I make a point of watching 'basic skills' tutorials once in a while, despite having worked in the industry for 35 years +. Remarkably, you often learn stuff. Far too many people insist on jumping to advanced level stuff when they could really just do with learning about basic skills which will have a much bigger effect on their real work projects. I have to say you've completely nailed this mate. So many people - and were talking about professionals here too - start pushing colour wheels around, slapping in damned LUTs and generally acting like teenagers having-a-go with their software. Your system is pretty well the same as mine. We generally use Blackmagic cameras and the Raw footage off those is just fantastic. Starts off looking ghastly: ends up looking gorgeous. Just don't be afraid to allow your blacks and whites to clip a bit on your final grade, depending on your output. However good your grading is, be prepared for some idiot client with uncalibrated, cheap laptop to tell you that it's looking a bit dark/green etc. It pays to use decent, calibrated kit and be confident that you've followed a logical process. Good video, nice job. I salute you. JM
Thanks John for the kind words! I try to do that with all my tutorials (I don't always succeed) but distilling the info into the basics is the goal. After that you can go in so many directions. Thanks for watching and the nice comment John!
Really enjoyed reading your comment, John. Thank you for sharing your thoughts. I'm reminded of a quote, that you might like. Paraphrasing..."The master thinks like a beginner. They're always learning..." (Robin Sharma)
i watched 50+ videos in 1 years nobody explained me this much clearly. But you explaned well, Thankss sir after 1 year i learned perfectly to color correct & color grade LOG footages❤.
By far, the best tutorial I have found on TH-cam as a creator. I just got a Canon C100 Mark II, and I was surprised how hard it was to find a really simple but comprehensive video on grading log footage. Thanks a billion times Rafael.
Dope vid! Usually, I know this and that about correction but here I learned a few new things! As they say, you never know, so when you don't, go ask Raff!
Hey Rafael. Just came across your video. I just bought a C200 and this was one of the best quick explanations of how to good a good look with Clog. Thanks for the video and please do more videos on color grading and correction. Cheers!
I've just moved over to my first canon with LOG and I was a little lost, thanks so much for making this a super easy process, Happy to say I've subbed! Great content man 10/10
Extremely helpful / good pace and clear explanation. The most definitely Refael - you have great talent to teach and/or pass your knowledge and experience on. thx
A big thumbs up for your explanation on this subject, I did a video on this subject and how to put C-Log on to any Canon camera, I did it with my Canon M6 mkii and it looks great.
Thanks a lot for making this video! just got an Eos R a few days ago because I decided to take video more seriously, and this was a huge help climbing the learning curve
I did a video just focusing on skin tones - th-cam.com/video/CbI3A_OOREo/w-d-xo.html The method is nearly the same for all skin tones as they fall very close on skin tone indicator line in terms of color. But the part (chapter) to check out in this video for dual skin tones in one scene is the Secondary Selections - that is the way I have tackled scenarios like that in the past. Thank for watching and the comment Broderick!
Awesome tutorial. By any chance do you have a tutorial understanding foundation of lumetry colors. This is one of my weakness. I color correct based on the eye not using correctly the lumetry
Thanks for watching and the comment Christopher! Color is such a subjective thing and I'm still learning. I will eventually do more color focused tutorials.
Another awesome tutorial Rafael! I'm getting there. What "looks right" to my eyes somehow ends up in disaster at export 😂 but I'm now having some luck applying these techniques if I use one of Canon's LUTS (BT709_CanonLog-to-BT709_WideDR_33_FF_Ver.2.0) as a starting point lol.
Loved this video! I have been shooting in cine4 on my Sony for months because I really struggled with grading LOG. I'm colourblind so I could never get the balance right by looking at my footage. Now I understand how to use the scopes instead thanks to this video. I might go back to s log and give it a try. I imagine it'll work just the same right?
Do you have advice on exporting? I'm still having issues where my exports are washed out. Even when I use the gamma compensation .cube, I still need to add an adjustment layer and it's still not the same. It's a mess.
