Setting the loop size is incorrect in this video. You are meant to pull all of the slack film towards the white line and make sure it then falls between it. In this video he seems to be trying to make the loop size even on both sides of the gate which is incorrect.
That's the way it is done, if you want a training aid, you can work with Night vision goggles and the IR illuminator (movie film doesn't respond to IR). I got this from a pro still photographer that teaches how to process large format in a darkroom.
Film negative must be either scanned or telecine'd for conversion to digital. Lots of companies can do it in North America, the price varies depending on the method of color correction and resolution chosen. If you're rich, you could buy a scanner yourself. Blackmagic makes one: www.blackmagicdesign.com/ca/products/cintel
Yes, use a changing tent, bag or a dark room (this can be a room in your house if you can make sure the room stays dark when you're loading the film into the feed side of the magazine.
+Đorđe Gajanin The Walking Dead is shot on 16mm film. A decent amount of movies & TV shows are shot on film. The problem is that shooting on film is more expensive than digital, and requires traditional care & hurdles on-set compared to the more "up & go" nature of shooting digital. So actually shooting film is more of a premium thing when you have a huge budget to swing around.
When loading these (or many Arri mags,) use the white line to set your loop. Going past the line at all is not recommended. As you see in this video, he goes past the line by a couple of perfs and the loop size is off. Also, if you wait until the "camera tells you if the loop size is good", you'll just embarrass yourself. Get it right when loading the mags! And yes, lot's of productions still shoot on film! Baby Driver, Hidden Figures, etc.
You saved the lives of many AC's! Thank you.
Beautifully designed device. 16mm is an excellent format, very portable too.
Setting the loop size is incorrect in this video. You are meant to pull all of the slack film towards the white line and make sure it then falls between it. In this video he seems to be trying to make the loop size even on both sides of the gate which is incorrect.
Perhaps the very best S16 camera ever made, together with the Aaton XTR.
superbe demonstration!! Thanks Jeff!!
Registratore.a.nastro.nagra.3 the book lite die
Thank you, very nice!
This is my unfulfilled dream
Great lesson. Where is best place to get used ARRI?
I don't remember loading the 16SR mag being so involved. They were really quick to load.
The Walking Dead cam, yeah baby !
And now they're digital 😭
Thank you
Thanks for this Jeff!
Beginner question: If you have to do that in the complete dark, how do you do without seeing anything? Just guessing by touching?
Yup, complete dark so just by touch :)
only on the feed side...!
That's the way it is done, if you want a training aid, you can work with Night vision goggles and the IR illuminator (movie film doesn't respond to IR). I got this from a pro still photographer that teaches how to process large format in a darkroom.
Hello Jeff can you please make a detailed video on how to convert film negatives into digital..
Film negative must be either scanned or telecine'd for conversion to digital. Lots of companies can do it in North America, the price varies depending on the method of color correction and resolution chosen. If you're rich, you could buy a scanner yourself. Blackmagic makes one: www.blackmagicdesign.com/ca/products/cintel
@@elbombastico69 thank you. For thi information.
Didn't match up the locating pin on the feed side core ey?
I KNOW!!!
I have a big gig next week using this mag for the first time, what's the location pin on the core? The black extension bit?
Fucking love this. Thank you!
Where did you get that
Do you put it in a sack or bag to get it in complete darkness?
Yes, use a changing tent, bag or a dark room (this can be a room in your house if you can make sure the room stays dark when you're loading the film into the feed side of the magazine.
Are film cameras still produced (for movie making ) ?
+Đorđe Gajanin The Walking Dead is shot on 16mm film. A decent amount of movies & TV shows are shot on film. The problem is that shooting on film is more expensive than digital, and requires traditional care & hurdles on-set compared to the more "up & go" nature of shooting digital. So actually shooting film is more of a premium thing when you have a huge budget to swing around.
When loading these (or many Arri mags,) use the white line to set your loop. Going past the line at all is not recommended. As you see in this video, he goes past the line by a couple of perfs and the loop size is off. Also, if you wait until the "camera tells you if the loop size is good", you'll just embarrass yourself. Get it right when loading the mags! And yes, lot's of productions still shoot on film! Baby Driver, Hidden Figures, etc.
I believe he did it to demonstrate that you can adjust it in case you´ve set it too long.
@@longhairedchild1 he says "I like to go a little longer" as he does it.
Yo jeff! Im from emilie prunier/ mme. Prunier's class
Thanks man!
Arri loading
9P
Yep, the 9P rule for loading a classic side by side camera or mag arrangement, but with coaxial it is folded. Still 9P though.
ARRI totally copied Aaton on the feed side!
This guy is a muppet and has no idea how to load the mag . Please ignore this video as many of the crucial steps are performed incorrectly .
Thank you