example of that.
10:27 reminds me so much of Tommy Flanagan’s “Angel Eyes”
I am *this* close to buying your intro to piano course. Content is so good
As a massive WDW fan (especially the music in the parks), this is easily my favorite video of yours.
I don't comment much on your videos, but I just wanted to say that your videos have kept me happy lately. I have played trumpet for about 10 years. I started when I was about 12. A few months ago I got hit by a car and it broke 2 of my teeth. I got them fixed, but one was my very front tooth. I recently wanted to play again for the first time after the accident and with only about 15 minutes of play time, my crown on my front tooth started to hurt and is now loose. I don't use a lot of pressure, but the small amount I do use over a prolonged period has loosened my crown and it is nearly 1000 dollars to redo the crown if it breaks. So that means I can't play trumpet anymore and that really upsets me. So thanks for creating these entertaining and interesting videos. Much love and you will always have a view from me as long as you keep creating.
It reminds me so much of the chord progression in Star Wars' imperial march
Currently taking your intro to piano course and I love it!
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7:04 when you smiled at accidentally playing the avengers theme I actually let out a cackle
9:33 Here's some info about that song... Who played the piece before Grim-Grinning Ghosts, AKA the "Otherworldly Concerto", is still up to debate. Most people think it was Gaylord Carter, an organist from the silent movie era. The organ used was a Robert Morton at the Lorin Whitney Studio in L.A. They had him improvise "spooky" sounding stuff until they had enough, and stuffed it into a 10 minute track.
I think it’s because this type of music is both whimsical and poignant, which fits being spooky. It’s a festival for honouring the dead, so there’s both whimsy or a sense of celebration, but poignancy in reminiscing and honouring those who have passed.
6:34 Sinister, ominous? A force that's present but it's not active at the moment, something that's resting and waiting to emerge
The Rachmaninoff Prelude in G starp minor has that delightfully eerie g sharp to e minor and back again quite a lot throughout.
The love theme from Flash Dance fades out with A minor to F sharp minor and back again.