Anton Bruckner - Symphony No. 3 D minor | Jukka-Pekka Saraste | WDR Symphony Orchestra
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- เผยแพร่เมื่อ 27 พ.ค. 2024
- Anton Bruckner's Symphony No. 3 in D minor WAB 103 was played by the WDR Symphony Orchestra conducted by its then principal conductor Jukka-Pekka Saraste on November 29, 20123 in the Cologne Philharmonic Hall.
Historical recording from the WDR Klassik-Archiv.
00:00:00 I. More slow, Misterioso
00:19:18 II. Adagio, moving, quasi Andante
00:33:57 III. quite fast
00:41:24 IV. Allegro
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○ Introduction to the work
Bruckner polarizes: throughout his life, the composer was regarded as divinely gifted or as a quirky Giantomaniac. Enemies and failures accompanied his life, but there were also glorious triumphs. No work was more painfully touched by this than the 3rd Symphony. Begun in 1872 and completed in 1873, the work did not experience its successful premiere until 1890. Prior to this, Bruckner had revised the symphony several times due to the Vienna Philharmonic's rejection three times.
In the Third, Bruckner realized a new symphonic concept in which the processing of musical motifs is replaced by a block-like sequence of motivic variants; this was disturbing from the very beginning. The religious aura of Bruckner's sonorous symphonies, which were soon considered "masses without text", together with their excessive length, also made a positive reception difficult. It was also not very helpful that Bruckner's 3rd Symphony paid homage to Richard Wagner of all people.
For today's reception, the different versions of the symphonies represent a certain problem. The original version usually represents the "untamed" large form, while the later revisions are more concentrated thematically and stylistically adapted. Bruckner himself always referred to his revisions as "improvements". He produced the 2nd version of his 3rd info-nie between 1876-1877, but could not score with it in Vienna. It was only with the 3rd version of the work that the desired success was achieved.
The 3rd Symphony begins very mysteriously, the fanfare-like trumpet theme is of decisive importance. In the Adagio, the original version of the symphony unabashedly quotes the longing motif from "Tristan and Isolde". An absolute contrast is formed by the wild exuberance of the Scher-zo with an Upper Austrian peasant dance. The finale unites a dance melody with a wind chorale. Bruckner says: "The polka means humor and cheerfulness in the world - the chorale means the sad, painful in it". In the end, the trumpet theme from the beginning sets the powerful conclusion of the symphony. - เพลง
This is the fourth or fifth time I have watched this performance of what I gather is the 1878 version [given that they perform the coda in the Third movement]. I saw Maestro Saraste conduct in Toronto at the time he became their conductor and didn't associate him with Bruckner. But here we are. Fine conductor. Top-notch orchestra. Audio is very good. Many thanks to WDR for posting this video recording.
Вот совершенство. Спасибо за запись. Это любимая моя симфония.
Fantastische Ausführung. Herzlichen Dank!
Vielen Dank!
Wir freuen uns, dass es Ihnen gefällt 😊
Wass Herrn Bruckner betrifft - " Live " - als Dirigent oder als Komponist leider nicht mehr....
This is the umpteenth time I have enjoyed this performance of the Bruckner Third Symphony. I especially appreciate the coda in the Scherzo. My favorite recorded version of the Third on CD is with Hartmut Haenchen and the Netherlands Philharmonic Orchestra in the 1889 edition. Brass blazing away!!! But if I had my own version, it would splice the 1878 scherzo with the other three movements of the 1889 version. Thanks for posting! Best Wishes from Washington, DC!
You are welcome 😉
Greetings from Germany
As sinfonias no.3, no.4, no.6 e no.7 são as que eu mais gosto. Esta execução da WDR está perfeita.
Well, Mr. Saraste shows that he knows how to perform his Bruckner!
Adoro essa sinfonia! Ela foi muito injustiçada no passado, mas hoje está aí tocando e o mundo inteiro ouvindo tantos anos depois. Isso prova seu inestimável valor. Cordiais saudações de São Paulo, Brasil!! Belíssima performance da WDR sob a batuta de Saraste! Metais expressivos e afinados. Belíssimo timbre sonoro. BRAVO!!!
This needs more views!
I found this a refreshing change from the doctored version we generally hear. IMHO the later pruning of the end of III is the single thing I would agree with. But - hey, we have three versions to compare, and that has to be a good thing!
Great camerawork!
40:39 the manic exhilarating ending not found in other versions
It's not good but it's the best recording I found on TH-cam. Apparently all conductors have a problem with the rhythmic aggressiveness that also exists in Bruckner's music. And it's really not forbidden to look at the conductor from time to time.
More double basses wouldn't hurt! :) Anyway, Bruckner's music is orderly, neatly passionate and sublime. Beautiful performance!
Yes. At the beginning. But I think the problem is that conductors cannot distinguish between pp in the tutti and only in 6 basses. It's just stupid if you don't get the beginning because it's played way too quietly.
Sehr schön. Und wann erleben wir wieder Anton Bruckner LIVE?
Vielen Dank für das Kompliment! Leider haben wir in der kommenden Zeit keine Werke von Bruckner auf dem Programm. Es lohnt sich aber immer, auf unsere Webseite vorbeizuschauen. Dort finden Sie alle Konzerte dieser Saison: wdr-sinfonieorchester.de
Never. Bruckner was unique. He was himself. There wont be no second Bruckner.
One of Bruckner’s finest melodies at 22:15
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This is the original 1873 version
Are you sure?
NowakⅢ/2(1877) / Because 3rd mov. has Coda.
Creéis que esta sinfonía de las once que tiene es la mejor?
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Bu 2. ile 3. versiyonlara çok benziyor. Bruckner senfonileri basitçe tekil sayı ile değil 3.1 , 3.2 , 3.3 şeklinde numaralanmalı. Bu senfoninin toplam 6 versiyonu olduğunu duydum. Besteci eserlerini seslendirtebilmek için çok büyük ödünler verirken, devamlı gelişen müzikal bilgeliğini de gösterme imkanı da bulmuştur bu sayede. Şef biraz daha ağır tempo verse daha uygun olabilirdi.
42:22
Learn by Karajan! This is to fast Tempo! Try again! The music should be 5 minutes longer!
No! The tempi here are about right,
42:26