The Bebop Scale - How the PRO solos over changes
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- เผยแพร่เมื่อ 1 ส.ค. 2024
- How to feel comfortable with soloing over a 7th chord? How to improvise over a II-V-I progression?
The Bebop scales are an amazing tool that I feel every one should know. This is a deep dive about the bebop scales, how to practice them and how to start using them.
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0:00 Start
DEEP DIVE INTO BEBOP SCALES! (YES) 0:12
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Thanks Rotem. I'm not an advanced level player but, the concept of humming the chords to get the sound changes in my head, and then playing the chord tones on the beats, is a door opener of the highest order. Good explanation.
Amazing lesson, truly one of your best! Thanks for the extensive approach
Dear Rotem, many thanks for your work, and this lesson in particular!
I tried bebop scales a while ago, but didn't understand how to use them. Your approach with ascending arpejio before descending bebop is sooo cool!
There are so many different sounds in that, yet it is relatively easy to use with enough training! Thank you so much!
always coming at the right time... thank you!
Your customer-build, bespoke 🎸 is stunning!!! Thx for guiding me through the jungle called: All that jazz, Rotem!!!
Happy to help!!
Honest, super- thanks for sharing your art with us !
Thanks!! What an amazing video it helped me a lot
Great lesson, more deep lessons like this into the world of jazz would be great ❤
Cheers from Italy
Thank you for sharing.I am learning so much.
My pleasure!
Yeah ❤ love your sound so much!!
Man that's a crazy guitar
the concept of using chromatic scales to elevate a chord tone is something I never thought about!
Thank you, Rotem!
Fantastic, thanks 👍👍👍👍👍
Thanks!! I feel it's a good one to check out
Uuuu what a new guitar!!!!congr 🎉
Thank you!! Exciting guitar
bro your phrasing on the first prog you played the whole video is just so nice.
🤔
Thanks!
What is that guitar you are playing? Whoa! Very helpful video! Thank you!
love to you brother ..xxx great lesson **
Hugs!!
Brilliant
surprisingly enough, using chromatics to accentuate chord tones was one of Jerry Garcia's main techniques
Oh this stuff feels heavy. Maybe it's just my sleep deprivation speaking. Anyways, huge respect for diving into such stuff. This is the type of content that keeps this platform aflote.
I feel you! But really worth the time I believe
Love your playing brother. Just one thing: according to chris parks-the reigning king of BH concepts and someone who spent 30 years studying with him-barry harris never used or referred to anything called the “bebop scale.” He has a uniquely beautiful and usable chromatic scale concept but it’s not a “bebop scale.” Peace.
I met him and he showed me exactly what I'm showing in this video
@@RotemSivanGuitar awesome. respect bro!
just sharing what we hear from chris in his BH classes at open studio: barry never called it a “bebop” scale. Anyhow, love your playing and teaching!
If you look at the BH scale that he refers to as the “major six diminished scale“ that is the major bebop scale
@@jlr022159 gotcha. just saying he never called it that because the term bebop scale doesnt describe anything. the “major sixth diminished” scale tells u exactly what its DNA is.
more importantly, in barry’s world you dont play lines using the major 6th diminished “scale.” it’s one of his “scales of chords” for chordal work. Barry does use the minor 6th diminished scale as both a scale of chords and for lines but thats the only one of his 4 scales of chords, that he also uses to create lines. Barry uses all the regular plain old scales We all use to create all his lines, (other than using the minor sixth dim scale as ive stated above as both a scale of chords and a linear scale ) and, from what im learning, mostly the dom 7 and major scales--but Barry has a whole bunch of “rules” of what to do with those scales and that’s where you get into the similarities between some of the results of those rules, and the so-called bebop scale. If any of that makes sense! Lol.
@@jeremyversusjazzit is the bebop scale indeed, than I can agree with you that calling it major or dominant or minor six diminished spells more of its DNA and that's pretty clear if you look at the chords of these scales
Rotem! I'll see you in Mexico, just got the tickets
Oh amazing! To which show?
What is that guitar!!
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What is that Guitar?
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@@RotemSivanGuitar thanks! Very 😎 cool!
first =D
I love you Rotem
🙏🙏 hope you dig the bebop scale exploration
Bb major bebop scale should work as well
b9, #9, B5,#5, b6 . 9 on I it's not chord tone. 1356
At last a normal guitar 😮
🎸yessss
Why do you keep repeating like a looping machine the same thing over and over 1&2&3&4&1&2&3&4 its redundant.
I enjoy your videos but I think you are giving false information on the historical context. I believe that Barry Harris actually was pretty opposed to "Bebop" scales. The term was I coined by David Backer I think.
He literally showed me this scale exactly.
@@RotemSivanGuitar ok. Sorry about that Rotem, my bad then, I don't mean disrespect. I just always heared on the internet that people tend to say that Barry Harris concepts are similar to bebop scales but they go much deaper from the harmonical point of view. and I heared a lot of youtubers say to not mistaken Barry Harris concepts and Bebop scales. But again, you can find everything on the internet and people say sometimes contradictory things. I am not enough of an expert to be able to know the true "inventor" of bebop scales. Cheers, all the best to you.
Two is not sub dominant....one is tonic, five is dominant, FOUR is sub dominant .
They are both subdominant. The II & the IV. Check out classical / functional harmonic analysis.
The second degree is actually called the supertonic.😉
II-7 and IVmaj are almost the same, just the bass note differs. They can be exchanged easily, so both can be called "subdominant".
Besides, all 7th chords which are a 3rd apart share that many notes and can be substituted for each other (iii minor for the I maj e.g.)
@@RotemSivanGuitarwhat they want you to say in this case is predominant, which is a really close term
If we're in C. 2=D,F,A,C 4=FAC,E. The only difference is 1 note. That's kinda why the share the same function
Too much talking.
Like writing a speech.
Before delivering informative speech.
This information is confused.
Organize thoughts.
Write them down
Main information sentence.
State 3 backing ideas
Inform each idea succinctly.
Repeat main information sentence.
End.