Lots of you asked for "more summaries". Is this what you had in mind? ► Disclosure's go to kick - bit.ly/disc-kick [affiliate link*] 👋 Disclosure's Discord - discord.gg/disclosure
You know, this is the type of content that will explode your channel An excellent evolution congratulations! Also nice elegant subscribe reminder, not those obnoxious FULL SCREEN ONES from 50k subs ago :P See you at 100k, 200k, 1mil etc.
Don't you wish Madeon would do livestreams so we could learn all of his secrets? I mean his mixes sound sooo clean and full. He mixes and masters all of his music so it would be cool to hear him talk about his process in FL.
as a musician, this is so informative. I'm slowly learning more about this part of music and it helps so much. I do a lot of live performances on the internet building songs from scratch, and your videos really help me out. I'm a huge Disclosure fan (22nd January, Boss, Omen). Thanks for taking the time to break this down for us.
This is great! Nice breakdown and what a lovely coincidence that the length of the video is 8:08. When mixing it's important to decide what the lowest thing in the track is- the kick or the sub, and figure out where to carve frequencies out of each one so the mix is clean. EQ and side chain compression are my go-to techniques for this, after leveling.
the whole thing about the kick being in three parts was really useful kinda how the thump of a snare is in the low mids and the texture is in the upper mids
I have always had problems with kicks punching through my mix with nice bottom end. In a smooth way. So I bought big kick and wow what a plug in something like ten minutes I had a perfect kick. Kicking through the mix
The most important part is how the rest of your mix sits around the kick, that's what can create the contrast to make it sound punchy or deep or whatever
wow you can still hear the kick?? even if it's not beng CRAMMED DOWN YOUR THROAT EYEBALLS?? and every cell of your body?!?! what a frigging concept...amazing...THANK YOU!
I believe they mentioned in one of their streams they keept the kick volume at like 8db or maybe it was 12db, to give them more headroom for the mix. THought that was interesting as I did studio sessions before and 3db seemed to be the norm, but I actually prefer their way.
My favorite kick technique: take a kick with a lot of body and bass, one of those that you feel in your chest not a dinky edm kick. Then route your kick and your hi hat or shaker etc to a new channel together. Then you add a soft clipper and tweak the input levels of each track till you like the result and bam, your kick has a fuck ton of punch and body at the same time without the kick sounding like a dinky edm kick.
Interesting point about the Disclosure mixdown being for pop records. It’s something I’ve taken away from his twitch feeds and it doesn’t apply to the house or techno that I produce which are more club orientated than pop. I need bigger louder kicks to be comparable to the reference tracks I use. The key element for me it’s the transient and punch element and these vids have helped me tune this element of my tracks. Previously I’ve focussed on the oomph of the kick.
If you think about a kick is really just a diving frequency, you can start to hear which are the right samples to fit your groove/need. if you want a short kick it has to get to the lows fast after the transient too, or else you might chop/fade it before it reaches the fundamental and you'll end up losing the bottom end and just end up with the 'chest'. if your in a small room or on not very good speakers or phones you won't catch this, get a good FFT like the free span by voxengo to help you check. (and no don't bother trying to time stretch a longer one that's a phase nightmare you'll also end up with no bottom end)
Best to get a subwoofer or something like a subpac, it really helps fine tuning the length of a kick and the processing and mixing of it. I think a lot of people get confused when talking about the kick cutting through the bass, there is actually two distinct parts to this not one. You can have your kick cut through the bass in the upper low frequency ranges but not the bottom, this is what I see a lot, as it gives the listener the illusion that it is cutting through but if you listen with a sub you won't be able to feel a distinct separate hit when the kick plays over the bass. For me anyway this is pretty much impossible to detect this without the help of a subwoofer.
@@SolStateMusic ya - I'm bad with the terminology; I think what you're showing would be called a realtime analysis but I meant a non-realtime. The type where X is time and Y frequency and color is amplitude
Think it comes from the french house they love. Huge sub-y kicks weren't a thing on the genre, that's why Daft Punk could even use reverb on kicks. If you have a moving bass line, a sub-y kick will take too much attention off it. If you have a steady, reese-ish bass, a sub-y kick makes more sense because it gives it some energy, some oomf to the bass itself.
Good take. I think the lack of sub-y-ness as you've pointed out was compensated by the heavy compression/ducking effect that's also so prevalent in French house, which added some needed body to the kick.
