This was a great tutorial, I love how you explain everything so we know why you're doing it and not just "now we're going to do this, and then this, then that" etc. Maybe a video on lens selection or tips on working with a team!
The commercial grade made more sense with this shot. The cinematic one still looked like a commercial. I would have chosen a differently lit scene. Still...good workflow and use of tools.
The next tutorial could be a video on things you do to speed up the workflow, every creator has their own small things they do and it would be fun to see yours 😁
I think it would be nice to see how you would colorgrade multiple shots in a timeline. Showing us how you would copy and paste nodes or adjust individual grades per shot, for example a musicvideo which might not always have the same lighting etc. Anyways, thanks for the great tutorial! Really helpful when switching from Premiere Pro.
@@artlist_io I liked both since they were for 2 different uses and you nailed it. 1st looked great for commercial and 2nd looked great for film. Although I would have chosen a different grading colour combination.
This was pretty interesting. I see some comments telling them to stick to what they do. Some small things to do different, but everyone has their own process. I love the fact that they are expanding outside of just sound design, although a tutorial on that in the future would be great. Keep providing great content. Someone will learn something new from watching this. Awesome sauce!!!! ✊🏾
Show us some tips and tricks on how to tweak SFX to perfection!!!! I don't know how to use audition, it's confusing to me, you do a very good job of showing things like these in detail. Showing different techniques would be amazing
I think it would be super fun to see behind the scenes on the workflow for an Artlist production. More than just an overview, break it down into each department. Keep being rad guys!
Thanks for this tutorial :) Quick Tip: The "Film Looks" from Davinci expecting a cineon colorspace. So you can do a colorspacetransform in the note before ;)
One of the best Davinci Resolve color grading videos.....and from Artlist. My membership just expired. I will join soon again. Would be great to see some color matching from some iconic movies from you guys. Thanks a bunch!
The tenet behind the commercial look is to nail the white balance. A clean, white look, and of course, perfect skin (which unfortunately he did not do).
@@sonya7tutorials252 learning how to get skin right (especially with different skin tones + different skin tones in the same shot) would be such a great series...
thanks so much, really trying to understand how to get that more cinematic look for my youtube videos, and i can see the biggest thing i'm missing is that grain, as well as the way you graded the colours differently.
You shoot your awesome content usually with high-end cameras but in your next video a tutorial would be fun about how push a regular phone or 8bit log (like sony alpha) footage to the limit but still get a nice end result. Thank you.
Hey guys big fan of the knowledge I am getting from here, I would really love to see is regarding various nodes and how there placement effects the workflow
Great tutorial! I started using your SFX library when it released, I would love to see your take on setting up those assets and an overall workflow from import to delivery.
Wow! I love how you make it look so easy to grade on DaVinci resolve with luts. I would love to see more film grading looks. I'm more passionate about grading. I think sound design is something I already know-how to create.
Hey bro, thanks for dropping really amazing work, i really appreciate. Would really wish to see more about teal film looks and how to color grade a music video
Nice outcome, but a few questions from a noob.... why not move your whole "look" parallel structure ahead of the REC709/FPE transform? And why not use Color Space Transforms? E.g. you manually are adjusting to essentially get to cineon before your FPE instead of just using a CST ahead of the FPE.
I'd love to see your preferred workflow from filming to finish with DaVinci Resolve, folder/files structure, how to cuts and transitions, etc. Actually maybe more a series on it 😊
@@artlist_io same here with Adobe, but for color and the smoothness of DVR are very enticing, I'll keep an eye for new vids and BTW thanks a lot for sharing these great tutorials 🤗
@@artlist_io Thank you. I will try your tips and see how I will go. I believe that 70% of the final look is achieved in Productions and 30% during colorgrading. Your team is amazing, they put so much effort on pre-production to simplify the whole production. What software do you use to create the animation for story board?
Hey, I'd love to learn more about structuring the node tree, i.e. why to put certain nodes before or after others. What effects does the order and structure of the node tree have and what should I consider "building up" a node tree
@@sonya7tutorials252 to be clear, I wasn’t knocking their content here. My suggestion comes from a place of genuinely wanting to learn to improve in that area of my editing
@@B-Moye I don't mean to knock either, but if you have the kind of exposure platform they have, tutorials like these actually are a disservice to the community imho. And it's important to outline this, and I can guarantee you that any professional colorist would agree.