It's gotten better in the latest releases of PPro. You first need to make sure to toggle "Display Color Management" under Premiere > Settings. THEN follow this video. th-cam.com/video/oOxAmz5Hnnk/w-d-xo.html Thanks for watching and the question!
For the most part for web delivery I always have it set to 8bit - If that type of precision is needed I am sending it to a colourist! If you are working with SDR Broadcast standards 8bit is perfect, if you are heading into HDR delivery you may want to use float. Keep in mind that 95% of monitors out there are 8bit, only recently can they display 10bit. Thanks for watching and the comment John!
I have a recording of a 2 day event shot with 2 different cameras (one of them is dimmer and has lower saturation). I only have the final merged recording of both cameras fading in and out of each other on two 6 hour long files. Is there a tool that can detect the shot automatically and apply color color correction to just the dim video but not the other shot?
Amazing tutorial, thanks! I have a couple of questions though. 1) When you isolate the skin with a mask and then change the basic lumetri settings, doesn't this apply that change to the entire image though? I've seen other tutorials where they used the HSL tab to isolate the skin and adjust it like that, so it affects the skin only. What's the difference? 2) What's the difference between highlights, whites, and exposure? Thanks!
Yes, in this method it would affect the rest of the image, it takes the skin as the priority. I didn't want to do secondary color selections in this video as that gets pretty advanced for most viewers who are just looking for proper skin tones. I do have it in the pipeline to go more advanced with color correction and color grading. Didn't want to make this Tutorial 40 mins 😬 Thanks for watching and the comment!
i dont understand how his mask is doing that. whenever I do that it does not select just that area and effect show me the charts for just that spot. It still shows it for everything.
Hi I’m new to color correction, and I tried this tutorial on my log footage , however it turned out still looking kinda grey, I don’t really know what went wrong, do you have any suggestions? Btw I really appreciate this tutorial, exactly what I need right now. ❤
Question, when doing the process manual like this, What percentage of sharpening do you re add as well? The conversion luts I use now add their own sharpening so Im not sure how much to re add myself to say, V-LOG footage.
My question is: Are we really losing out that much when not recording C-log? This all seems like a lot of extra work for footage that probably looks better when not using c-log
Absolutely not, and in many cases the workflow is much simpler as long as you are happy with the look of the footage coming straight out of the camera. My biggest reason I prefer LOG over any picture profile is that the look and sharpness is baked into the footage with a picture profile, and on many cameras the footage can look a bite crunchy with too much sharpness or colors that were determined by someone else's aesthetic. And modifying that after makes it harder, it only allows for minor tweaks, and you can't really remove the sharpness. LOG is a nice starting point and you have control over the look and sharpness, and once you dial in the look you like, it's an easily repeatable process. It all comes down to preference. It's like shooting JPEGs vs RAW photos. If you like it, then it's perfect! Thanks for watching and the comment Daniel!
you are trying to explain to us how to apply color correction but bare in mind many are simply beginners dont even know WTH are shadows, blacks, highlights, whites, you are saying we will increase this, reduce that, add this a bit, add a bit of that, but what is exactly shadows and highlights and why are you increasing them or reducing them ?! how are they different from blacks and whites which are the two terms i understand ?!... thanks,
Hey Rafael, great video! I have a question though, don't know if it'll make a difference but at 7:10 where you are going over white gray and black the line representing black is kinda fat compared to the line representing white that is a lot flatter. Does it make a difference? Should the black in the video be more or less black? Is there a way to make the black values more black without messing up all the progress already made?
Yes the portion of the line should be as black as possible, but because I am just averaging the darkest portion of the video it doesn't have to be too perfect. As long as the RGB Parade line up, then I know it's black. I am planing on making a more advance CC'ing tutorial that goes into HSL and desaturing the Black and White to have no color casts. Thanks for watching and the comment!
