I've played with her in the orchestra accompaniments several times. I know her personally. She is very real and down to Earth. She is a personal friend of my daughter, Elizabeth one of the greatest harpist in the world. Her style is like that of Heifetz. Her music built on the building blocks of great music-making. dynamics, phrasing temp and nothing over emotional like waring her heart on her sleeve, A great artist.
There is no question in my mind that Hilary Hahn is the number one violin player of the XXI century. During the last two decades she has found a new, more romantic, warmer, more velvety sound. Her technical perfection is unchanged but now there is more pathos. She reminds me of Menuhin at his best. Thanks for the upload.
Don't agree. There are many wonderful violinist right now. Hahn is one of them. There are very few great violinists/artists though. Does HH rank amongst them? Not so sure.
@@jansnauwaert1785 You are right, there are many wonderful violinists right now. This is good news. Is it possible to define a best one? Perhaps not. My preference for Hilary Hahn is my subjective preference, the more I hear her performances and those of other bright players, the more I feel inclined to select her. You are welcome to disagree and to choose another violinist. We will stay friends - I hope!. Now, I am not talking about the "greatest". This a different animal. It is not only about playing. It is about being a model, an influence, about changing the perception of the instrument or about writing the most beauteous music for violin, or about changing the violin for ever. In this definition, you may include Biber, Bach, Stradivarius, Paganini, Menuhin, Szeryng, so many monumental musicians. Hahn is too young to enter the competition for the "greatest". I am too old to know who will be the winner.
@@jorgeurzuaurzua4011 Yeah, I mainly agree. We can't exclude the subjective factor in art, especially in music. Too many people nowadays judge in large part with their eyes, instead of with their ears. I admit it is rather a long time since I really listened carefully and with full concentration to Hahn. I like her playing a lot for sure, but that's mainly how I remember her playing years ago. Hahn is 41 by now, that's not really young (relative of course), she is in her full maturity now. I know one violinist who reached fully greatness at a very young age: Ginette Neveu, who died at 30 in a plane crash together with her brother (pianist). Unfortunately, there are few recordings left of her; but the ones that are left are out of this world.
@@jansnauwaert1785 thanks for indicating me the existence of Ginette Neveu. She was indeed a great violinist. I heard her Beethoven and Sibelius violin concertos recordings and I have to let you know that I was genuinely moved by her art. At the height of Heifetz or Oistrakh. An she died so young. A real genius.
I agree with you Jorge 100%. Hilary’s intonation is perfection. Even in the most technically difficult sections she is superb. Also there is none of this stylised play you here from many virtuosos today, with just crystal clear notes that connect and flow perfectly. Many do not like comparing the top virtuoso violinists, however we are all entitled to our favourite ! And at the end of the day Hilary inspired me to learn the violin at age 65 ! Also, watch her perform on stage ! Unless you have, you won’t know what I mean. Hard to put into words.
I twisted my tongue with this audio. I always thought Hilary has an amazing technique but lacked the "punch", the guts, to play ferociously. But with this performance she proved me wrong... She`s really a mighty violinist !!!
That's actually the one thing I didn't like about this performance! It was ALL PUNCH. Lol it had no mood or color changes at all. Just go go go, accent accent accent lol
Well, for me the piece has this aggressive mood... I could even agree with you, but you have to agree that she has an incredible stability while playing, she never oscillate, and if in one hand this makes the piece a little stiff, in the other hand it also make she sound very secure in every phrase.
Hmm... She does sound a bit stable but part of sounding stable in a piece is making the technical passages sound easy. She sounds like she's working very hard. Also, the piece sounding aggressive is, of course, up to ones interpretation. However, I think you and I can agree that not every single section (mainly the last movement) has an aggressive nature. No piece has just ONE mood and part of the beauty of A piece should be its changes or peaks and valleys.
Let's not forget to include conductor Zdenek Macal into the picture. He's an exciting conductor, never boring, a guy who can push things along. A soloist, even with their own ideas, can be influenced by the personality of the conductor. I've heard from other soloists what it was like to work with Macal, though not from La Hilary. He kept their blood flowing briskly, even in sweet poetic moments.
