Great walkthrough! I think one of the best things with the Zorn/ limited palette is that it’s fairly easy to remember, and to see how you mixed the colours, when needing to go back to a certain colour and mix it again.
I want to thank you for showing me the colors. I was just checking my paints as well. And I love the feeling of just blending those colors and finding that perfect color that I look for to put on the canvas. I don't like being perfectionist but I am. I have to get it just right. It's just what my eyes looking for. To teach me and educate me on how to create colors was fantastic. I just love this when I get educated on something that I could use in the future time starting a new canvas with a portrait and I've been doing my research and studying. I've painted portraits before. But this one is going to be a challenge. But I assure you with with the guidance of artists of artists will help me pull this painting through I have faith, so thank you. My dear friend, I love watching your programs. You're quite an educated teacher. So Thank you
Thank you Andrew you have taken some of the mystery, and fear out of tackling a portrait! Watching you go through the process of experimenting with creating the colors you wanted, was also super helpful! I like the idea of having a separate piece of canvas to test the colors. Amazing, thank you, you're the best!
Thank you Andrew. I am not a painer. I draw pencil sketches by my own. I have been watching portrait painting for few weeks and got your channel popped up in YT recommendations. I was amazed. For a moment I thought you were touching the face of a real, living, person with your brushe but then it turned out to be your mastery of painting of a portrait. I love watching breath-taking every moment of your video. Thank you so much and I really appreciate you for sharing your knowledge. Keep up the good sharing. I will definitely visit your webpage and learn some more. I liked your video, your style, and your simplicity. Thank you.
Color and color mixing is what it is. I've always mixed allot on the canvas. Your brush work, however, is absolutely great! You patience is incredible, especially with your larger landscape works! Good tips for attitude on sticking with it.
Looking at your videos, I realize how little I know. Your analysis of tones on the color chart you demonstrated is not difficult to comprehend but difficult to recreate. I love painting but realized it in my twilight years.
never to late to start. you may feel like you have to much to learn and not the time to do it, even the masters have more to learn though. its an ongoing journey and as im sure you know, its always about the journey and not the destination. you dont need to turn out masterworks for your art to have merit or make people happy.
Excellent instruction Andrew, with different techniques to satisfy anyone's method! I learned to paint over the grisaille with opaque paints, not transparent, which was also very instructional to follow form. Somehow I missed knowing about the Zorn Palette but you have demonstrated versatility in extremely limited palette techniques. I'm reminded the old masters had to mix their own colors themselves, so they didn't have all the variety we take for granted, but they knew how to paint! It is very educational to learn one's craft intensely this way before expanding into new areas. Well done Andrew!
Lovely and very useful! Funny story! About three years ago, my painting teacher introduced us to the Zorn palette. I had never heard of him but looked up his bio. About three months later, I was with friends visiting Asheville, NC for Thanksgiving. We went to the Biltmore Estate and in the Tapestry room I came face to face with a Zorn original. At first, it reminded me of a Renoir so I asked the docent. She said, "No, that is Anders Zorn who was famous for his 4-color palette!" haha. It was quite a coincidence! Vanderbilt had purchased this painting at the 1893 Chicago World's Fair.
Andrew, I really love watching your portrait videos. I especially like the different styles of brushes that you use. I haven't seen the sharp, angled brush that you use in your portrait paintings. I particularly like your technique of applying tiny little dots of paint on the finishing touches which is something that you do so well. I will use that technique when I do my next portrait painting! I want to watch more and more of your videos.
Andrew I am so excited that you have made this video available. I had lost my enthusiasm at the moment due to ill health but I now can’t wait to get going again. Thank you xxx
This is probably the best video ever for an artist not used to portrait, or figure painting. My work is usually on glass, second surface using lots of gold leaf. Thank you for this wonderfully clear information. Four color work ahead.
I tried this a 8 months ago and man, what a difference. Due to four colours, and creating a colour chart I was able to remove muddy colours. I am able to paint whatever colour I want just using these four colours. That gave me enough understanding that I found the approach I have been looking for years when painting so I will getting your course in a week from now to learn far more. The great experience from this approach is I can focus more, not get distracted due to so many tubes. I can just use the four colours and mix and walla, got my colour. Also due to the colour charts I mixed, that also helped a lot knowing how to get paint colour I need. Thanks for video, very helpful.
