It took me way longer than I'd like to admit to decipher what is even going on in this. But it didn't stop me from feeling the insane groove! Sometimes even the weird stuff can still feel just as groovy as 4/4! Side note: check out the new ebook! Literally comes with 40 backing tracks that you can download- jazzpianoimprov.com/
Hey Charles! I think it would be great if you looked over the scores for Charlie Brown the Great Pumpkin, and Indiana Jones and the last crusade. Both films follow musicians you’ve already reviewed, but show off their talents in such different areas. THANKS 🤙
Right? In the mid 80s there was also a piece called "Do De Rubber Duck" which happened because one of the musicians discovered there is a genre called "Rubber Duck Reggae" ....it doesn't go hard, but is also delicious
@@melissasaint3283i think we had that on VHS in the 90’s/early ‘00’s for my kids. I had no idea it referred to anything other than the actual rubber duck
Fascinating musical breakdown. I was 5 when this first aired, so right in the target audience. The song and animation are deep in my head, along with “a loaf of bread, a container of milk, and a stick of butter.”
Yeah I have this song burned into my brain from hearing it so often in the 80s. I knew it was complicated, but I didn't appreciate just how complicated it was until this breakdown of it. And I had no idea the solo was different for every number! I love this song. Thanks for the reminder!
Anytime someone mentions a 12 count this song runs through my head. It's amazing how complicated the groove of this is, and so great for them to not dumb down kids programing.
They used to play two versions of this: a long one and a short one. I remember always hoping it was the long one that day. This is the long one in Charles' video. They would sometimes stop it after the first time they say, "12!". I always got excited if I heard the steelpan solo start.
I seem to recall they didn't do the long one very often, and I also got super excited when the long version was on! Maybe that was because I was in Canada, and they had to cut things down to put the "French" segments in. Just like how there were some Spanish segments in US Sesame Street, we also had some French segments in the Canadian version (in addition to the Spanish ones). Does anyone else remember one time they had a "Night time" version of the show that had different closing credits that was I think night time helicopter or airplane shots of a big city?
@@gorak9000 I think I vaguely recall that version of the closing credits, but I could be conflating memories. Would we be talking mid-to-late eighties?
As a child of the 70s, this song is imprinted onto my soul. I would say it’s responsible for both my ability to count to 12, and my adult appreciation for obscure jazz.
@@LessaCaira OMG Conjuction Junction What's Your Function was my Jam when I was a kid! 🎵It's gonna get you there if your mighty careful-- 🎵( I could be wrong but that was what I heard as part of the Lyrics. 😁)
It also made me appreciate the Pointer Sisters’ albums from before their ‘80s pop explosion when their sister Bonnie was still with them and were more of a ‘’70s jazzy 4-voice girl group. The songs “Salt Peanuts”, “That’s a-Plenty” and “Cheney Do” have been on my iPod forever. The stuck-in-your-head-forever funkiness was carried over from this to the “Funky Chimes” theme that Children’s Television Workshop used in the post Sesame Street credits. The Sesame Street version is credited to Joe Raposo and Jim Henson, but you can hear the foundation of the theme in the actual earlier jazz piece called Funky Chimes by Francis Coppieters. The music from this kids show was interesting and complex. They completely lost the plot about the time Elmo showed up and just sang body part names to the Jingle Bells theme. Way to underestimate kids on a grotesque level.
@@MKDumas1981 I have a theory and am writing an academic paper. If anyone has anything they want to write in a 400 word article for a Media Studies blog and maybe produce an expanded version for a pop-culture conference with editing help, I’m taking volunteers for a panel and blog section
@@MKDumas1981 Acid Jazz is popular to period, but it’s not as popular while Buffy Ste. Marie is breast feeding. In fact, when women are leading the way, it’s often melodic and old medicine show attractive to Broadway showstopper in composition, but when it’s “Dad,” and mom is missing, it’s often an extra jazzy tune. What I’m looking at right now is where Cotton Candy is giving a girl cavities on acid jazz and an alligator king loses his teeth on New Orleans style jazz.
@@MKDumas1981 This is definitely folk music to Chromatic scale by nature of simple stringed instrument, but the vocals are in a major pentatonic gospel to country western composition as opposed to in a minor pentatonic or minor diatonic scale form, so the theory holds true even in male to female and jazz to major pentatuch. th-cam.com/video/LXkM11kp_tg/w-d-xo.htmlfeature=shared
this has always been such a memorable song from sesame Street for me. I think it's really cool that a children's program didnt shy away from this kinda complex stuff
Yeah this + School house rock I feel like are examples of what happens when you get top quality musicians making educational music for kids. Just incredible
I DEFINITELY remember this from Seasame Street. Basically the only things I remember are this counting to 12 song, the "near and far" sketch, and the alien monsters "yup yup yup yup yup uhuhh uhuhh". My mom always says something like "they really drill counting into you on sesame street - 1 2 3 4 5 6 7 8 9 10" and I"m always like "no, it goes to 12 - 1 2 3 -4-5- 6 7 8 -9-10- 11 12" and sing it in time to the song. This song is legendary! Also the music on Mr. Rogers was really great jazz too, and basically from what I've heard pretty much improved in real time as they shot the show - definitely the music of my young childhood!
Somebody started laying down the initial baseline during a jam night at my local jazz bar a long while ago and it was extremely fun to see how excited all the musicians got when they recognized it, and everybody jumping in to play with it.
Legend has it Marvin Gaye came up with the melody, wrote it down on a cocktail napkin, and slid it across the bar to Jim Henson with a dollar amount written on the other side, and the rest is history.
It's so, so good. As an Australian kid in the 80s I saw this all the time. Not gonna lie, back then I was more enchanted by the visuals, I really loved the whole pinball imagery, the ramps and tunnels and everything. But I definitely remember the music too, and watching this I'm blown away by just how sophisticated and awesome it was.
Man when I saw these animations it immediately triggered some strong recognition in me, but at the same time I can't remember seeing this or hearing this song at all. But I would have been very young. I don't know, the visuals seem so familiar yet at the same time it feels like the memory was buried very deep.
This is - without a doubt - one of the greatest animated segments ever shown on Sesame Street. I'm amazed that the animators made eleven different versions of it, with unique pinball "characters" and different instrumental solo sections! It's one of my favorite bits from the show and I saw it many times over the years. At least two generations of kids learned how to count AND how to groove from this song. Big Bird, Elmo, and Cookie Monster were great as always....but THIS song was a TRUE BANGER!! Love your enthusiasm, Charles! Keep it up.
I was born in 81 and this was my absolute favorite bit on Sesame Street. I loved the funky feel and the irregular cadence. I used it to teach my kids to count to 10 (and 12!) and still sing it now. LOL it's so ingrained in our brains!
80. And every older and younger sibling and cousins watched this. Then nieces and nephews also watched it and I thought "they're getting their money's worth!"
For those of us who grew up in the 70's....THIS was the one song that we all were hoping would come on. I think it's also why so many Gen X kids are into funk music. It is burned into our minds, and we absolutely loved it. Classic Sesame Street had some of the best composers and lyricists working on the show.
@@positivecynik Hey, that song is fun, too. i'm of the age where I got to enjoy that stuff AND Sesame Street music since they would reuse the classics for YEARS.
My brother had a brain aneurysm several years back. Each caring professional would enter the room, introduce themselves, and then ask a battery of questions to test the state of his cognitive skills. After the removal of a stint, a doctor challenged him to count to five, and my comical brother, without missing a beat, started singing this tune! At that moment I knew he was going to be just fine! #SesameStreet #GenX #Classic1970s
@@ferretyluv Sacks is right, singing for whatever reason uses a different part of the brain that is less likely to be damaged by strokes or other issues
The Pointer Sisters are phenomenal. Their voices were all distinctly different yet blended together perfectly. Ruth is the only surviving member, and she has the most gorgeous contralto voice (listen to Automatic where she sings lead). The way they seamlessly switch between singing in unison and in harmony in this song is so good!
I was 5 when this aired the first time. The music was hypnotic. It didn't sound like anything else we were being exposed to as children. Even now this earworm surfaces and I find myself grooving to it a little. I lived for when this was on Sesame Street. It made me happy. My sister loved it, too. We'd sing along with it.
It's an amazing song. I'd have been 3 when it first aired, and it's still incredible stuff! As far as teaching counting goes, I'll admit that this served more as a "12 awareness" song than a tool to teach you what 12 was, but they played it in the perfect environment for picking up on that distinction. The music and animation were amazing, and in retrospect it's still amazing. We were spoiled with great music in our educational materials, and if there are any funky kids out there who didn't grow up with this song, I'd have to ask where they got their funky from!
I was also 7 and it was life changing. I flipped out every time it came on. You never knew when it would hit, but there's those couple of the seconds with the snare roll crescendo as the pinball machine lever was pulled back.... that's still in the brain stem over 40 years later!
I agree with this 100%. There were some other really cool "brand new" music concepts for children on Sesame Street as well. I always liked that one where the guy with the 2 extra arms shows you 20 to zither music & Geometry of Circles by Philip Glass. I wish kids' shows now were as cool as 70s-80s Sesame Street was. I also want to know where kids got their funk if they have never seen this awesome "old" stuff. I know someone that has a well-rounded musical palette & has funk by the truckload. His Gen X parents raised him like they were raised back in the day & exposed him to all kinds of older media, especially music. He's going to college next year for music theory & his teaching license & I think it's fantastic b/c I know he'll teach new generations about this kind of funkitude.