Paul Somers has a good point! She may have had totally different ideas. Plus the conductor had different ideas. And then there's the orchestra members who have no idea what style they will play it except for marking and listening to other orchestras playing this...but what would I know? I'm only 13
There are many wonderful violinists around today, it's not about 'favorite recordings,' as everyone has their own interpretation. We live in a world where many violinists are technically wonderful, but each one has their own explanation of how to play a piece, and there is no 'right or wrong' in this. It's a lovely smorgasbord of various pieces to savour and enjoy, without choosing one violinist over the other, just live for the moment and appreciate how the various virtuosos play the same musical piece
Prodigieuse Hahn, une sonorité comme personne, une expressivité qui empoigne, une souplesse incomparable. Et une autorité fascinante de musicalité. Admirable... Voilà un concerto qui est ressuscité comme jamais, avec une vitalité jamais entendue... Et replacé parmi les oeuvres de premier plan ! Fantastique violoniste, avec un orchestre plein de fougue qui la mérite bien.
Antonín Dvorák:a-moll Hegedűverseny Op.53 1.Allegro ma non troppo 00:00 2.Adagio,ma non troppo 10:37 3.Finálé:Allegro giocoso,ma non troppo 19:36 Hilary Hahn-hegedű Cseh Filharmonikus Zenekar Vezényel:Zdenek Mácal
On atteint le sublime!Cette violoniste a un talent fantatisque !Dvorak a été rarement interprété avec autant de ferveur,passion et justesse ! Inoubliable interprète et un orchestre qui est digne de sa soliste ! !
I saw her play this last night in Salt Lake City. It was fantastic with 4 encores and Hilary at 7 months pregnant. She must have signed over 100 autographs afterwards. What an incredible musician!
- une vivacité des temps de cette composition, l'articulation si dynamisante notre áme vieillisante - c'est violino,toujours personalisant chaque oeuvre, de Hilary Hahn: qui l'étant européene d'autrefois chez soi-méme, mais l'aimant á sa maniére contemporaine - notre "et son personel" centre d'Europe , transcendé par Antonín Dvořák. MERCI MADAME HILARY
Le plus beau son de violon qui soit sur ces cncertos... Un cristal inégalé, même si d'autres n'ont pas démérité. Quand au phrasé plein de tendresse, d'autorité et de perfection, quelle justesse merveilleuse...Décidément, dans ces partitions-là elle est la meilleure sans discussion...
Thank you very much for blessing the world with your music. It is beyond technical proficiency, for your artistic expression has fire and vigor. Please continue to grow both as a musician and a pedadogue.
bcarr1122 when you play ocatves but instead of moving position each time you play another octave, you keep your hand in the same position for two of the octaves.
Going to see her perform this in Boston next week. Can't wait! I just hope I can keep myself from cheering the instant she comes in with those killer double stops. Hopefully no one smacks their cello like at 0:30 lol
Composer Smetana said of him (it was in documentary of 1991) that Dvořák is composing in style of Beethoven......He liked Beethoven. They quoted him : Papa Beethoven is watching me.....He liked Wagner, Schubert, Brahms, Mozart etc. Schubert was his heartfelt composer (because of his history and poverty and great musical talent).....I read Dvořák´s web...I didnt know that when young Dvořák ateneded Provisional theater in Prague, he did play roles in Smetana´s works, his famous Opera "Bartered bride" Its interesting. But then he went away from theater, because he wanted to focus more on his own works.....Tchaikovsky invited him to conduct his works in Russia. ...Mahler was conducting some Dvořák piece.....Its interesting how the greatest composers helped each other.
But these examples are completely minor considering how much Brahms took an interest in Dvorak's work and promoted him for the wider international audience.
Its good he promoted him, because then they asked him to do new stuff...In America etc....or Simrock asked him to write music.....So it inspired him to do some themes.
Beautiful playing, from Ms Hahn, that's a given. Why is this gorgeous concerto so seldom programmed, yet the Brahms, Tchaikovsky are served up constantly?
Antonín Dvořák: Violin Concerto in A minor, Op.53 I. Allegro ma non troppo (00:00) II. Adagio ma non troppo (10:37) III. Finale: Allegro giocoso ma non troppo (19:36) Hilary Hahn, violin Czech Philharmonic Zdeněk Mácal, conductor August 27, 2006 Congress Center Villach, Kärnten
I thought........Dang! that tempo is *way* too fast - then I realized my play speed was 1.5x normal because I was listening to a podcast on YT and I always jack up the speed.
