Alex, It is obvious, so obvious that you've put a lot of thought into your videos. You are a talented teacher - something that might be rare. I've learned so much from you! As a fellow arts teacher I tip my hat.
Tremendous joy to see this well done tutorial, so clearly, efficiently and completely explained. I send it to pupils in art school, for online learning in this Covid period. Thank you Alex Tzavaras!
I just started my art channel for supper kitchen table beginners. But I really appreciate these lessons. Thank you for the support. I love when artist encourage other artist.
This is a great tutorial. I can't believe I started out with 10+ colors in my palette in school. I've always struggled with value and color, so this extremely limited palette and method of blocking in is helpful.
This video helped me so much as a student oil painter. The simplified demonstration of each color/value and its purpose helped bring structure to my process.
wonderful and exactly what I needed ! I've been gathering the "courage" to try a portrait after doing very forgiving landscapes, birds, still lives, etc. Thank you so much for sharing your gifts :)
Thank you for sharing what you have learned in this painting journey,God bless you Mr.....much love and respect all the way from Long Beach, California.... peace.
She literally came alive, out of what I thought would not work, but of course, this is easy when you know what you are doing. Bravo!!. Portraits, are the most difficult type of painting to do. I do not know how to correct my paintings, and as long as I have painted, I think I will never get the nack of it. But, it is nice to see a master a work. Ms. L Churchill (USA)
Each stroke was so pretty!!! Thank you for the demonstration it was really nice of you to share your knowledge. Anyone would be really fortunate to have a portrait painted by you!
Wow! That was amazing! I can't believe the flesh tones came so accurately out of those four colors! Great work, indeed! Thanks for the guided instruction!
This was amazing to watch, I just started doing portraits and mixing colours has driven me crazy since day one, they never felt realistic and always took so much trial and error. Being colourblind doesn't help either hahah, but seeing how much you can get out of such a small palette really feels like an opportunity to simplify the whole process and get better results at the same time. Can't wait to try this, thanks for the video!
I learned a lot watching this. I like the foir color approach. The simplicity of your approach is not dissimilar from that of a blacksmith fabricating a gate. The gate is a lot of pieces put together to make the whole. I like it.
Thanks Jodie, I didn't learn anything in art school either. Back when I went in the early 90's I didn't have the internet, so I thought the human race had forgotten how to draw and paint from and couldn't find any artists who did.
I find comments of this nature tedious. Whenever a student said this to me, I knew they were just buttering me up for some infraction they figured they would be committing before too long. And it is simply unbelievable. Did you really spent 4 years in art school and fail to pick up the basics? Even if your teachers were useless and uninspiring, and you were lazy and focussed on the usual adolescent pastimes, even then if you harboured any interest in art at all, clips similar to this one (and don't get me wrong, it is good for what it is) were available back then. Are we to believe you spent 4 years in art school _and_ being innocent as regards the existence of the internet? Of course not. Now of course you are only trying to pay a compliment, but the "more than x years in y school" format is hackneyed and insulting.
I never comment but this deserves one! Wonderful video, exactly what I was missing. I have been making up the colours as I go along with no clue and the overwhelm shows in the end result of my portraits. The thought of using just four colours is very exciting and appealing. Thank you for taking the time to make this video it has helped me hugely! Subscribed 🙏
I can’t speak English very good, but this lesson I understand so much!) And you’re drawing a model in live, because photo drawing not good for beginners. Nature drawing the best!!! Thank you!)
Thank you! That's exactly what I started this channel, because the teachers and schools who teach this kind of stuff are always expensive. Unfortunately, they have to be because they're private (my classes are expensive too). Where as mainstream art colleges just don't teach this stuff.
The mysteries of the Zorn palette have been shown! I never learned anything near this in art school. Thank you so much for sharing your knowledge and skill with the world!
I find it works really well for neutralising flesh tones, rather than blue which is much more chromatic and tends to turn them more green. The I don't like black for mixing very dark colours. You get much more interesting darks by mixing blues, browns and reds.
Your paintings remind me of Ressendi... and I love Ressendi's paintings. I love how you can tell it's a painting and at the same time you can feel that it's alive. Love your videos.
Thank you! I'd not heard of Ressendi, I had to look him up. What an amazing painter. Actually, the artist (British) who taught me to paint went to Art school in Spain. So, maybe some of that Spanish style rubbed off on me. His teacher there was an outstanding painter Joachim Torrents Llado, he died in 1997. Have you heard of him?