Would be great to see video about adding sound design and stock footage in certain scenarios to enhance your videos and how can it help your videos to look more professional ! ;) thank you!
If the goal is to desaturate the background and increase the saturation on the subject, wouldn't a power window be easier than targeting specific skin tones? For example, at 4:47, raising red's saturation visibly affects some background objects, too. Is this intentional?
Probably the best thing to do would be to combine the two. Just a power window won't be selective enough, but targeting specific colors without a mask/window can also affect other parts of the image like you said
Could you please talk about color vs music mood? How do you choose your music for different styles or genres of video content? How do you tell if it works or not? I know its very subjective but i wish to see your point of view on this one. Thank you
So there's two different opinions on this matter - some people prefer applying the REC709 conversion at the start and others do it at the end. There's no right or wrong here but this video is really helpful as explaining the differences - th-cam.com/video/EVKvWRvGqrk/w-d-xo.html
Could it be a video explaining how to decide a node tree in diferent situations, like overexposed or underexposed footage, comercial look, film look. I just would like to see a video to see what criteria is used when creating a node tree. Thanks
Guys...personally i will really like to see the breakdown of how to work with different skintones....eg...caucasian skintones ,African skintones..yeah otherwise..good stuff ..good stuff..#subscribed
Hey! I'm sorry I am totally new to this filmmaking world. How do I know the color luts of the video to make the correct balance? Sorry if it's s stupid question :( Thanks in advance.
Hey, John! You should be using the LUT according to your camera brand and the color space/profile you shot on. If you shoot on S-LOG3 on the Sony A7III for example, you'd want to use an S-LOG3 to REC.709 LUT. Hope that helps :)
That commercial grade is beautiful, honestly.. I like that more than most cinematic grades I've come across. Awesome work.
now you became my number one Davinci Resolve editing sourse....
"good base to work on" is probably where i would have stopped, thank you for sharing this indepth information because you showed us what is possible
Glad you enjoyed it!
This was a great tutorial, I love how you explain everything so we know why you're doing it and not just "now we're going to do this, and then this, then that" etc. Maybe a video on lens selection or tips on working with a team!
Thank you 🙏🏻
I try to give the reasons behind things, that way you can really understand the concept, not just technical
The commercial grade made more sense with this shot. The cinematic one still looked like a commercial. I would have chosen a differently lit scene. Still...good workflow and use of tools.
now you became my number one Davinci Resolve editing sourse..
The next tutorial could be a video on things you do to speed up the workflow, every creator has their own small things they do and it would be fun to see yours 😁
That's a nice idea! Thanks :)
so true ... sometime i take few hours to edit something on Premier Pro
hi boss
I think it would be nice to see how you would colorgrade multiple shots in a timeline. Showing us how you would copy and paste nodes or adjust individual grades per shot, for example a musicvideo which might not always have the same lighting etc. Anyways, thanks for the great tutorial! Really helpful when switching from Premiere Pro.
Glad this was helpful :)
And a great video suggestion, also! Grading a project and not only an individual clip.
Interesting to see 2 very different approaches to achieve 2 different goals to be done in DR.
Which one did you like better?
@@artlist_io I liked both since they were for 2 different uses and you nailed it. 1st looked great for commercial and 2nd looked great for film. Although I would have chosen a different grading colour combination.
The clean commercial look is something I always struggle achieving. Thanks for the tips.
I wouldn't be too happy with this tutorial bro.
This was pretty interesting. I see some comments telling them to stick to what they do. Some small things to do different, but everyone has their own process. I love the fact that they are expanding outside of just sound design, although a tutorial on that in the future would be great. Keep providing great content. Someone will learn something new from watching this. Awesome sauce!!!! ✊🏾
Thanks for the love! 💛
We always try to come up with new topics and ideas to share with you all (:
Best color grade tutorial video I've ever watched. You are gorgeous bro. Thank you. You are the best 💥
Show us some tips and tricks on how to tweak SFX to perfection!!!! I don't know how to use audition, it's confusing to me, you do a very good job of showing things like these in detail. Showing different techniques would be amazing
Thank you 👏 Continue about creating a Look for different purposes! Very useful and informative. I will take it into service. AWESOME 💥
I think it would be super fun to see behind the scenes on the workflow for an Artlist production. More than just an overview, break it down into each department. Keep being rad guys!
