Thnx. Sounds like there is a general consensus on wide dr for easy deliverables with wiggle room in post. Just picked up a c100m2. Was using zebras, but the wFM is much more accurate and fast
This video was super helpful. I’m having issues with constant strobing and flickering on the c100 when filming inside with LED and artificial light, tried lots of different things with shutter speed and changing settings but still no luck. Any advice?
Hey, do you work with the correct video standard? I live in Europe so I use PAL and therefore I shoot in 25/50 fps, otherwise the artificial lights will flicker. Maybe you only have to adjust your SD to the right video standard, depending on where you live. That's the only reason I could think of.
Hey there, it depends on the lights you're using. Certain led lights will create a strobe effect. The trick is to adjust your shutter speed until it disappears.
Thank you guys so much! I recently purchased a c100 mkii, upgrading from a 70d. Still have 3 70ds, but I have just begun with the mkii. This info is very helpful. Thank you!
Quick tip for white balance. You can change the waveform monitor to rgb in the menus. Then you get an rgb parade scope on your screen. Then you can dial in the perfect kelvin temp. While you watch the scopes change.
Thank you soooooo much I just got a c100 mkii a month ago and my first wedding of the year is in a few weeks. The exposure and sharpness were questionable to me as far as weddings go. This video came out at the perfect time for me and I really appreciate your work! Thanks again 🙏🙏
Hi....Could you tell me how to set up my picture profile on my C100 mark 1 to record at my home studio. I mostly record on a medium shot with a solid blue blackground. I need to set up my C100 to upload videos online and I use iMovie for post, but I am looking into learning Final Cut Pro X. A video or reply would be appreciated, thank you so much and keep up the great work on TH-cam!
Any idea on why certain clips I put in the timeline will flicker bright to dark? It’s not from a light source. It does it on playback. However when I play that same clip in windows media player it has no flickering and is totally fine. The flickering is even reflected in the scopes.
Hy Guys, I really love the look and your storytelling. There are not so many weddingvideos that I watched completely to the end. Not so with yours. They are all mindblowing ...for me! Especially this Video shows that, only a few People really can use these cameras to its full potencial. Thanks for this eyeopener. Looking forward to your next videos. Cheers Andy
Waw!!! You have no idea how helpful this is. I’ve seen so many videos on setting exposure on the c200 and this one is beyond amazing. THANK YOU SO MUCH FOR THIS !!! 🙏🏽 subed
Excellent video. Thank you! Question about sharpness. I always lower sharpness to -10 on the C100, but I found doing so on the C300mkII destroyed the footage. Does negative sharpness help the C200?
Thanks for watching! We’ve shot with both sharpness at 0 and -10 and haven’t noticed any bad side effects footage-wise. At the same time, it’s really just habit for us at this point. Footage looked great to us with or without sharpness turned down, so you can go either route with the C200.
Anything that’s over or under where the exposure needs to be is over or underexposed. What’s outside the waveform is clipped or crushed. And metering for the highlights means to protect them over the shadows and letting the he shadows go where they might. Giving the sensor as much light as possible is metering for the shadows. You still have to protect your highlights with digital though.
Question! I know the video is about a year old, but i;m hopeful you can answer. When shooting on Wide Dynamic Range, what ISO do you usually stay in and do you shoot it as an mp4 or AVCHD? In regards to the c100 mark ii
Love these tips and tricks! Just one question. You stated you turn the sharpness all the way down on Wide DR but do you add any sharpness in post? Thanks!
We use the default settings - we just turn the sharpness all the way down. We use our LUTs in post to bring contrast and bring the rich colours you see in our films to our footage.
I've been shooting run and gun interviews for Biz Journals for the last 4 years. I' ready to leave the Mark IV video world and get the C100 Mark II. This video was so simple and loaded with really good tips. From a newb bidding and winning a bunch of new video gigs, I appreciate your hard work and sharing your craft. 🙌🏼🤘🏼
John Frum um, I wasn’t getting paid video gigs years ago. Just landed a big job with Hard Rock Casino so I’m going to get the C500 Mark II. I know it’s a bit overkill for my level but I’m working out a deal with a media house to rent it out quite frequently.
how do you tackle the slow motion 120 FPS look?i know that there are plugins out there for the job.... but the slow motion footage here in the park have so much detail. that it would throw the plugin algorithm off. and cause nasty warping effects. i don't see any warping here .