@@SIMPLIFYDrawingandPainting I use to watch a channel from Antonio García Villarán. Besides all of the silly jokes, I discovered Ressendi because of him. I like Goya because you know it's painting because you can see the brush strokes, but it's alive. I don't like hiper-realism because the people look like wax figures). Here is the video, if you activate the automatic translation of the subtitles, they are quite accurate th-cam.com/video/6IRkx0LYZ_0/w-d-xo.html
@@Stemma3 I was curious and I google Ressendi, it's a video explaining his paintings, I stop at 3:37, toreros subjects are kind of people I don't like to see, in pictures and in real, maybe a dying bull for the hands of these monsters was a more exciting subject, seem Ressendi mind didn't go so far.
I don't know which video are you talking about, if it's the one about García Villarán. He explains that he paints the decadence of the bull fighters. That's why I liked those pictures. They don't show the bull fighters as heroes, they show them as some kind of depressing and miserable people. His paintings are really ugly, that's why I like them. Saturn eating his children by Goya is a really ugly picture, but it's one of my favorite paintings. It's so violent.
You have some beautiful hues here from such a limited palette. I guess that's the payoff. The eyes are amazing, suggesting blue grays and love the way you've suggested the far side eye lashes too.
It's amazing, thank you. You explain so many thoughts about finding the right tone. It is super instructive ! Thnak you for sharing so widely your art !
This was absolutely thrilling to watch! I've never heard of this limited palette technique, but through analogy and correspondence with working in other mediums, it makes complete sense. And to watch a theory flesh out in front of your eyes, well...EXCELLENT! Thank you very much for this brilliant tutorial Sir!!! I've liked and subscribed
I,ve seen this and your other videos more than once, but I always come back to watch again as there is always something to learn each time. Many thanks as always!
You are really such a great painter that you really think your handling of the brush is something we all can copy. We cannot, but it is still awesome to watch you working out details.
Thank you. I reckon brush handling is a bit like Hand writing. It won't ever be exactly the same as mine, but with enough practice you will develop your own style.
Fabulous❣️ I learned planes of the face and how to use values. Simple palette and starting flesh tones, starting with more darker more neutral first tone. Beginning with ground.
I have just completed a portrait using your techniques in this video and I am blown away how well it turned out. No proportional divider, ,ruler or underdrawing just massing in the shapes. I can't believe I achieved such a likeness. I definitely fiddled too much but being only a beginner, I can deal with that. Thank you so much Alex, you have helped me immensely.
That's great Suzanne! Yes Indeed. I believe you don't need proportional dividers or anything like that. It is perfectly possible to draw by eye if you can turn your subject into flat shapes.
This is an amazing demo. Well explained and articulate. I've learned most of all about color and color harmony. Looking forward to view more of your videos. By the way, can you explained how you create the color chart? I would love to do one of my own.
that mastery in making a face pop out of nothing like magic is the reason i didn't paint for the last 10 years. even the 2:02 color board is a artwork by itself.
As a student I've been discouraged from working with black paint from the tube in favour of learning to mix black from the primaries, so I was extremely impressed with how much mileage you managed to get from Ivory Black in this study. I've really begun to rethink my palette after watching your videos and I look forward to applying some of your tips in the future!
I find mixing blacks with the primaries quite difficult (did you see the limited palette in my previous video on Saturated?). Tbh I'm not a big fan of Ivory black in the darks, I much prefer using mixtures of blues and earth pigments. One of my favourite blacks is Ultramarine, Transparent Oxide red and Alizarine crimson. But I do find Ivory black really useful in the lights, for greying down and desaturating flesh colours.
That worked for me, Alex, clear, logical and nicely presented. You've obviously put a lot of thought into how to deliver this presentation. many thanks
It is. One of the issues I find with filming is the accuracy of the colours. Because I paint under natural daylight which changes the exposure settings I use mean that the colours don't always appear as they do to the eye. I also used separate cameras for the canvas, the palette and the model so there is also a discrepancy there too. Just goes to show, the drawbacks of working from photos, or at least why you should do colour studies from life.
What a wonderful explanation, clear, precise, concise, really straight to the point and easy to understand! Thanks a million for sharing knowledge. I'm working on a new portrait painting using Zorn palette and it has been great to find your demo!! All the best for you. Greetings from Mexico City!
@@SIMPLIFYDrawingandPainting a pleasure. I'm sharing your post on my media (Instagram: @joseluisriverart), it's worth share knowledge and impact in others' life. All the best!