That would be an interesting video, noted!
Thanks (:
Thanks for this tutorial :)
Quick Tip: The "Film Looks" from Davinci expecting a cineon colorspace. So you can do a colorspacetransform in the note before ;)
Thanks!
Yea, I know that workflow also (:
You absolutely SHOULD do a colorspacetransform before instead of this guess work.
I would love to see something about some simple cinematography techniques.
Will do 👍🏻
9:52 film effect
One of the best Davinci Resolve color grading videos.....and from Artlist. My membership just expired. I will join soon again. Would be great to see some color matching from some iconic movies from you guys. Thanks a bunch!
Thanks Anthony!
Hope to see you using Artlist again soon :)
Best color grade tutorial video I've ever watched. You are gorgeous bro. Thank you. You are the best 🤍🤍
Great Video.
But also gorgeous Footage from the RED.
I was amazed how it looked already after the REC709 conversion.
Yes, Hans Peter is an incredible Filmmaker :)
i would love learn abit more about the science that goes behind creating a look for commercials
The tenet behind the commercial look is to nail the white balance. A clean, white look, and of course, perfect skin (which unfortunately he did not do).
@@sonya7tutorials252 learning how to get skin right (especially with different skin tones + different skin tones in the same shot) would be such a great series...
Which shortcut did you use to label the node? Is that a customized shortcut for node label?
Yea, it's customized. I have it set to 'tab'
thanks so much, really trying to understand how to get that more cinematic look for my youtube videos, and i can see the biggest thing i'm missing is that grain, as well as the way you graded the colours differently.
Glad you found this video helpful! :)
love the way you approach the footage
I would love to see something about sounddesign
We have a really, really cool sound design related video coming soon ;)
It's was quite interesting, guys! I would love to learn more about HDR
I would like to learn more about determining budgets for commercials.
This is SO informative, I'm upset at myself for not shooting my last video in cinestyle cause the control you have color grading is so much better
Glad you found it informative! Hope it helps you create better videos (:
Since Artlist has a SFX library, please make more tutorials about sound design using your SFX library. 😄
yup, stick to what you're good at.
Coming your way :)
This was actually so fun and helpful to watch, well explained.
Thank you! Glad you enjoyed it :)
Consider subscribing for more
It feels like 2 people talking at the same time and blend seamlessly
I need more of this🔥🔥🔥
Awesome tips!!
Sound is everything! So, more sound work.
Ya its is but color grading is also important for story line... truth of filmmaking color grading and sound designing
You shoot your awesome content usually with high-end cameras but in your next video a tutorial would be fun about how push a regular phone or 8bit log (like sony alpha) footage to the limit but still get a nice end result.
Thank you.
That's exactly what I try to encourage!
@@sonya7tutorials252 yeah, these cameras are highly widespread
Would love to make something like that!
Hey guys big fan of the knowledge I am getting from here, I would really love to see is regarding various nodes and how there placement effects the workflow
💛💛
WOW! simply wow. thanks for sharing this, super helpful
Glad it was helpful!
Subscribe for more (:
@@artlist_io I'm already subscribed haha
Great tutorial! I started using your SFX library when it released, I would love to see your take on setting up those assets and an overall workflow from import to delivery.
Thanks for the support! 💛
Color Grading with ACES, LOG formats and formats of Mirrorless cameras.
Wow! I love how you make it look so easy to grade on DaVinci resolve with luts. I would love to see more film grading looks. I'm more passionate about grading. I think sound design is something I already know-how to create.
Will do!
Color grading is so much fun :)
Do you also color grade your own footage?
@@artlist_io yes, I do color grade my own footage.
@@emmanuelOfilms What kind of videos do you make?
@@artlist_io I have done commercial videos. I'm now moving towards making a documentary and making my films.