I tend to just grab a Monotron and in around a few minutes of noodling with it, I have found my kick. Nomadik have done some nice old skool sample packs - on their own the kicks may be a bit dry for some... However, gold is found when mixing between three or four to make hybrids. Also, if a kick starts light - it's useful (as the vid highlighted v well) as it leaves space for other stuff. In fact, if I recall the "offset" baseline in old Trance tracks occurred, simply because the limits of audio production (trance was a thing 30 years ago - bear that in mind) could not get the separation between baseline and kick when mixing.
yo ive been watching you for awhile but just now realized how helpful your videos have been and i feel sinful to not have subscribed to you for so long, im sorry:(
@@vitorhugoRH I simply put a delay in dual mode(not ping pong) and turn feedback all the way down. And then make the both delays fast, like around 20-30 ms. Never cut the low frequencies
![Disclosure: Make EVERY Sound Come Alive (18 Tricks) [Doja Cat Remix]](http://i.ytimg.com/vi/KS89XfqFE9A/mqdefault.jpg)
Lots of you asked for "more summaries". Is this what you had in mind?
► Disclosure's go to kick - bit.ly/disc-kick [affiliate link*]
👋 Disclosure's Discord - discord.gg/disclosure
This was really interesting!!
More vids like this!
Yes, this is perfect. More of this!
You know, this is the type of content that will explode your channel
An excellent evolution congratulations!
Also nice elegant subscribe reminder, not those obnoxious FULL SCREEN ONES from 50k subs ago :P
See you at 100k, 200k, 1mil etc.
Which pack is the cutline kick in mate?
Wow… your knowledge of our kicks is far superior to our own 😂 this is great!! Thank you ❤️
Lmao
I luv u guys
The artists themselves!
epic
hahaha niiice
That moment when the length of a kick drum video is 8:08
That moment when I click the 808 and accidentally end the video
That moment you get told that the length of a video being 8:08......isnt a moment
Don't you wish Madeon would do livestreams so we could learn all of his secrets? I mean his mixes sound sooo clean and full. He mixes and masters all of his music so it would be cool to hear him talk about his process in FL.
I would study those religiously 😩
@@Xevoid I know right?? Of course he is super secretive about his mix process but I hope that changes in the future...
Amazing. Love this nerdy shit. It's hard to find stuff like this elsewhere.
Thanks! Appreciate the feedback and insight
as a musician, this is so informative. I'm slowly learning more about this part of music and it helps so much. I do a lot of live performances on the internet building songs from scratch, and your videos really help me out. I'm a huge Disclosure fan (22nd January, Boss, Omen). Thanks for taking the time to break this down for us.
Glad it's helping ya!
This is great! Nice breakdown and what a lovely coincidence that the length of the video is 8:08. When mixing it's important to decide what the lowest thing in the track is- the kick or the sub, and figure out where to carve frequencies out of each one so the mix is clean. EQ and side chain compression are my go-to techniques for this, after leveling.
Thank you! Yes, there's only so much space in the low end. For one thing to be big, something else must be small.
Thanks for condensing useful info down into bite size pieces Sol State. Much much appreciated
Glad it helped
8:08 , nice
😎
Kick the like button… Nice
"Can I kick it? Yes you can..."
Love the nerdy approach of this video! Good job 💪🏽
Thanks Fabian!
I swear this channel just gets better and better. Loved the analytical approach. So much info in under 10 minutes. Keep it up 👏🏻
Thank you! I always try to pack in the value!
Well this was the single greatest production tutorial I've ever seen!!! The disclosure technique is gold 🙏
Wow, thanks!
Just bought big kick through your affiliate link. Really appreciate your work!
Hope you enjoy it, and thank you!
Dude this video is freakin amazing. Your charts and studying is ridiculously amazing. thank you
Thanks Jason! Hope it helps your kick drums :)
OMG, this tutorial got a deeper level than anything I had watched.
Wow thank you!
the whole thing about the kick being in three parts was really useful kinda how the thump of a snare is in the low mids and the texture is in the upper mids
This is the best music prod channel on TH-cam. 10/10 consistency with how you edit and tell the story. Appreciate it big time.
Aw thanks! Always trying my best ;)
the best ?
got a track with a number of kicks doing different things, it's pretty busy so this is helpful
The lord has spoken and delivered.
Love these more in depth videos where you get into fine details, super interesting!
Thanks, appreciate the feedback, still learning!
I have always had problems with kicks punching through my mix with nice bottom end. In a smooth way. So I bought big kick and wow what a plug in something like ten minutes I had a perfect kick. Kicking through the mix
Dr. Sol State from now on
I like that - Dr. Sol
I like how the length of a kick drum video is 8:08.
What's cool about FL Studio is that the Sampler has all these features ready to go to customize your kicks.
The most important part is how the rest of your mix sits around the kick, that's what can create the contrast to make it sound punchy or deep or whatever
This level of detail in a snappy to the point video is perfect. Thanks!