Thank you for sharing your sublime gifts and genuine passion & joy 🙏💕💕💕 Your talent's in equal measure to your authentic humility: that combination creates an extraordinarily rare element on the Periodic Table of Creativity! 🙏 🌷🙏
I’ve seen this palette many times before, but have yet to try it. You used the colors quite effectively! A great painting, and such an inspiration to want to actually try this limit color range!
I took a portrait class where we learned the masters used only yellow ocher, venetian red, ivory black and white. Amazing, we were able to make all the colors from those four, even an earthy blue, though not a pure blue.
How would u compare results between venetian, cadmium red light, and genuine vermillion(apparently what zorn used, mercuric sulfide) just got a Harding Vermillion in yesterday. 20 percent off lol had to try it. Very warm compared to cadmium, yet cooler than venetian. So I wonder how the gradients vary
@@DCweldingAndArt venetian is more of an earthy brick red. I am not sure how it compares to cadmium or vermillion, except they are a more pure red? I haven't tried them compared to venetian red yet. My common sense tells me that a painter can get a wider variety of colors with a more pure red like cadmium or vermillion. I think the earthy color of venetian or brick red would limit the pallet to more natural, earthy colors which works with skin colors. Makes sense since we are made from dirt anyway, lol
@@filledemartel732 my common sense tells me the same haha! Maybe it was a senseless obvious question but I asked all the same. 🤣 thanks for the response. I guess if u had tried all three I would've been looking for a preference according which had a more natural variety of skintones. I would think venetian and vermillion. Given that they're earthier and less saturated. (I like all three but I prefer the earthy effect) feels more true to life.
@@DCweldingAndArt side question! Where did you get the vermillion 20% off!? Lol Vermillion has such a beautiful quality, I've been wanting this color but haven't yet bitten the pricetag bullet yet. Jen Genari uses the Zecchi genuine vermillion.
@@katetopps4706 jerrys artarama, m. Harding, Williamsburg, and few other oils on sale. Alot of linen, mediums, brushes on sale as well. I'm about to spend probably another $200 stock up on some lead colors and I also wanna try some coarse linen. I've only tried fine weave linen which I really like, but I also like the portraits and landscapes that I have seen that were done on coarse linen
I like your application of the Zorn Palette, I made a chart using the Zorn Palette, Ivory Black, Lead White and Titanium White, Cad Red Light, Yellow Ocher, the Ivory Black really give off notes of blue, the Lead White and Titanium White mixed is in the middle between warm and cool. I really recommend that every painter make as many charts as they can they are invaluable. Thanks for the video well done.
No soy un pintor, soy dibujante; pero me gusta apreciar estas habilidades que solo personas como Tu, tienen el privilegio de dominar. Cuanto daría por observarte trabajar en la realidad. Sería una experiencia única! Eres un genio!
Hi Andrew, in my opinion: it is fascinating the way you hold your brush so far back yet still maintain beautifully placed hairs, plus your use of what seems to be a cloth; on Kindle there is an inexpensive book of 300 plates of Zorn's art by Maria Peitcheva - now I can enjoy looking at the hues to look for combinations. Thanks and Regards JB
beautiful video and content.... thanks for sharing this.... I am been also using cobalt blue and raw umber instead black as Zorn palette stile. Wish you best, Ciao.
That was mind blowing!!! Thank you for this video. I'm a fan from the Philippines. I'm trying to make oil portraits and your videos helps me to learn more. More power to you!!
I notice how you hold uor long brush at length and for fine lines of the hair a smaller brush is held two thirds down. The Zorn pallette definitely demonstrates how to make good use of recognising the tonal warmth and cooler areas of the face and the premixing of the required values is so important prior to commencing work. You are an excellent arrtist and a great teacher, Thank you for your wonderful lessons. They are invaluable to artists. Rosie Hoy
Andrew, you are really a great artist. The way you explain, and the amazing results of your work... It seems to be so easy painting at that le el, but it isn't at all. Congrats from Spain!
