@@CollagraphPrinting Last collagraph? I destroyed after about five prints because I hadn't realized how delicate they were... I love the way you can use textures in collagraphy. Similar to the floor lino embossing technique in this recent film where you can press 3-D style every last fissure. It's actually more similar to collagraphy than traditional printmaking. th-cam.com/users/shortsyi4V9kAW9ts?feature=share
I was wondering why you cut out the tree silhouette in the main board; am I right you were concerned with the thickness th milk carton pieces would be adding to the plate ?
Can you please clarify what material you are using for the base plates? Around 4:35 do you mention cutting out “inviro board”? Is that similar to the Inovart printing plate foam? Thank you very much for sharing your art and process
It’s actually called enviromount, my apologies for getting it a bit wrong in the video, I buy it here: handprinted.co.uk/products/paper-drypoint-plate-enviromount-pack-of-10?_pos=2&_sid=62f139b35&_ss=r
Thank you. That was great. I don't like shellac because I work indoors. Or maybe I'm thinking of polyurethane as really smelly. Anyway, can Modge Podge be used to firm up the plate(s)? I'm going to research this further because I can't tell the difference between white Elmers glue, acrylic medium, and even PVA glue. This vid gave me lots of ideas.
Thank you and I am thrilled that the video gave you ideas. I think it’s always worth experimenting with different substances as you never know what you might find. Matt acrylic media can be used to create mid tones. I never heard of Modge Podge, would be interested to find out if it works
I was wondering why you made an indentation in the background plates for the trees, My conclusion was that the white line around the trees would vary because of the different heights of the background plates. Was i right ?
It’s a good question Marijke. I did it so that I would get a more even surface of the plate and the danger of having the trees just on top would be a possible big white space around them as a result
I am learning so much from your videos. Thank you for sharing your process.
I'm so glad! You are welcome 🤗
Interesting and inspiring! Thankyou so much for sharing!❤️
Thank you Tricia and you are welcome 🤗
Stunningly beautiful
Thank you 🙏
I LOVE IT.. beautiful art.
Thank you 🙏
Always that exciting moment. It looks great! Thanks for sharing.
You are welcome and thank you 🙏
Wow the printed version was beautiful
Thank you Kit 😁
Thank you so much. Your tutorials are a delight to follow and you are so generous with your instructions and tips. Truly inspirational. ❤️👍👍👍👍👍
Thank you Pamela, that’s so sweet and you are very welcome 🤗
How wonderful ! I love it!! I only started making collagraphs. I love that you used 7 colours.
Thank you Zachar, glad you enjoyed it. Hope this helped you on your collagraph journey
@@CollagraphPrinting Last collagraph? I destroyed after about five prints because I hadn't realized how delicate they were... I love the way you can use textures in collagraphy. Similar to the floor lino embossing technique in this recent film where you can press 3-D style every last fissure. It's actually more similar to collagraphy than traditional printmaking. th-cam.com/users/shortsyi4V9kAW9ts?feature=share
Wow!
Love it!
Thank you 😊
Loved this. What a lovely voice you have too. You should be on audible!
Ha ha thank you, new career for me 😀
great ! Thanks for the video,
You are welcome
I was wondering why you cut out the tree silhouette in the main board; am I right you were concerned with the thickness th milk carton pieces would be adding to the plate ?
Good question Kat, it was mainly to preserve the colours, I didn’t want the colours to mix in this particular piece, so I made the pieces separately
Can you please clarify what material you are using for the base plates? Around 4:35 do you mention cutting out “inviro board”? Is that similar to the Inovart printing plate foam? Thank you very much for sharing your art and process
It’s actually called enviromount, my apologies for getting it a bit wrong in the video, I buy it here:
handprinted.co.uk/products/paper-drypoint-plate-enviromount-pack-of-10?_pos=2&_sid=62f139b35&_ss=r
Thank you. That was great. I don't like shellac because I work indoors. Or maybe I'm thinking of polyurethane as really smelly. Anyway, can Modge Podge be used to firm up the plate(s)? I'm going to research this further because I can't tell the difference between white Elmers glue, acrylic medium, and even PVA glue. This vid gave me lots of ideas.
Thank you and I am thrilled that the video gave you ideas. I think it’s always worth experimenting with different substances as you never know what you might find. Matt acrylic media can be used to create mid tones. I never heard of Modge Podge, would be interested to find out if it works
It’s water based so no. It will go sticky when it gets into contact with the damp paper
I was wondering why you made an indentation in the background plates for the trees, My conclusion was that the white line around the trees would vary because of the different heights of the background plates. Was i right ?
It’s a good question Marijke. I did it so that I would get a more even surface of the plate and the danger of having the trees just on top would be a possible big white space around them as a result
@@CollagraphPrinting Thank you for your answer.
Love the print! Just FYI, gesso is pronounced “jeso” with a j sound at the beginning. 💖👍
Thank you 🙏
How to apply colours....?
It depends how you approach it. Either by applying to different sections or having different plates or viscosity approach
تو خیلی زیبا هستی .از نظر یک ایرانی
چرا مردم دنیا چیزهای بیخود را نگاه میکنن میلیون نفر شما طرفدار کم دارید ولی هنرمندید