Mike's self-deprecating manner may disguise what becomes apparent after a while: he is a very experienced, talented and capable musician, composer, engineer and teacher. Even though I've used Cakewalk for years, I've learned a lot from these tutorials.
Notes for myself Name the tracks and the clips. 3:52 Add icons to the tracks, Right click the icon area > Load Track Icon. Have all tracks of a particular category next to eachother in the Console 4:39 Alt > click on track then drag it where you want. Output a whole category if tracks to one bus so you can control their collective level with one fader. 5:39 Shift-click to select a bunch of tracks, Master > (while holding Ctrl) New Stereo Bus. 6:53 Colour the busses and channels. 8:33 Also do it for things that don't belong to a group, so that you eventually end up with just a small number of busses - faders in one area to do mixing with. 9:46 Save your mix so far but abandon it because you've become very familiar with it and lost objectivity. 10:22 So zero the faders, Shift-select all tracks, then, holding Ctrl, select one fader and drag it to the bottom so all the faders do the same, then, holding Ctrl, double click a fader and it makes them all go to 0. 11:16 Do the same with panning. And delete all FX you have so far applied. Start afresh. 11:48 Exceptions. Keep stylised effects that created the sound of a particular instrument. Like a dry guitar with an overdriven sound by a amp sim. And delays on an instrument. But even get rid of reverbs on instruments, and EQing. Or at least disable things you've created so far. 14:30 Focus on RMS level being about -18 db and peak level being -12 to -6 db. 16:03 With drums, just focus on the peak level. Aim for about -12 db. 17:19 Static mix. 18:05 Before the static mix, do sub mixes. Mix the instruments one category at a time. You won't be listening to each category in the context of the song i.e. with the rest of the instruments, but just aim for the ball park. Mix when listening to the loudest part of the song. 19:41 You can then use the bus faders to do the mix. Now, VERY important, take a break (overnight or longer, or at least a few hours, listen to other music) to regain your objectivity. 20:35 Then do the static mix as quick as possible, 10-15 minutes, using your instincts. 21:05 Start with the loudest part of the song. 21:56 Start with the vocal and build everything else underneath. Then maybe the kick. Get the key components of the music in balance. Do it quickly because you'll lose objectivity quickly and get fatigued. 23:25 The Details Everything feels just about in balance. There are no real rules about plugins. Just go with what's needed for the song. And do everything with an intention. 25:00 3 key components to think about when doing a mix. First, tone and clarity. Tone - sound of the instrument e.g. too bassy?, too trebly? 25:56 Clarity - also use EQ for this. Enabling the instrument to shine, or subduing it. Like a bass guitar and kick drum can effectively cancel eachother out. So use EQ to carve out space for something else to shine through. EQ space. 27:00 Level. Compressors to tame particular levels. A compressor is an automated fader. But only compress something if it needs it. 28:38 Third thing is 2D space. Like panning left and right to make orchestra instruments sound like some are to the left and some to the right. In contemporary music, we don't tend to pan the lead vocal, the kick drum and the bass guitar. 29:25 Check your mix in mono often. Mix in stereo, then after panning changes, make sure the mix still translates. 29:49 Other type of 2D space is backward and forward. How up front or further away an instrument feels. For Mike, the main tool for that is reverb. Reverb can make something feel further away. To make an instrument feel like it's in a room, Mike will use delay. 30:57 Saturation can also affect the feeling, tone and colour of a sound. Saturation is often a by-product of plugins like tape emulators, compressors, channel strips, EQs. Not a primary part of the mixing process for Mike but he still thinks about it. 31:43 Remember your gain staging. After adding a plugin, check the gain, that it's still peaking at the same level. Often plugins have an output control you can do this with, or you'll need an output control plugin to do it with. Unfortunately, plugins tend to make things louder, and it has to sound good whether it's louder or not. 33:22 Automation, the final phase. Use it to adjust the balance of the other parts of the song (so far you've been adjusting the loudest part of the song). 34:13 The mechanics of automation on Cakewalk. Write-enable the channel for automation - W, then just play the song (no need to hit Record) and adjust the fader as you listen. Then turn Write-enable off and make sure it's Read-enabled. 35:32 Drawing in the automation. None > Automation > (choose the kind of automation you want to see) Bus Output Volume. Now you can draw automation. After using the fader to automate, he'll fine tune it by using the drawing method. 37:03 First he'd automate the level. He'd also do panning. You can use panning to create width. 37:55 Automation can also be used on FX. In some plugins there is the option to read and write-enable. 39:00 Occasionally a plugin won't have the write-enable option. On a reverb plugin track he's greatly automated the reverb level. Automation is the difference between a good mix and a great mix. 40:06 You might want to make whole sections of the song louder, but Mike doesn't use automation for that, he does that in the mastering phase, so he recommends holding off automating the track's overall sound until then. 40:46 Wrap up.
Something I haven't tried, but I think could work for anyone who comes across a plugin that doesn't have the write capability for automation is to create a separate bus for the effect, route your track to it, then automate using the level knob on the track that is to receive the effect. That way, you aren't automating the effect itself, but are instead automating the routing to the effect. On another note, this series needs to be a part of Skillshare or something like that. These videos are a godsend for learning this program.