Good video, you get a very nice look on your wedding films. I am filming weddings currently with the EOSR but have been looking at the C100 mark ii for dual recording, video features etc etc. Could I ask, my main worry in switching to the C100 mark ii video camera is the no stabilisation in the camera thing, and as I shoot with fast primes like the 50mm f1.2 was wondering how that would look? The EOSR has digital IS which helps out a little, but having non I am worried my footage would be too shaky, how do you get around this? Also, I notice the C100 mark ii has a very low bitrate, yet the footage looks amazing? How does it compare to the EOSR in your opinion? Thanks in advance for your help. Keep up the good work. Julian. (subbed by the way!)
I was thinking of buying a new camera but I may hold on to my c100mkii a bit longer. I still can't get this type of footage from it lol. Would be cool to know which shot was the c100. Your work looks great
We shoot wide dr in-camera with sharpness turned all the way down. We only use an external monitor on the MōVI Pro - the 702 day bright monitors from smallhd are the bee’s knees.
Great info! As Canon users, it would be great to hear your thoughts on competitive cameras like the BMPCC4K, URSA Mini Pro, Sony A7III and why you've chosen Canon. Keep up the great work!
Thanks for watching, Matthew! In our case, when the original C100 was released, it was the perfect mix of features and ergonomics. Nowadays, we're heavily invested in Canon and it just makes sense to keep on that route - it's also an ecosystem we know inside out. Blackmagic makes some great cameras, but they're not very practical for weddings; Sony has amazing features but we're not eager to shoot on DSLRs again (which was what we were shooting on before the C100) or give up on the Canon look and skin tones we love so much. So Canon, for us, remains a no-brainer.
This is a very talented guy, but like many others in this industry doesn´t seem very williing to share his real "secrets" with his audience. The tips in this video are great, but what really makes a huge difference is the LUT he uses, but I don´t think he wants to talk about that. Anyway, thanks for the great input!
Hi Alejo, thanks for watching and for your kind words. There's so much that goes into filmmaking that I have to disagree with you that our grade and our grade alone is what really makes an impact on the viewer. Our shooting + editing (heck, even more specifically or gimbal work) are what usually gets commented on the most. That being said, we don't use a specific LUT - we grade our footage ourselves. Anyone that thinks that LUTs are the miracle cure to bad-looking footage are shooting themselves on the foot because there's no drag and drop solution to great colour and we work extensively on each and every shot in our films. The tips in the video are key to achieving beautiful footage because no amount of colour grading or LUT will fix a badly overexposed shot or ill-balanced frame. That being said, there's no secret here - me and my wife have (up until very recently) sold our own LUT. It's also not a lack of willingness to share as much as the lack of time to do so - we run our studio full-time and we're not looking to become TH-cam famous, educating is just a fun project to take on when we get a chance and to properly take on colour grading, we'd need an extensive workshop, not a 5 minute video. Hope that helps!
@@outsideinstudio Thank you so much for your answer. I´m not saying that LUTs are a miracle to cure bad looking footage. Of course you need to be aware of the camera and light settings in order to achieve good images. But it is clear that you use LUTs to help you get the beautiful results that we can see in your videos. That is the one tip you forgot to mention and I think it is a key factor. Your films have a great distintic look, and I really wanted to know the LUTs you use in order to get at least a little bit close to the quality you display. I guess that is what most all of your followers, including me, wish for.
@@outsideinstudio I'm interested in your workflow matching the EOS -R to Wide DR in the C100. I'm thinking of picking up an EOS-R for a B cam to my C100 and dont like shooting 8 bit log on the C100.
@@FrankyEames We definitely still prefer the colors and codec on the C100 to the EOS-R (but we also haven't shot 10-bit externally on it). Matching it can be easy or hard on a case by case basis - at times, we've found it helpful to apply Canon's Log to BT709 Wide Dr LUT before applying our own color - other times, it's been easier to start from scratch. We find it has a pretty green cast, so we've wb shifted it in camera to M2. We think the next EOS R is going to be the game-changer 🤞
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Hi there! You have LOG3 in your profiles. How did you do that?
Do you shoot 60fps all day or do you swap between 60 and 24?
How to you get slo motion with the Canon 100 at 24P? It looks so smooth in your video.
Thnx. Sounds like there is a general consensus on wide dr for easy deliverables with wiggle room in post.
