Nikolai Kapustin - Concerto for 2 Pianos and Percussion, Op. 104 (2002) [Score-Video]
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- เผยแพร่เมื่อ 29 มิ.ย. 2024
- Nikolai Kapustin - Concerto for 2 Pianos and Percussion, Op. 104 (2002)
00:00 - I. Allegro moderato
08:36 - II. Largo
14:06 - III. Allegro impetuoso
Frank Dupree & Adrian Brendle, pianos
Meinhard Jenne & Franz Bach, percussions
Kapustin's Concerto for 2 Pianos and Percussion, op 104, was written in 2002. From the opening movement this piece swings, especially with the presence of the drums, and presents a great variety of jazz moods in an intensely personal chamber composition. The slow movement conveys one of those beautiful lyric moments that are sprinkled on Kapustin's vast output, with a placid climate created by suggestive harmonies - but also an exhilarating presto central section. The delirious finale collects impressions from its predecessors, although some recurrent rhythmic sequences confer its own character on this third movement. - เพลง
Nobody is talking about Meinhard (the drummer). He's the main reason this recording is so good. He's following Kapustin's notation but he's also taking liberties as a jazz drummer to really give the piece a jazz feeling. When Kapustin dictates drive for example, he doesn't just play the ride cymbal every quarter note but he's playing a BANGING swing style while also following Kapustin's notations and breaks. I'm a huge fan with all the liberties he takes and I'd love to hear him with Frank Dupree and a big band try Piano Concerto No. 6
Piano Concerto No. 6 is just recorded. Coming soon! :)
Until then, you can listen to Piano Concerto No. 4, which I play again together with Meinhard Obi Jenne, or our trio album BLUEPRINT, Kapustin piano solo works adding double-bass and drums (Meinhard!!!).
Thank you so much Anthony for completely understanding how I see it and try to find the best interpretation of this wonderful music from Nikolai Kapustin. With my close friend Frank it’s really possible to get the shape right because he’s not only an outstanding piano player, but also bulletproof in playing and understanding modern music❤
Using dupree recording with high quality sheet music? Based as fuck.
AMAZING....that this has never played by most celebrated Western orchestras 😢.......
Good luck it already started that Frank and i are invited from many orchestras for several different pieces from Kapustin and it’s amazing to perform his music
All earlier quasi jazz classical, Ravel, even Gershwin, Bernstein, Shostakovitch 😂sounds naive after hearing this awesome Concerto 😅
unfathomably based and even epic and potentially cash money. arguably a certified mdrment
cash rules everything around me
unfathomably unbased
BEYOND BASED
Fr
not beyond based
@@ShutUpZewenThisIsNotBased so, based.
@@unnamed_boi not based either
@@ShutUpZewenThisIsNotBased no, based.
Based on the synchrony, accuracy of rhythms and tempi, definitely a step-up recording.
I very much agree, the percussion is so clear here, especially the bits where they double the piano lines.
Please enlighten me, what do you mean by a "step-up recording"?
@@flamingspinach Listen to the original Ludmil Angelov recording and compare it to this one.
@@filmscorevideos I know what it sounds like, I just don't know what a "step up recording" means
@@flamingspinach I suppose they are referring that this recording is much better than the only recording of this piece before (which I very much agree with)
Straight up amazing, the addition of percussion rocks.
Switch from swing rhythm back to straight at 18:34 goes so hard
You’re right and some changes are really hard but after a little while it’s organic anyway
DUPREE BASED
NO
Let me be Frank. This is so based
I am Frank :D
That was quick! The album was only released today. Nevertheless, thanks!!
7:47, 10:50 average W Kapustin moments
Awesome.
Nice post
18:33
5:40 Lovely pedalling
2:02 triangle is ✨
10:49
based
This is amazing. Can I ask, what is the "drive" instruction in the percussion supposed to mean?
It implies a solid, based forward momentum. Don't let the tempo sag. Take responsibility. Don't be weak.
Basically most of the time he uses it, he means swing it around
@@subplantant that's a hell of pop-psych buzzwords you added to it but yeah, it means "carry on in a steady pace without slowing down".
Hello, is this score pdf available?
The runs in the presto section are way different from his other works. Some cool instrumentation here he plays with