I don't know if you're going to read this, but, in case you do, I really want you to know how awesome your work is and how greatful I am. I'm starting a band with a friend of mine and we are looking for better recording, mixing, mastering and everithing related to music production. Since we found you, we have grown so much and so fast! We are now acheaving results we coudn't imagine a couple months ago. THANK YOU SO MUCH! KEEP TEACHING! Cheers from Brazil! :D
that is the best time Ive spent in quite a while. This Cakewalk looks fantastic ...and AUTOMATED? wow. You are an awesome instructor. All that info was completely helpful here .I'll be sure to hear everything you've got so Thankyou in advance! Additional thankyou to Bandlab for their generosity and I look to restarting my recording and sharing career anew after as you said walking away from it for some time.(5 years) I would write stuff...track it ,mix it make a video in 2hrs .No wonder I never loved a single recording ...just the songs . THANKS MIKE!
I have a home studio and I've worked in cakewalk for over 25 years and I've come to realize that old dogs can learn new tricks. Thanks for taking the time to create these great tutorials.
They often say what you get easily you lose easily. Lol I've been watching your videos for months now, but tbh I couldn't really call myself a fan. However, I have found so much value in your videos throughout time that I couldn't resist the subscribe button anymore today. Lol!!! Now, I guess I can call Creative Sauce "Home". Thank you so much Mike for playing such a big role in the lives of the next generation of musicians. What you taught us for free about a free DAW called Cakewalk... I'm sure we would have paid a lot of money to get these done. And a lot of creatives like me wouldn't be able to afford it, and as a result, a lot of talents and creativity would have been wasted. Thanks for giving us a chance to realize🇭🇹🇭🇹🇭🇹 🇭🇹our dreams, thanks for giving us hope of a better future!!! Much love from Haiti 🇭🇹🇭🇹🇭🇹
This video was immeasurably helpful! Gainstaging was the last piece that was missing in my mixing puzzle. I fiddled and fiddled with mixes and they either came out with signals that were either too low or too high. I remixed a previous project using this technique. The result was night and day. Thanks a lot man!
This is just SO HELPFUL. thank you, seriously. I'm relatively new to mixing, just started a bigger project and this is making the whole process so much easier. Many thanks :)
thank you so much , you have cleared so many areas , that i only knew by name and used without really lnowing how things worked , thanks to you i m now starting like the faders at zero
I've been using cakewalk since home studio 9... In the last few days I've watched a few of your videos and wow thank you.....there was so much I was missing because I was never shown.... Thank you, the videos are very very helpful to a guy like me!
I first learned the craft of recording on two Teac 3340s four-track tape decks in the early '80s, and I am returning now (short version) to producing music in an entirely new world, a world where brilliant software like Cakewalk is free. Free?! And this video--free? Free! I am not sure how I feel about that, and yes I will be sending you some money next with the link above ("hint hint" to other readers) but I have to say thank you, thank you, thank you, Mike. Not just for the profound transmission of your music-making experience and insights, not just for the tips and tricks for making better music using these fascinating and hugely/dangerously powerful tools, but in the end for the overwhelming generosity, kindness, and (most of all) wisdom that you embody here. Your open heart is so palpable in these videos that it can be easily overlooked. It is why these videos are so informative, helpful and meaningful. You are an avatar of a "great teacher," and no teacher is great if they do not hold their profound love for their subject matter and for their students/recipients/viewers simultaneously (mixed into a single bus!), welding this blade like a scimitar, illuminating the secrets and disciplines of arguably the greatest artform--creating music. You do all that, and I am beyond grateful for it: I am inspired by it. And that is the greatest achievement any teacher can aspire to, no? Yes! THANKS MIKE! Which is all to say: You rock! ;-)
Thank you, you have become my Cakewalk College. I teach singing and what I've realised is that you're a great TEACHER, amongst all the other attributes that I'm sure you have - including lack of ego. Very well paced with important detail included but not overblown.
Thank god I have you!!! Thank you so much for the video, it really helps!! I wish I knew about that video before I sent my music abroad, that would save the embarrassment lol. Thanks again!
@@CreativeSauce Hello my friend, thank you very much for your reply. After reading this post I think you can delete it. I wanted to send an email but I can't find it (I'm very busy, sorry). As I said before, your videos are very well done. I see all the work you have done for these videos. Here is the little message I wanted to send you: Maybe it could be useful for your channel to grab some video clips from your followers (sorry for my bad English, I'm French) and you could discuss online about what is cool and what is wrong in those video clips. Here in France, a TH-camr does that (but not on music) and his channel is growing very, very well. By the way, I have a small cooking channel and I am also launching a new music channel (songs made with cakewalk .... Thanks to you my friend, your lessons are very much appreciated). Thank you so much . Joseph
First, a big Texas thank you for the great instructional lessons on Cakewalk. I haven't yet seen any discussion on the Process->ApplyEffect->Normalize (and/or Gain) procedures. It is something I have been forced to do prior to track gain staging. The musicians come in at odd times over the course of several weeks, adding a short guitar, bass or keyboard lick at a time. I put them into the proper tracks but due to instrument or recorder level changes the individual clips are slightly at different levels. I normalize each clip separately to a range of -8 to -12 dB.