I want to ask Hilary how do you feel mysterious Japan in ２０１６ It is a very wonderful performance and work . It shakes person,s soul . There is something immeasurable of us . There is something giving weeping and comfort to the person . On earth what lets us work so as us ？ I quite do not know ！
man i get through 3:32 about 30% of the time ok when i practice this piece but hilary nails it to the freaking wall. exactly how i try (desperately) to play those two measures
@@sandersomb4688 Clearly it was recorded somehow, since we are listening to it on youtube. I am wondering where the uploader got the audio recording, in hopes that I too could possess it.
Luis Umana no....i think u have ears of a bat! Lol! (Gosh...i sound really offensive. I an honestly meaning that as a joke...that u have great hearing)
Fur Bru, how *could* you interrupt such a lovely performance with an ad in the middle? put them at the start, by all means.... but not in the middle of a performance. It demonstrates a lack of respect for the music, the artist, and your listeners. Shameful.
@@gooscarguitar then I take it back. But that just means it's really poor form on TH-cam's part.... I really thought that ad placement was up to the uploader. 😟
@@1973cd it can only stay up on youtube if it's got ads because the recording is under copyright. TH-cam just puts them at regular intervals, they don't know whether they're on a video of classical music or cute cats (although the ads themselves do depend on the video and viewer). If you're on browser then your best bet is to get an adblocker extension; uBlock Origin is the best one I've yet used (not to be confused with uBlock)
I think we all have our favorite artists. Mine is Hilary Hahn so I haven't been following other artists (which i should probably do). I think I get what you are saying: Hilary Hahn is an amazing violinist but you think that what's her name (I'm doing this on the YT app so I can't see the comment I'm replying to. I'm not trying to be offensive) is better at this particular song. Sometimes we don't think our favorite artist is the best at a particular song. We may even think our least fav. artist is the best at a certain song. It depends which style fits the musicians playing style the best and how they interpret the music...what would I know tho...I'm only 13
Tommy. I thought that Kyung Wha Chung played this piece equally well. There were a few places where she was playing a duet with woodwinds and she tended to dominate. Dvorak is all about blending, even in a Concerto! Hilary understands that, and I like her version a little better.
Kyung Wha Chung's interpretation of this piece is legendary I love it so much as well. Her Dvorak is really like no other. Hillary's 2nd movement was a little to aggresive for my taste but what a great performance
Matthew Bennett it is.......how can’t you hear that? It’s the typical Hilary sound, clear and stable! Altough, I never heard her make so many ‘slips’ like in the beginning of the 1st mov and also in the 3rd mov but still a great performance!
Formidable de tempếrament; comme toujours, et de finesse ! Magnifique. Mais cette version-ci est fort élégante aussi : th-cam.com/video/pS8IphWGSRI/w-d-xo.html
Unusual mistakes from her in the 3rd movement! In any case, it's an interesting interpretation...not as charming as Milstein and Suk, but powerful performance as always.
What in the world are you talking about? She will be playing this in Salt Lake City this Friday. Why don’t you attend and then you might want to evaluate your comment. Hilary has incredible charisma and connection on stage.
I've played with her in the orchestra accompaniments several times. I know her personally. She is very real and down to Earth. She is a personal friend of my daughter, Elizabeth one of the greatest harpist in the world. Her style is like that of Heifetz. Her music built on the building blocks of great music-making. dynamics, phrasing temp and nothing over emotional like waring her heart on her sleeve, A great artist.
Heifetz was a romantic. The only difference.
Your daughter is Elizabeth Hainen? Jeez, wonderful that is
I'd love to be friends with Hilary Hahn. I'm jealous! She seems like such a genuine person, too.
You are fortunate indeed.
Awesome
I don't know why everyone is so in love with the 3rd movement, the 1st movement is glorious beyond measure.
Indeed. Especially the opening: the most beautiful opening of ANY violin concerto (dixit Julia Fischer).
I have that same question about Beethoven's symphony no. 7, Allegreto against all the other movements.
@@jansnauwaert1785 well, it is really incredible. But Brahms opening is the Best IMHO
@@RafaelQuirinoVex Ok, I can't give you Julia Fischer's phone number though. ;-)
Same here
There is no question in my mind that Hilary Hahn is the number one violin player of the XXI century. During the last two decades she has found a new, more romantic, warmer, more velvety sound. Her technical perfection is unchanged but now there is more pathos. She reminds me of Menuhin at his best. Thanks for the upload.
Don't agree. There are many wonderful violinist right now. Hahn is one of them. There are very few great violinists/artists though. Does HH rank amongst them? Not so sure.