Thanks for the feedback, appreciate it
The fact that the video is length in 8:08 is perfect
Wait, so years of me just tweaking eq on a kick drum isn't going to find me the perfect kick. Thank you for releasing me from my prison....
Thank you for the discount! Been meaning to buy BigKick and today just became the day.
that's right. totally, totally correct man
Commenting because Sol State is awesome - 100k here he goes!
Thanks man! Fingers crossed 🤞
This channel is so awesome.....I learned so much in two days binge watching your channel. Its crazy
Thank you! Tell a friend!
wow you can still hear the kick?? even if it's not beng CRAMMED DOWN YOUR THROAT EYEBALLS?? and every cell of your body?!?! what a frigging concept...amazing...THANK YOU!
insanely good work, the organization of research data in a spreadsheet is next level dedication
You read my mind Sol State! I've been wondering for months now how Disclosure creates such punchy, heart pounding kicks! Thank you!
F9 audio have a great pack OK kicks where they also supply the transient, body and sub separately so you can mix and match
I believe they mentioned in one of their streams they keept the kick volume at like 8db or maybe it was 12db, to give them more headroom for the mix. THought that was interesting as I did studio sessions before and 3db seemed to be the norm, but I actually prefer their way.
My favorite kick technique: take a kick with a lot of body and bass, one of those that you feel in your chest not a dinky edm kick. Then route your kick and your hi hat or shaker etc to a new channel together. Then you add a soft clipper and tweak the input levels of each track till you like the result and bam, your kick has a fuck ton of punch and body at the same time without the kick sounding like a dinky edm kick.
You can check the Mat Zo kick tutorial (the one he uses NR Kick + Serum). + this tutorial you should be able to make exactly the kick you want.
this is the best internet content ever on the internet
hhaha thanks don't tell reddit ;)
so the deadmau5 advice of cutting the tail is not crazy at all. i loved that idea
Valuable content. Sometimes we forget to REALLY study things and see how they actually work!
My favourite TH-cam channel! I just bought the kick plugin through your affiliate link. I hope more viewers do that to show support.
Thanks, appreciate it :)
that was incredibly helpful...you really went in-depth with that one. I love your videos, keep it up, man! Also, that outro song hits *hardddddddddd*
Thanks will do!
literally the best person on TH-cam right now
yup. absolutely true man
Haha shhh don't tell the others ;)
Interesting point about the Disclosure mixdown being for pop records. It’s something I’ve taken away from his twitch feeds and it doesn’t apply to the house or techno that I produce which are more club orientated than pop. I need bigger louder kicks to be comparable to the reference tracks I use. The key element for me it’s the transient and punch element and these vids have helped me tune this element of my tracks. Previously I’ve focussed on the oomph of the kick.
If you think about a kick is really just a diving frequency, you can start to hear which are the right samples to fit your groove/need. if you want a short kick it has to get to the lows fast after the transient too, or else you might chop/fade it before it reaches the fundamental and you'll end up losing the bottom end and just end up with the 'chest'. if your in a small room or on not very good speakers or phones you won't catch this, get a good FFT like the free span by voxengo to help you check. (and no don't bother trying to time stretch a longer one that's a phase nightmare you'll also end up with no bottom end)
Biggest tip was dont layer ur kick if u dont know what ur doing. Plenty of sample packs out there with fire kicks. Thanks for the research my man
Thanks for highlighting that! Easy to miss but super important
you are the man for breaking these vids down!
Dude, this was awesome! You did a great job breaking down all the important details.
Much appreciated! Thanks for the feedback!
Best to get a subwoofer or something like a subpac, it really helps fine tuning the length of a kick and the processing and mixing of it. I think a lot of people get confused when talking about the kick cutting through the bass, there is actually two distinct parts to this not one. You can have your kick cut through the bass in the upper low frequency ranges but not the bottom, this is what I see a lot, as it gives the listener the illusion that it is cutting through but if you listen with a sub you won't be able to feel a distinct separate hit when the kick plays over the bass. For me anyway this is pretty much impossible to detect this without the help of a subwoofer.
Yeah, def helpful to have something that reveals super low sub detail!
The Frequency Guides Techniques 👌
i gotta watch this more than once
Hey mate! Hope you had a nice vacation!
