I’ve probably watched all your utubes, but this is my fave Dave . Love to see a bigger painting and different Potts, flowers, ets, several painters ion this wave link are quite well known and successful yet you can paint so many other styles some I’d say are actually lost art. But, still I wish you would paint more of these large potted bushy paintings with the abstract realist flare you do soo well but so seldom. Yes we love different. God bless my friend.
Hi Randy, I do a lot of them, I just don't put them on TH-cam. TH-cam mostly likes short quick videos and no depth. I paint and sell a lot of floral still lifes with different subjects. I will put a "class" video on tonight from one of my online classes to show you a little more! Watch for it... enjoy!
Hi Dave. Thank you for setting up an inspiration for someone like me who is still trying to figure out which direction to take flowers or landscape, you offer both so been watching your videos a lot. Again, thank you. Greetings from Manila.
Sir I just want to say thank you thank you thank you! And legally blind of detail vision in both eyes. So does take me longer to try and paint these things because I do have to step away quite often and then I forget need to Stop ! Have fun with it, I live your classes you are an amazing teacher! I wish I could afford your classes, however you generous videos on you tube fabulious thank you My son-in-law bought me all his stuff so that I may paid along with you and I am doing my best I just want to say thank you for putting these on TH-cam You're so generous and kind may God bless and keep you Nita North Idaho
Hi there. Thank you for showing us how to paint a rose and other flowers. I would love to know the spelling of the artist that you got your inspiration from. I have tried allot of versions for the name but without any success 😂
David Jansen, Absolutely Stunning, Breath taking. Enjoy so much how you explain the values, shading and light source. What a great Teacher you are, so happy I found you, refreshed my memory of many yrs back when I took up Master Arts, at the time of my courses so much has changed in the art supplies. So thankful you share your beautiful passion of Art, paintings, etc. Happy Painting David.
Mary, make sure you check out some of our online classes at JansenArtOnline.com I think they will be putting some on special next week for the holidays. :) I really like the S105 for learning the new pure acrylic techniques.
@@JansenArtEducation Thank you so much for sharing links, there are many times I use my tablet viewing TH-cam and I have issues pulling down the tab to see what you use, I guess will for now on use my big computer to be able to see the links! Will for sure look into the Board Canvas you use. Thank you so much and Happy Thanksgiving to you and family!!!
Lovely. You make it look so easy! I have mainly painted roses with oil in the past but recently switched to acrylics, but mainly portraits. Now I need to get brave and do roses in acrylic. Not sure which of your many styles to try. Will probably just mix up what I have learned from your many videos with my experience with oil and just hope for the best. 😊😆
Good stuff Dave would like you to to more of these studies I learn to do so much from you. You teach so transparently , honestly and fully again these studies are so much more instructive than tithe rose paintings you do so often. Best wishes to you David keep these find s Flower paintings coming.
david i want to thank you i watch you every day im practicing and i got your good paints your roses are so pretty i hope to get good enough to sell my art .i put in 25 years of doing them my need is to find my own style
Hi David sir ....I am a fresher in the world of painting ...I love your lessons and watch your videos nonstop in length .you are an incredibly good teacher
David, you said that you were going to put some high-res photos of Cauchois, including this one, down below, but don't see them. I would love to give this one a try.
Hi David vert cool your more fine art direction...your good at it and I’d love to see more.. do you like Thatchers flower paintings? At any rate first class David and and hoping to see more from you in this direction.
Hi Randy, Thank you so much. I am not sure of which Thatcher your speaking. You be seeing more. Just finished a small western. Learning some new western technique that I will apply to other genre. You can see the painting here... jansenartgallery.com/
Hi Rachel, No most of the paintings I do today do not have extender added. This lessons doesn't. I am more of an optical painter. I do not blend very often.
very nice explanation through out the process....Sir,i would like to ask....your acrylic paints look like just oil paints..and they dont get dry so fast.....do u use retarder or just water..... ...eagerly waiting for your reply
Short explanation: For sketching, he mixed water with Burnt Sienna. When painting, he mostly mixed the paint on his pallette and pushed it around on the surface of the painting. In the background, he did this with choppy strokes, feathering the edges into neighboring hues and values. Sometimes he also smudges with his finger, varying pressure. He stated early on that he does not "blend" much and is more of an "illusionist," so it is more in the technique to create the appearance of shade and hue transition. At about the 28:00 marker, you can see that rarely he adds extender to the paint.