Just picked up a c100m2. Was using zebras, but the wFM is much more accurate and fast
This video was super helpful. I’m having issues with constant strobing and flickering on the c100 when filming inside with LED and artificial light, tried lots of different things with shutter speed and changing settings but still no luck. Any advice?
Hey, do you work with the correct video standard? I live in Europe so I use PAL and therefore I shoot in 25/50 fps, otherwise the artificial lights will flicker. Maybe you only have to adjust your SD to the right video standard, depending on where you live. That's the only reason I could think of.
Hey there, it depends on the lights you're using. Certain led lights will create a strobe effect. The trick is to adjust your shutter speed until it disappears.
Really helpful... just started shooting on the c100 Mkii in 2019 !! Love the camera :)
Kishere Film I wish I had the mkii, but I was blessed with the c100.
Thank you guys so much!
I recently purchased a c100 mkii, upgrading from a 70d. Still have 3 70ds, but I have just begun with the mkii.
This info is very helpful. Thank you!
Quick tip for white balance. You can change the waveform monitor to rgb in the menus. Then you get an rgb parade scope on your screen. Then you can dial in the perfect kelvin temp. While you watch the scopes change.
Nice, where can we find the option on the c200?
@@KBProduction1988. Probably in the setting labeled waveform type. Once you click on that, all the options will appear.
THX soooo much. So if i can't shoot more then 8 bit i should do the color job before i start rekording.
Thank you soooooo much I just got a c100 mkii a month ago and my first wedding of the year is in a few weeks. The exposure and sharpness were questionable to me as far as weddings go. This video came out at the perfect time for me and I really appreciate your work! Thanks again 🙏🙏
How did it go man?
Great to learn your opinion on the C line, specially the C200. We're glad you're back on TH-cam!
Thanks for watching! Happy to be back :)
Thanks for expounding on this. It helped me to hone in on the right settings on my C100 mkii.
Hi....Could you tell me how to set up my picture profile on my C100 mark 1 to record at my home studio. I mostly record on a medium shot with a solid blue blackground. I need to set up my C100 to upload videos online and I use iMovie for post, but I am looking into learning Final Cut Pro X. A video or reply would be appreciated, thank you so much and keep up the great work on TH-cam!
Thanks for the video. Really useful tips 😊
What's the music you used for this video?
your grading is good.. thats why images look nice filmic ..
Any idea on why certain clips I put in the timeline will flicker bright to dark? It’s not from a light source. It does it on playback. However when I play that same clip in windows media player it has no flickering and is totally fine. The flickering is even reflected in the scopes.
Hy Guys, I really love the look and your storytelling. There are not so many weddingvideos that I watched completely to the end. Not so with yours. They are all mindblowing ...for me! Especially this Video shows that, only a few People really can use these cameras to its full potencial. Thanks for this eyeopener. Looking forward to your next videos. Cheers Andy
Thanks for watching, Andy! We’re happy to hear you connected with our work. The C100s and 200s are incredible cameras with amazing color science 👌
Outside In Studio definitly... Like every Canon
Waw!!! You have no idea how helpful this is. I’ve seen so many videos on setting exposure on the c200 and this one is beyond amazing. THANK YOU SO MUCH FOR THIS !!! 🙏🏽 subed
Excellent advice! About to grab one of these cameras, appreciate the advice.
Nice job---good, practical advise not always followed. Wide DR---good profile!--BIG time saver!
Hello, how do you get the red and green colors on the waveform? I really appreciate if you can help me with that. Thank you in advance!!
Excellent video. Thank you! Question about sharpness. I always lower sharpness to -10 on the C100, but I found doing so on the C300mkII destroyed the footage. Does negative sharpness help the C200?
Thanks for watching! We’ve shot with both sharpness at 0 and -10 and haven’t noticed any bad side effects footage-wise. At the same time, it’s really just habit for us at this point. Footage looked great to us with or without sharpness turned down, so you can go either route with the C200.
No way -10 on c300ii "destroys" footage. Must have been user error, like you didn't achieve proper focus BECAUSE of the desharpened image in camera
not dissing on you -- it happened to me
Weird comment, but what is the song you used at the beginning of this video? Also, who do you use for your music bed?
I always think it's funny when I see the word "footage" used in connection with digital content.
Very helpful video, and stunning wedding footage!