THANX BRO ! YOU MADE IT VERY SIMPLE TO UNDERSTAND AMD U GAVE ME INSPIRATION TO WORK HARDER ON MY MIXES ...I STILL DNT REALLY UNDERSTAND RATION AND THRESHHOLD WITH THE COMPRESSOR I WISH THERE WAS A EASY TO UNDERSTAND VID ON COMPRESSION OR AT LEAST A PERFECT SETTING FOR VOCAL AND DRUMS
Thank you! I've been a long time Sonar user that just recently switched over to Bandlab's Cakewalk. This is a great primer video that's really helpful. Many of the things talked about here, I've just intuitively done but I've also picked up a few great tips for saving time and headaches down the road. Many thanks again for your amazing content. Looking forward to seeing more of your videos!
This was very informative these steps can be used in other daws as well. Really great video. Thanks for being part of the Cakewalk community. Keep putting out great content.
Mike,,love all ya do for the Cakewalk community .. Alot of people dont know it's old Studio One DAW stuff that Bandlab bought out awhile back to start up their FREE MUSICAL RECORDING COMMUNIYY@BANDLAB....(Its Great as well,awesome platform for musicians of ALL experience levels,genres,etc.. to work ,share,and collab on !!) This DAW IS AMAZING (Especially for free) LOL... Lots of powerful stuff,tools,tricks & tips,to learn and do with it !!!! So glad someone like you is doing these videos for people like me. I recently set up a home studio,and am just starting to finalize all the details & recieving my equipment I've ordered(along with new laptop).. AND THIS IS GOING 2 BE MY DAW of choice!!! Your doing a Great job,I've been watching all of em I can,to learn as much as possible about Cakewalk. KEEP UP THE GOOD WORK MAN!!! We need ya!!!👍🎚🎚🎛🎛🎚🎚🎼🎵🎶🎼🎤🎙🎸🥁🥁🎷🎹 I'll keep ya posted...2 be continued.....👍👍👍👍👍
Happy doodly days, just like a complete refresher for these areas, few moments of clarity and some lightbulb moments........Cheers again Mike. Lovin the content....😎
Within your static mix section you suggest starting with vocals instead of percussion. Your comment reminded me of a Hans Zimmer suggestion that relates to working up an orchestration. He suggests getting all sections arranged before ever introducing any percussion. He says to keep in mind what your expectations for percussion are but leave them to last. I've found this work habit has many benefits.
I think percussion, especially repetitive rhythms, can easily mask balance problems in other instruments. Leaving string ostinato until last removes another distraction. You need the sparkle and drive that rhythms provide but you ear and mind really get caught up with them. Your long Cakewalk mixing series was very helpful. I'm a retired hobbyist but I worked as a tech director in theater, my best friend was the audio engineer. But l never had reason to learn all the nuances that made up his skill set. You've helped me have a fun time while digging into the mix and mastering process, and given me new appreciation for the quality of my friends work.
thanks for the great video , you need more views! TYour content is so educational and you have a great manner of teaching in a clear manner that makes sense. again , many many thanks. God bless you.
Great video! I've been playing guitar for more than 50 years and have been learning more about recording in the last few years! I have learned more in these videos than anywhere else in TH-cam. Very informative and spot on! Lastly, and I think I may be speaking for many other watchers, I really want to hear that song! All 61 tracks of it. :-)
I watch a ton of videos like these every day and yours tend to be the best by far! Thank you very much for all the hard work you put into getting information out there!
Thanks Mike. Great tips from a legend!! very helpful. Its always a good morning with a nice cup of coffee and a creative sauce video. Coffee with Mike lol
For all of the mixing videos I have watched,this is the best mixing video so far..you improve my mixing knowledge. ..Great Content.Thank you very much!!!!!!
I heard your opinion on starting a mix with the vocals. I used to do it that way, but I found for me I'd inadvertently loose the punch of my drums in the mix and mastering. Lately I've started with drums, (they tend to have the biggest transients to deal with, so get them controlled first) then I add the vocals. Then 1 by 1 the other tracks. And like you said at the loudest part of the song. Love cakewalk too. So glad it is still viable
Thank you again "Professor Mike". Many thanks for your in-depth explanations and details. I'm doing a final mixdown after scoring to picture and this was invaluable. Thanks again.
GREAT tutorial!... again! Thanks for all of your efforts and sharing your insight. Just a thought with this isolation period... perhaps a video on how you might manage various wav files being emailed to you with roughly the same tempo and how you might address this from that point. Warmest Regards, John
You have a great job Mike in all your videos. May I ask if you will.... Can you also make a video just using the built-in plugins and pro channels of Cakewalk? I think this is better for us beginners to understand. Thanks.
Mike, hi love the channel and have learnt so much from watching you. My requirements are about as simple as it gets, mostly I record guitar instrumentals to pre-recorded backing tracks. (Ocaisonally I make my own BT's from scratch.) I wondered if you could consider a video giving some tips for recording instrumentals and also how to get the best from a simple two or three track mix like I describe. Ps I already follow your basic mastering video. Keep up the great work, Neville
Here is a suggestion. Before starting all of this process on a song that you have already mixed. Load up the song, then save it as a remix, (file, save as). In that way you always have what you have already done available to you.