Yes there are, but the official that come from Canon are confusing and there are so many choices that unless you know exactly how your camera is set it becomes frustrating. And many people have created their own, which work great for the way they shoot, and don't 100% work for everyone else. That is why I made this video, I tried to skip the confusion for myself and shared it. Thanks for the question!
I have this problem with files that i import directly from my new canon R6 in C Log. The original file codec is HEVC 10 bit 4:2:0 and when i import the file to the sequence and zoom in 200% or 400% I can see that the image loses quality, especially in areas with more information like hair. In this video i used the original file and a converted file at the same time in the timeline and when i switch from one to another i can see that the original file with the original codec looks terrible next to the convert one. Besides this when i play the original file on my pc the image looks ok, but when i import to premeire it what you can see. If i export the original file it will export as you can see in the video. Can someone help me with this? has anyone experienced this? Cant find nothing online My adobe premiere version its the adobe premiere CC pro 2019 Version 3.0.1 This problem only happens when i use C LOG Files, it's annoying to have to convert all files to edit a video when I shoot in C LOG I Have this video to explain, its kinda hard to see because of the youtube compression
You should in fact not do this! Gerald Undone has a nice video explaining why this breaks apart your footage. It works, kinda, but breaks your footage compared to using a LUT.
You do realize the technical LUTS are created the same way, someone using grading software and spitting out a LUT. They are created in perfect lighting conditions, with a color chart and perfect camera settings. Majority of people do not film with perfect lighting or camera settings, and that is why technical LUTS fail to produce good results for so many. Correcting yourself will only ‘break’ the footage if pushed too far. Thanks for watching and the comment Edou!
Yes you can, but it is much easier for me to do it with color wheels. It's more precise when adding or subtracting color. Again thanks for the question!
I make a point of watching 'basic skills' tutorials once in a while, despite having worked in the industry for 35 years +. Remarkably, you often learn stuff. Far too many people insist on jumping to advanced level stuff when they could really just do with learning about basic skills which will have a much bigger effect on their real work projects.
I have to say you've completely nailed this mate. So many people - and were talking about professionals here too - start pushing colour wheels around, slapping in damned LUTs and generally acting like teenagers having-a-go with their software.
Your system is pretty well the same as mine. We generally use Blackmagic cameras and the Raw footage off those is just fantastic. Starts off looking ghastly: ends up looking gorgeous. Just don't be afraid to allow your blacks and whites to clip a bit on your final grade, depending on your output. However good your grading is, be prepared for some idiot client with uncalibrated, cheap laptop to tell you that it's looking a bit dark/green etc. It pays to use decent, calibrated kit and be confident that you've followed a logical process.
Good video, nice job. I salute you.
JM
Thanks John for the kind words! I try to do that with all my tutorials (I don't always succeed) but distilling the info into the basics is the goal. After that you can go in so many directions. Thanks for watching and the nice comment John!
Really enjoyed reading your comment, John. Thank you for sharing your thoughts.
I'm reminded of a quote, that you might like.
Paraphrasing..."The master thinks like a beginner. They're always learning..." (Robin Sharma)
This channel should have WAY more subscribers and WAY more views!
Slow and steady! Earning every sub! Thanks for watching and the compliment John!
Hands down the best tutorial for color grading c log footage for EOS R. Thanks!
Wow, thanks David!
I agree 💯
Hands down, one of the most understandable, precise, and BEST grading videos on the web. Incredible. Thanks for sharing!
Wow! Thank you for the compliment and for watching!
Best video I have seen on colour correction and grading. Great job!
Wow, thanks! Thanks for the compliment and the comment!
i watched 50+ videos in 1 years nobody explained me this much clearly. But you explaned well, Thankss sir after 1 year i learned perfectly to color correct & color grade LOG footages❤.
So glad it was helpful! Thanks for watching and the comment!
So you sand me Please Log lute
By far, the best tutorial I have found on TH-cam as a creator. I just got a Canon C100 Mark II, and I was surprised how hard it was to find a really simple but comprehensive video on grading log footage.