Anything that’s over or under where the exposure needs to be is over or underexposed. What’s outside the waveform is clipped or crushed. And metering for the highlights means to protect them over the shadows and letting the he shadows go where they might. Giving the sensor as much light as possible is metering for the shadows. You still have to protect your highlights with digital though.
Question! I know the video is about a year old, but i;m hopeful you can answer. When shooting on Wide Dynamic Range, what ISO do you usually stay in and do you shoot it as an mp4 or AVCHD? In regards to the c100 mark ii
It’s been a year I still haven’t gotten an answer!
stay at it’s native ISO 850, here you’ll get the crispiest image as possible. i personally shoot at avchd, this is more of a personal preference.
Great info.
Thanks for sharing
Legend, thank you.
Love these tips and tricks! Just one question. You stated you turn the sharpness all the way down on Wide DR but do you add any sharpness in post?
Thanks!
Hey Corey, we do. We’ll typically dial anywhere from 12-15 on the sharpness effect in premiere.
Great video.
Hello, what your others color setings in wide dr? Black levels, nr etc?
We use the default settings - we just turn the sharpness all the way down. We use our LUTs in post to bring contrast and bring the rich colours you see in our films to our footage.
I've been shooting run and gun interviews for Biz Journals for the last 4 years. I' ready to leave the Mark IV video world and get the C100 Mark II. This video was so simple and loaded with really good tips. From a newb bidding and winning a bunch of new video gigs, I appreciate your hard work and sharing your craft. 🙌🏼🤘🏼
LOL my Mark4 is a b-roll toy. You should have made the switch years ago.
John Frum um, I wasn’t getting paid video gigs years ago. Just landed a big job with Hard Rock Casino so I’m going to get the C500 Mark II. I know it’s a bit overkill for my level but I’m working out a deal with a media house to rent it out quite frequently.
So my Mark IV will be my b-roll toy as well. 😉
how do you tackle the slow motion 120 FPS look?i know that there are plugins out there for the job.... but the slow motion footage here in the park have so much detail. that it would throw the plugin algorithm off. and cause nasty warping effects. i don't see any warping here .
Good video, you get a very nice look on your wedding films. I am filming weddings currently with the EOSR but have been looking at the C100 mark ii for dual recording, video features etc etc. Could I ask, my main worry in switching to the C100 mark ii video camera is the no stabilisation in the camera thing, and as I shoot with fast primes like the 50mm f1.2 was wondering how that would look? The EOSR has digital IS which helps out a little, but having non I am worried my footage would be too shaky, how do you get around this? Also, I notice the C100 mark ii has a very low bitrate, yet the footage looks amazing? How does it compare to the EOSR in your opinion? Thanks in advance for your help. Keep up the good work. Julian. (subbed by the way!)
Monopod
Great tips thank you
Got a Sony a7iii. Worth getting c100 ii?
did you get it?
I was thinking of buying a new camera but I may hold on to my c100mkii a bit longer. I still can't get this type of footage from it lol. Would be cool to know which shot was the c100. Your work looks great
D. Edwards, freelance editor/videographer it’s a great camera (and still our main for most of our wedding films)!
@@outsideinstudio question, do you record on a external monitor like atomos or do you record in camera? Do you reccomend a monitor?
We shoot wide dr in-camera with sharpness turned all the way down. We only use an external monitor on the MōVI Pro - the 702 day bright monitors from smallhd are the bee’s knees.
Excellent video! Nice job
This is a great video - seriously super helpful! I'm glad I stumbled upon it!
Canon c100 Mark ii Have face detection? what type the lent its that? any lens?
Micro Doulo c200
I never knew we adjust the tint in these cameras. Game changer. I find the c200 to have a more green tint than the c100.
how do you stabilize footage on C100mk2?
Use a stabilizer.
I am a amateur filmmaker and just bought a c100. What lenses do you recommend to use?
Sigma 18-35 f1.8
24-70, 50, 70-200
Adapt old manual lenses!
Do you use the luts for the settings you describe in the video or for c-log?
Yes, we use our LUTs on Wide DR footage. We seldom shoot on CLOG - only when we shoot raw on the C200.
@@outsideinstudio would you happen to have a link to the LUTs you use for the WideDR footage for post?
Great video! I needed this 5 years ago!
Great info! As Canon users, it would be great to hear your thoughts on competitive cameras like the BMPCC4K, URSA Mini Pro, Sony A7III and why you've chosen Canon. Keep up the great work!