I often do this, because I’ll decide on attempting some drastic song extensions or adding some part into the middle of what I’ve already recorded, or I’m experimenting with something etc etc. It’s a smart move. I do find that most often I do end up going with whatever ‘experiment’ I was attempting anyhow.
Great video. As a reference point, could you give us like a rule of thumb for various sounds. I heard you say drums should be at -8, guitar or piano at -12. What about lead vocals (-8? )and bass guitar?
How much RAM and overall computer power are you using ? What in general do recommend to be able to do medium to large projects using many plug-ins and synths ? Custom set up ? store computer Etc...
Great video as always Mike! I am currently watching your tutorials and working on my largest mix ever with some 15 tracks containing guitars, piano, organ, and a brass section in Cakewalk. It's a fun project for my big band while we are under lock down. Most of them recorded their parts at home with their smart phones and I'm the one in charge of the mix. Would you have some tips to improve quality with such amateur recordings? I used high and low-pass filters to remove some room reverberations and added some compression.. I want to use a reverb on the brass section to make it feels as if they were in the same room, but at the same time most recordings already have too many early reflections...
As usual, Mike, an excellent tutorial. I do, however, have one question that I'd hoped you would cover but you didn't. In a video I saw recently (not sure if it was yours) saving multiple mixes was mentioned but now to do it and how to use it wasn't explained. Do you have a video in which you discuss this or couple you at least tell me how to access it in Cakewalk so I can explore it myself Thanks again for all your great content.
Hi - I'm wondering what the benefits are to grouping items and adding them to busses? You did so in this video, but then did not refer to them again. What is the purpose of them - do you alter the levels until you are happy with each instrument grouping, then manage the volume of the group using the bus? Thanks
Hi Mr.Mike, if you have time could you hit me back about this question..... I have Kontakt 6 , how do you create a second stereo output (st.2) with the same midi channel but for a second instance of the same instrument? ( in my case guitar vst Shreddage). You have a way of making the complex understandable. Amazing.
Mike, another great video! I do the same as you, start with the vocal, and build under it. Always worked for me. I am wondering about how hot to make the final mix. Been using a brick wall to get as much as possible, but I am not sure that is the best thing to do. I was wondering about where you set your output. I had an analog studio for 30 years, and used to always try to not let it get above plus 1 on peaks. I think I may be making my mixes too hot now. Thanks again, for your attention to detail. Great job!
![[FULL EP.16] เซียนพาลุย "เผือก-ฟรอยด์" กรี๊ดลั่น จนปูหนี | เฮ็ดอย่างเซียนหรั่ง | One Playground](http://i.ytimg.com/vi/FsqUvwS3b-Y/mqdefault.jpg)
Mike's self-deprecating manner may disguise what becomes apparent after a while: he is a very experienced, talented and capable musician, composer, engineer and teacher. Even though I've used Cakewalk for years, I've learned a lot from these tutorials.
Mike is like your favorite high school teacher who actually cares if you understand the material.
Notes for myself
Name the tracks and the clips. 3:52 Add icons to the tracks, Right click the icon area > Load Track Icon.
Have all tracks of a particular category next to eachother in the Console 4:39 Alt > click on track then drag it where you want.
Output a whole category if tracks to one bus so you can control their collective level with one fader. 5:39 Shift-click to select a bunch of tracks, Master > (while holding Ctrl) New Stereo Bus.
6:53 Colour the busses and channels. 8:33 Also do it for things that don't belong to a group, so that you eventually end up with just a small number of busses - faders in one area to do mixing with.
9:46 Save your mix so far but abandon it because you've become very familiar with it and lost objectivity. 10:22 So zero the faders, Shift-select all tracks, then, holding Ctrl, select one fader and drag it to the bottom so all the faders do the same, then, holding Ctrl, double click a fader and it makes them all go to 0.
11:16 Do the same with panning. And delete all FX you have so far applied. Start afresh.
11:48 Exceptions. Keep stylised effects that created the sound of a particular instrument. Like a dry guitar with an overdriven sound by a amp sim. And delays on an instrument. But even get rid of reverbs on instruments, and EQing. Or at least disable things you've created so far.
14:30 Focus on RMS level being about -18 db and peak level being -12 to -6 db.
16:03 With drums, just focus on the peak level. Aim for about -12 db.
17:19 Static mix.
18:05 Before the static mix, do sub mixes. Mix the instruments one category at a time. You won't be listening to each category in the context of the song i.e. with the rest of the instruments, but just aim for the ball park. Mix when listening to the loudest part of the song.
19:41 You can then use the bus faders to do the mix. Now, VERY important, take a break (overnight or longer, or at least a few hours, listen to other music) to regain your objectivity.
20:35 Then do the static mix as quick as possible, 10-15 minutes, using your instincts.
21:05 Start with the loudest part of the song.
21:56 Start with the vocal and build everything else underneath. Then maybe the kick. Get the key components of the music in balance. Do it quickly because you'll lose objectivity quickly and get fatigued.
