Hey Jordan, tks for the video! Maybe if you keep the screen during your explanation will be less distractive than changing to the camera just and impression I had
Hello, premiere has some options that automatically convert to rec 709 and things like that, to make it easier to view, I don't particularly like these automatic options, but they exist.
Greetings!!! I appreciate your great time and efforts put towards enlightening us about this career. Thank you for that I sincerely appreciate it. Please I have a request. What’s the possibilities of importing the custom luts from Blackmagic pocket cinema 4k to adobe premiere pro? Like the Gen 5 Film to rec 2020 hybrid log gamma. I love the way it handles a dark skin here in Africa. Or better still if you will be kind enough to share me your conversion luts for film to reasonable color to start with. I’m not a colorist but own a Blackmagic pocket cinema 4k. Please help.
What do you use for the noise? Like what do you use for as a noice reduction? About the colour shifting after the export, it haven't happend to me anymore since a year ago, so I wonder why you still have that problem 🤔
I don’t do anything for noise reduction actually…and I haven’t really even tried to fix the color shift haha…I just make adjustments that I know will get it close enough.
@@jordanvp Hi guys - a fix for the colour shift on export is to add the ASC CDL effect to an adjustment layer over your video just before export - Change the Red Power, Green Power and Blue Power to 1.09 in that effect and that should leave you with export colour that matches in Prem. Hope that's useful
Are you positive you were shooting in BRAW? It's been quite a while since I've used premiere so I'm not sure if I remember correctly, but there may be a spot where you can select to change the color settings or use the default BM settings in which case it won't allow you to adjust ISO.
So when you insert the clip into the sequence in premiere, go to the Effects Controls tab and then navigate to the Source tab inside the effects controls, are you seeing all the BRAW controls there? They will likely start off as inactive until you change from "camera metadata" to "clip."
How do you get your footage to show up like that in premiere right away? (With some contrast, color etc.) When I import my BMPCC 6K Pro raw I can only see it as flat log footage at first.
It will show up like that if you’re shooting in “video” or “extended video” mode inside the camera. If you’re shooting in “film” look it will load the flat log footage and then you’ll have to adjust in post.
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Hey Jordan, tks for the video!
Maybe if you keep the screen during your explanation will be less distractive than changing to the camera
just and impression I had
Hey, what is the need for the black magic RAW software? What is it doing here that Premiere on it's own won't do? Thanks!
When you imported the footage, it wasn't all washed out like B Raw footage normally is. Why is that?
Hello, premiere has some options that automatically convert to rec 709 and things like that, to make it easier to view, I don't particularly like these automatic options, but they exist.
Greetings!!! I appreciate your great time and efforts put towards enlightening us about this career. Thank you for that I sincerely appreciate it. Please I have a request. What’s the possibilities of importing the custom luts from Blackmagic pocket cinema 4k to adobe premiere pro? Like the Gen 5 Film to rec 2020 hybrid log gamma. I love the way it handles a dark skin here in Africa. Or better still if you will be kind enough to share me your conversion luts for film to reasonable color to start with. I’m not a colorist but own a Blackmagic pocket cinema 4k. Please help.
very nice!! thanks!!
You put the 6k footage in a 4k sequence but doesn't require MORE processing power because now your computer is resizing AND coloring AND playing back?
Yeah I don’t know why it’s operating that way, but i definitely notice a large difference between the playback of a 4K and a 6K sequence.
What do you use for the noise? Like what do you use for as a noice reduction?
About the colour shifting after the export, it haven't happend to me anymore since a year ago, so I wonder why you still have that problem 🤔
I don’t do anything for noise reduction actually…and I haven’t really even tried to fix the color shift haha…I just make adjustments that I know will get it close enough.
@@jordanvp Hi guys - a fix for the colour shift on export is to add the ASC CDL effect to an adjustment layer over your video just before export - Change the Red Power, Green Power and Blue Power to 1.09 in that effect and that should leave you with export colour that matches in Prem. Hope that's useful
Awesome thank you I’m definitely going to try that!
Bro excelent video got one question it doesn’t show me the pption to change iso its like faded
Are you positive you were shooting in BRAW? It's been quite a while since I've used premiere so I'm not sure if I remember correctly, but there may be a spot where you can select to change the color settings or use the default BM settings in which case it won't allow you to adjust ISO.
Client sent me tons of BRAW files. I'm able to open them in premiere but I'm not getting the Blackmagic Raw effect under effect controls.
Just confirming, you’ve downloaded the premiere pro plugin from the blackmagic website?
@@jordanvp Thanks for replying. I downloaded both BRAW Studio version 3.?.? (unpaid) and Blackmagic Raw 4.0
So when you insert the clip into the sequence in premiere, go to the Effects Controls tab and then navigate to the Source tab inside the effects controls, are you seeing all the BRAW controls there? They will likely start off as inactive until you change from "camera metadata" to "clip."
@@jordanvp I found it, thanks for the help!
Nice!!!
How do you get your footage to show up like that in premiere right away? (With some contrast, color etc.) When I import my BMPCC 6K Pro raw I can only see it as flat log footage at first.
It will show up like that if you’re shooting in “video” or “extended video” mode inside the camera. If you’re shooting in “film” look it will load the flat log footage and then you’ll have to adjust in post.
@@jordanvp Ah, that’s where I went wrong. I was shooting in Film mode and using the extended video LUT preview in camera. Thanks for your fast reply 🙏
Happy to help!
@@jordanvp When shooting in “video” or “extended video”, does it BAKE the look into the footage?
As long as you’re shooting in Raw it doesn’t bake the look into the footage. If you’re shooting prores it will!
Might be worth putting the software in the title - I came here thinking you would be using Davinci
Thanks :)
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