Thanks for watching, Matthew! In our case, when the original C100 was released, it was the perfect mix of features and ergonomics. Nowadays, we're heavily invested in Canon and it just makes sense to keep on that route - it's also an ecosystem we know inside out. Blackmagic makes some great cameras, but they're not very practical for weddings; Sony has amazing features but we're not eager to shoot on DSLRs again (which was what we were shooting on before the C100) or give up on the Canon look and skin tones we love so much. So Canon, for us, remains a no-brainer.
the c200 shoots 12 bit RAW internal and has 15 stops of dynamic
Killing it guys!
please make a video about your color grading
This is a very talented guy, but like many others in this industry doesn´t seem very williing to share his real "secrets" with his audience. The tips in this video are great, but what really makes a huge difference is the LUT he uses, but I don´t think he wants to talk about that. Anyway, thanks for the great input!
Hi Alejo, thanks for watching and for your kind words. There's so much that goes into filmmaking that I have to disagree with you that our grade and our grade alone is what really makes an impact on the viewer. Our shooting + editing (heck, even more specifically or gimbal work) are what usually gets commented on the most. That being said, we don't use a specific LUT - we grade our footage ourselves. Anyone that thinks that LUTs are the miracle cure to bad-looking footage are shooting themselves on the foot because there's no drag and drop solution to great colour and we work extensively on each and every shot in our films. The tips in the video are key to achieving beautiful footage because no amount of colour grading or LUT will fix a badly overexposed shot or ill-balanced frame. That being said, there's no secret here - me and my wife have (up until very recently) sold our own LUT. It's also not a lack of willingness to share as much as the lack of time to do so - we run our studio full-time and we're not looking to become TH-cam famous, educating is just a fun project to take on when we get a chance and to properly take on colour grading, we'd need an extensive workshop, not a 5 minute video. Hope that helps!
@@outsideinstudio Thank you so much for your answer. I´m not saying that LUTs are a miracle to cure bad looking footage. Of course you need to be aware of the camera and light settings in order to achieve good images. But it is clear that you use LUTs to help you get the beautiful results that we can see in your videos.
That is the one tip you forgot to mention and I think it is a key factor.
Your films have a great distintic look, and I really wanted to know the LUTs you use in order to get at least a little bit close to the quality you display. I guess that is what most all of your followers, including me, wish for.
What do you use for IS ?
They probably use stabilized lenses and gimbals. Just a wacky guess.
How did you get it to do face tracking on the c100 II?
Face AF was on the C200. C100ii unfortunately is only limited to the square area in the middle of the frame.
@@outsideinstudio Face AF is available on C100 mark ii with SMT lenses
How did you make your logo reveal at the end?
Hey there, good 'ol fashion after effects.
super video
You should do a color grading tutorial
We just released our Color Presets Collection. Check out our latest video for more info ✌️
@@outsideinstudio where we can found your presets?
Thanks great info - Is wide DR on a EOS-R.
Hey there, Wide DR is not on the EOS R, although it does have C-Log which is still pretty sweet.
@@outsideinstudio I'm interested in your workflow matching the EOS -R to Wide DR in the C100. I'm thinking of picking up an EOS-R for a B cam to my C100 and dont like shooting 8 bit log on the C100.
@@FrankyEames We definitely still prefer the colors and codec on the C100 to the EOS-R (but we also haven't shot 10-bit externally on it). Matching it can be easy or hard on a case by case basis - at times, we've found it helpful to apply Canon's Log to BT709 Wide Dr LUT before applying our own color - other times, it's been easier to start from scratch. We find it has a pretty green cast, so we've wb shifted it in camera to M2. We think the next EOS R is going to be the game-changer 🤞
@@outsideinstudio Oh SNAP! I did not know that. That sucks. Oh well, it wasn't on the other toy cameras either, so no surprise.
@@outsideinstudio How so?
C100 is underrated! Y'know what is over rated? 4k
Thank you!
WOW AMEN!!! THANK YOU SUBBED!!
🙌🏿🙌🏿🙌🏿
why sharpness all the way down?
they can add it in post to their exact liking, rather than having it baked in during capture
the most important thing is to upload in 4k not hd
Or is it not Canon C100 Mark2 but Canon C200?
You're correct - it's a C200 we're showing settings for.
Are you using a teleprompter? If yes, which one? 🤓😃
Great info. Thanks for sharing