23:25 The Details
Everything feels just about in balance. There are no real rules about plugins. Just go with what's needed for the song. And do everything with an intention.
25:00 3 key components to think about when doing a mix. First, tone and clarity. Tone - sound of the instrument e.g. too bassy?, too trebly?
25:56 Clarity - also use EQ for this. Enabling the instrument to shine, or subduing it. Like a bass guitar and kick drum can effectively cancel eachother out. So use EQ to carve out space for something else to shine through. EQ space.
27:00 Level. Compressors to tame particular levels. A compressor is an automated fader. But only compress something if it needs it.
28:38 Third thing is 2D space. Like panning left and right to make orchestra instruments sound like some are to the left and some to the right. In contemporary music, we don't tend to pan the lead vocal, the kick drum and the bass guitar.
29:25 Check your mix in mono often. Mix in stereo, then after panning changes, make sure the mix still translates.
29:49 Other type of 2D space is backward and forward. How up front or further away an instrument feels. For Mike, the main tool for that is reverb. Reverb can make something feel further away. To make an instrument feel like it's in a room, Mike will use delay.
30:57 Saturation can also affect the feeling, tone and colour of a sound. Saturation is often a by-product of plugins like tape emulators, compressors, channel strips, EQs. Not a primary part of the mixing process for Mike but he still thinks about it.
31:43 Remember your gain staging. After adding a plugin, check the gain, that it's still peaking at the same level. Often plugins have an output control you can do this with, or you'll need an output control plugin to do it with. Unfortunately, plugins tend to make things louder, and it has to sound good whether it's louder or not.
33:22 Automation, the final phase. Use it to adjust the balance of the other parts of the song (so far you've been adjusting the loudest part of the song).
34:13 The mechanics of automation on Cakewalk. Write-enable the channel for automation - W, then just play the song (no need to hit Record) and adjust the fader as you listen. Then turn Write-enable off and make sure it's Read-enabled.
35:32 Drawing in the automation. None > Automation > (choose the kind of automation you want to see) Bus Output Volume. Now you can draw automation. After using the fader to automate, he'll fine tune it by using the drawing method.
37:03 First he'd automate the level. He'd also do panning. You can use panning to create width.
37:55 Automation can also be used on FX. In some plugins there is the option to read and write-enable.
39:00 Occasionally a plugin won't have the write-enable option. On a reverb plugin track he's greatly automated the reverb level. Automation is the difference between a good mix and a great mix.
40:06 You might want to make whole sections of the song louder, but Mike doesn't use automation for that, he does that in the mastering phase, so he recommends holding off automating the track's overall sound until then.
40:46 Wrap up.
I am watching it a third time with pauses, while working on Cakewalk, and I am following this video LITERALLY step by step.
Something I haven't tried, but I think could work for anyone who comes across a plugin that doesn't have the write capability for automation is to create a separate bus for the effect, route your track to it, then automate using the level knob on the track that is to receive the effect. That way, you aren't automating the effect itself, but are instead automating the routing to the effect.
On another note, this series needs to be a part of Skillshare or something like that. These videos are a godsend for learning this program.
I don't know if you're going to read this, but, in case you do, I really want you to know how awesome your work is and how greatful I am. I'm starting a band with a friend of mine and we are looking for better recording, mixing, mastering and everithing related to music production. Since we found you, we have grown so much and so fast! We are now acheaving results we coudn't imagine a couple months ago. THANK YOU SO MUCH! KEEP TEACHING! Cheers from Brazil! :D
Também 😉no Brasil.
that is the best time Ive spent in quite a while. This Cakewalk looks fantastic ...and AUTOMATED? wow. You are an awesome instructor. All that info was completely helpful here .I'll be sure to hear everything you've got so Thankyou in advance! Additional thankyou to Bandlab for their generosity and I look to restarting my recording and sharing career anew after as you said walking away from it for some time.(5 years) I would write stuff...track it ,mix it make a video in 2hrs .No wonder I never loved a single recording ...just the songs . THANKS MIKE!
I have a home studio and I've worked in cakewalk for over 25 years and I've come to realize that old dogs can learn new tricks. Thanks for taking the time to create these great tutorials.
They often say what you get easily you lose easily. Lol
I've been watching your videos for months now, but tbh I couldn't really call myself a fan. However, I have found so much value in your videos throughout time that I couldn't resist the subscribe button anymore today. Lol!!! Now, I guess I can call Creative Sauce "Home". Thank you so much Mike for playing such a big role in the lives of the next generation of musicians. What you taught us for free about a free DAW called Cakewalk... I'm sure we would have paid a lot of money to get these done. And a lot of creatives like me wouldn't be able to afford it, and as a result, a lot of talents and creativity would have been wasted. Thanks for giving us a chance to realize🇭🇹🇭🇹🇭🇹 🇭🇹our dreams, thanks for giving us hope of a better future!!! Much love from Haiti 🇭🇹🇭🇹🇭🇹
Very happy to hear from Haiti! Thank you subscribing my friend, I'm glad I finally convinced you!
you are the best teacher i've ever had! great job mr!