I was born in 1972, so this debuting in 1975 means I possibly saw the first time it aired. ...and it has been an earworm for the past FORTY-SIX YEARS. Seriously. any time I count to 12, I do it to this music in my head. Absolute classic.
It was no longer an earworm for me until this video. I still have trouble with the Roger Ramjet theme randomly popping into my earworm slot. The joys. Apparently some people don't get earworms. I do wish I could turn mine off. Lately my brain will even randomly count, as if counting without any music at all still counts as music.
@@deantmoodyvoice I agree but I was willing to say 1977 if I remembered wrong, but usually I don't. I remember watching this when I was 2 or 3. Before preschool. In 1977 I was in preschool. So I would say my earliest recollection is 1975.
I was born in '88, and _still_ have this song deeply, *deeply* ingrained in my memory. If you walk up to me out of the blue and go "one-two-three-FOUR, five" I will hit you back with a "six-seven-eight-NINE, ten... eleven-twelve" This animation and song were always one of my absolute favorite sections on Sesame Street, and I am sad to hear that kids aren't still learning to count with it, because it was beautiful to watch and it _bangs_ too.
In 1977 I was 2, and this was part of the soundtrack of my childhood. I still catch myself singing this when I’m counting; it’s ingrained in my musical memory. I feel like the jazz I heard in things like Sesame Street and Mr. Rogers really shaped my taste in music today. I tend to gravitate towards the more complex music naturally, and I think music like this, that I heard growing up, has a lot to do with it.
Same. Though I'm a year younger than you, this is part of my soundtrack, how I learned to count, and how I taught my daughter to count. The Jazz, Funk, and Blues influences in Sesame Street from the 70s and early 80s definitely played a part in shaping my musical tastes
I heard this innumerable times when my kids grew up, but never thought to actually go figure it out. It came out of the 70s, and the 70s were just like that, music was experimental, progressive, and way cool. Thanks for this video. Now I'm gonna go listen to 12!
I still find myself singing this song randomly. I forgot it was sesame Street but I remember the animation and music. That 1,2,3,4,5... 6,7,8,9,10...11...12... just is catchy AF. ❤
Oh, she's a real cutie, She's my number 9 beauty, She's got 9 hairs on her head, 1 2 3,4 5,6 7 8 9, Done up in ribbons of red. She's got 9 little eyes, All the same size, Looking up, down, around, and straight ahead. She's got 9 little holes. In her turned up nose, And she snores when she goes to bed. She's got 1 2 3 4 5 6 7 8 9 Little toes on her foot. She doesn't go shopping, Cause she doesn't like hopping, So usually she just stays put. NINE!
I grew up with Sesame Street in the 80s and this was my favorite part of the whole show. I did realize there were different versions, but I don’t remember noticing that each number had its own solo. Great to see your enthusiasm and the joy you find in the theory!
He misspoke slightly. I think there are 3 or 4 solos in the middle, and they recycle them to cover all twelve variants of the middle section. Even so it's way more impressive to have the variation. Also the themed visuals are exquisite -- 12 is "sights of the USA", others are a medieval castle, the circus, "things that go," etc.
As someone with NO formal music training and who plays precisely ZERO musical instruments, your energy and enthusiasm in breaking down this iconic soundtrack of my childhood makes me appreciate it for the masterpiece not enough people are talking about it being. Thanks for sharing your extraordinary talent and love of music with us, Charles! ❤
I not only clearly remember this from being little in the very late 70's, but it's a tune that comes back to me literally all the time as a brainworm. A band grooving so hard in such a wierd time signature, with such wierd harmonies, in a kid's show, is amazing.
As a child I was very comfortable with everything this song was doing and without realising the complexity involved, it just felt very easy and kinda safe, the groove was normalized because of the sheer amount of repetition. This was run so often. It really was a core memory from a very early age.
The composer Benjamin Britten wrote a lot of music specifically for performance by children. A lot of it is surprisingly complex, but can be learnt quite easily by children because it uses repetition of small cells.
This song has an almost hypnotic effect on people above a certain age. It's like "shave and a haircut" in the sense that if you hum the first part to someone (in this case, numbers 1-10) they'll feel almost compelled to complete the last two bits.
As a 50-mumble-year-old I still love this song and the animations that go with it. Heck, if Tootsie-pops can still use the Mr. Owl ad from the '70s, I see no reason why Sesame Street can't still use this fantastic piece.
I wish they'd bring back lots of stuff. They've given into the short attention span thing. I remember when a full hour (okay, maybe a bit less than an hour) was one story line with multiple breaks. Now it all seems to be a short story line for things - so many segments. It's not that I don't like them, but they should keep them for episodes like they used to do.
I'm laughing so hard, because this song is permanently ingrained in the brains of ALL of my peers. We were the target audience in 1977. It was an instant hit with us! 😂
Every time I watched Sesame Street I hoped they would run it. I didn’t know why I thought it was coolest thing ever until I got older. I’m so glad nobody involved thought it would be a good idea to dumb it down.
I am from 1972. So I was also the target audience, and this song fascinated me. I understood nothing ... but was fascinated by this groove. I have never forgotten it, and am watching this video just to listen to it again!
@@Boethius4748 Agree 100%. Kids are intellegent (they are just not yet "educated"). They should be treated that away, no reason to dumb anything down. In some ways, kids are more intellegent that adults, because they have the time to pay attention and absorb themselves. Challenge them and they will step up to it.
I remember when these dropped. I was really young (12) but already playing cello, piano, etc. The groove was such an immediate hook. I remember trying to count it then and thinking it had to be in 7. To find out *THIS* much about this track is awesome! Please do School House Rocks!
In 1976 I was six years old and I watched Sesame Street every day. I absolutely LOVED the One-Two-Three-FOUR-FIVE song, way before I ever knew music theory or even who the Pointer Sisters were! Thanks for digging up an incredible childhood memory.
@@johnricharddowling3276I grew up with this too - when my partner posted the link and I saw the thumbnail, it took me about 30 seconds to work out what song it was - which I thought was surprisingly slow. ;) It really was formative for many of us.
I totally grooved to this tune. I was born in 1972. Instantly, I loved it. Thank you for this great video. I'm a professional classical musician now and have immense respect for Jazz.
As someone who grew up in 80s, I remember loving this song and so many other but never thinking it was complex or unusual, but I definitely think it opened my ears up to extended harmonies, without me knowing it at the time.
I grew upinthe 80s too and lots of kid's programmes had really awesome music, not just the theme tunes but throughout the shows, remember 'run with us' from the raccoons? Thomas the tank engine, inspector gadget, the turtles, dangermouse, fraggle rock, round the twist... I could go on for hours.
This song is a core memory. And if it hadn't been in my life since before I developed conscious awareness, I might be able to appreciate how complex it is. Instead it just feels like the most natural groove in the world!
Bringing in snippets from the music courses you do is genius. Makes it more than a reaction vid, much more professional. Way to next level your content.
Dude, this chorus has been stuck in my head for the past 40 YEARS and it still makes me wanna sing it after not having actually heard it in forever. The fact that this video "randomly" showed up in my suggestion feed literally DAYS after it popped in my head again tells me that not only can AI tell what song you listened to recently, but can tell what song stuck in your head has recently come back to the forefront of your mind. Hmmm......
This has been stuck in my head too for 40 some years. I've randomly recited it amongst some of my younger coworkers who have never heard it and look at me like I'm crazy.
Child of the eighties here and I distinctly remember this being a special song. You're spot on with your discussion at the end. The producers of Sesame Street clearly understood the importance of exposing kids to complex music can help to develop the mind. This tune is one of those melodies burnt in to my head like no other.
I wonder how much of a role this song had on my becoming a music snob. LOL! jk, I'm into all kinds of "simpler" music too, but yeah 'crunchy' music with 'teeth' is a staple
I was born in 1975 and remember watching this as a preschooler with my grandmother. I loved when the song would cue up because I wanted a pinball machine that would do all of that. I still remember the song to this day. I love how excited this guy is remembering this awesome song.
Lots of comments about how memorable this song was. And it’s true. I was eight years old in 1977, and this absolutely was a favorite. Even if you were a little older, if a younger sibling were watching the show and this came on, you would pause and listen. This is a great study on how to create a captivating groove. Thanks for the breakdown!
I also was 8 in ‘77, and this was definitely my favorite Sesame Street song, I absolutely loved it then, and totally remember it now, hearing it again for the first time in over 40 years.
I was the older sibling. My sister was born in 72, and I was born in 62. I LOVE this song! I think I was singing in Jazz choir about the time it was released on Sesame Street. Totally worth stopping to listen (and watch)!
I love how this song is nostalgic not only for me but also for the three generations before me who also grew up with Sesame Street. It's amazing how timeless it is
I'm only seeing this video now (5 months after the fact), but I had to comment. I was born in 73, and stuff like this had a big influence on me. Being exposed to stuff like this from an early age, made me appreciate complexities in music so much more. Thanks for doing this video!!
In a similar fashion I always loved the way Johnny Costa didn't dumb down his music for a children's audience. What a great way to help young minds develop!
Oh yeah. My dad used to watch Mister Rogers more than I did just to hear Costa. They hung out in similar musical circles in Pittsburgh; I always wondered if they ever met.
I'm a musical theater performer, and this has been one of my go-to mic-check exercises for years. It often gets a chuckle from sound ops of a certain generation. 😉
YES!!! Definitely wasn’t expecting literally ANYBODY to bring up “The Pinball Song” from Sesame Street. Absolutely one of the last things I’d expect Charles to review. Thanks, Charles.