Thanks so much, this video helped me out big time. I recently got into an insatiable appetite for buying new paint colors, and I was just putting down too many on my palette, and I was ultimately noticing the colors on my subject not looking quite right; too saturated and muddy, and just not very natural looking. I just tried going Zorn for the remainder of my piece, and my subject improved.
this video was the only way i knew how to make the correct proportions for a human head. Had to pause... pause again, pause and "connect the dots" where you started removing lines. Thanks for that, 🫠👍 I love when I get something out of your videos besides the main discussion. Especially the painting of the ship at sunset. 🙏
Wow, I did not realize that some painting masters actually used black straight out of the tube! Over the years, all my teachers taught me to mix my own black and never use pre mixed black. Why is that? Bizarre stigma attached to this belief, really. Anyhow, I really enjoyed watching this process. That sample pallet is remarkably beautiful with rich warm tones. I love it! What a lovely portrait, Andrew. The textures are beautiful too.
Andrew usually also doesn't use black straight from the tube in for example his landscape work, as it creates more depth and versatillity to mix it. However, it all depends on your subject, the palette you're using, your style and personal preferences. So if you want to use black, go for it! Especially in a limited palette like this it can work wonders!
👋😁 thank you so much , for this excellent tutorial , thank you for your time , it’s really great to see how to mixing all this colors , it’s very helpful 🤗👏👏👏bravo , God blessed you 😉😩I wonder how long will it take me to paint like you , beautiful 👍👍👍👍😎
Great explanation of the colours. Love the simplicity of the Zorn palette. I guess this really works due to the black turning to the cooler blue tones when mixed and a sweet portrait to finish with.👍👏
Incredibly done Master Andrew!!!🙌🏻💯 I always wanted to try the Zorn pallette but never attempted but your videos always encourages me. I was not sure about the range of colours but this gem (video) cleared a lot of things. Thankyou so much 😄🙏🏻🌟
Hi, although I am working on w/c portrait paintings, I thoroughly enjoyed your presentation, as you explained the warm and cool flesh tones obtained with a very a very limited palette. You made a difficult process look easy. Your painting is beautiful. Thank you!
The trick is using the right black. Some blacks are warm (ivory black) and some are colder (mars black).
Great walkthrough! I think one of the best things with the Zorn/ limited palette is that it’s fairly easy to remember, and to see how you mixed the colours, when needing to go back to a certain colour and mix it again.
One of my favourite creators commenting on one of my favourite creators - the world is getting smaller
Τττττ
@@iheartapplecola ρ
a well taught viedo, thank you so much
I want to thank you for showing me the colors. I was just checking my paints as well. And I love the feeling of just blending those colors and finding that perfect color that I look for to put on the canvas. I don't like being perfectionist but I am. I have to get it just right. It's just what my eyes looking for. To teach me and educate me on how to create colors was fantastic. I just love this when I get educated on something that I could use in the future time starting a new canvas with a portrait and I've been doing my research and studying. I've painted portraits before. But this one is going to be a challenge. But I assure you with with the guidance of artists of artists will help me pull this painting through I have faith, so thank you. My dear friend, I love watching your programs. You're quite an educated teacher. So
Thank you
Thank you Andrew you have taken some of the mystery, and fear out of tackling a portrait! Watching you go through the process of experimenting with creating the colors you wanted, was also super helpful! I like the idea of having a separate piece of canvas to test the colors. Amazing, thank you, you're the best!
Phenomenal video! For someone who is new to painting, I couldn't believe how well such a simple palette could be applied!
Thank you Andrew. I am not a painer. I draw pencil sketches by my own. I have been watching portrait painting for few weeks and got your channel popped up in YT recommendations. I was amazed. For a moment I thought you were touching the face of a real, living, person with your brushe but then it turned out to be your mastery of painting of a portrait. I love watching breath-taking every moment of your video. Thank you so much and I really appreciate you for sharing your knowledge. Keep up the good sharing. I will definitely visit your webpage and learn some more. I liked your video, your style, and your simplicity. Thank you.
The subtle Value of the eye lid is just mind blowing!!
Color and color mixing is what it is. I've always mixed allot on the canvas. Your brush work, however, is absolutely great! You patience is incredible, especially with your larger landscape works! Good tips for attitude on sticking with it.
You are a very gifted teacher. Glad to get a color refresher from you.
Your accent switches from aggressively American to aggressively Aussie to aggressively kiwi every few words, it’s fascinating!
Looking at your videos, I realize how little I know. Your analysis of tones on the color chart you demonstrated is not difficult to comprehend but difficult to recreate. I love painting but realized it in my twilight years.
Me too
never to late to start. you may feel like you have to much to learn and not the time to do it, even the masters have more to learn though. its an ongoing journey and as im sure you know, its always about the journey and not the destination. you dont need to turn out masterworks for your art to have merit or make people happy.