@@SolStateMusic thanks, it was nice! feel inspired to make more music now
nice video - would handy to see a spectrogram of the kicks from the 2:40 section
Thanks for feedback, I think I show that at 3:00
@@SolStateMusic ya - I'm bad with the terminology; I think what you're showing would be called a realtime analysis but I meant a non-realtime. The type where X is time and Y frequency and color is amplitude
Bro the amount of work put into this video. Awesome
Thanks a lot!
love that oliver sample in the background at 1:42, im always tempted to use it but its so good i wouldnt feel right taking it
Think it comes from the french house they love. Huge sub-y kicks weren't a thing on the genre, that's why Daft Punk could even use reverb on kicks. If you have a moving bass line, a sub-y kick will take too much attention off it. If you have a steady, reese-ish bass, a sub-y kick makes more sense because it gives it some energy, some oomf to the bass itself.
Good take. I think the lack of sub-y-ness as you've pointed out was compensated by the heavy compression/ducking effect that's also so prevalent in French house, which added some needed body to the kick.
Video exactly 8:08 long. I see what you did there :D
Couldn't help myself 😂
@@SolStateMusic 😆 It had to be done! Also the video was great as always!
May The Most High bless your soul 🙏🏾 Great information I've been trying to find shorter kicks. But now I will just create them
Dude, your work here on this channel is just pure gold! Thanks for that! Keep it up
Wow this was an amazing vid! Thanks for putting this together! So awesome!
Thanks man! Glad you enjoyed ;)
I tend to just grab a Monotron and in around a few minutes of noodling with it, I have found my kick.
Nomadik have done some nice old skool sample packs - on their own the kicks may be a bit dry for some... However, gold is found when mixing between three or four to make hybrids. Also, if a kick starts light - it's useful (as the vid highlighted v well) as it leaves space for other stuff. In fact, if I recall the "offset" baseline in old Trance tracks occurred, simply because the limits of audio production (trance was a thing 30 years ago - bear that in mind) could not get the separation between baseline and kick when mixing.
Very informative! I appreciate it when someone does their homework
Man, thank you for everything you do!
Thanks ;)
My man examining kicks like if they were rocket science and I love it
Haha this is my kind of rocket science ;)
@SolStateMusic, u the man for this one!
Great in depth video, love this channel.
Thanks
Your work is incredible! Well done mate! Thank you so much!
Thanks a lot!
Man,this is too informative and interesting,thanks, btw can you do the same for flume's sound design and drums stuff?
Love the idea, I've never seen any videos where flume clearly shows his process, so hopefully one day
You're a pyscho! I love this.
That's some crazy research thanks XD
love that the video is 8:08 mins long
it's the little things ;)
deadmau5's Strobe kick is 1/16 note long btw.
Thanks Sol State! Nothing but gems 💎💎💎
Great video, thanks for sharing! Nice trick in the end with the Pro-Q preset!
yo ive been watching you for awhile but just now realized how helpful your videos have been and i feel sinful to not have subscribed to you for so long, im sorry:(
Better late than never :)
Only just noticed the lowest (10hz) curve on the frequency guide has hits +49 from D#-1. How fitting haha
Very fitting.
What an awesome video man. So organised, so much knowledge. Appreciate the effort! 🤙
Thank you for all you do SolState
Thanks Christopher!
The video length is 8:08. Also a reference to the 808 kick drum lol
Excellent video.
this vid is incredible
added to favorites, this is going really deep and this mindset can go well on tackling any mixing/prod problem
Awesome! So much of mixing is just problem solving...
Dude, it’s awsome job! You should know it
Flume puts some of his kicks in stereo, I started doing it lately and it sounds great!
what you mean? mono the sub freq and widening all the rest?
@@vitorhugoRH no, making the entire kick wide. Have you heard MUD by flume? This song has that
@@drlostcause4427 gonna listen to that.
@@drlostcause4427 damn, how do you achieve something similar to it?
@@vitorhugoRH I simply put a delay in dual mode(not ping pong) and turn feedback all the way down. And then make the both delays fast, like around 20-30 ms. Never cut the low frequencies
Awesome video man, very helpful! Keep It Up Sol State!
Thanks for this video. im making a sample pack and I need all the info I can get.
First thing I noticed when I saw the thumbnail was that it’s length is 808. 🥁
Good eyes!
Keep doing that you are doing. informative video, great content. explained very well. Why anyone would dislike this video is beyond me.
Thanks! Appreciate your feedback!
Dude you’re so awesome, such a great teacher. Can’t thank you enough!
Thanks man 🙌
lol @ 1:36 I knew i recognized that loop. Oliver_retro_dancing_arpeggio_full on splice hahaha
Loved this! Thanks so much!
This is extremely good content
agreed dude. utterly right dude
Thank You!
Really interesting ! nice work by the way
Legend🙏🏼
i fucking looooove how you broke this down. awesome job!
Insane video! Breaking down components of sounds is extremely helpful for an understanding to be applied in projects!
More like this PLS!
Noted!
Great analysis!
Wow, this is so detailed, thanks heaps !