@RSKT When you say at about 6:10 that you're using LFO1 to modulate LFO2's rate, I'm pretty sure what you're actually doing is using LFO1 to modulate the depth of the connection between decay and LFO2. I did some experimenting and this is how it seems to me. Section 6.2 of the manual seems to say the same thing. To modulate LFO2's rate with LFO1, you'd go from LFO2 rate pad to the LFO1 mod pad. (Of course, that would modify LFO2's with LFO1 for all uses of LFO2 and not just for decay. But I think that's how it is.)
Yes! You're absolutely right. I'm kicking myself for this. I thought I was doing it right for ages, and it wasn't until halfway through making the video manual that I realised my mistake. So I wound up correcting myself in a later video. Sucks, but it is what it is. Thanks for leaving this comment here though. Hopefully it helps others who watch it in the future :)
@@RSKT_music Well, I still learned here that it's possible to modulate the depth. So even if you didn't say the accurate thing, you still pointed me/us in a useful direction. For everyone else: Did you know that RSKT has a Patreon? You should support him!
@@AdamPritchard thanks so much dude! I appreciate the kind words, and glad to hear you got something out of it. I still haven't started filming the workflow manual just yet, but hopefully will be able to get to it soon :)
Hey thanks so much dude! What do you own? I'm hoping to out up something Ableton related soon, and possibly something with the Zoia. Honestly I'm waiting for the new Deluge firmware to drop so I can do a big tutorial series for the whole thing.
@@RSKT_music I work in Reaper lately, and own Kurzweil hardware synths and UVI Falcon as my main soft synth. But I would watch anything if I can pick up tips from it.
@@rayderrich Fair enough dude. I'm pretty much the same. I find myself learning all there is to know about gear and software I'll never use haha. But you're right, sometimes you learn some interesting tips along the way.
Fantastic!! Loved that for the hihats. The LFO vs Random for the high hats give a nice difference. I was playing along on my Deluge as I watched and didn't have to pause too many times, but always nice to learn new techniques!!
Deluge hi hats always need at least low pass filter but I usually give movement by recording filter movements manually. My next learning is to apply lfo/filter to hi hats.
@@RSKT_music I wish an lfo could be applied to an audio clip to modulate the volume. In audio clips it's difficult to manage their endings - they just stop abruptly (in Arranger.)
@@girlinagale true, I haven't even tried that to be honest. I guess one work around would be to resample the audio track and drop it into a drum track as a sample. Then you should be able to use an LFO. Otherwise you could automate the volume and make it an "unique" clip in arranger mode.
Thanks so much! What do you mean by links with dot? I think I get what you mean with the rest, but my mic is an SM57. I need a converter to plug it into my deluge. But hey, that's a really good idea all the same.
@@RSKT_music when you create a new audiotrack, you have to choose the input (left, left., right, right. or stereo, stereo., the dot means, monitoring the incoming signal. press a empty track and the black Encoder for create a audiotrack> press learn and than your Audiotrack> choose your input with dot. for monitoring.
Thanks for this. Keep ’em coming.
@RSKT When you say at about 6:10 that you're using LFO1 to modulate LFO2's rate, I'm pretty sure what you're actually doing is using LFO1 to modulate the depth of the connection between decay and LFO2. I did some experimenting and this is how it seems to me. Section 6.2 of the manual seems to say the same thing. To modulate LFO2's rate with LFO1, you'd go from LFO2 rate pad to the LFO1 mod pad. (Of course, that would modify LFO2's with LFO1 for all uses of LFO2 and not just for decay. But I think that's how it is.)
Yes! You're absolutely right. I'm kicking myself for this. I thought I was doing it right for ages, and it wasn't until halfway through making the video manual that I realised my mistake. So I wound up correcting myself in a later video. Sucks, but it is what it is. Thanks for leaving this comment here though. Hopefully it helps others who watch it in the future :)
@@RSKT_music Well, I still learned here that it's possible to modulate the depth. So even if you didn't say the accurate thing, you still pointed me/us in a useful direction.
For everyone else: Did you know that RSKT has a Patreon? You should support him!
@@AdamPritchard thanks so much dude! I appreciate the kind words, and glad to hear you got something out of it. I still haven't started filming the workflow manual just yet, but hopefully will be able to get to it soon :)
I might never own a Deluge, but that does not stop me from watching all your videos about it.
Hey thanks so much dude! What do you own? I'm hoping to out up something Ableton related soon, and possibly something with the Zoia. Honestly I'm waiting for the new Deluge firmware to drop so I can do a big tutorial series for the whole thing.
@@RSKT_music I work in Reaper lately, and own Kurzweil hardware synths and UVI Falcon as my main soft synth. But I would watch anything if I can pick up tips from it.
@@rayderrich Fair enough dude. I'm pretty much the same. I find myself learning all there is to know about gear and software I'll never use haha. But you're right, sometimes you learn some interesting tips along the way.
Fantastic!! Loved that for the hihats. The LFO vs Random for the high hats give a nice difference. I was playing along on my Deluge as I watched and didn't have to pause too many times, but always nice to learn new techniques!!
Thanks so much for tuning in and following along! Really glad to hear people are finding this useful :)
Thanks so much for sharing your Deluge wizardry
Haha no problem at all! Glad you enjoyed it :)
Amazing content! Really taking advantage of deluge's functions. Thanks!
Thanks so much! Happy to help :)
Tonnes of great tips here, bravo!
Thanks so much! :)
Really great video!
Thank heaps! :)
Awesome video. Keep em coming please! Will help me play with this wondermachine.
Thanks so much! I'm partway through shooting an entire video manual for the Deluge actually! So definitely stay tuned :)
@@RSKT_music WOW! That sounds great. Perfect timing.
Nice work man, thanks for sharing your knowledge ;)
No dramas :) thanks for tuning in
Great ideas, thank you for the insights :-)
No dramas at all, thanks for watching :)
Deluge hi hats always need at least low pass filter but I usually give movement by recording filter movements manually. My next learning is to apply lfo/filter to hi hats.
LFO definitely works too! Even better you can use the drive filter for some reallllly thick lofi results.
@@RSKT_music I wish an lfo could be applied to an audio clip to modulate the volume. In audio clips it's difficult to manage their endings - they just stop abruptly (in Arranger.)
@@girlinagale true, I haven't even tried that to be honest. I guess one work around would be to resample the audio track and drop it into a drum track as a sample. Then you should be able to use an LFO. Otherwise you could automate the volume and make it an "unique" clip in arranger mode.
nice man
Thanks so much! What do you mean by links with dot? I think I get what you mean with the rest, but my mic is an SM57. I need a converter to plug it into my deluge. But hey, that's a really good idea all the same.
@@RSKT_music when you create a new audiotrack, you have to choose the input (left, left., right, right. or stereo, stereo., the dot means, monitoring the incoming signal. press a empty track and the black Encoder for create a audiotrack> press learn and than your Audiotrack> choose your input with dot. for monitoring.
@@lfoone oh right haha, yep I'm with you now. Sorry, I think I read that funny. Cheers man :)
@@RSKT_music Cheers :-)
Niiice
Thanks! :)
Fuckin sweeeeetness biyyyaaaaatché!!!
Hoohmgoodness you absolutely know imma be incorporating this madness dontchya
Hahahaha that's great to hear my dude XD Glad you enjoyed it :)