Next video could be about Creating a compelling story through Video, Sound and Effects
Hey bro, thanks for dropping really amazing work, i really appreciate. Would really wish to see more about teal film looks and how to color grade a music video
Noted!
Thanks for watching (:
Nice outcome, but a few questions from a noob.... why not move your whole "look" parallel structure ahead of the REC709/FPE transform? And why not use Color Space Transforms? E.g. you manually are adjusting to essentially get to cineon before your FPE instead of just using a CST ahead of the FPE.
Why you dont need to convert the color space in the cinematic shot? Have you done that manually with your adjustments in the kodak node? 😅
I'd love to see your preferred workflow from filming to finish with DaVinci Resolve, folder/files structure, how to cuts and transitions, etc. Actually maybe more a series on it 😊
Our workflow is currently more Adobe oriented, but we're thinking of making the transition
@@artlist_io same here with Adobe, but for color and the smoothness of DVR are very enticing, I'll keep an eye for new vids and BTW thanks a lot for sharing these great tutorials 🤗
Its awesome and the color look so dope
Thank you! :)
Make sure you subscribe for more Color Grading videos
Very nice tutorial. When you say "commercial", do you mean an advert (marketing advertisement video/photo)?
Thanks :)
Yes, that’s it
I'd like to see my name on the next tutorial, whatever is about it would be more joyful for sure ;-) Great job guys
Juan Melara´s Lut is in the house!
😎😎😎
When you saturated her skin tone, was this a global change, since there was no reds in the entire shot escept for the small sign in the background?
make my first ever drum loop. I'm not and expert at soft yet but I have learnt a lot at producing and looking back at my journey, I just
It would be great to see the technique how to maintain a perfect focus.
Shoot in manual focus and precompose your shots.
Awesome editing
Thanks man, definitely one of our favorite tutorials :)
I find it hard getting that commercial clean look. I like the way you approached this grade.
I would like to see some tutorial on lighting.
Thanks :)
It can be difficult to get that look, the key for me is really taking out color (usually mostly yellows), especially from the highlights
@@artlist_io Thank you.
I will try your tips and see how I will go.
I believe that 70% of the final look is achieved in Productions and 30% during colorgrading.
Your team is amazing, they put so much effort on pre-production to simplify the whole production.
What software do you use to create the animation for story board?
@@HudzPro Thank you!
We use C4D for the animated storyboard
Hey, I'd love to learn more about structuring the node tree, i.e. why to put certain nodes before or after others. What effects does the order and structure of the node tree have and what should I consider "building up" a node tree
Thanks for the video suggestion Michele! Might do something like that (:
Early on, You ntion a tutorial You've made, concerning the content setup. I can't seem to see it in Your description though?
really wish you continue with the coloring in davinci
Will surely make more of these :)
Maybe using your sfx more appropriately for sound design. Best way to maximize your catalogue?
Agreed. They should stick to their strengths. This is clearly not one of them.
@@sonya7tutorials252 to be clear, I wasn’t knocking their content here. My suggestion comes from a place of genuinely wanting to learn to improve in that area of my editing
@@B-Moye I don't mean to knock either, but if you have the kind of exposure platform they have, tutorials like these actually are a disservice to the community imho. And it's important to outline this, and I can guarantee you that any professional colorist would agree.
Great video thanks !
Glad you liked it!
Would be great to see video about adding sound design and stock footage in certain scenarios to enhance your videos and how can it help your videos to look more professional ! ;) thank you!
Thanks! We have a video on Sound Design, check it out - th-cam.com/video/8LV1bqf8ZVo/w-d-xo.html
Nice one. Thank you. Would love you to talk about color science more deeply.
I like to see tutorials on how to create animated titles and custom transitions in Davinci Resolve, thanks
Ussa blessing bro thanks for sharing
I AM WATCHING LATER. BUT I THINK IT WILL BE GREAT TO WATCH.
If the goal is to desaturate the background and increase the saturation on the subject, wouldn't a power window be easier than targeting specific skin tones? For example, at 4:47, raising red's saturation visibly affects some background objects, too. Is this intentional?