Grandma Moses began painting at 78
@@davidreneau8212 wow! I did not know that.
Well THAT is inspirational!
I always look forward to your content. There's new takeaways every time. I appreciate you!
Andrew painting good boating Zorn and self portrait with palette!
they always told us not to use black with painting. it’s insane how much can we learn from youtube thank you so much
Yeah that's true, I'm surprised to see him use black
Excellent instruction Andrew, with different techniques to satisfy anyone's method! I learned to paint over the grisaille with opaque paints, not transparent, which was also very instructional to follow form. Somehow I missed knowing about the Zorn Palette but you have demonstrated versatility in extremely limited palette techniques. I'm reminded the old masters had to mix their own colors themselves, so they didn't have all the variety we take for granted, but they knew how to paint! It is very educational to learn one's craft intensely this way before expanding into new areas. Well done Andrew!
Just wonderfull!!! Big hug!
Lovely and very useful! Funny story! About three years ago, my painting teacher introduced us to the Zorn palette. I had never heard of him but looked up his bio. About three months later, I was with friends visiting Asheville, NC for Thanksgiving. We went to the Biltmore Estate and in the Tapestry room I came face to face with a Zorn original. At first, it reminded me of a Renoir so I asked the docent. She said, "No, that is Anders Zorn who was famous for his 4-color palette!" haha. It was quite a coincidence! Vanderbilt had purchased this painting at the 1893 Chicago World's Fair.
the best video about flesh tones in the whole youtube world. Hat off man, you are great
Great sir. Awesome 👌
Andrew, I really love watching your portrait videos. I especially like the different styles of brushes that you use. I haven't seen the sharp, angled brush that you use in your portrait paintings. I particularly like your technique of applying tiny little dots of paint on the finishing touches which is something that you do so well. I will use that technique when I do my next portrait painting! I want to watch more and more of your videos.
Fantastic!
Andrew I am so excited that you have made this video available. I had lost my enthusiasm at the moment due to ill health but I now can’t wait to get going again. Thank you xxx
Sure hope you are feeling better 🌻
I hope you are doing fine now :)
Thank you for a real tutorial where you're actually explaining things.
This is probably the best video ever for an artist not used to portrait, or figure painting.
My work is usually on glass, second surface using lots of gold leaf. Thank you for this wonderfully clear information. Four color work ahead.
I tried this a 8 months ago and man, what a difference. Due to four colours, and creating a colour chart I was able to remove muddy colours. I am able to paint whatever colour I want just using these four colours. That gave me enough understanding that I found the approach I have been looking for years when painting so I will getting your course in a week from now to learn far more. The great experience from this approach is I can focus more, not get distracted due to so many tubes. I can just use the four colours and mix and walla, got my colour. Also due to the colour charts I mixed, that also helped a lot knowing how to get paint colour I need. Thanks for video, very helpful.
unbelievable, you can paint anything and every painting is so perfect. Thank you for sharing.
I’ve tried the Zorn palette and I love it. I used for black, chromatic black and my red was Cad red light.
beautiful combination of color's such a great ideas to create realistic painting god bless you dear Andrew Tischler
Danke sehr und alles gute weiterhin 👍👍👍🤗👍
Thank you for sharing your sublime gifts and genuine passion & joy 🙏💕💕💕
Your talent's in equal measure to your authentic humility: that combination creates an extraordinarily rare element on the Periodic Table of Creativity! 🙏 🌷🙏
Your channel is a real treasure!
I’ve seen this palette many times before, but have yet to try it. You used the colors quite effectively! A great painting, and such an inspiration to want to actually try this limit color range!
YES IM SO HAPPY THAT YOU’VE UPLOADED!
A wonderful demonstration of the Zorn Palette, Andrew! Thanks for sharing!
I took a portrait class where we learned the masters used only yellow ocher, venetian red, ivory black and white. Amazing, we were able to make all the colors from those four, even an earthy blue, though not a pure blue.