Long explanation: Watching the video, you can see that he used water to thin down the burnt sienna for his sketching. The water will make it stay wet longer as well as be more spreadable for longer strokes. Something I've seen done in other videos is you can have a mister of water to mist the surface of the painting with water to help it stay moist, but that is not the case in this painting. In painting, the thicker the paint, the longer it will take to fully dry as well (though the topmost layer will dry first like a skin encapsuling the still wet paint). Paint in general is made up of three things: The pigment, which is what makes the color; The vehicle, which is what makes it spreadable; And the binder, which is what makes the paint hold together and stick to the surface that you are painting. When you add water, you are adding an additional vehicle to make the paint more spreadable, however, if you use too much water with certain formulas, you risk separating the pigment particles (making colors appear granulous) and/or diluting the binder so the paint no longer properly sticks. As you can probably infer, the formula for acrylic paint is more susceptible to this than watercolor paints. This is why an acrylic retarder is a better choice for certain techniques, like you stated. Jansen does state in this video that he is using an extender in some strokes. However, he responded to a commenter named Rachel that he did not use extender for most of thepainting in this work. It may also be useful to you is to see what kinds of paints he is using. Perhaps the formula for those acrylic paints keeps the paint moister longer than the ones that you are currently using. If that is so, I doubt the difference would be by much. I think it is more in the technique for the resulting mark-making. I suspect that the reason you want to keep your paints moist is for blending. Jansen had stated early in this video that he does not do a lot of "blending" however and is more of an "illusionist". In a reply to commenter Rachel in this video's comment section, he calls him self an "opticalist." "Don't overwork your tones," he cautioned (38:00). He just "push"es the paint around (41:33) with various techniques wherein tones casually overlap (1:07:00). Paint likes to mix with itself. Trust it, and trust yourself when laying it down. With acrylic paint, you really have to work quickly because it is fast-drying. Don't waste your time trying to seamlessly blend an area, especially since you'll likely need to touch it up later as you have worked out other areas of the painting in order to keep the painting balanced. This painting is impressionistic (43:00), so it's not about making the subject, and strokes, look perfectly rendered. It's about getting the impression of the rose- the illusion of the rose. It's not photographic realism. You "paint the movement," or impression, rather than paint the subject (57:00). He explains what he means by painting "movement" more and the importance of confidence in your brush strokes at 1:15:10. The reason you would want paint to remain wet on the surface is so that you can go back to the wet (active) paint and blend it with new strokes directly on the surface. You can see Jansen do this within the first half hour on the flower holding container in his first-pass. He's not concerned with fine details because he is still "blocking-in" hues and values (37:23). Jansen went back into the flower container later after working on other areas of the composition, as he should to keep the composition balanced (evenly-treated throughout and all belonging to the same painting. You can see him attempt to even-out the hues in the painting by re-working some areas at 44:20. Jansen explains this process more in-depth as "moving the color" throughout the painting at 46:00. Again, he explains stresses the importance of re-visiting areas as you build up the context of the painting at 1:08:16). By the time Jansen returned to the flower container at 1:24:00, the first-pass painting had already dried. (My opinion is that this timestamp will be of most value to your concern.) At that point, you inevitably have to paint over things because the paint underneath is no longer active. And that's okay! Now you have a template to follow from the first-pass painting. You may have as many passes as needed until you get to the end result. You simply add on to the information you had already discovered. What I think is the wonderful thing about feathering paint is that you can do it either over wet (active) paint or over dried (inactive) paint with a dry-brush stroke. This is how I make the illusion of blending in my acrylic paintings. In the dry-brush method, you have to feather with similar values and hues mixed on your pallette to create an illusion of transition on the painting surface. If it's still too harsh, I pick up or blend a transitional hue and tone on my pallette and push it around on the painting surface until the transition is not perfect, but satisfying in context to the rest of the paiting. A variety of methods are employed. Some areas, like the vase, Jansen uses dry-brushing and others, he moves around the painting fast enough with new layers of wet paint to keep areas active so that he can get some soft wet-on-wet edges and work in some "lost edges," giving that oil-like impression. This is very evident in the roses where he uses lots of paint quickly for "petted" strokes (59:45). The petted strokes create their own contrast without you having to strictly model it (1:03:00), making the paint itself do some of the work and saving you time from painstakingly trying to put that contrast in there and manually blending it for every petal. The topmost buds however seem to be done over a dry background in a few glazing layers transitioning tone and hue, and Jensen explains the importance of pressure at this time (1:07:38). To follow up, Jansen goes into detail about how he uses the fast-drying acrylic paint differently than oil paint at 1:09:21, using that partially dried "tacky" period to his advantage. At 51:00 Jansen explains that the optical difference caused by the camera does not pick up all of his strokes. Therefore, it may look more blended and less stroked than it actually is in person. Also, make sure to step back from your painting occasionally as you work (1:01:27). Your eyes blend things as you get further away from them, so of course the painting will look less blended if you keep sitting up close to it, which is also a distance from which most viewers probably won't be looking at it. I hope this summarized some points for you in a way that helps answer your question. :) When all else fails, re-watch the video and don't just listen to the verbal explanation, but also pay attention to how the artist is doing his mark-making.