Probably the best thing to do would be to combine the two. Just a power window won't be selective enough, but targeting specific colors without a mask/window can also affect other parts of the image like you said
Great tutorial! I'd like to know why you use the primaries wheels sometimes and then Log wheels other times
Thanks :)
The primary wheels are more global and less controlled, the log wheels are more “gentle” and you can have more precision with them
pls make a video about vintage/faded looks! or horror, both would be cool :)
Horror would be cool :)
Very amazing brother 👍
this is a pretty specific request, but I would like to know how to catch bad sound on Hitfilm Pro and Adobe Premiere Pro
I really liked this video
Could you please talk about color vs music mood? How do you choose your music for different styles or genres of video content? How do you tell if it works or not? I know its very subjective but i wish to see your point of view on this one. Thank you
Hey :)
We actually made a similar video before - th-cam.com/video/jgrNQNKhBeY/w-d-xo.html
@@artlist_io oh wow.. i wasnt paying attention for a moment.. see what happens? Lol thank you
Please how can I get this footage for practice as I'm watching the tutoria
Hello. super lesson, thank you. Tell me what hotkey to sign nodes with?
Sure :)
If you mean giving names to nodes, we have it set to tab (you have to set it manually, it's custom)
@@artlist_io what is the hotkey that would give a name for the node?
@@Александр.Ю We have it set to 'tab'. But you have to set it manually
How did you create the nodes in the beginning?
I would love to learn more about techniques for matching inconsistent outdoor footage or different cameras.
Noted!
Thanks for the suggestion (:
Will you please do a video on sound mastering - levels, equalization, compression, and limiting? Thanks for this great tutorial.
I would love to see a how to on creating the clean white commercial look.
Why did you do your parallel nodes after the REC 709 node? Shouldn't REC 709 always be last?
So there's two different opinions on this matter - some people prefer applying the REC709 conversion at the start and others do it at the end. There's no right or wrong here but this video is really helpful as explaining the differences - th-cam.com/video/EVKvWRvGqrk/w-d-xo.html
so talented!
what key board is that you are using ? also more in-depth tuts on color grading please for beginners from scratch ?
I'm actually using a regular keyboard in this video
Something about Davinci Fairlight will be interesting :)
The next tutorial should be on if we have and exposed footages what should we do?
Recovering over-exposed footage is hard! It can be salvageable depending on the camera, but getting it right in-camera is always the way to go
Could it be a video explaining how to decide a node tree in diferent situations, like overexposed or underexposed footage, comercial look, film look. I just would like to see a video to see what criteria is used when creating a node tree. Thanks
Why didn’t you also used the conversion to rec 709 and the film look fpe?
I find that the rec709+pfe doesn't work very well for me. It creates too much contrast
Nice work! But the Glow effect is actually in the free version of Davinci 😉.
what monitor are you using? :)
nice tuto this is a 10 bit footage or 8 bit ?
Thanks,
This is 10 bit
I think next video could be a video on callouts
I would love to learn how to specifically light and color correct black skin
this is easy as it was shot beautifully try another one
Guys...personally i will really like to see the breakdown of how to work with different skintones....eg...caucasian skintones ,African skintones..yeah otherwise..good stuff ..good stuff..#subscribed
Thanks for the love! ♥
More coming your way soon
Nice work :)
Thanks Joey 💛
Hey! I'm sorry I am totally new to this filmmaking world. How do I know the color luts of the video to make the correct balance? Sorry if it's s stupid question :( Thanks in advance.
Hey, John!
You should be using the LUT according to your camera brand and the color space/profile you shot on.
If you shoot on S-LOG3 on the Sony A7III for example, you'd want to use an S-LOG3 to REC.709 LUT.
Hope that helps :)
@@artlist_io thanks man! You got a new subscriber :)
@@johnalderson7893 Thank you!
Really appreciate that :)
Love it mannnnnn
transitions tutorial for after effects and premiere pro please
Next I would like you to talk about tips on how to edit a music track in a video project and how to blend it under the voice of a talking head
Please do in-depth grading tutorial for premier pro
Will do! :)
love your video
more abut color Grading
on 8 bit footage
Cheers man!
Can you share the artist name who shoot this video clip that your are using or link please.
Of course! This is footage by Hans Peter Schepp - artgrid.io/clip/166074/woman-looking-straight-at-the-camera