How would u compare results between venetian, cadmium red light, and genuine vermillion(apparently what zorn used, mercuric sulfide) just got a Harding Vermillion in yesterday. 20 percent off lol had to try it. Very warm compared to cadmium, yet cooler than venetian. So I wonder how the gradients vary
@@DCweldingAndArt venetian is more of an earthy brick red. I am not sure how it compares to cadmium or vermillion, except they are a more pure red? I haven't tried them compared to venetian red yet. My common sense tells me that a painter can get a wider variety of colors with a more pure red like cadmium or vermillion. I think the earthy color of venetian or brick red would limit the pallet to more natural, earthy colors which works with skin colors. Makes sense since we are made from dirt anyway, lol
@@filledemartel732 my common sense tells me the same haha! Maybe it was a senseless obvious question but I asked all the same. 🤣 thanks for the response. I guess if u had tried all three I would've been looking for a preference according which had a more natural variety of skintones. I would think venetian and vermillion. Given that they're earthier and less saturated. (I like all three but I prefer the earthy effect) feels more true to life.
@@DCweldingAndArt side question! Where did you get the vermillion 20% off!? Lol Vermillion has such a beautiful quality, I've been wanting this color but haven't yet bitten the pricetag bullet yet. Jen Genari uses the Zecchi genuine vermillion.
@@katetopps4706 jerrys artarama, m. Harding, Williamsburg, and few other oils on sale. Alot of linen, mediums, brushes on sale as well. I'm about to spend probably another $200 stock up on some lead colors and I also wanna try some coarse linen. I've only tried fine weave linen which I really like, but I also like the portraits and landscapes that I have seen that were done on coarse linen
So beautiful, Thankyou, now I've found the pallete colours I've been after and I'm looking forward to using them.💓👍
Glad to see your videos on TH-cam again
I am really like ur ideas on mixing skintone by using 4 colors only..thank u so much master
I like your application of the Zorn Palette, I made a chart using the Zorn Palette, Ivory Black, Lead White and Titanium White, Cad Red Light, Yellow Ocher, the Ivory Black really give off notes of blue, the Lead White and Titanium White mixed is in the middle between warm and cool. I really recommend that every painter make as many charts as they can they are invaluable. Thanks for the video well done.
best tutorials thank you
No soy un pintor, soy dibujante; pero me gusta apreciar estas habilidades que solo personas como Tu, tienen el privilegio de dominar. Cuanto daría por observarte trabajar en la realidad. Sería una experiencia única! Eres un genio!
Awesome mixing of colors used painting with grandkid I personally use airbrush just started painting
Hi Andrew, in my opinion: it is fascinating the way you hold your brush so far back yet still maintain beautifully placed hairs, plus your use of what seems to be a cloth; on Kindle there is an inexpensive book of 300 plates of Zorn's art by Maria Peitcheva - now I can enjoy looking at the hues to look for combinations. Thanks and Regards JB
Love your work Andrew. I especially like the Milford sound landscape as l visited it back in 1989.
Brilliant as always Andrew!
beautiful video and content.... thanks for sharing this.... I am been also using cobalt blue and raw umber instead black as Zorn palette stile. Wish you best, Ciao.
Excellent. Your paintings are simply superb....including explaining.
Tank's Andrew tchler,amazing
Amazing portrait,you have a true talent Mr. Andrew !
My Master Andrew Tischler 👏👏👏wowwww as always, thanks for sharing your skill and fabulous art work 🙏🙏🙏🇪🇹
That was mind blowing!!! Thank you for this video. I'm a fan from the Philippines. I'm trying to make oil portraits and your videos helps me to learn more.
More power to you!!
I never learned from anyone through as much as I did with thank you so much Andrew
Thank you, Andrew! I love the Zorn pallette...sometimes adding a little others but the basics are definitely there with the Zorn color mixes!
Fantastic. Thank you for sharing the video with us. All the best and good paintings!!!
As always great insights -love the extended greyscale for reference - thank you
You taught it easily, thank you very much, at last I understood how Zorn palette works
Man i cant get enough of watching you work. Very inspiring to me. Thanks
O wow,realy amazing.
I notice how you hold uor long brush at length and for fine lines of the hair a smaller brush is held two thirds down. The Zorn pallette definitely demonstrates how to make good use of recognising the tonal warmth and cooler areas of the face and the premixing of the required values is so important prior to commencing work. You are an excellent arrtist and a great teacher, Thank you for your wonderful lessons. They are invaluable to artists. Rosie Hoy
That's a masterclass! Hope to see all your videos to learn a lot!
Amazing! Thanks for sharing!