Thank you so much Jimmy - my pleasure :)
Where would I be without these vids?, probably still recording ideas with my phone on top of my amp and doing nothing with them
This video was immeasurably helpful! Gainstaging was the last piece that was missing in my mixing puzzle. I fiddled and fiddled with mixes and they either came out with signals that were either too low or too high. I remixed a previous project using this technique. The result was night and day. Thanks a lot man!
Awesome to hear! I remember feeling the same when I implemented it :)
This is just SO HELPFUL. thank you, seriously. I'm relatively new to mixing, just started a bigger project and this is making the whole process so much easier. Many thanks :)
I'm so glad you found it helpful. Thank you!
This is the content I wait for! Cakewalk guru!
Oh thank you - actually, there are many people that know more than me! But thanks anyway :)
thank you so much , you have cleared so many areas , that i only knew by name and used without really lnowing how things worked , thanks to you i m now starting like the faders at zero
I've been using cakewalk since home studio 9... In the last few days I've watched a few of your videos and wow thank you.....there was so much I was missing because I was never shown.... Thank you, the videos are very very helpful to a guy like me!
Great and non judgemental guidance. I am loving this Cakewalk series.
Yes. I have always wanted to know how it all works and Mike is a brilliant teacher. Well said, sir.
I first learned the craft of recording on two Teac 3340s four-track tape decks in the early '80s, and I am returning now (short version) to producing music in an entirely new world, a world where brilliant software like Cakewalk is free. Free?! And this video--free? Free! I am not sure how I feel about that, and yes I will be sending you some money next with the link above ("hint hint" to other readers) but I have to say thank you, thank you, thank you, Mike. Not just for the profound transmission of your music-making experience and insights, not just for the tips and tricks for making better music using these fascinating and hugely/dangerously powerful tools, but in the end for the overwhelming generosity, kindness, and (most of all) wisdom that you embody here. Your open heart is so palpable in these videos that it can be easily overlooked. It is why these videos are so informative, helpful and meaningful. You are an avatar of a "great teacher," and no teacher is great if they do not hold their profound love for their subject matter and for their students/recipients/viewers simultaneously (mixed into a single bus!), welding this blade like a scimitar, illuminating the secrets and disciplines of arguably the greatest artform--creating music. You do all that, and I am beyond grateful for it: I am inspired by it. And that is the greatest achievement any teacher can aspire to, no? Yes! THANKS MIKE! Which is all to say: You rock! ;-)
I never knew how to use the GAIN knobs, I always thought they were just for boosting the signal. Thanks for educating me Mike! 😃
Thank you, you have become my Cakewalk College. I teach singing and what I've realised is that you're a great TEACHER, amongst all the other attributes that I'm sure you have - including lack of ego. Very well paced with important detail included but not overblown.
couldnt find much help with cakewalk, but i found you. You have helped a lot. You have just earned a sub!
Thank god I have you!!! Thank you so much for the video, it really helps!! I wish I knew about that video before I sent my music abroad, that would save the embarrassment lol.
Thanks again!
Your videos are perfect my friend. Great thanks and hello from France. Joseph
Thank you Joseph, its my pleasure entirely :)
@@CreativeSauce Hello my friend, thank you very much for your reply. After reading this post I think you can delete it. I wanted to send an email but I can't find it (I'm very busy, sorry).
As I said before, your videos are very well done. I see all the work you have done for these videos.
Here is the little message I wanted to send you: Maybe it could be useful for your channel to grab some video clips from your followers (sorry for my bad English, I'm French) and you could discuss online about what is cool and what is wrong in those video clips. Here in France, a TH-camr does that (but not on music) and his channel is growing very, very well.
By the way, I have a small cooking channel and I am also launching a new music channel (songs made with cakewalk .... Thanks to you my friend, your lessons are very much appreciated).
Thank you so much . Joseph
Thanks Mike for all your great tutorials! You helped me out so much with my Homerecording!
Keep up the great work! You help a lot of musicians!
Happy to help!
First, a big Texas thank you for the great instructional lessons on Cakewalk. I haven't yet seen any discussion on the Process->ApplyEffect->Normalize (and/or Gain) procedures. It is something I have been forced to do prior to track gain staging. The musicians come in at odd times over the course of several weeks, adding a short guitar, bass or keyboard lick at a time. I put them into the proper tracks but due to instrument or recorder level changes the individual clips are slightly at different levels. I normalize each clip separately to a range of -8 to -12 dB.
THANX BRO ! YOU MADE IT VERY SIMPLE TO UNDERSTAND AMD U GAVE ME INSPIRATION TO WORK HARDER ON MY MIXES ...I STILL DNT REALLY UNDERSTAND RATION AND THRESHHOLD WITH THE COMPRESSOR I WISH THERE WAS A EASY TO UNDERSTAND VID ON COMPRESSION OR AT LEAST A PERFECT SETTING FOR VOCAL AND DRUMS
Wonderful Job...so knowledgeable and great articulation...AND a BIG help
Thank you! I've been a long time Sonar user that just recently switched over to Bandlab's Cakewalk. This is a great primer video that's really helpful. Many of the things talked about here, I've just intuitively done but I've also picked up a few great tips for saving time and headaches down the road. Many thanks again for your amazing content. Looking forward to seeing more of your videos!