Thanks for this instruction, never knew about the Zorn before but it's certainly effective. I'm a cartoonist doing pen & ink using water colour bases and backgrounds. I then do all the line work in Indian ink with a brush pen. I have only recently started painting in real oils and I'm really bad, so it's good to see a person with talent.
i actually can’t believe this video is free because it is so informative and helpful. very grateful for this. you’re a wonderful teacher
Thank you very much Sarah!
7
🙌🏽🕊️💯
Yes, you're really remarkable.
My gosh. The few, deliberate, little brush strokes for the first eye from 12:08 to 12:30 brought that from color blocking to living person. 😲😍
More than a few brush strokes using more than one brush. Not as easy nor as simple as it seems.
@@littleheath1666 no one said it "seemed simple"
@@rickdeckard1075 anyone would infer that from the words "few and simple" at least anyone who hasn't tried painting ha
I come back to this video periodically, because it’s so masterfully done. It’s a joy to watch.
Alex, It is obvious, so obvious that you've put a lot of thought into your videos. You are a talented teacher - something that might be rare. I've learned so much from you! As a fellow arts teacher I tip my hat.
Thank you very much Andy! That means a lot coming from a fellow teacher.
Tremendous joy to see this well done tutorial, so clearly, efficiently and completely explained. I send it to pupils in art school, for online learning in this Covid period. Thank you Alex Tzavaras!
Thank you. I'm a self taught artist and have never been taught flesh tones. That's why I'm here and I learned so much. I appreciate it.
Thank you very much Joan! Glad it was helpful.
I haven’t painted anything since elementary school and here I am entirely entranced by this magic at 3am
me at 2 am
Me three, at noon on a Thursday.
Thanks for making a clear tutorial. Real good clear explanation of everything without making it so boring like many others do 😉
Thnaks mate. Painting is totally overwhelm for me and it's hard to even start, this narrowed it down and was an inspiration.
I just started my art channel for supper kitchen table beginners. But I really appreciate these lessons. Thank you for the support. I love when artist encourage other artist.
Thank you. Good luck with your channel
This is a great tutorial. I can't believe I started out with 10+ colors in my palette in school. I've always struggled with value and color, so this extremely limited palette and method of blocking in is helpful.
This video helped me so much as a student oil painter. The simplified demonstration of each color/value and its purpose helped bring structure to my process.
Thank you Bella!
Brilliant. Finally someone explaining how to do flesh tones! 👍
There is never one way of doing it. Just paint what you see in front of you as best you can.
I’m just starting out with oils, aged 52. There’s a lot to learn, and this is a superb video. Thank you.
Thanks Warren. Glad you found this helpful. Good luck with your painting.
wonderful and exactly what I needed ! I've been gathering the "courage" to try a portrait after doing very forgiving landscapes, birds, still lives, etc.
Thank you so much for sharing your gifts :)
Very nice , with experience that I needed to see first hand .
One of the best explanations of the Zorn palette portrait. Thanks.
Thank you Dipak!
Clear.accurate and well explained. Just like the style of portraiture this true teacher is generously sharing.THANKS
Thanks Luis!
Thank you for sharing what you have learned in this painting journey,God bless you Mr.....much love and respect all the way from Long Beach, California.... peace.
Thank you very much Francisco!
Amazing. It's one thing to paint a beautiful picture - quite another to be able to explain so clearly how you did it. Thank you.
Thanks Stefan!
She literally came alive, out of what I thought would not work, but of course, this is easy when you know what you are doing. Bravo!!. Portraits, are the most difficult type of painting to do.
I do not know how to correct my paintings, and as long as I have painted, I think I will never get the nack of it. But, it is nice to see a master a work.
Ms. L Churchill (USA)
Each stroke was so pretty!!! Thank you for the demonstration it was really nice of you to share your knowledge. Anyone would be really fortunate to have a portrait painted by you!
Thanks Kathleen
Wow! That was amazing! I can't believe the flesh tones came so accurately out of those four colors! Great work, indeed! Thanks for the guided instruction!
Thank you! Glad it was helpful.
This was amazing to watch, I just started doing portraits and mixing colours has driven me crazy since day one, they never felt realistic and always took so much trial and error. Being colourblind doesn't help either hahah, but seeing how much you can get out of such a small palette really feels like an opportunity to simplify the whole process and get better results at the same time. Can't wait to try this, thanks for the video!