This song absolutely has its very own set of dedicated neurons in my brain, where it has resided for over 40 years. Instantly recognizable, instantly recallable, and could probably server as some student's Master's thesis on the use of music in education
This is actually the academic article for my not for profit on a crowded field of phd candidates not as good as me, and exceeding my humanities department chair at symphonic critique from the English department to technical and humanities concerns but still learning from time to time from symphony conductors and technical people in orchestral and ensemble music
The separation in the vocals to stop on the naturally dividing number 5 and 10 and then count another 2, which, with the visuals, relates 12 to 2 by showing, that after 10, 12 is 2 more than. This is a masterpiece in logical teaching that a child can absorb as well. All all around, an amazing pieces with amazing music and eye catching visuals that teaches in a great way.
And the way those vocals fit into the measures is weird. I had to look at some sheet music to confirm it. The first "1234-5-" fits into that first measure of seven (if you count it as seven), but then because the word "seven" has two syllables, the rest after the "10" actually comes a beat later, into the third measure of seven. Which makes it seem like the rest after "eleven 12" to finish out 21 beats is shorter than it should be.
Yes, I have the feeling it started with that concept, let's run one to ten then add 11 and 12, maybe a non musician like a producer suggested the line, speaking it or singing it, and then the composer decided, hang it, I'm gonna capture exactly what they said and run with it. And the rest is the reaction of a funky, accomplished composer to being handed a wonky line that takes 10 beats to sing.
I was born in 1978. I must have only heard this song a handful of times as a child. Yet it stuck with me as one of my favorite Sesame Street songs well into adulthood. I never struggled to feel the pulse with this one. It's so damn groovy. But what really captivated me were the visuals. I didn't know what pinball was. To me, this was another world.
I still hum this song whenever I have to count to 12... it has stuck with me since I heard it from when I was a kid. Found out later it was the Pointer Sisters.
In the '70s, I saw this video as a kid and I never forgot that melody. Then when I had kids in the '90s, I saw it with them again and I knew it immediately. Shout out to those great public education shows with great music back in the day on PBS! I'm a musician and all these years it never dawned on me to try to analyze what is going on. Great music can defy time signatures and keys because it just works! Thanks for the memories and education.
This segment was so ingrained into my childhood psyche that to this DAY, if I'm counting something out loud to twelve for some reason, I almost definitely use this melody, just because it's so fun.
I’m 50 yrs old, so I watched this as a kid. As a kid, i remember feeling a little scared when watching it. I think some of the psychedelic animation may be the cause. But, I remember singing along with it. I’ve never forgot this little ditty. There are a few other Sesame Street bits that stand out, but none as vivid as this. Thanks for your joyful uncovering of the music behind the magic. (I was so pleased to find out it was The Pointer Sisters sang this)
Fellow 50-year-old here. Adults severely underestimated how confusing psychedelic imagery was to kids too young to understand it. I remember being bewildered by a lot of 70’s/early 80’s art and media. But this song is burned into my brain, and I can, indeed, count to 12.
I'm 52 and was super happy to see this video pop up...I have to admit I'd forgotten this clip but it came back right away when I saw it. I also remember finding it strange and mesmerizing...not scary, but weird somehow. I've got young kids now and I love to challenge them with more complex music sometimes. Kids are learning machines, let's no go so easy on them, I say : ) I'm going to show my kids this animation for sure.
So odd, I'm the same age, and I had that same uneasy feeling when I watched it as a 5 or 6 year-old - I still liked it, but it was just something slightly unsettling about it that seemed to lurk in the background. Like something that would come from dreams; and conversely, I think I also had dreams about this.
I saw this on television when I was a kid many decades ago. It's stuck with me ever since, and I hum it to myself to this day. I was pleasantly surprised to see your video on it!
This song was one of my absolute favorites as a kid. The groove is SOOOOO deep, neither me or my friends had any problem. Remember, too, that in the 70s the pop charts were full of heavy funk, jazz fusion and other rich, complex music. We all were steeped in stuff like this and it resonated!
I was born in '69 and this bit from Sesame Street is a core memory from my childhood. I still find myself humming this tune from time to time even now (50 years later).. but after hearing you break it down, I realize my memory of it was way dumbed down. I am blown away at the complexity it actually has. I love that you are delving into these old musical gems and helping people like me appreciate them even more!
You and me, RIGHT on the same age. We LITERALLY grew up the same as Sesame Street, born the same year. We got SO MUCH quality music and imagination growing up with that show! Oh, and.... I STILL miss Mr. Hooper.
@@ShujinTribbleI have to say that the way Sesame Street approached the passing of Mr Hooper was very mature. Acknowledge death is unfortunately a part of life, and didn't recast with another actor.
You can almost guarantee, that you can go up to ANYONE that grew up in the mid 70's mid 80's and "count" to five in the same tempo, that person won't hesitate and finish the song/count! Everything about that song just hit soo perfect (not to mention the animation)!!!
Yeah, it's our version of the "two bits" song from Who Framed Roger Rabbit? You want to find a GenXer hiding in a speakeasy, just sing "one two three FOUR five" and we won't be able to help ourselves.
I have this on vinyl. I have played it at all on my son’s birthdays as the ‘pass the parcel’ music. He and all of his friends love it. I like to think I’ve done my little bit to expose the kids to some cool music from an early age.
I played this song with a band I was in. This was before it was released officially and we learned it from listening to a bootleg video. Trying to keep that time signature going on my drums while also singing the vocal at the same time was a challenge. Such a jam though, and always a crowd favorite.
My wife and I grew up with this amazing piece. Had no idea that the Pointer Sisters performed it! To this day, we'll sing it to each other at least once a week just randomly because it's such a nostalgic thing for us.
I'm 24, my parents grew up in the 80's and I grew up hearing them sing this. I never realized where it came from until today. Thank you for bringing this back into my life and answering a burning question I have had for 2 decades
I'm turning 40 this year and this song is etched permanently in my brain. It will go through there randomly for no reason. I'm pretty sure it'll be in there until I'm dead and it's some kind of foundational core memory for me. It's truly spectacular, and if you ask me to count to 12, it will be to this tune.
I grew up with this- born in '76. It's possibly the single best piece of music ever on Sesame Street. It's really fun to hear you so excited to break down the time and harmony. But my dad was an avant garde jazz musician, so it didn't sound nearly as crazy as the live stuff that was being played in our loft every weekend when I was a kid.
FYI, the steel drummer is my FB pal and legendary steel pan composer/arranger Andy Narell (the steel solo is actually heard on the Pinball clips for 2, 4, 9 and 12) .. Also, while the animations are different for each of the 11 numbers (I guess they didn't want to teach the kids how to count to "1" 🙃), there's really only three different solo jams (electric guitar, sax and my dude Andy on steel pan) used across the eleven clips. Nonetheless, excellent video, mate. A one-two punch of breaking down both 70s funk chords and killer time signatures that would make Dream Theater and Rush's heads spin 😉
This has always stuck in my head. I believe the reason they created it was because prior to this Sesame only taught kids to count to ten but in order to tell time they had to count to twelve. I never thought how complex this song was because it just grooves so hard! Pointer Sisters!!! Andy Narrell!!!! They spent some money recording this chart!
The clock motif and the numbers being placed along a clock-circle for the song as a method to teach analog time telling goes very underappreciated about this piece. This won't teach the "big hand" but it goes a very long way towards teaching a kid how to read a clock by knowing which number goes where along the North, East, South, and West angles of a clock face.
My Sesame Street days were right in the sweet spot (mid late 70s). Honestly, this piece was what made me want to play jazz before I could even really articulate what jazz was. I can’t explain how excited I was to see it was getting the Charles Cornell treatment. It’s so pleasurable to see someone just geek out on how fantastic this was and still is.
It's fun to see how different people remember different things. Everyone here is talking about how much this song stuck with them, but I remember the animation more than anything. I remember being in awe of it when I was a kid.
Kids of the ‘70s (including me) remember this so well after 40+ yrs- so it REALLY hit home! Didn’t realise it had so many layers, but what talent the writers had!
I'm 50. This song has been in my mental jukebox most of my life!! It's stuck so deep that I sometimes sing it and have even asked other people my age if they remember it. It may be one of several early life pieces that inspired me to play bass!!
Early Childhood Music Educator here: One, I’ve never seen or heard the recording of this song but for some reason I recognized that melody! Two, the program I teach utilizes such a wide variety of meters and tonalities and the age range of our kids goes from 0-5 years old. Not only is it musically interesting for the adults, but the kids being exposed to it at a younger age are more likely to have an easier time with it when they get older.
I’m 46 and vividly remember this growing up. It’s such a part of my musical dna I really didn’t even notice how insanely complex it was.. such a great video!
I loved this song so much as a kid watching Sesame Street! It's so complicated and interesting, and is definitely what I'd call "music for musicians". I am SO glad that Sesame Street provided this kind of musical enrichment for children. I think a lot of kids, especially those with natural talents for music, can pick up on (or at least appreciate) these more complicated theories better than people realize.
I'm in awe! This song popped in my head today and finding this video was WAY more than I expected to find. Such a beautiful deconstruction of this memorable childhood tune! Man! This made my day! 👏 👏 👏
That was the Pointer Sisters? Mind blown. It's really amazing learning how much stuff they've shown up on. As a musician born in 76, inused to hum this all the time and still remember it. Seeing this breakdown has blown my mind in all sorts of ways. That's it. I'm subbing.