Thanks a billion times Rafael.
Great to hear! Thanks for watching and the nice comment Thomas!
This is the best tutorial I've seen on TH-cam color correction. Awesome job.
Wow, thank you! Thanks for watching and the comment Lloyd and Laura!
the easiest and most scientific way of color grading.... thanks from India Rafael....keep the good work up
Best one ive watched so far!!! He downplays the beginning, but he knows his chit very well....
Thank you for the kind words!
Dude this was so informative thank you! Literally learned more about colour and scopes from this video than in two years of college!
Glad it was helpful! Thanks for the compliment and the watching Kelan!
My new favorite channel. Thanks for the help!
Awesome, thank you for watching and the comment Darrin!
This has seriously helped me out so much. Thanks for taking the time and effort to make this video as detailed as you did!
You're very welcome! Thank you for watching and commenting!
Dope vid! Usually, I know this and that about correction but here I learned a few new things! As they say, you never know, so when you don't, go ask Raff!
Thanks for the comment Dan! I learned so much just by prepping for this video!
@@RafaelLudwig I know one thing for sure... This video made all of us better colorists :D
Really helpful! thanks heaps. One of the most comprehensible tutorials I've found.
Thank you Fisi-Belle!
very amazing hats off the way of delivering the is more accurate and professional.
This is by far one of the best.
Thanks Sam for watching and the compliment!
SO helpful thank you so much for this information!
Glad it was helpful! Thanks for watching and the comment Julie!
Hey Rafael. Just came across your video. I just bought a C200 and this was one of the best quick explanations of how to good a good look with Clog. Thanks for the video and please do more videos on color grading and correction. Cheers!
I love my C200, it's a great camera! I do have more CC videos planned for Premiere. Thanks compliment and the comment Daniel!
I've just moved over to my first canon with LOG and I was a little lost, thanks so much for making this a super easy process, Happy to say I've subbed! Great content man 10/10
Great to hear! Thanks for watching and the comment Tom!
Thanks mate. A good refresher.
This is actually so good, it has really helped me so much, thank you so much
Thanks for watching and the nice comment Jacc!
Great video Rafael, thank You!
This was awesome!! Thanks so much the recap was the best. I'm going to screencap it.
Glad the recap was helpful! Thanks Mike!
Awesome tutorial! It's understandable. That's the way to nail it.
Thanks so much Micheal! Thanks for watching and the compliment!
Wow this is such a good video!! Good job man! Got a new subscriber here :)
Thanks for the sub and the compliment Nils!
Very organized and easy to understand in simple practical steps. Thank you for the effort.
Awesome. I'm just starting out as video-maker and this was very helpful!
Glad it was helpful! Thanks for watching and the comment Rogier!
outstanding - thank you!
Thanks for watching and the comment!
I'm appreciating what you offer here .. amazing content and valuable information.
So nice of you! Thank you for the compliment and the comment Ahmed!
This helped a lot. Thanks!
Great Video! Thank you!
thanks for watching and the comment!
This is absolute gold. Thanks for all the info. Feel a lot more informed on how to go about correcting my footage! Thanks
Great video
Thanks for watching and for the comment!😀
Extremely helpful / good pace and clear explanation. The most definitely Refael - you have great talent to teach and/or pass your knowledge and experience on. thx
I appreciate that! Thank you for the compliment and watching Adam/Yenny!
That was simple and smart. Easy to follow. Home Run! Thank you.
Thanks for watching and the compliment!
Subbed, thank you for all the info
Thanks for watching and the comment!
Oh WOW!. Rafael thank you so much for an incredible video. I learned so much about color correction and grading.
Great to hear! Thanks for watching and the compliment!
A big thumbs up for your explanation on this subject, I did a video on this subject and how to put C-Log on to any Canon camera, I did it with my Canon M6 mkii and it looks great.
Access to c-log really opens up the door to better overall looking footage!
Thx man, this helps me a lot..