Thanks again Big un...slowly but surely getting there for what I need out of it...hope you are keeping well.
Good to hear, and my pleasure :)
This was very informative these steps can be used in other daws as well. Really great video. Thanks for being part of the Cakewalk community. Keep putting out great content.
Mike's stuff has been invaluable in getting better recordings in my studio. Your videos are great as well XEL Ohh. Thanks to both of you!
Very useful and practical info for a better mix indeed ...thanks friend !
Mike,,love all ya do for the Cakewalk community .. Alot of people dont know it's old Studio One DAW stuff that Bandlab bought out awhile back to start up their FREE MUSICAL RECORDING COMMUNIYY@BANDLAB....(Its Great as well,awesome platform for musicians of ALL experience levels,genres,etc.. to work ,share,and collab on !!) This DAW IS AMAZING (Especially for free) LOL... Lots of powerful stuff,tools,tricks & tips,to learn and do with it !!!! So glad someone like you is doing these videos for people like me. I recently set up a home studio,and am just starting to finalize all the details & recieving my equipment I've ordered(along with new laptop).. AND THIS IS GOING 2 BE MY DAW of choice!!! Your doing a Great job,I've been watching all of em I can,to learn as much as possible about Cakewalk. KEEP UP THE GOOD WORK MAN!!! We need ya!!!👍🎚🎚🎛🎛🎚🎚🎼🎵🎶🎼🎤🎙🎸🥁🥁🎷🎹
I'll keep ya posted...2 be continued.....👍👍👍👍👍
Happy doodly days, just like a complete refresher for these areas, few moments of clarity and some lightbulb moments........Cheers again Mike. Lovin the content....😎
Within your static mix section you suggest starting with vocals instead of percussion.
Your comment reminded me of a Hans Zimmer suggestion that relates to working up an orchestration. He suggests getting all sections arranged before ever introducing any percussion. He says to keep in mind what your expectations for percussion are but leave them to last. I've found this work habit has many benefits.
Very interesting! Thanks for sharing.
I think percussion, especially repetitive rhythms, can easily mask balance problems in other instruments. Leaving string ostinato until last removes another distraction. You need the sparkle and drive that rhythms provide but you ear and mind really get caught up with them.
Your long Cakewalk mixing series was very helpful. I'm a retired hobbyist but I worked as a tech director in theater, my best friend was the audio engineer. But l never had reason to learn all the nuances that made up his skill set. You've helped me have a fun time while digging into the mix and mastering process, and given me new appreciation for the quality of my friends work.
This is the greatest channel on Planet Earth.
You're rediculously good at explaining things. You should have 3M views. Your subcription is my new addiction.
This is gold! So happy to have found you here.
Best software explainer I’ve seen so far!!!!
thanks for the great video , you need more views! TYour content is so educational and you have a great manner of teaching in a clear manner that makes sense. again , many many thanks. God bless you.
Great video! I've been playing guitar for more than 50 years and have been learning more about recording in the last few years!
I have learned more in these videos than anywhere else in TH-cam. Very informative and spot on!
Lastly, and I think I may be speaking for many other watchers, I really want to hear that song! All 61 tracks of it. :-)
Your videos are great and I feel like I've learnt a lot about Cakewalk..... Thankyou so much for creating these...
Keep Rocking & Good Vibes Always
I watch a ton of videos like these every day and yours tend to be the best by far! Thank you very much for all the hard work you put into getting information out there!
I've watched this video 2 times already. Man! So many things I did not know!!!
Thanks - another useful video and reminder of some of the issues previously covered
Thanks Mike. Great tips from a legend!! very helpful. Its always a good morning with a nice cup of coffee and a creative sauce video. Coffee with Mike lol
Mike, This video was so helpful to me on my education and understanding , thank you!!!
For all of the mixing videos I have watched,this is the best mixing video so far..you improve my mixing knowledge. ..Great Content.Thank you very much!!!!!!
Your videos are extremily informative and helpful, thanks! I love Cakewalk and I am very glad I have become profficient with it.
This video has been a great help - thanks man! you explain things very well and simply, which is perfect for us beginners to pick up:)
Thanks Dude. Great info. Your videos have been really helpful. I appreciate you sharing them!
I'm here again master. I have done all ur previous tips. I'm now in mixing my first project in Cakewalk
At Last! I can begin to get it. Thanks mate, hi from Tokyo. Been winging it so far LOL.
God bless you and good work for you. Thank you.
Thank you :)
Thanks for another great video Mike!
Another great vid.. Thanks Mike
Cool. Learned some useful shortcut keys.
Excellent tutorial. Watched twice and took notes second time through. You’re doing great work.
These videos are helping me a lot. Thanks!
I heard your opinion on starting a mix with the vocals. I used to do it that way, but I found for me I'd inadvertently loose the punch of my drums in the mix and mastering. Lately I've started with drums, (they tend to have the biggest transients to deal with, so get them controlled first) then I add the vocals. Then 1 by 1 the other tracks. And like you said at the loudest part of the song. Love cakewalk too. So glad it is still viable
Lots of good advice, thanks for the video.