![ร้อยพ่อพันแม่ - WanMai [Official MV]](http://i.ytimg.com/vi/XY2pNYASEbg/mqdefault.jpg)
Dave, you did it! You take an inspiration and made it 10X better 💕
Wow, thank you Susan!
Awsome painting instruction video, I’m very appreciative of your teaching method! Thank you.
What a great lesson and such a beautiful painting- Amazing-So thankful you take the time to explain everything about it- love it!
Thank you so much!
I love the looseness in the way you paint, but such beautiful roses and flowers!!!
Thank you so much 😀
God bless your hands ever and forever. Thanks for sharing your art, thank you David.
You are very welcome, Thank you! 😊
You are such a honest teacher. Love your classes
Thank you so much 😊
Thank you so much for helping us paint flowers David, just fantastic x
Thank you Claire.
I Love your painting teachings.
Thank you so much Darlene!
I love your painting. you are the best teacher.
Thank you soooo much for sharing all the techniques, I enjoyed your videos and learn a lot.
Thank you so much😀
OMG! LOVE IT!! You are so wonderful, and it's so pleasing to hear you talk.
Thank you so much!!
Absolutely gorgeous! Thank you for sharing with me! I love your style .
beautiful!!!
Thank you! Cheers!
I’ve probably watched all your utubes, but this is my fave Dave . Love to see a bigger painting and different Potts, flowers, ets, several painters ion this wave link are quite well known and successful yet you can paint so many other styles some I’d say are actually lost art. But, still I wish you would paint more of these large potted bushy paintings with the abstract realist flare you do soo well but so seldom. Yes we love different. God bless my friend.
Hi Randy, I do a lot of them, I just don't put them on TH-cam. TH-cam mostly likes short quick videos and no depth. I paint and sell a lot of floral still lifes with different subjects. I will put a "class" video on tonight from one of my online classes to show you a little more! Watch for it... enjoy!
David I love love love the way you paint! What an artist!!
Thank you Conchitina.
Stunning! Fantastic tutorial, thank you so very much 💜💜💜
Thank you for sharing this David. Great painting.
i am grateful,also,for your clearly and simply speaking....for someone ,like me,not so brave in your language..many many thanks sir
You are very welcome
Hi Dave. Thank you for setting up an inspiration for someone like me who is still trying to figure out which direction to take flowers or landscape, you offer both so been watching your videos a lot. Again, thank you. Greetings from Manila.
Very welcome Jasmin. Welcome to the channel!!
Just beautiful!!!
Thank you so much!
Great!!! I really appreciate your videos
Glad you like them!
Sir I just want to say thank you thank you thank you! And legally blind of detail vision in both eyes. So does take me longer to try and paint these things because I do have to step away quite often and then I forget need to Stop ! Have fun with it, I live your classes you are an amazing teacher! I wish I could afford your classes, however you generous videos on you tube fabulious thank you
My son-in-law bought me all his stuff so that I may paid along with you and I am doing my best I just want to say thank you for putting these on TH-cam You're so generous and kind may God bless and keep you
Nita North Idaho
The flowers so fresh n full of life
Thank you Annie 😀
This is just beautiful David. Thanks so much.
You are very welcome, glad you enjoyed it Chris.
Beautiful! Lots of good info.
Glad you enjoyed it Linda!
Amazing. You made a more modern version out of Kouchois painting. Beautiful and so full of useful information. Thank you.
Thank you very much!
Hi there. Thank you for showing us how to paint a rose and other flowers. I would love to know the spelling of the artist that you got your inspiration from. I have tried allot of versions for the name but without any success 😂
I love this one... its simply Gorgeous .. I like it better than the inspiration picture..
