Bruckner - Symphony No. 6 in A major - 2 Adagio - Celibidache
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- เผยแพร่เมื่อ 13 เม.ย. 2013
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Anton Bruckner
Symphony No. 6 in A major
2 Adagio. Sehr feierlich
Munich Philharmonic Orchestra
Sergiu Celibidache, conductor - เพลง
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Listening to this while the house cat sleeps beside me. Quite a zen moment.
I can just sigh "Bruckner, dear Bruckner" when listening to this. No one else can touch my soul and comfort me like him. With this Adagio it is like to arise from the ashes to heavenly spheres.
I think from him was Mahler
@@user-ry6pp3js2bMahler was a student of Bruckner
This is in the key of F Major, the same key as Gustav Mahler's Adagietto from his Fifth Symphony. Mahler was a student of Bruckner and conducted the full premiere of Bruckner's Sixth in 1899 after the composer's death. I wonder if this Adagio was somewhere in Mahler's mind several years later when he composed his Adagietto for Alma Schindler.
Ninguém escreveu adagios tão lindos e profundos como Bruckner.
I don't always love the entirety of Brucker's symphonies, but his adagios such as this are just magical. Driving through the Bavarian Alps or Austria while listening to this is one of life's most amazing treasures .
try listening it to "it" in your bathroom next time...see how that is
First I said Bruckners Adagio of No. 8 is the most beautiful. But since weeks I am listening to this one, and, yes, in the bath tub too. I totally became a Bruckner fan. And what I realised: Since I became older (57) I only want to listen the adagios. If life is a symphony then I definitely arrived the adagio. The only thing making me a bit scared is because I know every symphony ends with a finale 😅
The best performance of the Adagio of Bruckner's sixth ever!
Les Adagios d'Anton Bruckner sont chargés d'une émotion incroyable... / Anton Bruckner's Adagios are filled with incredible emotion...
+Lm Harry Agree. I feel the Adagios are the emotional body and soul of his symphonies.
I love most of them really... I've been discovering his symphonies during the last 4 years and there's still a lot to be discovered for me as this is such a huge body of work. I love most of them but the adagios are often what I prefer. Especially this one.
Perfect,beautiful
hard to stop praising this one. Praiseworthy through and through.
Beyond sublime. Especially the coda.
THANK YOU!!!...
Günter Wand conducted this very well, you get to hear wonderful music. Celibidache transcends it
6:30
Although his later music is more celebrated (and justly), I think this adagio is an exemplar of the burnished beauty and mystery that is unique to Bruckner.
...and that coda!
He takes some 5 minutes longer over this movement than Jochum did in a '60s performance.
Absolutely divine!
I am of the conviction that there would surely could never have been a Mahler had their not been a Bruckner.... Clearly without a doubt...THANK YOU!!!....
+james alden oh, sure, although mahler is a musician but bruckner is a composer in a sense that he doesn't see the people (musicians) but mahler has to... he deals with them on daily basis, well, bruckner is a bit more abstract compare to mahler's realism of feelings, anyway, they both great and indeed thank you for posting this. Thank you!
Never thought that but now you mention it has a lot of sense
Couldn’t agree more.
quand la précision devient mystère
Великолепное исполнение и музыка, красивоڰۣ✿
Celi outdoes himself again.....unbelievable magic live...
Forse l'adagiio di Bruckner meno autentico, più mahleriano (siamo comunque a livelli abissalmente più nobili qui), e quindi di più immediata fruibilità. Con tutto ciò pur sempre splendido
Emotive, moving, calming...soothing. Rachmaninov, Grieg and Bruckner.... perfection.
This adagio reminds me of Parsifal Easter music.
EXQUISITO
❤️
I can hear Bernstein’s Somewhere in this.
To me, this is the best adagio ever composed :)
5:20
6:31 !!!!!!!!
interesting how film composer Hans Zimmer let himself get inspired by the first measures of this Adagio: Listen to „Good to have you back“ from his No Time to Die Soundtrack. All the more incomprehensible that Zimmer claims not to like Bruckner
Oh, Zimmer is a fantastically skilled imitation artist & he hates it to openly admit Wagner’s and Bruckner’s blinding & inextricable influence on him.
We can safely ignore Zimmer's public statements and simply know that he reveres the greats and graces them with a level of imitation that demands tact and respect. I choose to believe that Zimmer knows what he loves, and communicates that love to the world through his musical inventions, imbued as they may be with the occasional, and of course tactful, "borrowing". Let's not mince words about this.
00:01 00:33 00:48 01:03 01:18
11:35 12:05 12:20 12:33 12:47
6:31 !!!!¡!!!!!
@14:25
6:31 !!!!!!!!!!
A summer Sunday morning.
Warm air streams through a half-open stained-glass window. Swallows flying above the park below.
A water fountain burbles gently among the still and verdant trees.
Bruckner six.
Paradise.
Sounds like a theme from Bernstein's music for West Side Story,
Somewhere is a total rip of Bruckner. I don’t mind that. Len adored Bruckner.
Bernstein actually disliked Bruckner for the most part.
@@jackdomanski6758 Enough to dislike recording Bruckner's Sixth in live performance and the Ninth in studio with the New York Philharmonic earlier in his career, and then during the last year of his life making a DVD live performance of the Ninth with the Vienna Philharmonic?
www.classicalsource.com/cd/bernstein-conducts-bruckner-9-dvd/
Charles Buxton
Hence “for the most part”. I made my comment fully aware of his Bruckner recordings.
Perhaps this will clear things up:
www.abruckner.com/editorsnote/features/interestingbernste/
@@jackdomanski6758 Bernstein's embrace of Bruckner's 9th in the final year of his life as his health irrevocably deteriorated indicates a last will and testament of reverence towards the composer and perhaps his making some amends. I find in Bernstein's earlier comments on Bruckner in your linked article an example of Shakespeare's "The lady doth protest too much, methinks" from Hamlet. If that is indeed the case, why might that be? Listen to the violins at 0:17-39 of this Bruckner 6th Adagio: Is that not the opening melodic phrase to Somewhere from West Side Story? I agree with Bernstein about his difficulties with Bruckner's Eighth and why he elsewhere said that no one else could match van Karajan's interpretation of it. But for the life of me, I cannot understand why Bernstein never performed and recorded Bruckner's wonderful Seventh, unless he experienced an identity revulsion over the Seventh's Adagio being broadcast over German radio after Hitler's death, as Barber's Adagio for Strings had been earlier broadcast over American radio after President Roosevelt's death.