Yet another great video, thanks Mike!
honestly, i love the look of this software and its free? ahha am already downloading it now
Hi Mike, thaknks for this amazing video!
Thank you again "Professor Mike". Many thanks for your in-depth explanations and details. I'm doing a final mixdown after scoring to picture and this was invaluable. Thanks again.
It was an amazing video, so much info. Thank you
GREAT tutorial!... again! Thanks for all of your efforts and sharing your insight.
Just a thought with this isolation period... perhaps a video on how you might manage various wav files being emailed to you with roughly the same tempo and how you might address this from that point.
Warmest Regards,
John
Great tutorial, thank you!
Once again, thank you for this terrific class, and as usual I've learned and re-learned many things.
Found this just recently. Truly fantastic appreciate this tremendously 🙏
This is soo valuable. Thank you kind sir
Truly awesome. Thank you!
Thank YOU!
Grate suggestions and advice thanks much appreciated
Love your videos! Thanks a bunch.
You have a great job Mike in all your videos. May I ask if you will.... Can you also make a video just using the built-in plugins and pro channels of Cakewalk? I think this is better for us beginners to understand. Thanks.
That was huge!!
You are a f**king genius!! Thank you!!
thanks Mike!
Great content man, useful af. I switched to cakewalk after binge watching your cakewalk playlist. keep it up!
Thanks!!!
Mike. Amazing video. Learning so much, thank you.
This is an awesome video. Thank you for taking the time to prepare this video.
Excellent information, this is extremely usefull to me Mike, thanks
Mike, hi love the channel and have learnt so much from watching you. My requirements are about as simple as it gets, mostly I record guitar instrumentals to pre-recorded backing tracks. (Ocaisonally I make my own BT's from scratch.) I wondered if you could consider a video giving some tips for recording instrumentals and also how to get the best from a simple two or three track mix like I describe. Ps I already follow your basic mastering video. Keep up the great work, Neville
Thank you! The best mixing tips! ❤️
thank you thank you!!
Here is a suggestion. Before starting all of this process on a song that you have already mixed. Load up the song, then save it as a remix, (file, save as). In that way you always have what you have already done available to you.
Absolutely!
I often do this, because I’ll decide on attempting some drastic song extensions or adding some part into the middle of what I’ve already recorded, or I’m experimenting with something etc etc. It’s a smart move. I do find that most often I do end up going with whatever ‘experiment’ I was attempting anyhow.
Great video. As a reference point, could you give us like a rule of thumb for various sounds. I heard you say drums should be at -8, guitar or piano at -12. What about lead vocals (-8? )and bass guitar?
This is very helpful. Thank you
Thanks mate
No worries
How much RAM and overall computer power are you using ? What in general do recommend to be able to do medium to large projects using many plug-ins and synths ? Custom set up ? store computer Etc...
LOVE FROM NEPAL SIR ,CAN U MAKE A VIDEO ABOUT MONO AND STEREO AND THE MIXING PART ...PEOPLE ARE SAYING MIXING IN MONO IS BETTER :) PLZZ
That's what i am takin about. Thank you.
Great video as always Mike! I am currently watching your tutorials and working on my largest mix ever with some 15 tracks containing guitars, piano, organ, and a brass section in Cakewalk. It's a fun project for my big band while we are under lock down. Most of them recorded their parts at home with their smart phones and I'm the one in charge of the mix. Would you have some tips to improve quality with such amateur recordings? I used high and low-pass filters to remove some room reverberations and added some compression.. I want to use a reverb on the brass section to make it feels as if they were in the same room, but at the same time most recordings already have too many early reflections...
Thanks. Lots of good info here.
Thanks for this video 😊. I hope your doing well
I'm doing very well, thanks for asking. Its always my pleasure to make these videos. Thank YOU for watching.
WATCHING YOU MIKE NICE TUTS MATE
My pleasure
As usual, Mike, an excellent tutorial. I do, however, have one question that I'd hoped you would cover but you didn't. In a video I saw recently (not sure if it was yours) saving multiple mixes was mentioned but now to do it and how to use it wasn't explained. Do you have a video in which you discuss this or couple you at least tell me how to access it in Cakewalk so I can explore it myself Thanks again for all your great content.
Hi - I'm wondering what the benefits are to grouping items and adding them to busses? You did so in this video, but then did not refer to them again. What is the purpose of them - do you alter the levels until you are happy with each instrument grouping, then manage the volume of the group using the bus? Thanks
Hi Mr.Mike, if you have time could you hit me back about this question..... I have Kontakt 6 , how do you create a second stereo output (st.2) with the same midi channel but for a second instance of the same instrument? ( in my case guitar vst Shreddage). You have a way of making the complex understandable. Amazing.
Mike, another great video! I do the same as you, start with the vocal, and build under it. Always worked for me. I am wondering about how hot to make the final mix. Been using a brick wall to get as much as possible, but I am not sure that is the best thing to do. I was wondering about where you set your output. I had an analog studio for 30 years, and used to always try to not let it get above plus 1 on peaks. I think I may be making my mixes too hot now.
Thanks again, for your attention to detail. Great job!