Thank you so much 😀
David Jansen, Absolutely Stunning, Breath taking. Enjoy so much how you explain the values, shading and light source. What a great Teacher you are, so happy I found you, refreshed my memory of many yrs back when I took up Master Arts, at the time of my courses so much has changed in the art supplies. So thankful you share your beautiful passion of Art, paintings, etc. Happy Painting David.
Mary, make sure you check out some of our online classes at JansenArtOnline.com I think they will be putting some on special next week for the holidays. :) I really like the S105 for learning the new pure acrylic techniques.
@@JansenArtEducation Thank you so much for sharing links, there are many times I use my tablet viewing TH-cam and I have issues pulling down the tab to see what you use, I guess will for now on use my big computer to be able to see the links! Will for sure look into the Board Canvas you use. Thank you so much and Happy Thanksgiving to you and family!!!
Thanks Mary! Happy Thansgiving :)
I keep waiting to get the notification of your paintings sir .... thank u so so much 💐💐💐💐
Hi Johnnie, I am here!!!! Not dead yet..... Filmed 2 more videos this morning! Bad info...
This is gorgeous! I tend to get too fussy, I get what you say, just leave it~ great teacher ~TY
Thank you so much 😊
So amazing painting and lesson, thank you for showing and sharing.
Thanks so much!
Your tutorials are great also your paintings are realistic and beautiful thank you
Thank you Mary.
Hello from Armenia. Thank you so much for your detailed presentation. It helps a lot in copying you. Wish I could share them.
Thank you so much.
Beautiful
Thank you so much for your hard work and dedication
Thank you so much!
Prittiest wow 😍😍😍
An combination
Also background roses are so beautiful
Im obsessed
Cant get eyes of of them 😍
Thank you so much 😀
Lovely. You make it look so easy! I have mainly painted roses with oil in the past but recently switched to acrylics, but mainly portraits. Now I need to get brave and do roses in acrylic. Not sure which of your many styles to try. Will probably just mix up what I have learned from your many videos with my experience with oil and just hope for the best. 😊😆
Thank you! Cheers!
Good stuff Dave would like you to to more of these studies I learn to do so much from you. You teach so transparently , honestly and fully again these studies are so much more instructive than tithe rose paintings you do so often. Best wishes to you David keep these find s
Flower paintings coming.
Thank you Randy. Look over to our online classes. We do so much more in them. A LOT more.
You are a great artist
I see a child face inside the second rose on the left. Wonderful painting!😘
Gorgeous Dave! Can't wait to give it a try!
Hope you enjoy it! One of Martha's favorites. Just love painting Cauchois's style.
david i want to thank you i watch you every day im practicing and i got your good paints your roses are so pretty i hope to get good enough to sell my art .i put in 25 years of doing them my need is to find my own style
Thank you Gina. Enjoy! 😊
I love David Austin roses… I have a our 10 different rose bushes in my flower garden…
Love them as well. Lots of inspiration!!! Thanks!
Very enjoyable to watch. Love the technique
One of my favorites!
Thank you so much Donna.
Hola David ! Qué gusto ver tus vídeos .un abrazo enorme de Argentina. eres el mejor pintor del mundo.
Thank you so much!
Hi David sir ....I am a fresher in the world of painting ...I love your lessons and watch your videos nonstop in length .you are an incredibly good teacher
Thanks so much. Glad you are learning from them.
beautiful,l just love everything you do
Thank you so much!
I just love everything you do 💚💚
Thank you LeeAnne.
Beautiful. Thank you. Dianne, Colorado Springs, CO USA
You are so welcome Dianne!
very uplifting!
Thank you so much 😀
Wonderful!!!
Brilliant
Thank you!
Awesome teacher 🙆 💚 💜 💙
Wow! That’s lovely and very impressive lesson ( good techniques ) also sir.☺️❤️
Hello I’m #146k+☺️👍🏻
God bless you sir.🙏🏻
Thank you! 😃
Beautifully great lesson, thank you very much and warmly greetings Krystyna
Thank you Krystyna!
David, you said that you were going to put some high-res photos of Cauchois, including this one, down below, but don't see them. I would love to give this one a try.
Hi Chris, We did have it up, but maybe it is down now as we move videos over to JansenArtStudio.com I will check this week. 😊
Thanks you so much
It was stunning and very educational
Thank you!