This replaced the earlier "Spies" counting segments from the early years of the show. Those ones were sung by Joan Jett, who personally rearranged the music, because it was too awkward to sing intelligibly.
You learn something new everyday. This song just popped into my mind for no reason and I decided to look it up and found out the Pointer Sisters did the vocals.
I’m thrilled to see this amazing song getting a proper appreciation. As you rightly point out, it’s a great example of how an extremely complex composition can simply be ‘felt’, even by children with no musical knowledge whatsoever. The proof of this is the fact that it’s permanently stuck in the minds of so many people 45 years later! Huge respect must be given to the music director at the Children's Television Workshop when this was commissioned, as well as all the musicians involved in its creation, for not making any concessions to a preconceived notion that educational music for children needs to be simple. I would argue that it actually works so well and remains so iconic BECAUSE it is complex and interesting. And no, there’s no way any children’s music today even remotely approaches this level of brilliance.
I feel like this is why the early Sesame Street stuff and even Schoolhouse Rock were, and in my opinion still are, so effective at teaching concepts while also being absolute jams in the process. They could have just done a simple rhythm with simple lyrics, but then kids would forget it as quickly as they saw it. The artistry behind this is why it's remembered so fondly almost 50 years later, and that can't be discounted!
@@Mariorox1956 Agreed. And I also wonder if somehow this song, and other complex music that was around in the 70s when I was a kid, somehow subconsciously wired my brain to be interested in and respond to other complex music. Because to this day I love music in odd time signatures, weird overlapping rhythms, dissonances, strange compositional structures, etc…
I watched both Sesame Street & Schoolhouse Rock much later than I really needed to in life, but I agree that both were instrumental (pun intended) in my liking complicated music. My kids today in their early 20s will sometimes come up to me with something new for them and it often, not always, fails to impress me much, I think, in part because it just isn't as complicated or as layered as these songs. Terry Gross, on her NPR show Fresh Air interviewed Bob Dorough, the jazz musician who created Schoolhouse Rock where he said he won the audition BECAUSE he didn't musically talk down to kids. Kids are often smarter & more capable than adults give them credit for.
Know what? I grew up to be a musician playing music exactly like this song. I grew up with it every freaking morning. Such a killer groove and I knew that at 5
I was born in the early 70's and would sing this to my nieces, nephews, and son when they were little. To this day, this song gets stuck in my head and makes me do a little dance. 😊
I used to LOVE this part back in the early 80s. When I was in preschool I had some of the solos memorized. I remember singing this song with kids in preschool while we were drawing. We'd start at 1 and go up to 12 with all the weird moments during the solo where they say the number in funny voices. It's so cool to see a breakdown of this song that lives in my soul.
I love this song and I can still remember this song til this day. I don’t think anything now is as complicated as it was back then. I love Sesame Street back in the 70’s
I've never been so tickled by one of your videos. This song has been delighting and haunting me since I was a kid. I taught my own kids how to count with it and use it to challenge my fellow musicians to decipher the meter and play along with it. Thank you for recognizing how "sick" it is. It's so groovy, so mesmerizing, and so educational (mathematically & musically). It's such a masterpiece. Outstanding job!
It took me way longer than I'd like to admit to decipher what is even going on in this. But it didn't stop me from feeling the insane groove! Sometimes even the weird stuff can still feel just as groovy as 4/4! Side note: check out the new ebook! Literally comes with 40 backing tracks that you can download- jazzpianoimprov.com/
This is so fun! Thanks so much for making my day.
Hey Charles! I think it would be great if you looked over the scores for Charlie Brown the Great Pumpkin, and Indiana Jones and the last crusade.
Both films follow musicians you’ve already reviewed, but show off their talents in such different areas.
THANKS 🤙
I love the little explanations in front of the green screen. Helps a lot.
I was about 9 when this came out. "Insane" it was not, nor ever. I've hummed this song for a lifetime. Thanks for pointing out the Pointer Sisters.
More like 1973. This was definitely several years before 1977.
Out of all the songs from Sesame Street I've listened to, I specifically remember how much of a bop this one was
This is about the only one that stuck with me.
Oh yeah, I did not need this video to remind me of this song. I still think of it randomly. 😂
it's goood stuff. For me though it's all about Capital I / Lowercase n though.
Ladybugs' Picnic was also nice.
I’ve had this song stuck in my head every couple weeks for the last 30 years
It's true! I literally cannot remember a different one, but this... I remember.
This has been my vocal sound check melody for several years. The look on the faces of random people in the bar who recognize it is always worth it.
well now i gotta check your channel lol
Where is this bar you perform in?
Well, I’m definitely doing that next time! 😂
@@clancydowrca various live music spots in central Kentucky 😊
The frontman in one of my bands does this too. He’s relatively young too.
The Pointer Sisters didn't have to go so hard with that opening part, but they did. My childhood was witness to greatness.
Agreed
They could just as easily have hired studio singers. The kids listening to it wouldn't even know who the Pointer Sisters were.
Seriously.
Right?
In the mid 80s there was also a piece called "Do De Rubber Duck" which happened because one of the musicians discovered there is a genre called "Rubber Duck Reggae" ....it doesn't go hard, but is also delicious
@@melissasaint3283i think we had that on VHS in the 90’s/early ‘00’s for my kids. I had no idea it referred to anything other than the actual rubber duck
Fascinating musical breakdown. I was 5 when this first aired, so right in the target audience. The song and animation are deep in my head, along with “a loaf of bread, a container of milk, and a stick of butter.”
Yeeesss.🎉
I still think of that one when making grocery lists.
Ha ha!! Yes!!
Me and my wife still make jokes about this at the shops
How about "Milk, Mi-ilk!"
Yeah I have this song burned into my brain from hearing it so often in the 80s. I knew it was complicated, but I didn't appreciate just how complicated it was until this breakdown of it. And I had no idea the solo was different for every number!
I love this song. Thanks for the reminder!
Well this is an unexpected crossover
Anytime someone mentions a 12 count this song runs through my head. It's amazing how complicated the groove of this is, and so great for them to not dumb down kids programing.
Oh, look, it's the Netherlands stan guy! I watch your videos a lot.
oh hey not just bikes, love your videos! :D
@@UpliftedCapybara Not Just 4/4
They used to play two versions of this: a long one and a short one. I remember always hoping it was the long one that day. This is the long one in Charles' video. They would sometimes stop it after the first time they say, "12!". I always got excited if I heard the steelpan solo start.
Yes! I didn't remember until reading your comment, but I always used to hope it was the long version too whenever I saw the pinball!
I seem to recall they didn't do the long one very often, and I also got super excited when the long version was on! Maybe that was because I was in Canada, and they had to cut things down to put the "French" segments in. Just like how there were some Spanish segments in US Sesame Street, we also had some French segments in the Canadian version (in addition to the Spanish ones). Does anyone else remember one time they had a "Night time" version of the show that had different closing credits that was I think night time helicopter or airplane shots of a big city?
I never even knew there was a longer version.
I always thought of the longer versions as a jackpot.
@@gorak9000 I think I vaguely recall that version of the closing credits, but I could be conflating memories. Would we be talking mid-to-late eighties?
As a child of the 70s, this song is imprinted onto my soul. I would say it’s responsible for both my ability to count to 12, and my adult appreciation for obscure jazz.
And my appreciation of pinball machines
This and Conjuction junction what's your function?
@@LessaCaira OMG Conjuction Junction What's Your Function was my Jam when I was a kid! 🎵It's gonna get you there if your mighty careful-- 🎵( I could be wrong but that was what I heard as part of the Lyrics. 😁)
It also made me appreciate the Pointer Sisters’ albums from before their ‘80s pop explosion when their sister Bonnie was still with them and were more of a ‘’70s jazzy 4-voice girl group. The songs “Salt Peanuts”, “That’s a-Plenty” and “Cheney Do” have been on my iPod forever.
The stuck-in-your-head-forever funkiness was carried over from this to the “Funky Chimes” theme that Children’s Television Workshop used in the post Sesame Street credits. The Sesame Street version is credited to Joe Raposo and Jim Henson, but you can hear the foundation of the theme in the actual earlier jazz piece called Funky Chimes by Francis Coppieters. The music from this kids show was interesting and complex. They completely lost the plot about the time Elmo showed up and just sang body part names to the Jingle Bells theme. Way to underestimate kids on a grotesque level.
It sounds like bossa to me.
This music takes a college degree to thoughtfully digest and yet it's meant to be exposed to children to teach them to count. Incredibly layered.
polyrhythm is older than college. it can be understood without a college degree. it’s not hard to feel and sing this song
Music is an incredible way to teach and learn math fundamentals
@@lil-j-watersthis is exactly the point. It’s not difficult to feel the song, but it is difficult to break down
Amazing to hear a complex, full-blown fusion jazz track as the soundtrack to teach us 80’s kids to count to 12.
Why is acid and fusion jazz so popular in children’s television from the 1970’s and 1980’s?
@@KateMorganStyle: I think it was just popular in general.
@@MKDumas1981 I have a theory and am writing an academic paper. If anyone has anything they want to write in a 400 word article for a Media Studies blog and maybe produce an expanded version for a pop-culture conference with editing help, I’m taking volunteers for a panel and blog section
@@MKDumas1981 Acid Jazz is popular to period, but it’s not as popular while Buffy Ste. Marie is breast feeding. In fact, when women are leading the way, it’s often melodic and old medicine show attractive to Broadway showstopper in composition, but when it’s “Dad,” and mom is missing, it’s often an extra jazzy tune. What I’m looking at right now is where Cotton Candy is giving a girl cavities on acid jazz and an alligator king loses his teeth on New Orleans style jazz.
