I always knew Scriabin had a curiously forward thinking obsession with tuplet rhythms, creating these restless jittery backdrops (you see it even in his latest sonatas) but this might be the most full and bold exploration of it I've seen from him. It's kind of a shame that they're held back by the bláse late Romantic language and that he started to deemphasize these interests in favor of his pitch experiments later on. Triplets over displaced quintuplet groupings in 1903 (!) is no joke.
I always knew Scriabin had a curiously forward thinking obsession with tuplet rhythms, creating these restless jittery backdrops (you see it even in his latest sonatas) but this might be the most full and bold exploration of it I've seen from him. It's kind of a shame that they're held back by the bláse late Romantic language and that he started to deemphasize these interests in favor of his pitch experiments later on. Triplets over displaced quintuplet groupings in 1903 (!) is no joke.
His playing of 2, 3 and 6 are amazing!
awe-inspiring
I wonder how people play this, looks incredibly hard
Late reply, but it takes a sheer amount of practice, and of course raw talent.
through tears and pain
Wow!!
BRAVO!
I love trifonov recordings! I played no. 4 on my channel
is it me or does the third one sound like a demonic lullaby wonder set of etudes btw
exactly, it's weird and demonic.
That's just you; it reminds me of an insect buzzing and annoying you and the ending is when you finally kill it
@@Vanium_G5 yes kind of too. But the chord is quite demonic rather than peaceful, so it's like a blood searching insect.
@federico6485 I mean it's called the mosquito etude for a reason 😅
It's a pesky mosquito flying around annoying someone.
Anyone knows the rest of the program of this Carnegie Hall recital? I can't find anything...