May I ask what the medium is you are using. And also the product to keep the medium moving freely. I love your tutorials.
Wat is het prachtig!! Een écht hebbeding, in de goede betekenis hoor.
Thank you.
У Вас лучше получилось , чем в оригинале ! Bei Ihnen am beste , als Originale ist ! Bravo !
Thank you so much 😀
Hi David vert cool your more fine art direction...your good at it and I’d love to see more.. do you like Thatchers flower paintings? At any rate first class David and and hoping to see more from you in this direction.
Hi Randy,
Thank you so much. I am not sure of which Thatcher your speaking. You be seeing more. Just finished a small western. Learning some new western technique that I will apply to other genre. You can see the painting here... jansenartgallery.com/
finally, it makes sense!
YES! That is awesome. Thank you so much 😀
Coś pięknego.
Thank you 😀
Would you please do a copy of Monet's water lillies or garden.
Che bravo !!!!!!
Thank you 😀
Your paintings are beautiful. Love your teaching style. Are your paints available in South Africa?
Only through Amazon or our studio at this time. Difficult to place new paints today in businesses.
hey @ David Jansen your are "megastar" in painting people who are in great position we call them in india
Wow, thanks! Painting is so much fun. Thanks so much. 😀
How do you connect a board to you a eassel
Some I use double sided tape and some I use clips. That one is double sided carpet tape. Just a small piece.
Id like to get some supplies
Beautiful exactly the same the different is only you drow 🌹🌹 gorgeous 😍😍
Thank you so much 😀
This is so lovely. Thank you for sharing. May I ask if you are using an extender medium in all the paints you use?
Hi Rachel, No most of the paintings I do today do not have extender added. This lessons doesn't. I am more of an optical painter. I do not blend very often.
Dankeschon !
My pleasure.
Yours is much prettier mr David thank you
Thank you so much 😊
Adoro tu obra..pero lastima que no este traducido!!!... y entender tu enseñanza!!
Sorry. Just no way we can do that.
En français cela serait parfait
very nice explanation through out the process....Sir,i would like to ask....your acrylic paints look like just oil paints..and they dont get dry so fast.....do u use retarder or just water.....
...eagerly waiting for your reply
Short explanation:
For sketching, he mixed water with Burnt Sienna. When painting, he mostly mixed the paint on his pallette and pushed it around on the surface of the painting. In the background, he did this with choppy strokes, feathering the edges into neighboring hues and values. Sometimes he also smudges with his finger, varying pressure. He stated early on that he does not "blend" much and is more of an "illusionist," so it is more in the technique to create the appearance of shade and hue transition. At about the 28:00 marker, you can see that rarely he adds extender to the paint.
Long explanation:
Watching the video, you can see that he used water to thin down the burnt sienna for his sketching. The water will make it stay wet longer as well as be more spreadable for longer strokes. Something I've seen done in other videos is you can have a mister of water to mist the surface of the painting with water to help it stay moist, but that is not the case in this painting. In painting, the thicker the paint, the longer it will take to fully dry as well (though the topmost layer will dry first like a skin encapsuling the still wet paint).
Paint in general is made up of three things: The pigment, which is what makes the color; The vehicle, which is what makes it spreadable; And the binder, which is what makes the paint hold together and stick to the surface that you are painting. When you add water, you are adding an additional vehicle to make the paint more spreadable, however, if you use too much water with certain formulas, you risk separating the pigment particles (making colors appear granulous) and/or diluting the binder so the paint no longer properly sticks. As you can probably infer, the formula for acrylic paint is more susceptible to this than watercolor paints. This is why an acrylic retarder is a better choice for certain techniques, like you stated. Jansen does state in this video that he is using an extender in some strokes. However, he responded to a commenter named Rachel that he did not use extender for most of thepainting in this work. It may also be useful to you is to see what kinds of paints he is using. Perhaps the formula for those acrylic paints keeps the paint moister longer than the ones that you are currently using. If that is so, I doubt the difference would be by much. I think it is more in the technique for the resulting mark-making.