@@MKDumas1981 This is definitely folk music to Chromatic scale by nature of simple stringed instrument, but the vocals are in a major pentatonic gospel to country western composition as opposed to in a minor pentatonic or minor diatonic scale form, so the theory holds true even in male to female and jazz to major pentatuch. th-cam.com/video/LXkM11kp_tg/w-d-xo.htmlfeature=shared
this has always been such a memorable song from sesame Street for me. I think it's really cool that a children's program didnt shy away from this kinda complex stuff
From around the same time period, Mr Rogers also had the intro/ending improved every show by one of the world's best jazz pianists at the time.
Yeah this + School house rock I feel like are examples of what happens when you get top quality musicians making educational music for kids. Just incredible
My question is whether or not they knew what they were doing. Were they just jamming? Or did they actually write it write it?
I DEFINITELY remember this from Seasame Street. Basically the only things I remember are this counting to 12 song, the "near and far" sketch, and the alien monsters "yup yup yup yup yup uhuhh uhuhh". My mom always says something like "they really drill counting into you on sesame street - 1 2 3 4 5 6 7 8 9 10" and I"m always like "no, it goes to 12 - 1 2 3 -4-5- 6 7 8 -9-10- 11 12" and sing it in time to the song. This song is legendary! Also the music on Mr. Rogers was really great jazz too, and basically from what I've heard pretty much improved in real time as they shot the show - definitely the music of my young childhood!
took the words right out of my mouth. and I didn't think about it then, but it felt funky even as a kid. \m/
Somebody started laying down the initial baseline during a jam night at my local jazz bar a long while ago and it was extremely fun to see how excited all the musicians got when they recognized it, and everybody jumping in to play with it.
This deserves to be a jazz standard
@@froobly YES! Make odd meter jazz funk great again!
@@froobly someone randomly calling out a number and it's someone's cue to take a solo
Where is this wonderful jazz bar?
Legend has it Marvin Gaye came up with the melody, wrote it down on a cocktail napkin, and slid it across the bar to Jim Henson with a dollar amount written on the other side, and the rest is history.
It's so, so good. As an Australian kid in the 80s I saw this all the time. Not gonna lie, back then I was more enchanted by the visuals, I really loved the whole pinball imagery, the ramps and tunnels and everything. But I definitely remember the music too, and watching this I'm blown away by just how sophisticated and awesome it was.
We learn by osmosis.
I was asked how I learnt to count to 12... that's usually my reply
Man when I saw these animations it immediately triggered some strong recognition in me, but at the same time I can't remember seeing this or hearing this song at all. But I would have been very young. I don't know, the visuals seem so familiar yet at the same time it feels like the memory was buried very deep.
This is - without a doubt - one of the greatest animated segments ever shown on Sesame Street. I'm amazed that the animators made eleven different versions of it, with unique pinball "characters" and different instrumental solo sections! It's one of my favorite bits from the show and I saw it many times over the years. At least two generations of kids learned how to count AND how to groove from this song. Big Bird, Elmo, and Cookie Monster were great as always....but THIS song was a TRUE BANGER!! Love your enthusiasm, Charles! Keep it up.
I was born in 81 and this was my absolute favorite bit on Sesame Street. I loved the funky feel and the irregular cadence. I used it to teach my kids to count to 10 (and 12!) and still sing it now. LOL it's so ingrained in our brains!
@overcomingobstaclescreates1695 count to 479001600?
80. And every older and younger sibling and cousins watched this. Then nieces and nephews also watched it and I thought "they're getting their money's worth!"
For those of us who grew up in the 70's....THIS was the one song that we all were hoping would come on. I think it's also why so many Gen X kids are into funk music. It is burned into our minds, and we absolutely loved it. Classic Sesame Street had some of the best composers and lyricists working on the show.
Always a good day when the number of the day was 12
same for every decade until it got canceled lol
Beats the utter hell out of "THIS IS THE SONG THAT NEVER ENDS"
We had the best kids stuff growing up no question.
Don't forget the closing credits banger.
@@positivecynik Hey, that song is fun, too. i'm of the age where I got to enjoy that stuff AND Sesame Street music since they would reuse the classics for YEARS.
My brother had a brain aneurysm several years back. Each caring professional would enter the room, introduce themselves, and then ask a battery of questions to test the state of his cognitive skills. After the removal of a stint, a doctor challenged him to count to five, and my comical brother, without missing a beat, started singing this tune! At that moment I knew he was going to be just fine! #SesameStreet #GenX #Classic1970s
best comment! glad your bro is doing well, he sounds like a good guy.
Oliver Sacks said that the disabled or brain damaged have an easier time with songs than speaking.
@@ferretyluv Sacks is right, singing for whatever reason uses a different part of the brain that is less likely to be damaged by strokes or other issues
hope your bro enjoyed chrismas with his fresh healthy brain
The Pointer Sisters are phenomenal. Their voices were all distinctly different yet blended together perfectly. Ruth is the only surviving member, and she has the most gorgeous contralto voice (listen to Automatic where she sings lead). The way they seamlessly switch between singing in unison and in harmony in this song is so good!
I was 5 when this aired the first time. The music was hypnotic. It didn't sound like anything else we were being exposed to as children. Even now this earworm surfaces and I find myself grooving to it a little. I lived for when this was on Sesame Street. It made me happy. My sister loved it, too. We'd sing along with it.
It's an amazing song. I'd have been 3 when it first aired, and it's still incredible stuff! As far as teaching counting goes, I'll admit that this served more as a "12 awareness" song than a tool to teach you what 12 was, but they played it in the perfect environment for picking up on that distinction. The music and animation were amazing, and in retrospect it's still amazing. We were spoiled with great music in our educational materials, and if there are any funky kids out there who didn't grow up with this song, I'd have to ask where they got their funky from!
I would have been 7 and I still loved it.
I was also 7 and it was life changing. I flipped out every time it came on. You never knew when it would hit, but there's those couple of the seconds with the snare roll crescendo as the pinball machine lever was pulled back.... that's still in the brain stem over 40 years later!
I agree with this 100%. There were some other really cool "brand new" music concepts for children on Sesame Street as well. I always liked that one where the guy with the 2 extra arms shows you 20 to zither music & Geometry of Circles by Philip Glass. I wish kids' shows now were as cool as 70s-80s Sesame Street was.
I also want to know where kids got their funk if they have never seen this awesome "old" stuff. I know someone that has a well-rounded musical palette & has funk by the truckload. His Gen X parents raised him like they were raised back in the day & exposed him to all kinds of older media, especially music. He's going to college next year for music theory & his teaching license & I think it's fantastic b/c I know he'll teach new generations about this kind of funkitude.
70's kid check. "Loaf of bread, carton of milk, stick of butter."
I was born in 1972, so this debuting in 1975 means I possibly saw the first time it aired.
...and it has been an earworm for the past FORTY-SIX YEARS.
Seriously. any time I count to 12, I do it to this music in my head. Absolute classic.
exactly. Same here.
It was no longer an earworm for me until this video. I still have trouble with the Roger Ramjet theme randomly popping into my earworm slot. The joys. Apparently some people don't get earworms. I do wish I could turn mine off. Lately my brain will even randomly count, as if counting without any music at all still counts as music.
This predates 1977 by several years! I recall seeing it at least as early as 1970. Persnikkety? Maybe.
@@deantmoodyvoice I agree but I was willing to say 1977 if I remembered wrong, but usually I don't. I remember watching this when I was 2 or 3. Before preschool. In 1977 I was in preschool. So I would say my earliest recollection is 1975.
I feel like I recently saw it in a retrospective on the Electric Company. I know Sesame Street reusued some of their stuff so…maybe…I dunno
I was born in '88, and _still_ have this song deeply, *deeply* ingrained in my memory. If you walk up to me out of the blue and go "one-two-three-FOUR, five" I will hit you back with a "six-seven-eight-NINE, ten... eleven-twelve"
This animation and song were always one of my absolute favorite sections on Sesame Street, and I am sad to hear that kids aren't still learning to count with it, because it was beautiful to watch and it _bangs_ too.
Have a kid, show them, bring it back.
Almost 50 years later, I still remember this song so fresh and it just gets stuck in my head
Same here, while also adding a pinball animation totally topped it off for me.
the groove is absolutely immaculate
In 1977 I was 2, and this was part of the soundtrack of my childhood. I still catch myself singing this when I’m counting; it’s ingrained in my musical memory. I feel like the jazz I heard in things like Sesame Street and Mr. Rogers really shaped my taste in music today. I tend to gravitate towards the more complex music naturally, and I think music like this, that I heard growing up, has a lot to do with it.
Me too. I completely remember seeing this. It doesn't seem abnormal to me at all... Also remember the ladybug picnic was another counting song
Same. Though I'm a year younger than you, this is part of my soundtrack, how I learned to count, and how I taught my daughter to count. The Jazz, Funk, and Blues influences in Sesame Street from the 70s and early 80s definitely played a part in shaping my musical tastes
This and Charlie Brown specials.
@@catswatchingbirds818 oh my god, I used to get so excited when I saw the word special spin around in all of its technicolor glory!!
Agreed!
Which song has lived in my head rent free for 40 years. Futaki had account, and also how to feel complex rhythms in music. Great video as usual.
Not a place I was expecting to see you
What's up Kenji!