@@jansnauwaert1785 You are right, there are many wonderful violinists right now. This is good news. Is it possible to define a best one? Perhaps not. My preference for Hilary Hahn is my subjective preference, the more I hear her performances and those of other bright players, the more I feel inclined to select her. You are welcome to disagree and to choose another violinist. We will stay friends - I hope!. Now, I am not talking about the "greatest". This a different animal. It is not only about playing. It is about being a model, an influence, about changing the perception of the instrument or about writing the most beauteous music for violin, or about changing the violin for ever. In this definition, you may include Biber, Bach, Stradivarius, Paganini, Menuhin, Szeryng, so many monumental musicians. Hahn is too young to enter the competition for the "greatest". I am too old to know who will be the winner.
@@jorgeurzuaurzua4011 Yeah, I mainly agree. We can't exclude the subjective factor in art, especially in music. Too many people nowadays judge in large part with their eyes, instead of with their ears. I admit it is rather a long time since I really listened carefully and with full concentration to Hahn. I like her playing a lot for sure, but that's mainly how I remember her playing years ago. Hahn is 41 by now, that's not really young (relative of course), she is in her full maturity now. I know one violinist who reached fully greatness at a very young age: Ginette Neveu, who died at 30 in a plane crash together with her brother (pianist). Unfortunately, there are few recordings left of her; but the ones that are left are out of this world.
@@jansnauwaert1785 thanks for indicating me the existence of Ginette Neveu. She was indeed a great violinist. I heard her Beethoven and Sibelius violin concertos recordings and I have to let you know that I was genuinely moved by her art. At the height of Heifetz or Oistrakh. An she died so young. A real genius.
I agree with you Jorge 100%. Hilary’s intonation is perfection. Even in the most technically difficult sections she is superb. Also there is none of this stylised play you here from many virtuosos today, with just crystal clear notes that connect and flow perfectly. Many do not like comparing the top virtuoso violinists, however we are all entitled to our favourite ! And at the end of the day Hilary inspired me to learn the violin at age 65 ! Also, watch her perform on stage ! Unless you have, you won’t know what I mean. Hard to put into words.
I twisted my tongue with this audio. I always thought Hilary has an amazing technique but lacked the "punch", the guts, to play ferociously. But with this performance she proved me wrong... She`s really a mighty violinist !!!
That's actually the one thing I didn't like about this performance! It was ALL PUNCH. Lol it had no mood or color changes at all. Just go go go, accent accent accent lol
Well, for me the piece has this aggressive mood... I could even agree with you, but you have to agree that she has an incredible stability while playing, she never oscillate, and if in one hand this makes the piece a little stiff, in the other hand it also make she sound very secure in every phrase.
Hmm... She does sound a bit stable but part of sounding stable in a piece is making the technical passages sound easy. She sounds like she's working very hard. Also, the piece sounding aggressive is, of course, up to ones interpretation. However, I think you and I can agree that not every single section (mainly the last movement) has an aggressive nature. No piece has just ONE mood and part of the beauty of A piece should be its changes or peaks and valleys.
Let's not forget to include conductor Zdenek Macal into the picture. He's an exciting conductor, never boring, a guy who can push things along. A soloist, even with their own ideas, can be influenced by the personality of the conductor. I've heard from other soloists what it was like to work with Macal, though not from La Hilary. He kept their blood flowing briskly, even in sweet poetic moments.
Paul Somers has a good point! She may have had totally different ideas. Plus the conductor had different ideas. And then there's the orchestra members who have no idea what style they will play it except for marking and listening to other orchestras playing this...but what would I know? I'm only 13
Hahn has an almost otherworldly ability to make every note shine, and never passes over even the smallest detail of a piece
23:30 - 24:15 is my favorite part in this concerto. I've been listening to this every morning at work for the past 2 weeks.
Hilary, I hate to think where we would be without you, wonderful, you are simply wonderful
I was fortunate to be able to hear Hilary Hahn perform this live. It was an amazing experience!
Deltaworks23 She is playing this live in my area in a few weeks, Im really excited
There are many wonderful violinists around today, it's not about 'favorite recordings,' as everyone has their own interpretation. We live in a world where many violinists are technically wonderful, but each one has their own explanation of how to play a piece, and there is no 'right or wrong' in this. It's a lovely smorgasbord of various pieces to savour and enjoy, without choosing one violinist over the other, just live for the moment and appreciate how the various virtuosos play the same musical piece
Prodigieuse Hahn, une sonorité comme personne, une expressivité qui empoigne, une souplesse incomparable. Et une autorité fascinante de musicalité. Admirable... Voilà un concerto qui est ressuscité comme jamais, avec une vitalité jamais entendue... Et replacé parmi les oeuvres de premier plan ! Fantastique violoniste, avec un orchestre plein de fougue qui la mérite bien.