I suspect that the reason you want to keep your paints moist is for blending. Jansen had stated early in this video that he does not do a lot of "blending" however and is more of an "illusionist". In a reply to commenter Rachel in this video's comment section, he calls him self an "opticalist." "Don't overwork your tones," he cautioned (38:00). He just "push"es the paint around (41:33) with various techniques wherein tones casually overlap (1:07:00). Paint likes to mix with itself. Trust it, and trust yourself when laying it down. With acrylic paint, you really have to work quickly because it is fast-drying. Don't waste your time trying to seamlessly blend an area, especially since you'll likely need to touch it up later as you have worked out other areas of the painting in order to keep the painting balanced. This painting is impressionistic (43:00), so it's not about making the subject, and strokes, look perfectly rendered. It's about getting the impression of the rose- the illusion of the rose. It's not photographic realism. You "paint the movement," or impression, rather than paint the subject (57:00). He explains what he means by painting "movement" more and the importance of confidence in your brush strokes at 1:15:10.
The reason you would want paint to remain wet on the surface is so that you can go back to the wet (active) paint and blend it with new strokes directly on the surface. You can see Jansen do this within the first half hour on the flower holding container in his first-pass. He's not concerned with fine details because he is still "blocking-in" hues and values (37:23). Jansen went back into the flower container later after working on other areas of the composition, as he should to keep the composition balanced (evenly-treated throughout and all belonging to the same painting. You can see him attempt to even-out the hues in the painting by re-working some areas at 44:20. Jansen explains this process more in-depth as "moving the color" throughout the painting at 46:00. Again, he explains stresses the importance of re-visiting areas as you build up the context of the painting at 1:08:16). By the time Jansen returned to the flower container at 1:24:00, the first-pass painting had already dried. (My opinion is that this timestamp will be of most value to your concern.)
At that point, you inevitably have to paint over things because the paint underneath is no longer active. And that's okay! Now you have a template to follow from the first-pass painting. You may have as many passes as needed until you get to the end result. You simply add on to the information you had already discovered.
What I think is the wonderful thing about feathering paint is that you can do it either over wet (active) paint or over dried (inactive) paint with a dry-brush stroke. This is how I make the illusion of blending in my acrylic paintings. In the dry-brush method, you have to feather with similar values and hues mixed on your pallette to create an illusion of transition on the painting surface. If it's still too harsh, I pick up or blend a transitional hue and tone on my pallette and push it around on the painting surface until the transition is not perfect, but satisfying in context to the rest of the paiting.
A variety of methods are employed. Some areas, like the vase, Jansen uses dry-brushing and others, he moves around the painting fast enough with new layers of wet paint to keep areas active so that he can get some soft wet-on-wet edges and work in some "lost edges," giving that oil-like impression. This is very evident in the roses where he uses lots of paint quickly for "petted" strokes (59:45). The petted strokes create their own contrast without you having to strictly model it (1:03:00), making the paint itself do some of the work and saving you time from painstakingly trying to put that contrast in there and manually blending it for every petal. The topmost buds however seem to be done over a dry background in a few glazing layers transitioning tone and hue, and Jensen explains the importance of pressure at this time (1:07:38). To follow up, Jansen goes into detail about how he uses the fast-drying acrylic paint differently than oil paint at 1:09:21, using that partially dried "tacky" period to his advantage.
At 51:00 Jansen explains that the optical difference caused by the camera does not pick up all of his strokes. Therefore, it may look more blended and less stroked than it actually is in person. Also, make sure to step back from your painting occasionally as you work (1:01:27). Your eyes blend things as you get further away from them, so of course the painting will look less blended if you keep sitting up close to it, which is also a distance from which most viewers probably won't be looking at it.
I hope this summarized some points for you in a way that helps answer your question. :) When all else fails, re-watch the video and don't just listen to the verbal explanation, but also pay attention to how the artist is doing his mark-making.
LINDAS
Wow
Is this oil painting？
No. This is Heritage Acrylics. I only paint in Heritage Acrylics. Thank you.
Art supplies show all
Que pena no tiene habilitado los sub Titulos ni en inglés ni en español y estaría bueno entender un poco lo que explica.... saludos
👏👍
Thanks 😊
Peccato che non capisco l'inglese complimenti mi piace molto il suo stile specialmente i colori
Sorry I don't speak spanish. Thanks so much 😊
Traducción,plus😍😍😍😍😍😍😍😍😍😍😍
😘🥰
😀
Is dit olieverf ,David ?
This is Heritage MultiMedia Acrylics. The only paint I use. All 400 videos on my channel are painted with this acrylic.
❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
I think you like it.. Thank you! 😃
👍👍👍😊
Whooo
تحفع
😀
👍👍👍
😀