Walderauschen is the most beautiful melody Liszt has composed in my opinion. One who can ring out the melody a tad louder than the broken chords can make this piece sound absolutely majestic.
Repent and put your trust in Jesus. We've all sinned and deserve Hell. Jesus died on the cross and was resurrected, defeating death and sin. Since we broke the law, Jesus paid our fine. Since he paid it, we can be let go. We must repent and trust in Jesus to be saved. Revelation 21:8 Romans 3:23 John 3:16 Romans 6:23 1 Corinthians 15:3,4 Revalation 3:20 Romans 10:13❤😊❤❤
Waldesrauschen is such a beautiful piece. I prefer Bolet but that's just my taste. Trifinov is exceptional but he's rarely reached me. He has fingers galore for sure.
Waldesrauschen: Very expressive. Good technically. A little mannered and too free; often interrupts the flow for no reason except to do something with the music. I think the ending should be quick and short with NO ritardando, in order to keep the playful mood until the end.
He rushes the second piece from the start and then has no room to speed up when Liszt asks for it. As such it loses a lot of the musicality that a gnomish dance would have. He plays the first etude beautifully though.
This guy is doing his best, so he gets an A for effort. But if you want to know how this piece (or for that matter the piano in general) is properly played/should sound then do listen to Lipatti's recording, that will explain everything. FYI That recording was not officially released during his lifetime. As far as I know it was just a test and Lipatti was clearly not on his usual form, so I doubt it's a take he would've allowed to go to print. And I couldn't agree more, being as it's possibly his worst playing on record - he was clearly scrapping the bottom of the barrel that day:D
The second piece lacks charm compared to some other performances I have listened to. The first piece is lovely. No argument that his playing is phenomenal - - just to compare him with another TH-cam idol, he blows Sokolov out of the water ;no matter whether it's young or old Sokolov, Trifonov is a vastly superior pianist.
Yes, Gnomenreigen begins too fast. He should listen to Abendglocken's channel where two pupils of Liszt play this piece. They should know what the composer wanted.
I love how you said daniil trifonov, who is considered to be one of the best pianist of our age, should learn from a bunch of pupils. He can literally play all transcendental etudes from memory with no mistakes.
@Mowskii Taken literally, that is simply a carte blanche to ignore the markings in the score and the known performance practice -- for any piece by any composer. What is the score for if not to tell you how the piece is supposed to be played?
@@robert-skibelo There are many ways of interpreting what the score says depending on the era, place or influence of the composer. There is no "correct" way of interpreting a score, as it doesn't tell you how a piece is supposed to be played; it just gives you an approximation to the idea the composer had in their mind when composing the music.
Walderauschen is the most beautiful melody Liszt has composed in my opinion. One who can ring out the melody a tad louder than the broken chords can make this piece sound absolutely majestic.
Agreed
If you liked this you could listen to ou lac de wallenstadt
there's also that melody in wilde jagd which is similar
Repent and put your trust in Jesus.
We've all sinned and deserve Hell.
Jesus died on the cross and was resurrected, defeating death and sin.
Since we broke the law, Jesus paid our fine. Since he paid it, we can be let go.
We must repent and trust in Jesus to be saved.
Revelation 21:8
Romans 3:23
John 3:16
Romans 6:23
1 Corinthians 15:3,4
Revalation 3:20
Romans 10:13❤😊❤❤
@@lowlightpiano7110 shut up
I love these beautiful sounds and vibratos 😀😁😎😍
Thank you for uploading this beautiful score video :)
Great etudes. Thanks for the upload.
Waldesrauschen is such a beautiful piece. I prefer Bolet but that's just my taste. Trifinov is exceptional but he's rarely reached me. He has fingers galore for sure.
Any ideas for making a "vibrato" on the piano? XD
Let your piano go slightly out of tune and you’ll hear the vibrato
Do what Traum the pianist does (TH-camr)
@@randykern1842 or just play any interval other than the octave
It's a pedal vibrato.
@@PhilGutwein no
4:04 Thanks for the tip on how to voice the last chords Liszt! Rest of the etude was a piece of cake, but I really struggled with that part...
Its so dame hard 😨
Waldesrauschen: Very expressive. Good technically. A little mannered and too free; often interrupts the flow for no reason except to do something with the music. I think the ending should be quick and short with NO ritardando, in order to keep the playful mood until the end.
I suggest u to carry ur question to my former piano colleague, his grandpa had Close Connections to the House of Liszt 😃
I just wish he used more pedal. I get what he was going for, though.
He rushes the second piece from the start and then has no room to speed up when Liszt asks for it. As such it loses a lot of the musicality that a gnomish dance would have. He plays the first etude beautifully though.
It's a presto. Supposed to be fast.
This guy is doing his best, so he gets an A for effort. But if you want to know how this piece (or for that matter the piano in general) is properly played/should sound then do listen to Lipatti's recording, that will explain everything. FYI That recording was not officially released during his lifetime. As far as I know it was just a test and Lipatti was clearly not on his usual form, so I doubt it's a take he would've allowed to go to print. And I couldn't agree more, being as it's possibly his worst playing on record - he was clearly scrapping the bottom of the barrel that day:D
The second piece lacks charm compared to some other performances I have listened to. The first piece is lovely. No argument that his playing is phenomenal - - just to compare him with another TH-cam idol, he blows Sokolov out of the water ;no matter whether it's young or old Sokolov, Trifonov is a vastly superior pianist.
Yes, Gnomenreigen begins too fast. He should listen to Abendglocken's channel where two pupils of Liszt play this piece. They should know what the composer wanted.
It’s ok to interpret pieces differently. Who wants a piece played the same way over and over again by different pianists?
I love how you said daniil trifonov, who is considered to be one of the best pianist of our age, should learn from a bunch of pupils. He can literally play all transcendental etudes from memory with no mistakes.
@Mowskii Taken literally, that is simply a carte blanche to ignore the markings in the score and the known performance practice -- for any piece by any composer. What is the score for if not to tell you how the piece is supposed to be played?
@@robert-skibelo There are many ways of interpreting what the score says depending on the era, place or influence of the composer. There is no "correct" way of interpreting a score, as it doesn't tell you how a piece is supposed to be played; it just gives you an approximation to the idea the composer had in their mind when composing the music.