Glad it was helpful! Thanks for watching and the comment!
Agree - best tutorial on this topic - this one's going on loop
Thanks a lot for making this video! just got an Eos R a few days ago because I decided to take video more seriously, and this was a huge help climbing the learning curve
Glad it was helpful! Thanks for watching and the comment Bradley!
Thank you. Talk about less is more!
great video . thanks for sharing
Thanks for watching and the comment Marco!
Many thanks for sharing really appreciate this! Just got the eos r and this is invaluable for a beginner like me exploring c-log. 💯❤️👌🏽🙏🏽
Glad it was helpful! Thanks for watching and the comment!
Incredible tutorial! Just upgraded from a 70d to an EOS R and very looking forward to getting into grading C-LOG footage!
This video is lovely.
The best tutorial! How do you get the circle graph thing next to the lumetri scopes?
very, very helpful. I really enjoyed watching this. Thank you for creating it
Glad it was helpful! Thanks for watching and the compliment!
This is great! You explained this very well. Thank you!
Glad you enjoyed it! Thanks for watching and the comment Andrew!
Excellent!
Amazing tutorial... super helpful!
Glad you think so! thanks Kristian!
Super communicative tutorial. Thank you very much.
Fantastic video and explaination....thank you for this!
You're very welcome! Thank you for watching and commenting!
Can you speak about how adjusting skin would be for those of darker skin? And also those of darker skin and lighter skin together in a clip?
I did a video just focusing on skin tones - th-cam.com/video/CbI3A_OOREo/w-d-xo.html
The method is nearly the same for all skin tones as they fall very close on skin tone indicator line in terms of color. But the part (chapter) to check out in this video for dual skin tones in one scene is the Secondary Selections - that is the way I have tackled scenarios like that in the past. Thank for watching and the comment Broderick!
great, thank you so much!
thank you
Thanks for watching and the comment West!
Thanks for the video man, great explanation!🤙
Why don't you use Panasonic lut at the beginning? After applying the conversion video lut to rec.709, you can also do color correction?
Awesome tutorial. By any chance do you have a tutorial understanding foundation of lumetry colors. This is one of my weakness. I color correct based on the eye not using correctly the lumetry
Thanks for watching and the comment Christopher! Color is such a subjective thing and I'm still learning. I will eventually do more color focused tutorials.
@@RafaelLudwig thanks
Thanks man, jvery k7ch helpful
hi thanks for tutorial, you color grade log footage. but my footage are all rec.709, how to convert my footage to log footage thanks
Another awesome tutorial Rafael! I'm getting there. What "looks right" to my eyes somehow ends up in disaster at export 😂 but I'm now having some luck applying these techniques if I use one of Canon's LUTS (BT709_CanonLog-to-BT709_WideDR_33_FF_Ver.2.0) as a starting point lol.
I have never had good success with the technical LUT provided by canon 🤷🏻♂️
That’s why I made this tutorial.
@@RafaelLudwig Oh it needs some help for sure. Me and that LUT are helping each other. Lol. Great channel Rafael!
yo mate... u awsome
Loved this video! I have been shooting in cine4 on my Sony for months because I really struggled with grading LOG. I'm colourblind so I could never get the balance right by looking at my footage. Now I understand how to use the scopes instead thanks to this video. I might go back to s log and give it a try. I imagine it'll work just the same right?
I'm a sony shooter, what sony are you shooting with?
Hey Luke, you are correct, this method works with any LOG footage, when you try it out, circle back and let me know how it works for you.
amazing video. are these steps pretty much the same for CLOG-3?
Yup! Pretty much for all log footage, trust the scopes. Thanks for watching and the comment Regnis!
Could you please help me choose between 2log and 3log LUTs? we shot LOG and RAW. Thanks!
Helpfull
I wish I'd have found this video sooo much earlier.
Glad it was helpful! Thanks for the comment Patrick!