Wow, Hilary and Dvořák :-)
My favorite composer. :D
Its like we are already in the middle of World War I. So agressiv sounds Dvorak here.
That last high violin note... Hits me every time I hear it... So perfect....
Antonín Dvorák:a-moll Hegedűverseny Op.53
1.Allegro ma non troppo 00:00
2.Adagio,ma non troppo 10:37
3.Finálé:Allegro giocoso,ma non troppo 19:36
Hilary Hahn-hegedű
Cseh Filharmonikus Zenekar
Vezényel:Zdenek Mácal
It's a masterpiece. Hilary Hahn and Czech Philharmonic performances are also spectacular.
On atteint le sublime!Cette violoniste a un talent fantatisque !Dvorak a été rarement interprété avec autant de ferveur,passion et justesse ! Inoubliable interprète et un orchestre qui est digne de sa soliste ! !
Excellent, this is one of the very best I have heard.
I agree. It's absolutely natural, energetic and yet very delicate playing with exceptionally beautiful sound.
I saw her play this last night in Salt Lake City. It was fantastic with 4 encores and Hilary at 7 months pregnant. She must have signed over 100 autographs afterwards. What an incredible musician!
Jesus Christ -- so freakin clean...
@proberbs28 HAAHAHHA WTF
Which is why sometimes I get bored and wish she would make a “mistake” .
@@markalanlongo Wtf is that logic. Do you only appreciate accuracy? Good music doesn't bore you.
@proberbs28 -찐-
Beautiful A.Dvořák´s music,excellent performance ♫♪♥
I'm the 200th commentor!
Though, a stunning performance from mrs. Hahn as always! Absolutely astonishing!
- une vivacité des temps de cette composition, l'articulation si dynamisante notre áme vieillisante - c'est violino,toujours personalisant chaque oeuvre, de Hilary Hahn: qui l'étant européene d'autrefois chez soi-méme, mais l'aimant á sa maniére contemporaine - notre "et son personel" centre d'Europe , transcendé par Antonín Dvořák. MERCI MADAME HILARY
She'll be performing this in my area pretty soon, I'm really excited :)
Yep, looking forward to see her in Dallas in September.Such as lovely room to listen to music
I'm seeing her play this on Saturday. Super stoked!
doctordank It was unbelievable! How was she for you?
nice name bro!
Vous avez eu énormément de chance Monsieur Vous ne relatez pas la suite ,,,,
Le plus beau son de violon qui soit sur ces cncertos... Un cristal inégalé, même si d'autres n'ont pas démérité. Quand au phrasé plein de tendresse, d'autorité et de perfection, quelle justesse merveilleuse...Décidément, dans ces partitions-là elle est la meilleure sans discussion...
18:46 the most beautiful part of this glorious violin concerto ! It touches our souls
Great composer, excellent orchestra, fabulous music, and amazing soloist…stupendous! What more could we ask for?
Wow! The best performance only out there!!
@fur bru - This performance has a special significance for me; thank you for uploading it!
Thank you very much for blessing the world with your music. It is beyond technical proficiency, for your artistic expression has fire and vigor. Please continue to grow both as a musician and a pedadogue.
Gyönyörű hangja van és igazi művész!
I can't believe she performed the very end with fingered octaves... Holy mother of all Gods...
Forgive me, I'm not a musician; what are fingered octaves?
bcarr1122 when you play ocatves but instead of moving position each time you play another octave, you keep your hand in the same position for two of the octaves.
Going to see her perform this in Boston next week. Can't wait! I just hope I can keep myself from cheering the instant she comes in with those killer double stops.
Hopefully no one smacks their cello like at 0:30 lol
OH my god! I am obsessed, but I was there to see it too. Already wrote a separate comment too. xD
2nd mvmt: 10:37
3rd mvmt: 19:36
Muito bom! Sensacional!! Composição e interpretação!
I don’t know why people say that Hilary has lack of emotion when she plays. Well listen to this!
It's because she puts emotion into her playing and not into swaying/ jumping
around a bunch.
Spectacular!