Ayyy
Kenji!!!!! What a beast, a foodie and a music critic ;)
No way you share this type of interest with me too! The trifecta of cooking intelligently/well, science, and music theory. *Chef's kiss*
I heard this innumerable times when my kids grew up, but never thought to actually go figure it out. It came out of the 70s, and the 70s were just like that, music was experimental, progressive, and way cool. Thanks for this video. Now I'm gonna go listen to 12!
The pointer sisters are absolutely incredible musicians tbh.
Sadly only one left :-(
The Pointer Sisters never did anything in half-measures.
Except in multiple parts on this song.
I still find myself singing this song randomly. I forgot it was sesame Street but I remember the animation and music. That 1,2,3,4,5... 6,7,8,9,10...11...12... just is catchy AF. ❤
Oh, she's a real cutie,
She's my number 9 beauty,
She's got 9 hairs on her head,
1 2 3,4 5,6 7 8 9,
Done up in ribbons of red.
She's got 9 little eyes,
All the same size,
Looking up, down, around, and straight ahead.
She's got 9 little holes.
In her turned up nose,
And she snores when she goes to bed.
She's got
1 2 3 4 5 6 7 8 9
Little toes on her foot.
She doesn't go shopping, Cause she doesn't like hopping,
So usually she just stays put.
NINE!
@@MdeaccostaBrain damage wasn't a part of this.
What you're looking for is a short bus.
@@MadScientist267 wow, you're unpleasant, I can do the Ladybug 12 from memory if it suits you better?
@@Mdeaccosta No but "lifetime supply of mute" sounds good
I do too! And I'm from Norway and learnt it in Norwegian. So it's catchy across languages.
This song not only taught me to count to twelve but also set me up with a lifelong fascination of pinball machines
This breakdown explains why I like tool so much. ( and Frank Zappa )
and syncopation, and odd meters, and.. and... and!! #pinballmachineforbrains
@@slidey1788 sesame Street was making math rock before it was cool lol
Same! 😁
pumber :3
I grew up with Sesame Street in the 80s and this was my favorite part of the whole show. I did realize there were different versions, but I don’t remember noticing that each number had its own solo.
Great to see your enthusiasm and the joy you find in the theory!
He misspoke slightly. I think there are 3 or 4 solos in the middle, and they recycle them to cover all twelve variants of the middle section. Even so it's way more impressive to have the variation. Also the themed visuals are exquisite -- 12 is "sights of the USA", others are a medieval castle, the circus, "things that go," etc.
As someone with NO formal music training and who plays precisely ZERO musical instruments, your energy and enthusiasm in breaking down this iconic soundtrack of my childhood makes me appreciate it for the masterpiece not enough people are talking about it being. Thanks for sharing your extraordinary talent and love of music with us, Charles! ❤
I not only clearly remember this from being little in the very late 70's, but it's a tune that comes back to me literally all the time as a brainworm. A band grooving so hard in such a wierd time signature, with such wierd harmonies, in a kid's show, is amazing.
Lots of great music in that show. I remember this one, the Ladybugs Picnic, and then, there was the Alligator King. Remember that one? Great song!
This was one of my brainworms too growing up in the 70s. I remember singing it to myself in elementary school.
@@Hun_UinaqI also remember the one one about I get mad, with the billy goat..😊
As a child I was very comfortable with everything this song was doing and without realising the complexity involved, it just felt very easy and kinda safe, the groove was normalized because of the sheer amount of repetition. This was run so often. It really was a core memory from a very early age.
Repetition legitimises
Repetition legitimises
Repetition legitimises
70's kid here. I loved this bit so much, though I also never realized that it was so complex. It just felt really natural to listen to!
The composer Benjamin Britten wrote a lot of music specifically for performance by children. A lot of it is surprisingly complex, but can be learnt quite easily by children because it uses repetition of small cells.
They had a number of the day and worked it into the narrative and scenes. So it was either this or The Count doing the numbers for the day. :)
@@plektosgamingah ah ah! 😂
The fabulous Pointer Sisters
This song has an almost hypnotic effect on people above a certain age. It's like "shave and a haircut" in the sense that if you hum the first part to someone (in this case, numbers 1-10) they'll feel almost compelled to complete the last two bits.
Yes! If you sing the first ten, anyone else nearby MUST sing the eleven-twelve!
10? I'm not actually sure I know anyone who wouldn't immediately jump in after "one twothree FOUR FIVE"
It is paying tribute to the Elves who used a duodecimal system. ;)
@@Hansengineering😂 I see you had a set of the same dice I did!
As a 50-mumble-year-old I still love this song and the animations that go with it. Heck, if Tootsie-pops can still use the Mr. Owl ad from the '70s, I see no reason why Sesame Street can't still use this fantastic piece.
50 mumble year old 😂👍
I wish they'd bring back lots of stuff. They've given into the short attention span thing. I remember when a full hour (okay, maybe a bit less than an hour) was one story line with multiple breaks. Now it all seems to be a short story line for things - so many segments. It's not that I don't like them, but they should keep them for episodes like they used to do.
I'm laughing so hard, because this song is permanently ingrained in the brains of ALL of my peers. We were the target audience in 1977. It was an instant hit with us! 😂
Every time I watched Sesame Street I hoped they would run it. I didn’t know why I thought it was coolest thing ever until I got older. I’m so glad nobody involved thought it would be a good idea to dumb it down.
Your having a lot of fun and so am I. At the end of the day this song is genius to the 10th power!!! Appreciate your analysis!
I am from 1972. So I was also the target audience, and this song fascinated me. I understood nothing ... but was fascinated by this groove. I have never forgotten it, and am watching this video just to listen to it again!
@@plovet I was also born in '72! See... you are exactly the peers I was talking about! 😂
@@Boethius4748 Agree 100%. Kids are intellegent (they are just not yet "educated"). They should be treated that away, no reason to dumb anything down. In some ways, kids are more intellegent that adults, because they have the time to pay attention and absorb themselves. Challenge them and they will step up to it.
I remember when these dropped. I was really young (12) but already playing cello, piano, etc. The groove was such an immediate hook. I remember trying to count it then and thinking it had to be in 7. To find out *THIS* much about this track is awesome! Please do School House Rocks!
In 1976 I was six years old and I watched Sesame Street every day. I absolutely LOVED the One-Two-Three-FOUR-FIVE song, way before I ever knew music theory or even who the Pointer Sisters were! Thanks for digging up an incredible childhood memory.
I recalled the whole song the instant I heard the first beat.
I was 7 😀
Written by Walt Kraemer, arranged by Ed Bogas and sung by the Pointer Sisters and preformed by San Fransisco Bay Area Jazz musicians.
@@Paolo8772that's how you get a children's show to last over 4 decades
@@johnricharddowling3276I grew up with this too - when my partner posted the link and I saw the thumbnail, it took me about 30 seconds to work out what song it was - which I thought was surprisingly slow. ;)
It really was formative for many of us.
I pitched this song to my funk band very recently, and you've done all the work for us! You're amazing, and a big thank you.
Any band that busts this one out live are absolute heroes and should be given medals and money and keys to cities.
Please share a recording when you've got one!!
@@SmaManyesss I'm gonna need an update lol
Following here for the video!
Yeah, gotta see this video!
Never seen this guy before but watching the buzz he gets from this tune is incredible and infectious
He seems to feel music the same way I do, and that's the biggest reason I can watch him talk about anything!
As someone already noted…l need a pause, a comma, a softer flow. Imposs to follow such a barrage. 😮 Am certain the content wud be interesting.
@@hgracern unlucky. Works like a charm for me 👌🏼
@stephenbrowne119yeah, only nerds show they like things. who wants to be passionate about anything? thats cringe.
That’s what’s up
I totally grooved to this tune. I was born in 1972. Instantly, I loved it. Thank you for this great video. I'm a professional classical musician now and have immense respect for Jazz.
One of the best songs by the Pointer Sisters. It's so catchy that it ingrained itself into kids to help them count.
As someone who grew up in 80s, I remember loving this song and so many other but never thinking it was complex or unusual, but I definitely think it opened my ears up to extended harmonies, without me knowing it at the time.
Yes! I feel the same!
The Pointer Sisters were pretty handy at the harmony thing.
OMG Thank you, I feel the same. It’s was never complex just groovy as hell.
Same, felt very comfortable with it at the time and it caught, that's for sure. It worked as intended! Need to bring this back
I grew upinthe 80s too and lots of kid's programmes had really awesome music, not just the theme tunes but throughout the shows, remember 'run with us' from the raccoons? Thomas the tank engine, inspector gadget, the turtles, dangermouse, fraggle rock, round the twist... I could go on for hours.
This song is a core memory. And if it hadn't been in my life since before I developed conscious awareness, I might be able to appreciate how complex it is. Instead it just feels like the most natural groove in the world!
The drums to the bassline in this are like the wind rolling the ocean into a wave. Absolutely gorgeous. So glad I saw this today!
Bringing in snippets from the music courses you do is genius. Makes it more than a reaction vid, much more professional. Way to next level your content.
I liked at that transition. Such an impressive touch.
Dude, this chorus has been stuck in my head for the past 40 YEARS and it still makes me wanna sing it after not having actually heard it in forever. The fact that this video "randomly" showed up in my suggestion feed literally DAYS after it popped in my head again tells me that not only can AI tell what song you listened to recently, but can tell what song stuck in your head has recently come back to the forefront of your mind. Hmmm......
The Collective Consciousness. What you put out into the ether comes back around.
This lives in my brain right next to the ladybug picnic.