Do you have advice on exporting? I'm still having issues where my exports are washed out. Even when I use the gamma compensation .cube, I still need to add an adjustment layer and it's still not the same. It's a mess.
It's gotten better in the latest releases of PPro. You first need to make sure to toggle "Display Color Management" under Premiere > Settings. THEN follow this video. th-cam.com/video/oOxAmz5Hnnk/w-d-xo.html
Thanks for watching and the question!
does this apply to 8 bit clog?
Yes it does, thanks for the comment!
do you have to change lumetri scope 8bit to float in editing log footages?
For the most part for web delivery I always have it set to 8bit - If that type of precision is needed I am sending it to a colourist! If you are working with SDR Broadcast standards 8bit is perfect, if you are heading into HDR delivery you may want to use float. Keep in mind that 95% of monitors out there are 8bit, only recently can they display 10bit. Thanks for watching and the comment John!
Would you put rec 709 conversion LUT before or after? Or not at all?
I don't use conversion cuts for C-Log, I like the way it looks better with my own presets. Thanks for the question!
I have a recording of a 2 day event shot with 2 different cameras (one of them is dimmer and has lower saturation). I only have the final merged recording of both cameras fading in and out of each other on two 6 hour long files. Is there a tool that can detect the shot automatically and apply color color correction to just the dim video but not the other shot?
Amazing tutorial, thanks! I have a couple of questions though. 1) When you isolate the skin with a mask and then change the basic lumetri settings, doesn't this apply that change to the entire image though? I've seen other tutorials where they used the HSL tab to isolate the skin and adjust it like that, so it affects the skin only. What's the difference? 2) What's the difference between highlights, whites, and exposure? Thanks!
Yes, in this method it would affect the rest of the image, it takes the skin as the priority. I didn't want to do secondary color selections in this video as that gets pretty advanced for most viewers who are just looking for proper skin tones. I do have it in the pipeline to go more advanced with color correction and color grading. Didn't want to make this Tutorial 40 mins 😬
Thanks for watching and the comment!
@@RafaelLudwig I see, that makes sense. Looking forward to seeing more videos, keep up the excellent content!
I usually slide contrast to the max first and then adjust everything else. Is it wrong? 🤔
im a bit confused, how is there only one indicator for skin tone ? wouldnt it look different depending on how dark or light your skin is ?
i dont understand how his mask is doing that. whenever I do that it does not select just that area and effect show me the charts for just that spot. It still shows it for everything.
Hi I’m new to color correction, and I tried this tutorial on my log footage , however it turned out still looking kinda grey, I don’t really know what went wrong, do you have any suggestions? Btw I really appreciate this tutorial, exactly what I need right now. ❤
Question, when doing the process manual like this, What percentage of sharpening do you re add as well? The conversion luts I use now add their own sharpening so Im not sure how much to re add myself to say, V-LOG footage.
This is the video that I’ve been searching for🥹finally!! Great job bro.
My question is: Are we really losing out that much when not recording C-log? This all seems like a lot of extra work for footage that probably looks better when not using c-log
Absolutely not, and in many cases the workflow is much simpler as long as you are happy with the look of the footage coming straight out of the camera. My biggest reason I prefer LOG over any picture profile is that the look and sharpness is baked into the footage with a picture profile, and on many cameras the footage can look a bite crunchy with too much sharpness or colors that were determined by someone else's aesthetic. And modifying that after makes it harder, it only allows for minor tweaks, and you can't really remove the sharpness. LOG is a nice starting point and you have control over the look and sharpness, and once you dial in the look you like, it's an easily repeatable process. It all comes down to preference. It's like shooting JPEGs vs RAW photos. If you like it, then it's perfect!