Great upload thank you so much!! The last movement was breathtaking--and the audio was just spectacular!!
Can't wait to see her in December with the DSO. I feel like she is only just starting to hit her prime.
I've always been taken aback by the premature nationalism of the 1st mvt., but this is the most exciting performance I've ever heard of it.
0:38 gotta have that conductor sniff to know stuffs real!
BEATIFUL
1st movement: 0:01
-0:11
-1:19
-2:16
-3:30
-4:03
-4:30
-5:47
-6:22
-7:31
-8:23
-8:38
-9:09
-9:43
2nd movement: 10:37
-11:38
-12:26
-12:38
-13:00
-13:18
-13:42
-15:32
-
-
-
-
Not a famous concerto, but a really lovely one. Dvorak’s melodies are magnificent.
27:37 something about the passage tugs at my heartstrings
Composer Smetana said of him (it was in documentary of 1991) that Dvořák is composing in style of Beethoven......He liked Beethoven. They quoted him : Papa Beethoven is watching me.....He liked Wagner, Schubert, Brahms, Mozart etc. Schubert was his heartfelt composer (because of his history and poverty and great musical talent).....I read Dvořák´s web...I didnt know that when young Dvořák ateneded Provisional theater in Prague, he did play roles in Smetana´s works, his famous Opera "Bartered bride" Its interesting. But then he went away from theater, because he wanted to focus more on his own works.....Tchaikovsky invited him to conduct his works in Russia. ...Mahler was conducting some Dvořák piece.....Its interesting how the greatest composers helped each other.
But these examples are completely minor considering how much Brahms took an interest in Dvorak's work and promoted him for the wider international audience.
Its good he promoted him, because then they asked him to do new stuff...In America etc....or Simrock asked him to write music.....So it inspired him to do some themes.
Beautiful playing, from Ms Hahn, that's a given. Why is this gorgeous concerto so seldom programmed, yet the Brahms, Tchaikovsky are served up constantly?
beautiful
Antonín Dvořák: Violin Concerto in A minor, Op.53
I. Allegro ma non troppo (00:00)
II. Adagio ma non troppo (10:37)
III. Finale: Allegro giocoso ma non troppo (19:36)
Hilary Hahn, violin
Czech Philharmonic
Zdeněk Mácal, conductor
August 27, 2006
Congress Center Villach, Kärnten
Lovely-indeed
amazing
I thought........Dang! that tempo is *way* too fast - then I realized my play speed was 1.5x normal because I was listening to a podcast on YT and I always jack up the speed.
I want to ask Hilary how do you feel mysterious Japan in ２０１６
It is a very wonderful performance and work .
It shakes person,s soul .
There is something immeasurable of us .
There is something giving weeping and comfort to the person .
On earth what lets us work so as us ？
I quite do not know ！
Her sound 😊 gosh
Hermosa música. ❤😻
We rediscover this concerto thanks to HH.
@gerardbegni2806: This concerto has been a favorite of mine for decades and I only just discovered that HH performed it.
She such a brilliant violinist but this fantastic super performance is fantastic GHatto 👍 😎 💀
Impregnado de aires eslavos, precioso.
man i get through 3:32 about 30% of the time ok when i practice this piece but hilary nails it to the freaking wall. exactly how i try (desperately) to play those two measures
Skaria zue dvorak pres aisthekio.
thanks,
My Life has been only " a voyage around my Vıolın" , with mutuel sufferings ...still contınuıng.....
23:30 ~ 26:12
My favorite!!! :D
estupendo
Hilary rocks!!
I think this is a live performance, not a recording available on cd.
+Larry Saltzman Yes. This was a live performance, but we're listening to a recording. Therefore, it could have been put on an LP or a CD.
Yes. I can't find It on Spotify
23:30
10:37
23:42
19:36
7:35
0:11
2:16
3:32
8:23
In movement 2 of this violin concerto, the soloist sound Turkish couple times.
23:31 and 23:42
Is there a CD recording of this performance? I would love to own it, but I cannot seem to find it anywhere for sale.
No. Live performance
@@sandersomb4688 Clearly it was recorded somehow, since we are listening to it on youtube. I am wondering where the uploader got the audio recording, in hopes that I too could possess it.
Came here to ask the same thing. I wish she would make a commercial recording of this.
@christianfox652 she finally made a recording of the Dvorak VC in 2022!
19:35 you can hear the coughs in between movements.
Life!!!
