Eu vejo que muitos canais de arte estão mostrando essa técnica, mas, se o artista tem condições de ter uma prensa dessas, com certeza já produz ilustrações muito melhores do que essas (a partir de velhas caixas de leite). Em todos os vídeos que vi, há um desperdício enorme de tinta e tempo limpando quando poderia fazer o mesmo trabalho apenas cobrindo os traços com um cotonete molhado na tinta. De qualquer forma, sou grato por seu vídeo.
Oh, that’s wonderful. Thanks for the inspiration. I have been playing around with tetrapak myself but am trying some collagraph techniques on it for the first time and wondering how fo wipe the ink without wiping away the tape pieces. More delicate I suppose than just etching and mark making.
Beaucoup de nuances et de détail très professionnel continuez j'aime cette maison en encre . Sandstormpottery Art and lithography since Pont-Croix Finistère Bretagne France .
A great print. I did a workshop, years ago now, participants had to use all sorts of materials as the plate and we ended up with some amazing prints. Marta, I do hope I have your name correct, apologies if I don't, would you be able to demonstrate cutting techniques in real time. Thanks as always (-: Marion
Hello Marion, yes it’s Marta, you got my name perfectly. I am planning to do a detailed real time video of each step, I shall start with cutting, just for you. I will also be doing some more videos on collagraphs with bits of wallpaper and other recycled things. Thank you for watching and happy printing!
I was wondering, when do you use shellac? I thought that you might use it after you applied the gesso etc, and everything was done, but then you didn't. So that made me wonder when do you finish with shellac over everything and when not.
Whenever to use shellac or not entirely depends on how many prints do you want to get out of your plate. If you only want a small amount then you don’t have to shellac at all. I used to shellac my plates but these days I don’t as I find I don’t do many prints from the plat and move on to something new. I’m fact, varnishing may cause obscuring some of the fine details, which is a shame.
Great print!! I'm about to get started with a tetrapak for the first time. What did you use to transfer your design, and what are you using to scratch the plate? Thanks in advance!!
@@CollagraphPrinting Inspired, I tried this myself today Marta. Don't have a press but used lots of force with a spoon. Really disappointing results! Smaller plate than yours but similar subject matter. Blacks didn't take at all. Line work was poor. Thought I hadn't scored the surface deeply enough so tried again but still rubbish. I'm new to printing but did soak the paper then blotted, loosened the ink a bit too as its very stiff but is inatglio ink. Think I'm using more than enough pressure with the spoon. Don't think I'm overwiping, ink in the lines still visible on the plate. Any ideas?
@@esarempee oh no sorry to hear that. I think probably spoon might not work as well. Try rolling pin. If you don’t have a press dry pointing will work better with Perspex sheet. Have you seen my dry point video? It’s the one with daffodils.
![ฮักเทื่อสุดท้าย - บอย ศิริชัย [OFFICIAL MV]](http://i.ytimg.com/vi/-1PoPoQ-B-k/mqdefault.jpg)
Came out really well. ❤
Thank you 🙏
Eu vejo que muitos canais de arte estão mostrando essa técnica, mas, se o artista tem condições de ter uma prensa dessas, com certeza já produz ilustrações muito melhores do que essas (a partir de velhas caixas de leite). Em todos os vídeos que vi, há um desperdício enorme de tinta e tempo limpando quando poderia fazer o mesmo trabalho apenas cobrindo os traços com um cotonete molhado na tinta. De qualquer forma, sou grato por seu vídeo.
@@wagnerduro thank you so much very kind of you to say 🤗
Aha I love your lad in the background who's just doing his thing back there
Ha ha my son, he is the musician of the family 😎
Thank you so much this is absolutely brilliant.
You are welcome
Sei molto originale da utilizzare un elemento così povero in una incisione di grande qualità bravissima
Gracie mile 😀
Oh, that’s wonderful. Thanks for the inspiration. I have been playing around with tetrapak myself but am trying some collagraph techniques on it for the first time and wondering how fo wipe the ink without wiping away the tape pieces. More delicate I suppose than just etching and mark making.
Thank you 🙏 yes you have to be more gentle for sure.
Wow, that looks fantastic!
Thank you 🙏
Thanks Marta 😊
Lovely work! And even bonuses for re-purposing
Thank you, when you can use rubbish to create art, everyone is a winner 🏆
Fantastic results.
Thank you Michael!
Beautiful result - thanks !
Thank you and you are welcome
Fabulous demo!
Thank you Mark, glad you enjoyed it 😁
Very cool!
😎
Love the print!
Thank you 🙏
Beaucoup de nuances et de détail très professionnel continuez j'aime cette maison en encre . Sandstormpottery Art and lithography since Pont-Croix Finistère Bretagne France .
Thank you for your kind comments
A great print. I did a workshop, years ago now, participants had to use all sorts of materials as the plate and we ended up with some amazing prints. Marta, I do hope I have your name correct, apologies if I don't, would you be able to demonstrate cutting techniques in real time. Thanks as always (-: Marion
Hello Marion, yes it’s Marta, you got my name perfectly. I am planning to do a detailed real time video of each step, I shall start with cutting, just for you. I will also be doing some more videos on collagraphs with bits of wallpaper and other recycled things. Thank you for watching and happy printing!
That's really cool - I love how it turned out! Can I be really nosy and ask where your accent is from, please? 🙂
Thank you! I am Polish 🤗
I was wondering, when do you use shellac? I thought that you might use it after you applied the gesso etc, and everything was done, but then you didn't. So that made me wonder when do you finish with shellac over everything and when not.
Whenever to use shellac or not entirely depends on how many prints do you want to get out of your plate. If you only want a small amount then you don’t have to shellac at all. I used to shellac my plates but these days I don’t as I find I don’t do many prints from the plat and move on to something new. I’m fact, varnishing may cause obscuring some of the fine details, which is a shame.
@@CollagraphPrinting Well, that's good to know!! Thanks for your answer!
Great print!! I'm about to get started with a tetrapak for the first time. What did you use to transfer your design, and what are you using to scratch the plate? Thanks in advance!!
Great, tetrapak is great fun! I use a dry point needle and scalpel knife, I use intaglio ink and a printing press
That was terrific, thanks for sharing.
What type of press is the one you use?
You are very welcome! I use Polymetaal HS-35 Tabletop Etching Press and it’s absolutely brilliant, highly recommend it.
@@CollagraphPrinting Inspired, I tried this myself today Marta. Don't have a press but used lots of force with a spoon.
Really disappointing results!
Smaller plate than yours but similar subject matter.
Blacks didn't take at all.
Line work was poor.
Thought I hadn't scored the surface deeply enough so tried again but still rubbish.
I'm new to printing but did soak the paper then blotted, loosened the ink a bit too as its very stiff but is inatglio ink.
Think I'm using more than enough pressure with the spoon.
Don't think I'm overwiping, ink in the lines still visible on the plate.
Any ideas?
@@esarempee oh no sorry to hear that. I think probably spoon might not work as well. Try rolling pin. If you don’t have a press dry pointing will work better with Perspex sheet. Have you seen my dry point video? It’s the one with daffodils.
Did you ever add another color?
No but I should. Another milk carton print is well overdue + another colour 😊
سلام خوب هستید خانم ؟