I learned a lot watching this. I like the foir color approach. The simplicity of your approach is not dissimilar from that of a blacksmith fabricating a gate. The gate is a lot of pieces put together to make the whole. I like it.
Great job with the execution and colour mix; the Zorn pallet is often hard to master. A very enjoyable video. Thanks.
You have painted the most difficult subject to paint in the world! That is most excellent, wow! Yes, like magic, I must agree.
Just learned more about painting in 20 minutes than I did in 4 years of fine art school 🙄
Thanks Jodie, I didn't learn anything in art school either. Back when I went in the early 90's I didn't have the internet, so I thought the human race had forgotten how to draw and paint from and couldn't find any artists who did.
Weird flex but ok
Same me too
Ikr, totally agreed
I find comments of this nature tedious. Whenever a student said this to me, I knew they were just buttering me up for some infraction they figured they would be committing before too long.
And it is simply unbelievable. Did you really spent 4 years in art school and fail to pick up the basics? Even if your teachers were useless and uninspiring, and you were lazy and focussed on the usual adolescent pastimes, even then if you harboured any interest in art at all, clips similar to this one (and don't get me wrong, it is good for what it is) were available back then. Are we to believe you spent 4 years in art school _and_ being innocent as regards the existence of the internet?
Of course not.
Now of course you are only trying to pay a compliment, but the "more than x years in y school" format is hackneyed and insulting.
I never comment but this deserves one! Wonderful video, exactly what I was missing. I have been making up the colours as I go along with no clue and the overwhelm shows in the end result of my portraits. The thought of using just four colours is very exciting and appealing. Thank you for taking the time to make this video it has helped me hugely! Subscribed 🙏
Thank you!
Переводить на русский
using the bottom of the brush is brilliant! Thank you for teaching!
I can’t speak English very good, but this lesson I understand so much!) And you’re drawing a model in live, because photo drawing not good for beginners. Nature drawing the best!!! Thank you!)
Sir, twas a delight being educated on warm and cool tones to achieve 3D painting. well done. 👏👏👏
Thank you sir!
zorns the man. really hope to get to sweden one day to see his paintings in the flesh
I was very fortunate to see his exhibition in Paris in 2017. But I still intend to visit his museum in Mora at some point.
I got the joke! Good pun! 😂
Thank you so much . I can't afford to study so these lessons are amazing. I am learning from you! Thank you, it's so clear too
Thank you! That's exactly what I started this channel, because the teachers and schools who teach this kind of stuff are always expensive. Unfortunately, they have to be because they're private (my classes are expensive too). Where as mainstream art colleges just don't teach this stuff.
The mysteries of the Zorn palette have been shown! I never learned anything near this in art school. Thank you so much for sharing your knowledge and skill with the world!
Thank you. Very helpful.
I was directed here through an Alan Coulson course- have never used black in mixing flesh tones and am going to give this a try. Very inspiring.
I find it works really well for neutralising flesh tones, rather than blue which is much more chromatic and tends to turn them more green. The I don't like black for mixing very dark colours. You get much more interesting darks by mixing blues, browns and reds.
Thank you for this, I received more good info than my time at university!
Wth are they teaching at universities?
Remarkable painting using just 4 colours!? Your comments about what colours to buy otherwise resonates with me MASSIVELY! Thanks for a great video!
Your paintings remind me of Ressendi... and I love Ressendi's paintings.
I love how you can tell it's a painting and at the same time you can feel that it's alive.
Love your videos.
Thank you! I'd not heard of Ressendi, I had to look him up. What an amazing painter. Actually, the artist (British) who taught me to paint went to Art school in Spain. So, maybe some of that Spanish style rubbed off on me. His teacher there was an outstanding painter Joachim Torrents Llado, he died in 1997. Have you heard of him?
@@SIMPLIFYDrawingandPainting I use to watch a channel from Antonio García Villarán. Besides all of the silly jokes, I discovered Ressendi because of him. I like Goya because you know it's painting because you can see the brush strokes, but it's alive. I don't like hiper-realism because the people look like wax figures).
Here is the video, if you activate the automatic translation of the subtitles, they are quite accurate
th-cam.com/video/6IRkx0LYZ_0/w-d-xo.html
@@Stemma3 I was curious and I google Ressendi, it's a video explaining his paintings, I stop at 3:37, toreros subjects are kind of people I don't like to see, in pictures and in real, maybe a dying bull for the hands of these monsters was a more exciting subject, seem Ressendi mind didn't go so far.