I'm in my 50's and I will randomly find this song in my head from time to time, even without an instance of "12" being the trigger.
@@ryanmitchell4426 and the alligator king.... they are mentors and tutors patterned in my brain, am happy to have them there :)
This has been stuck in my head too for 40 some years. I've randomly recited it amongst some of my younger coworkers who have never heard it and look at me like I'm crazy.
Child of the eighties here and I distinctly remember this being a special song. You're spot on with your discussion at the end. The producers of Sesame Street clearly understood the importance of exposing kids to complex music can help to develop the mind. This tune is one of those melodies burnt in to my head like no other.
I wonder how much of a role this song had on my becoming a music snob. LOL! jk, I'm into all kinds of "simpler" music too, but yeah 'crunchy' music with 'teeth' is a staple
Do you remember the one with the claymation orange and the sexy lips? What was that one about?
I was born in 1975 and remember watching this as a preschooler with my grandmother. I loved when the song would cue up because I wanted a pinball machine that would do all of that. I still remember the song to this day. I love how excited this guy is remembering this awesome song.
Lots of comments about how memorable this song was. And it’s true. I was eight years old in 1977, and this absolutely was a favorite. Even if you were a little older, if a younger sibling were watching the show and this came on, you would pause and listen. This is a great study on how to create a captivating groove. Thanks for the breakdown!
I also was 8 in ‘77, and this was definitely my favorite Sesame Street song, I absolutely loved it then, and totally remember it now, hearing it again for the first time in over 40 years.
I was the older sibling. My sister was born in 72, and I was born in 62. I LOVE this song! I think I was singing in Jazz choir about the time it was released on Sesame Street. Totally worth stopping to listen (and watch)!
I love how this song is nostalgic not only for me but also for the three generations before me who also grew up with Sesame Street. It's amazing how timeless it is
I was born in 1984 and I remember seeing this as a kid
hello pup64hcp
I was born in 1976. 47 years later, I still remember this song like it was yesterday. An absolute classic.
Also born in 76. Also still remember this song. As a musician myself, this video is blowing my mind in all sorts of ways.
1971, here. And yeah.
Another ‘76er here! Totally agree, and what a joyous mix of nostalgia and music theory nerding out.
Same, I always remember this as being special but didn't understand how special until later.
as another bicentennial baby, I approve of this message...
I'm only seeing this video now (5 months after the fact), but I had to comment. I was born in 73, and stuff like this had a big influence on me. Being exposed to stuff like this from an early age, made me appreciate complexities in music so much more.
Thanks for doing this video!!
I saw it 5 months ago, but had to come back and listen all over again because this song just slaps! Glad you saw it this time!
In a similar fashion I always loved the way Johnny Costa didn't dumb down his music for a children's audience. What a great way to help young minds develop!
Yay, Johnny Costa!
Oh yeah. My dad used to watch Mister Rogers more than I did just to hear Costa. They hung out in similar musical circles in Pittsburgh; I always wondered if they ever met.
I'm a musical theater performer, and this has been one of my go-to mic-check exercises for years. It often gets a chuckle from sound ops of a certain generation. 😉
YES!!! Definitely wasn’t expecting literally ANYBODY to bring up “The Pinball Song” from Sesame Street. Absolutely one of the last things I’d expect Charles to review. Thanks, Charles.
I was randomly singing this with my buddy the other day. As kid one knew how stellar this jam was. Plus the Pointer Sisters?!
This song absolutely has its very own set of dedicated neurons in my brain, where it has resided for over 40 years. Instantly recognizable, instantly recallable, and could probably server as some student's Master's thesis on the use of music in education
I Absolutely agree. 💯
This is actually the academic article for my not for profit on a crowded field of phd candidates not as good as me, and exceeding my humanities department chair at symphonic critique from the English department to technical and humanities concerns but still learning from time to time from symphony conductors and technical people in orchestral and ensemble music
The separation in the vocals to stop on the naturally dividing number 5 and 10 and then count another 2, which, with the visuals, relates 12 to 2 by showing, that after 10, 12 is 2 more than.
This is a masterpiece in logical teaching that a child can absorb as well.
All all around, an amazing pieces with amazing music and eye catching visuals that teaches in a great way.
And the way those vocals fit into the measures is weird. I had to look at some sheet music to confirm it. The first "1234-5-" fits into that first measure of seven (if you count it as seven), but then because the word "seven" has two syllables, the rest after the "10" actually comes a beat later, into the third measure of seven. Which makes it seem like the rest after "eleven 12" to finish out 21 beats is shorter than it should be.
Yes, I have the feeling it started with that concept, let's run one to ten then add 11 and 12, maybe a non musician like a producer suggested the line, speaking it or singing it, and then the composer decided, hang it, I'm gonna capture exactly what they said and run with it. And the rest is the reaction of a funky, accomplished composer to being handed a wonky line that takes 10 beats to sing.
I was born in 1978. I must have only heard this song a handful of times as a child. Yet it stuck with me as one of my favorite Sesame Street songs well into adulthood. I never struggled to feel the pulse with this one. It's so damn groovy. But what really captivated me were the visuals. I didn't know what pinball was. To me, this was another world.
I came here to say the same. I STILL sing 1-2-3-*4*-5.... I had forgotten where I had learned it
I still hum this song whenever I have to count to 12... it has stuck with me since I heard it from when I was a kid. Found out later it was the Pointer Sisters.
In the '70s, I saw this video as a kid and I never forgot that melody. Then when I had kids in the '90s, I saw it with them again and I knew it immediately. Shout out to those great public education shows with great music back in the day on PBS! I'm a musician and all these years it never dawned on me to try to analyze what is going on. Great music can defy time signatures and keys because it just works! Thanks for the memories and education.
This segment was so ingrained into my childhood psyche that to this DAY, if I'm counting something out loud to twelve for some reason, I almost definitely use this melody, just because it's so fun.
Me to! If I’m counting to 12, it’s to this song.
I do this too 😂
Me too! All the time lol
Teaching my teenage pianist son to sing this song was the first time I was confronted with its complexity. It was just “how you count to twelve”!
Same!
I’m 50 yrs old, so I watched this as a kid. As a kid, i remember feeling a little scared when watching it. I think some of the psychedelic animation may be the cause. But, I remember singing along with it. I’ve never forgot this little ditty. There are a few other Sesame Street bits that stand out, but none as vivid as this. Thanks for your joyful uncovering of the music behind the magic. (I was so pleased to find out it was The Pointer Sisters sang this)
Fellow 50-year-old here. Adults severely underestimated how confusing psychedelic imagery was to kids too young to understand it. I remember being bewildered by a lot of 70’s/early 80’s art and media. But this song is burned into my brain, and I can, indeed, count to 12.
I also loved the song and the pinball idea. It felt creepy to me and I didn't know how something that was fun to watch could be creepy to me.
I'm 52 and was super happy to see this video pop up...I have to admit I'd forgotten this clip but it came back right away when I saw it. I also remember finding it strange and mesmerizing...not scary, but weird somehow. I've got young kids now and I love to challenge them with more complex music sometimes. Kids are learning machines, let's no go so easy on them, I say : ) I'm going to show my kids this animation for sure.
So odd, I'm the same age, and I had that same uneasy feeling when I watched it as a 5 or 6 year-old - I still liked it, but it was just something slightly unsettling about it that seemed to lurk in the background. Like something that would come from dreams; and conversely, I think I also had dreams about this.
Can I pull up a chair? 49yr-old drummer here. This right here is a cornerstone of my musical identity.
I saw this on television when I was a kid many decades ago. It's stuck with me ever since, and I hum it to myself to this day. I was pleasantly surprised to see your video on it!
This song was one of my absolute favorites as a kid. The groove is SOOOOO deep, neither me or my friends had any problem. Remember, too, that in the 70s the pop charts were full of heavy funk, jazz fusion and other rich, complex music. We all were steeped in stuff like this and it resonated!
I was born in '69 and this bit from Sesame Street is a core memory from my childhood. I still find myself humming this tune from time to time even now (50 years later).. but after hearing you break it down, I realize my memory of it was way dumbed down. I am blown away at the complexity it actually has. I love that you are delving into these old musical gems and helping people like me appreciate them even more!
You and me, RIGHT on the same age. We LITERALLY grew up the same as Sesame Street, born the same year. We got SO MUCH quality music and imagination growing up with that show!
Oh, and.... I STILL miss Mr. Hooper.
How about Ez Reader? SH IP SHIP!
I was 82' and this is still a core memory for me. I've always loved it.
@@ShujinTribbleI have to say that the way Sesame Street approached the passing of Mr Hooper was very mature. Acknowledge death is unfortunately a part of life, and didn't recast with another actor.
@@gorillaau ...and kept the store name too.
You can almost guarantee, that you can go up to ANYONE that grew up in the mid 70's mid 80's and "count" to five in the same tempo, that person won't hesitate and finish the song/count!
Everything about that song just hit soo perfect (not to mention the animation)!!!
Yeah like, even if they don't know how or why they know it, they know it. I had no clue where this song was actually from for a long time.
Sesame Street was the best in the 80s when I was a kid !! I love it
Yeah, it's our version of the "two bits" song from Who Framed Roger Rabbit? You want to find a GenXer hiding in a speakeasy, just sing "one two three FOUR five" and we won't be able to help ourselves.
Facts!
I have this on vinyl. I have played it at all on my son’s birthdays as the ‘pass the parcel’ music. He and all of his friends love it. I like to think I’ve done my little bit to expose the kids to some cool music from an early age.