Fantastic tutorial. Great use of the dagger brush! Thanks for sharing
What a fantastic tutorial Andrew. I can't wait to give it a try. Thank you.
Wonderful tutorial. Some really good points about the Zorn palette. Useful. Thank you so much.
Whoa!!!!
Amazing as always, I think I'll just give up painting and look at Andrew paint 😊
NEVER GIVE UP!
You better not bro
Andrew, you are really a great artist. The way you explain, and the amazing results of your work... It seems to be so easy painting at that le el, but it isn't at all. Congrats from Spain!
Thanks so much, this video helped me out big time. I recently got into an insatiable appetite for buying new paint colors, and I was just putting down too many on my palette, and I was ultimately noticing the colors on my subject not looking quite right; too saturated and muddy, and just not very natural looking. I just tried going Zorn for the remainder of my piece, and my subject improved.
Fantastic! You are a modern day Monet!!! I love your art work. Thank you for teaching us!
this video was the only way i knew how to make the correct proportions for a human head. Had to pause... pause again, pause and "connect the dots" where you started removing lines. Thanks for that, 🫠👍
I love when I get something out of your videos besides the main discussion. Especially the painting of the ship at sunset. 🙏
Love watching you at work a true master of the craft. Cheers.
Love your work Andrew!!!
I have been using the Zorn pallette for some time now, with excellent results. With a touch of burnt umber and cadmium orange, sometimes.
Impressive Andrew like always.
Thank you for sharing.. amazing job mate.
Bravo, phenomenal work Andrew. This portrait hardly looks like an Ala-prima piece and I mean that in the best way possible.
what a surprise! The Zorn palette really works. Thanks again Andrew.
love this, can't wait
Super intro to the zorn palette Andrew. Have tried it before with not much success, certainly goes a lot deeper than you think. 👍👏
I want to go color swatch the Zorn palette myself now and give it a go. Thanks!
your paintings are unbelievably good. So much talent.
Amazing! And great experiment with Zorn palette. Painted portrait looks better, than photo on iPad... You're great artist.
wow Andrew! Just WOW!
Master Andrew,
Amazing art work,
Thanks for sharing.
Wow, I did not realize that some painting masters actually used black straight out of the tube! Over the years, all my teachers taught me to mix my own black and never use pre mixed black. Why is that? Bizarre stigma attached to this belief, really.
Anyhow, I really enjoyed watching this process. That sample pallet is remarkably beautiful with rich warm tones. I love it! What a lovely portrait, Andrew. The textures are beautiful too.
Andrew usually also doesn't use black straight from the tube in for example his landscape work, as it creates more depth and versatillity to mix it. However, it all depends on your subject, the palette you're using, your style and personal preferences. So if you want to use black, go for it! Especially in a limited palette like this it can work wonders!
That was an enlightening video. Being a beginning portrait painter, it is a wonderful guide. Thank you.
Oh, that's helpful. I tend to use only black, white yellow, red and blue. Thank you.
👋😁 thank you so much , for this excellent tutorial , thank you for your time , it’s really great to see how to mixing all this colors , it’s very helpful 🤗👏👏👏bravo , God blessed you 😉😩I wonder how long will it take me to paint like you , beautiful 👍👍👍👍😎
What comes to mind is, WOW!!❤️
So helpful now I’m going to use this palette until I get used to the mixing combo cant wait thanks
Wow absolutely beautiful ❤️ really inspiring 😍 This is great class 👌 Thaku
your work kills me - such beautiful work
Great explanation of the colours. Love the simplicity of the Zorn palette. I guess this really works due to the black turning to the cooler blue tones when mixed and a sweet portrait to finish with.👍👏
This is amazing
Incredibly done Master Andrew!!!🙌🏻💯 I always wanted to try the Zorn pallette but never attempted but your videos always encourages me. I was not sure about the range of colours but this gem (video) cleared a lot of things. Thankyou so much 😄🙏🏻🌟
It’s truly helpful your help with Zor palette, incredible how may colors out of 4 evenly . Thank you
Amazing what is possible - the portrait is beautiful!
Amazing your painting
Brilliant. Thank you.
Hi, although I am working on w/c portrait paintings, I thoroughly enjoyed your presentation, as you explained the warm and cool flesh tones obtained with a very a very limited palette. You made a difficult process look easy. Your painting is beautiful. Thank you!
This is sooooo Masterful!!!! Thanks so much for sharing with us Andrew!!!