I love that you always go one step further... So many tutorials are "here's the answer to the first question" and see you next time. You're always thoughtful about 'if you do this, you might end up saying well what about this', and you take us through those extra steps and the why behind them. So valuable. Thank you
I got ScreenFlow both privately and for business but I’ll most likely get Final Cut Pro for business work. Tweaks like this is essential to my learning and using FCP. Really appreciate it. Thanks 🙏🏻
C'mon people! Lets get these guys a YT Play Button already! They should have WAY MORE than 83K SUBS!....Get your friends to make it happen! Great tip Mark! As Always!
What a timing! You're really God sent! You've just posted what I needed to do today itself and this video happened to be the first one when I opened TH-cam without any search!
Low end boosts like that, Are going to give you more issues than fixes. At the very least use the fade extreme filer in match. ideally roll off the sub to low end in the vocal. All you are doing down there is boosting non perceptive sound in a vocal.
This is an amazing tutorial!! Sure I can notice differences, especially on sennheiser headphones, but oh man do they sound absolutely similar! Also, that Yeti microphone sounds awesome! I'd love to see your gear linked to Amazon in your video descriptions.
Wow! BTW, the sound from the Logitech has too much coloration for my taste. However, the final result is perfect, adding a little boominess to the accurate sound from the Sennheiser to give it a little body.
Very interesting. I would use an alternative approach, however. A single XLR connected mic of choice, such as your shotgun, feeding into an audio recorder that provides USB interface, as well as a 3.5mm stereo mix, such as a Zoom F6 or a Sound Devices MixPre, but there are a ton of alternatives. You can then take either the 3.5mm or the USB interface to connect to the desired device, i.e. camera or computer. Using the same mic means you will get the same sound quality
I can still hear quite a bit of difference between the two in the lower midrange. I could also hear you ducking all of your uhs and ums (not really necessary IMO, no shame in um and uh). This might be fine if people are using li'l speakers, but headphones reveal everything.
Sound mixers do not mix to headphones, but speakers since this the way most people will be listening to the mix. Mic matching will never be perfect - but will it be close enough that folks won't be able to discern the differences.
Any chance you can include a link to the Logitech mic you are using? I’ve been looking for a reasonable USB mic for a while and I really like the quality of the audio you get out of that one.
Here you go, Bruce: www.bluemic.com/en-us/products/yeti/?cvosrc=ppc.google.&cvo_campaign=G+-+US+-+NAM+-+Logitech+Blue+-+PS+-+Yeti+-+BMM&Matchtype=b&cvo_crid=383959102788&partner=DR&category=brand&addisttype=
@@markspencer3104 I love the blue yeti too, but that thing is heavy. I haven't found a free-standing mount that can hold it securely, and I'm reluctant to drill into my desk...
Wow! But won’t matching the audio from the source clip back to the target clip and then back again cause a ripple in space time? Feels kinda like an experiment from CERN. All jokes aside, this video is gold. Thanks,
If it's the Sennheiser type I think it is, it sounds like there's a big low cut off. Mine do nowhere close sound ever so thin. Whether used at a long distance (theatre recording) or close by (voice over use) they have a very nice full sound. The other one has obviously way too much low frequencies. Strange choice of mics.
I love that you always go one step further... So many tutorials are "here's the answer to the first question" and see you next time. You're always thoughtful about 'if you do this, you might end up saying well what about this', and you take us through those extra steps and the why behind them. So valuable. Thank you
Omg its amazing tutorial. Thank you so mach for sharing your knoladge! :)
set to. Stereo! got it! Thanks Rhonda
I got ScreenFlow both privately and for business but I’ll most likely get Final Cut Pro for business work. Tweaks like this is essential to my learning and using FCP. Really appreciate it. Thanks 🙏🏻
One of the best videos on the channel. Tell us more about audio.
Excellent!!!
This is such a great tutorial. I'm definitely sharing it around! Thanks for being awesome!
Clear. Informative. To the point! Great tutorials, Mark!
C'mon people! Lets get these guys a YT Play Button already! They should have WAY MORE than 83K SUBS!....Get your friends to make it happen! Great tip Mark! As Always!
Thanks Rocco. It's really a slog trying to get those numbers up.
What a timing! You're really God sent! You've just posted what I needed to do today itself and this video happened to be the first one when I opened TH-cam without any search!