I don't know which video are you talking about, if it's the one about García Villarán. He explains that he paints the decadence of the bull fighters.
That's why I liked those pictures. They don't show the bull fighters as heroes, they show them as some kind of depressing and miserable people.
His paintings are really ugly, that's why I like them.
Saturn eating his children by Goya is a really ugly picture, but it's one of my favorite paintings. It's so violent.
You're a great teacher your videos have been brilliant to watch and work from in lockdown
I love your paintings man! I really appreciate the time you've put into this video and explaining exactly what is going on! Thank you!
Thanks Derek!
Very helpful! I only recently started working with a limited palette and its much more relaxing
You have some beautiful hues here from such a limited palette. I guess that's the payoff. The eyes are amazing, suggesting blue grays and love the way you've suggested the far side eye lashes too.
Excellent. Very lucid explanation. I never realised there was such interplay between warm and cool tones in the face.
That is a really great portrait painting. Fantastic work.
Amazing! I wish I had seen this 20 years ago, would have saved so much time and money on buying unnecessary and confusing tubes of paint
brilliant, learnt more here than anywhere else
My god, it looks so easy when you paint it. It's a different story when I'm doing it...
listen carefully and follow the steps. It is about the process.
It's amazing, thank you. You explain so many thoughts about finding the right tone. It is super instructive ! Thnak you for sharing so widely your art !
Thank you very much! I'm glad this was helpful.
This was absolutely thrilling to watch! I've never heard of this limited palette technique, but through analogy and correspondence with working in other mediums, it makes complete sense. And to watch a theory flesh out in front of your eyes, well...EXCELLENT! Thank you very much for this brilliant tutorial Sir!!! I've liked and subscribed
Thank you!
I,ve seen this and your other videos more than once, but I always come back to watch again as there is always something to learn each time. Many thanks as always!
Thank you! If you liked this one, I think you're going to like my next video, which I'm working on right now.
@@SIMPLIFYDrawingandPainting Looking forward to your next videos! ❤
The compilation sequence seems so counter-intuitive but the reveal is almost like magic
Very well presented with easy to understand dialogue. Thank you...very enjoyable , as well. Claire
This was so fun to watch I’m starting to get interested in painting and trying to self teach myself this video was super informative thx!!!!
Can’t stop watching and writing down notes from this wonderful demo as well as applying in my work. Thank you for sharing knowledge Alex!
Thank you José. Glad it was helpful.
I love these vids. You're a gifted painter Alex!
Thank you Scarlet!
You are really such a great painter that you really think your handling of the brush is something we all can copy. We cannot, but it is still awesome to watch you working out details.
Thank you. I reckon brush handling is a bit like Hand writing. It won't ever be exactly the same as mine, but with enough practice you will develop your own style.
Fabulous❣️ I learned planes of the face and how to use values. Simple palette and starting flesh tones, starting with more darker more neutral first tone. Beginning with ground.
Thanks Rachel! Glad it was helpful
This is a brilliant demonstration. Great content, cheers Alex!
I have just completed a portrait using your techniques in this video and I am blown away how well it turned out. No proportional divider, ,ruler or underdrawing just massing in the shapes. I can't believe I achieved such a likeness. I definitely fiddled too much but being only a beginner, I can deal with that. Thank you so much Alex, you have helped me immensely.
P.S The Zorn palette is fantastic and so easy to use
That's great Suzanne! Yes Indeed. I believe you don't need proportional dividers or anything like that. It is perfectly possible to draw by eye if you can turn your subject into flat shapes.
@@SIMPLIFYDrawingandPainting I spoke too soon. Today's attempt was a disaster and feel like throwing the easel out of the window.
This is an amazing demo. Well explained and articulate. I've learned most of all about color and color harmony. Looking forward to view more of your videos.
By the way, can you explained how you create the color chart? I would love to do one of my own.
This is amazing!! You’re teaching me less is more constantly, thank you thank you.
Thank you Sierra!
that mastery in making a face pop out of nothing like magic is the reason i didn't paint for the last 10 years. even the 2:02 color board is a artwork by itself.
I found your approach to organizing the values on the pallet very helpful.
Solid gold. Thanks for making this demo, man!
Excellent. Thank you. Great explanations of method and reason. Also, so nice to see true portraiture , not copying photographs.
Thank you very much Bill! Glad you liked it.
oooh some skills! you sculpted her out of thin air...
meraviglia!!! sei uno spettacolo! ti guarderei per ore!!!!