I played this song with a band I was in. This was before it was released officially and we learned it from listening to a bootleg video. Trying to keep that time signature going on my drums while also singing the vocal at the same time was a challenge. Such a jam though, and always a crowd favorite.
Doing Sesame Street covers is SUCH a fun idea for a band!
Now let's throw in a few random measures which are 6/8 time instead of 3/4 - I wanna see a band march to that !!!!
Man I wanna see a video of that..
My wife and I grew up with this amazing piece. Had no idea that the Pointer Sisters performed it! To this day, we'll sing it to each other at least once a week just randomly because it's such a nostalgic thing for us.
I'm 24, my parents grew up in the 80's and I grew up hearing them sing this. I never realized where it came from until today. Thank you for bringing this back into my life and answering a burning question I have had for 2 decades
I'm turning 40 this year and this song is etched permanently in my brain. It will go through there randomly for no reason. I'm pretty sure it'll be in there until I'm dead and it's some kind of foundational core memory for me. It's truly spectacular, and if you ask me to count to 12, it will be to this tune.
As a kid? Hell, it still intrudes on my thinking every now and then. The Pointer Sisters still rocked even when they went pop.
I was today years old when I found out the Pointer Sister's had a hand in this song.
@@skyydancer67Did you know Grace Slick did the Jazzy Spies?
Yes it is in all our heads from that era !
The Pointer Sisters totally dominated with film soundtracks, Pop, and R&B they were the go to group.
@@skyydancer67Same, but when you listen to it, and you know their sound, you immediately recognize them.
I grew up with this- born in '76. It's possibly the single best piece of music ever on Sesame Street. It's really fun to hear you so excited to break down the time and harmony.
But my dad was an avant garde jazz musician, so it didn't sound nearly as crazy as the live stuff that was being played in our loft every weekend when I was a kid.
FYI, the steel drummer is my FB pal and legendary steel pan composer/arranger Andy Narell (the steel solo is actually heard on the Pinball clips for 2, 4, 9 and 12) .. Also, while the animations are different for each of the 11 numbers (I guess they didn't want to teach the kids how to count to "1" 🙃), there's really only three different solo jams (electric guitar, sax and my dude Andy on steel pan) used across the eleven clips. Nonetheless, excellent video, mate. A one-two punch of breaking down both 70s funk chords and killer time signatures that would make Dream Theater and Rush's heads spin 😉
reminds me of Jonathan Scales: th-cam.com/video/GVD5fDjoaBc/w-d-xo.html
That's really cool. Tell Andy thanks for contributing to so many people's childhood memories!
80s and 90s kids got some good stuff out of these segments. Probably one of the reasons why I'm a musician today.
This has always stuck in my head. I believe the reason they created it was because prior to this Sesame only taught kids to count to ten but in order to tell time they had to count to twelve. I never thought how complex this song was because it just grooves so hard! Pointer Sisters!!! Andy Narrell!!!! They spent some money recording this chart!
Probably why they used it for so long to get their money’s worth.
Song was written by Walt Kraemer.
The clock motif and the numbers being placed along a clock-circle for the song as a method to teach analog time telling goes very underappreciated about this piece. This won't teach the "big hand" but it goes a very long way towards teaching a kid how to read a clock by knowing which number goes where along the North, East, South, and West angles of a clock face.
My Sesame Street days were right in the sweet spot (mid late 70s). Honestly, this piece was what made me want to play jazz before I could even really articulate what jazz was. I can’t explain how excited I was to see it was getting the Charles Cornell treatment. It’s so pleasurable to see someone just geek out on how fantastic this was and still is.
Same. It was one of a few songs that helped me realize at age 4 that I had to be a musician.
It's fun to see how different people remember different things. Everyone here is talking about how much this song stuck with them, but I remember the animation more than anything. I remember being in awe of it when I was a kid.
Found the engineer 😂 (or engineer at heart, sorry to assume your profession)
Kids of the ‘70s (including me) remember this so well after 40+ yrs- so it REALLY hit home! Didn’t realise it had so many layers, but what talent the writers had!
I'm in my 40s so yes... I absolutely grew up with this. So catchy, if counting out in my head, will still be along to this tune.
Same. It actually caused me some problems learning to count music!
This song is so embedded in my brain that I can’t believe more people are not doing videos about it. This is an absolute classic!
I'm 50. This song has been in my mental jukebox most of my life!! It's stuck so deep that I sometimes sing it and have even asked other people my age if they remember it. It may be one of several early life pieces that inspired me to play bass!!
Early Childhood Music Educator here: One, I’ve never seen or heard the recording of this song but for some reason I recognized that melody! Two, the program I teach utilizes such a wide variety of meters and tonalities and the age range of our kids goes from 0-5 years old. Not only is it musically interesting for the adults, but the kids being exposed to it at a younger age are more likely to have an easier time with it when they get older.
I’m 46 and vividly remember this growing up. It’s such a part of my musical dna I really didn’t even notice how insanely complex it was.. such a great video!
Same here. I’ll be 46 in just a couple months, myself.
I loved this song so much as a kid watching Sesame Street! It's so complicated and interesting, and is definitely what I'd call "music for musicians". I am SO glad that Sesame Street provided this kind of musical enrichment for children. I think a lot of kids, especially those with natural talents for music, can pick up on (or at least appreciate) these more complicated theories better than people realize.
I'm in awe! This song popped in my head today and finding this video was WAY more than I expected to find. Such a beautiful deconstruction of this memorable childhood tune! Man! This made my day! 👏 👏 👏
That was the Pointer Sisters? Mind blown. It's really amazing learning how much stuff they've shown up on. As a musician born in 76, inused to hum this all the time and still remember it. Seeing this breakdown has blown my mind in all sorts of ways. That's it. I'm subbing.
This replaced the earlier "Spies" counting segments from the early years of the show. Those ones were sung by Joan Jett, who personally rearranged the music, because it was too awkward to sing intelligibly.
@OofusTwillip I thought the counting spies was Grace Slick?
First episode of Sesame Street also had Luther Vandross on it if I'm not mistaken.
@@ferox965it was
You learn something new everyday. This song just popped into my mind for no reason and I decided to look it up and found out the Pointer Sisters did the vocals.
I’m thrilled to see this amazing song getting a proper appreciation. As you rightly point out, it’s a great example of how an extremely complex composition can simply be ‘felt’, even by children with no musical knowledge whatsoever. The proof of this is the fact that it’s permanently stuck in the minds of so many people 45 years later! Huge respect must be given to the music director at the Children's Television Workshop when this was commissioned, as well as all the musicians involved in its creation, for not making any concessions to a preconceived notion that educational music for children needs to be simple. I would argue that it actually works so well and remains so iconic BECAUSE it is complex and interesting. And no, there’s no way any children’s music today even remotely approaches this level of brilliance.
I feel like this is why the early Sesame Street stuff and even Schoolhouse Rock were, and in my opinion still are, so effective at teaching concepts while also being absolute jams in the process. They could have just done a simple rhythm with simple lyrics, but then kids would forget it as quickly as they saw it. The artistry behind this is why it's remembered so fondly almost 50 years later, and that can't be discounted!
@@Mariorox1956 Agreed. And I also wonder if somehow this song, and other complex music that was around in the 70s when I was a kid, somehow subconsciously wired my brain to be interested in and respond to other complex music. Because to this day I love music in odd time signatures, weird overlapping rhythms, dissonances, strange compositional structures, etc…
I watched both Sesame Street & Schoolhouse Rock much later than I really needed to in life, but I agree that both were instrumental (pun intended) in my liking complicated music. My kids today in their early 20s will sometimes come up to me with something new for them and it often, not always, fails to impress me much, I think, in part because it just isn't as complicated or as layered as these songs.
Terry Gross, on her NPR show Fresh Air interviewed Bob Dorough, the jazz musician who created Schoolhouse Rock where he said he won the audition BECAUSE he didn't musically talk down to kids. Kids are often smarter & more capable than adults give them credit for.
Know what? I grew up to be a musician playing music exactly like this song. I grew up with it every freaking morning. Such a killer groove and I knew that at 5
I was born in the early 70's and would sing this to my nieces, nephews, and son when they were little. To this day, this song gets stuck in my head and makes me do a little dance. 😊
This song blew my mind as a little kid in the 80s. It actually shaped my music taste for years to come.
I used to LOVE this part back in the early 80s. When I was in preschool I had some of the solos memorized. I remember singing this song with kids in preschool while we were drawing. We'd start at 1 and go up to 12 with all the weird moments during the solo where they say the number in funny voices. It's so cool to see a breakdown of this song that lives in my soul.
I love this song and I can still remember this song til this day. I don’t think anything now is as complicated as it was back then. I love Sesame Street back in the 70’s
When counting up to 12, I still have this melody going through my head, even after all these years.
I have never heard this song before but my dad counts in this melody so much its my go to too 😭
As a kid in the seventies, I can state categorically that this is indeed a serious groove!
I'm 55 and I still sing this melody, from time to time. What a gift!
Music in kids shows was sooo good back in the days. Teaches kids sophisticated music in a fun way. So imporant in my opinion at that age
I've never been so tickled by one of your videos. This song has been delighting and haunting me since I was a kid. I taught my own kids how to count with it and use it to challenge my fellow musicians to decipher the meter and play along with it. Thank you for recognizing how "sick" it is. It's so groovy, so mesmerizing, and so educational (mathematically & musically). It's such a masterpiece. Outstanding job!