Thanks for watching and the comment Daniel!
you are trying to explain to us how to apply color correction but bare in mind many are simply beginners dont even know WTH are shadows, blacks, highlights, whites,
you are saying we will increase this, reduce that, add this a bit, add a bit of that, but what is exactly shadows and highlights and why are you increasing them or reducing them ?! how are they different from blacks and whites which are the two terms i understand ?!...
thanks,
Hey Rafael, great video! I have a question though, don't know if it'll make a difference but at 7:10 where you are going over white gray and black the line representing black is kinda fat compared to the line representing white that is a lot flatter. Does it make a difference? Should the black in the video be more or less black? Is there a way to make the black values more black without messing up all the progress already made?
Yes the portion of the line should be as black as possible, but because I am just averaging the darkest portion of the video it doesn't have to be too perfect. As long as the RGB Parade line up, then I know it's black. I am planing on making a more advance CC'ing tutorial that goes into HSL and desaturing the Black and White to have no color casts.
Thanks for watching and the comment!
Ok. But any luts for original c log that work well?
Yes there are, but the official that come from Canon are confusing and there are so many choices that unless you know exactly how your camera is set it becomes frustrating. And many people have created their own, which work great for the way they shoot, and don't 100% work for everyone else. That is why I made this video, I tried to skip the confusion for myself and shared it. Thanks for the question!
I have this problem with files that i import directly from my new canon R6 in C Log. The original file codec is HEVC 10 bit 4:2:0 and when i import the file to the sequence and zoom in 200% or 400% I can see that the image loses quality, especially in areas with more information like hair.
In this video i used the original file and a converted file at the same time in the timeline and when i switch from one to another i can see that the original file with the original codec looks terrible next to the convert one.
Besides this when i play the original file on my pc the image looks ok, but when i import to premeire it what you can see. If i export the original file it will export as you can see in the video.
Can someone help me with this? has anyone experienced this? Cant find nothing online
My adobe premiere version its the adobe premiere CC pro 2019 Version 3.0.1
This problem only happens when i use C LOG Files, it's annoying to have to convert all files to edit a video when I shoot in C LOG
I Have this video to explain, its kinda hard to see because of the youtube compression
th-cam.com/video/79aEI-HQWyU/w-d-xo.html
Wait a minute...How did you manage to have no grain? I thought you have to overexpose C-Log 2 Stops?
Yes while capturing, I over expose for c-log . Usually 1 stop is enough, two if it’s a dark scene.
Rafael Ludwig Ah okay, I was just wondering, cause the ungraded shot looks so dark. I'd have grain in my EOS R. Still trying to figure it out
Yeah I did lots of tests with the camera to find that sweet spot for process. And wanted to share those findings.
Rafael Ludwig do you mind telling your settings for that particular shot?
What is the time code?
You should in fact not do this! Gerald Undone has a nice video explaining why this breaks apart your footage. It works, kinda, but breaks your footage compared to using a LUT.
You do realize the technical LUTS are created the same way, someone using grading software and spitting out a LUT. They are created in perfect lighting conditions, with a color chart and perfect camera settings. Majority of people do not film with perfect lighting or camera settings, and that is why technical LUTS fail to produce good results for so many. Correcting yourself will only ‘break’ the footage if pushed too far. Thanks for watching and the comment Edou!
This is not it...
Nice Video. I will try it for my SLOG 2 Footage.
Whats thats Song Name at 16:30?
Thanks for the super Video! Cheers from Switzerland!
thank you
thank you
You're welcome! Thanks for the comment!
Can you get same results with using the curves panel?
Yes you can, but it is much easier for me to do it with color wheels. It's more precise when adding or subtracting color. Again thanks for the question!
Awesome video! Thank you, so much, for sharing your knowledge.
Liked & subbed. I'm really looking forward to giving this method a go, in Premiere.
Is bt709 the same thing as rec709
Yeah, pretty much.
Superbe: thanks a lot!!
Thanks for watching and the comment! Javier!
Great tutorial, thanks! I like it that you have multiple shots and repeating the process. Feels like practicing already.
Thanks for that! Thanks for watching and the nice comment!
Amazing info bud!
Glad it was helpful! Thanks for watching and the comment!
Okay I know this is completely off topic but MAN YOUR LOGO IS CLEAN