A beautiful performance, but I wonder, has anyone else heard the foot taping throughout the entire concerto? It was very distracting.
Luis Umana no....i think u have ears of a bat! Lol! (Gosh...i sound really offensive. I an honestly meaning that as a joke...that u have great hearing)
of course it's Hilary Hahn!
Between 15:44 and 15:47 someones bridge collapses and some says, "fuck"
Was about to say that
Fur Bru, how *could* you interrupt such a lovely performance with an ad in the middle? put them at the start, by all means.... but not in the middle of a performance. It demonstrates a lack of respect for the music, the artist, and your listeners. Shameful.
Lol. Calm down dude. Use ad block
it's not the uploader's decision...
@@gooscarguitar then I take it back. But that just means it's really poor form on TH-cam's part.... I really thought that ad placement was up to the uploader. 😟
@@1973cd it can only stay up on youtube if it's got ads because the recording is under copyright. TH-cam just puts them at regular intervals, they don't know whether they're on a video of classical music or cute cats (although the ads themselves do depend on the video and viewer).
If you're on browser then your best bet is to get an adblocker extension; uBlock Origin is the best one I've yet used (not to be confused with uBlock)
@@gooscarguitar Thanks for that. @FruBru I apologise for my rant. Bloody corporate greed.......bleh 😁
23:30
2:16
3:32
12:37
13:26
19:36
3:52 oops...happens to the best of us.
Was wondering if anyone else picked that up, or even remembered it after how glorious everything else was.
I have been unable to locate this performance anywhere. Can someone please tell me where I can buy it? Thanks very much.
I too would like to purchase this performance. Please, someone let us know where to buy?
23:30
👍👍
💚💙
就很厉害
Crystal !
What CD is this from?
Omg she misses a spot! Beautiful playing anyways.
Of all the stupid places to put an ad!Couldn't they have put it between movements?!!!
Not bad.
Only not bad?? 😂
whenever the hahn performs, there's always a disconnect between the end of a piece and when the applause starts -
she messed up at 25:35
Do you mean 25:36?? O.o
Meia hr de música mds kdkdkddkkdd
I may sound not so agreeable but Kyung Wha Chung is way more exceptional in this piece. She has vitality of some sort in move2.3.
I think Modori is great too in this piece.
I think we all have our favorite artists. Mine is Hilary Hahn so I haven't been following other artists (which i should probably do). I think I get what you are saying: Hilary Hahn is an amazing violinist but you think that what's her name (I'm doing this on the YT app so I can't see the comment I'm replying to. I'm not trying to be offensive) is better at this particular song.
Sometimes we don't think our favorite artist is the best at a particular song. We may even think our least fav. artist is the best at a certain song. It depends which style fits the musicians playing style the best and how they interpret the music...what would I know tho...I'm only 13
Tommy. I thought that Kyung Wha Chung played this piece equally well. There were a few places where she was playing a duet with woodwinds and she tended to dominate. Dvorak is all about blending, even in a Concerto! Hilary understands that, and I like her version a little better.
I agree with this subtle remark
Kyung Wha Chung's interpretation of this piece is legendary I love it so much as well. Her Dvorak is really like no other. Hillary's 2nd movement was a little to aggresive for my taste but what a great performance
This isn't Hilary Hahn....
Matthew Bennett it is.......how can’t you hear that? It’s the typical Hilary sound, clear and stable! Altough, I never heard her make so many ‘slips’ like in the beginning of the 1st mov and also in the 3rd mov but still a great performance!
Formidable de tempếrament; comme toujours, et de finesse ! Magnifique. Mais cette version-ci est fort élégante aussi : th-cam.com/video/pS8IphWGSRI/w-d-xo.html
Unusual mistakes from her in the 3rd movement! In any case, it's an interesting interpretation...not as charming as Milstein and Suk, but powerful performance as always.
mistake???
(Y)
fn patrick
Not the most accurate playing from H here. Which is unlike her....
she only connects with her 'fans' - she really doesn't connect with audiences
Where did the fans come from if not the audience?
What in the world are you talking about? She will be playing this in Salt Lake City this Friday. Why don’t you attend and then you might want to evaluate your comment. Hilary has incredible charisma and connection on stage.
Robert Eckert I'll be there Saturday. Can't wait!
Her performance last Friday in Salt Lake City was amazing! I am lucky to have been there. She is one of my favorite soloists.
I didn't care for this overly aggressive interpretation