:O , at the final result the front chin is covered massively by the background and it is so real ! good trick ! :)
Thanks Aleksandar
My good sir, this is as good as anything Sergeant or Zorn ever did and on top of that, you film it.
Too Kind.
Thanks allot for the video, it was helpfull and i enjoyed watching it!
This video was EXTREMELY HELPFUL!! Thank you so much for posting this!
My pleasure! Glad you like it.
As a student I've been discouraged from working with black paint from the tube in favour of learning to mix black from the primaries, so I was extremely impressed with how much mileage you managed to get from Ivory Black in this study. I've really begun to rethink my palette after watching your videos and I look forward to applying some of your tips in the future!
I find mixing blacks with the primaries quite difficult (did you see the limited palette in my previous video on Saturated?). Tbh I'm not a big fan of Ivory black in the darks, I much prefer using mixtures of blues and earth pigments. One of my favourite blacks is Ultramarine, Transparent Oxide red and Alizarine crimson. But I do find Ivory black really useful in the lights, for greying down and desaturating flesh colours.
So amazing how it turns into a realistic face! When you started on the eyes and added detail, just wow!🤩
Thank you, awesome tutorial with limited palette
That worked for me, Alex, clear, logical and nicely presented. You've obviously put a lot of thought into how to deliver this presentation. many thanks
Thank you John! Glad you liked it.
legit painted today and made all the mistakes he's saying ... lol should've watched this first
An excellent, clearly described demonstration, with some lovely brushwork as a bonus. Thanks!
Thanks Dave!
The description only lists 3 colors-it’s missing the cadmium red light
Thank you for this video! 💕
Whoops! Thanks for that
I'm just moving into oils from graphite, and this video has been an eye-opener. Thank you!
It's a kind of magic
Great video, I new about tonal values but not about including cool and warm tones with the tonal values. Thanks for the video.
Thank you Jessica!
Zorn was genius...
OH WOW THATS INCREDIBLE! consider including the reaction of the model in the next video, it would be very curious to see!!
Thank you very much Maria. Will do.
9:29 yo she's flirting with me!
DALEXIS! 👋🏻
I LOVE IT!!! In just few colours you can able to create amazing artwork...
Thank you Mark!
are you sure thats yellow ochre?
It is. One of the issues I find with filming is the accuracy of the colours. Because I paint under natural daylight which changes the exposure settings I use mean that the colours don't always appear as they do to the eye. I also used separate cameras for the canvas, the palette and the model so there is also a discrepancy there too. Just goes to show, the drawbacks of working from photos, or at least why you should do colour studies from life.
I've always wanted to see how the Zorn palette was mixed. Thank you for this great explanation and demo!
Thank you Elaine. Glad it was helpful.
Thank you, Maestro, for this short but very helpful lesson!
Loved the way you sculpted the face
Thank you Peter!
What a Beautiful Portrait you painted. You are Incredible. Congratulations!
What a wonderful explanation, clear, precise, concise, really straight to the point and easy to understand! Thanks a million for sharing knowledge. I'm working on a new portrait painting using Zorn palette and it has been great to find your demo!! All the best for you. Greetings from Mexico City!
Thank you Jose!
@@SIMPLIFYDrawingandPainting a pleasure. I'm sharing your post on my media (Instagram: @joseluisriverart), it's worth share knowledge and impact in others' life. All the best!
@@joseluisderivera465 Thank you
I love Zorn so I just loved this.
i bet this is your best portrait ever
I bet it isnt.
Thank you for this educational video, and sharing your knowledge of painting. a great video!
This is exactly what I was looking for! Thank you very much for your precious lesson! :)
Thank you for watching! Glad it was helpful.
This is almost criminal You made it look so simple.
Thanks for this instruction, never knew about the Zorn before but it's certainly effective. I'm a cartoonist doing pen & ink using water colour bases and backgrounds. I then do all the line work in Indian ink with a brush pen. I have only recently started painting in real oils and I'm really bad, so it's good to see a person with talent.
Wow!! I'll start Art at the University next year! Can't wait to learn how to make something like this!! Just amazing I love it a looot💖💖💖🌞🌞🌞
you shouldn't wait.
Wonderful painting tutorial, your a well spocken and very good artist and communicator, love your work.
Thank you very much!
This is sorcery... i'm absolutely amazed by your art and this is is the best vid i've ever seen about oil painting
Thanks!