Haha, this is magic. Thank you.
Low end boosts like that, Are going to give you more issues than fixes. At the very least use the fade extreme filer in match. ideally roll off the sub to low end in the vocal. All you are doing down there is boosting non perceptive sound in a vocal.
Great little focused tutorial, thanks Mark!
Fantastic.
Another gold short and clear tutorial!
Great Process Mark, I used a slightly different approach, but I think yours is definitely quicker... This will definitely help my workflow!
This is an amazing tutorial!! Sure I can notice differences, especially on sennheiser headphones, but oh man do they sound absolutely similar! Also, that Yeti microphone sounds awesome! I'd love to see your gear linked to Amazon in your video descriptions.
Wow! I just learned how to match mics! Thanks Mark
Nailed it again. Great tutorial and totally useful.
Pure genious! Ripple rocks!
Ace video, thanks Mark
Excellent Mark!
Grateful for your tips, as always. Thank you Mark.
Very informative, thank you Mark.
Wow! Invaluable tip!! Thanks so much for this!
Thank you. This is really helpful. It just irratated me trying to get both of my microphones to sound the same. Cheers.
Nice!!!
How did I not know this?! Thank you for sharing this. The Blue sounds nice and robust, but let's in a little more room echo
Great Stuff, Mark, thanks very much- I’ll give this method a try next time I do some voiceover work, to match in camera audio.
Nice tutorial. You just need a bit of room treatment to get rid of the echo
Great tutorial, thank you!
Was slightly concerned at the mismatched volumes halfway through but ended up impressed at the final result.
Wow! BTW, the sound from the Logitech has too much coloration for my taste. However, the final result is perfect, adding a little boominess to the accurate sound from the Sennheiser to give it a little body.
You guys do the best tutorials. Quick question: At the end, there was a little bit of reverb on the clip. Was that intentional?
No, I didn't add any reverb. May just been the room characteristics, I really should add a few foam panels.
Very interesting. I would use an alternative approach, however. A single XLR connected mic of choice, such as your shotgun, feeding into an audio recorder that provides USB interface, as well as a 3.5mm stereo mix, such as a Zoom F6 or a Sound Devices MixPre, but there are a ton of alternatives. You can then take either the 3.5mm or the USB interface to connect to the desired device, i.e. camera or computer. Using the same mic means you will get the same sound quality
Fantastic tips! I need to do a better job of this and this is really easy to follow. Thanks!
Amazing 🤩
I can still hear quite a bit of difference between the two in the lower midrange. I could also hear you ducking all of your uhs and ums (not really necessary IMO, no shame in um and uh). This might be fine if people are using li'l speakers, but headphones reveal everything.
They will never match perfectly of course, they are completely different microphones. I ducked I think 3 or 4 lip smacks.
Sound mixers do not mix to headphones, but speakers since this the way most people will be listening to the mix. Mic matching will never be perfect - but will it be close enough that folks won't be able to discern the differences.
Amazon job!
Any chance you can include a link to the Logitech mic you are using? I’ve been looking for a reasonable USB mic for a while and I really like the quality of the audio you get out of that one.
Here you go, Bruce: www.bluemic.com/en-us/products/yeti/?cvosrc=ppc.google.&cvo_campaign=G+-+US+-+NAM+-+Logitech+Blue+-+PS+-+Yeti+-+BMM&Matchtype=b&cvo_crid=383959102788&partner=DR&category=brand&addisttype=
@@markspencer3104 Thanks a ton.
@@markspencer3104 I love the blue yeti too, but that thing is heavy. I haven't found a free-standing mount that can hold it securely, and I'm reluctant to drill into my desk...
Wow! But won’t matching the audio from the source clip back to the target clip and then back again cause a ripple in space time? Feels kinda like an experiment from CERN. All jokes aside, this video is gold. Thanks,
lol, thx Chris
After I selected my clip to match, I did not get that "apply match" button to show up. Any ideas as to why?
Likely you need to select the specific component to match to
If it's the Sennheiser type I think it is, it sounds like there's a big low cut off. Mine do nowhere close sound ever so thin. Whether used at a long distance (theatre recording) or close by (voice over use) they have a very nice full sound. The other one has obviously way too much low frequencies. Strange choice of mics.
Like 👍🏻 +50.