It is amazing to watch this man as he strives to actualize the potential which these extremely talented (but intimidating!) musicians have within them to reveal to us the genius that was Strauss.
4:15 it´s cold here - so that´s why the trombones don´t have that virgin sound like on the last rehearsal in general: this part has to sound dangerous - everything could happen - and it probably will- the bell dos not sound like a bell - maybe it will be better more distanced - after he carries it away: and you will play by ear then?
O.k. folks - here we go: 0:32 welcome everybody etc. 1:25 brass sectn. - not that heavy, much lighter 1st oboe - please talk with your lines like `I´m so unlucky´ 2:15 I want it slower - calmer - - - and now the oboe is the conductor
3:00 there are 2 parts that demand more virtuosity (fast tone repetitions) even if it fails - just have the courage to do , that counts and do it very light - 1st oboe: same problem - but please try to 1st violins: please produce a little booming in that part
You don't have to type in every single word. Just the main ideas, or just a brief summary of what he's getting at would be most appreciated. Thank you so much.
9:05 to violins: you have to play so dominant that you won´t need a conductor anymore - that´s my dream and we could achieve it as there´s enough rehearsal time - you must play without any brakes, very fluently and charming - maybe describing a beautiful woman with long legs walking around, who arrogantly looks down at you - what makes her even more attractive for you.
5:55 to the violins: not that honest, should be more sensitive and double-tongued, attack much softer, like before you touch the skin you touch the hairs, same thing with your strings in this part 7:30 the staccato is too clumsy - like if you had too many pounds of weight - you got to describe a very posh man - or who thinks he is posh - now without interruption
O.k. folks - here we go: 0:32 welcome everybody etc. 1:25 brass sectn. - not that heavy, much lighter 1st oboe - please talk with your lines like `I´m so unlucky´ 2:15 I want it slower - calmer - - - and now the oboe is the conductor
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It is amazing to watch this man as he strives to actualize the potential which these extremely talented (but intimidating!) musicians have within them to reveal to us the genius that was Strauss.
Era un grande
He was what every orchestral musician looks for in a conductor - he knew what he wanted and he knew how to get it.
4:15 it´s cold here - so that´s why the
trombones don´t have that virgin sound
like on the last rehearsal
in general: this part has to sound
dangerous - everything could happen -
and it probably will-
the bell dos not sound like a bell -
maybe it will be better more distanced -
after he carries it away: and you will
play by ear then?
PERFEITO TOP.
O.k. folks - here we go:
0:32 welcome everybody etc.
1:25 brass sectn. - not that heavy, much
lighter
1st oboe - please talk with your lines
like `I´m so unlucky´
2:15 I want it slower - calmer - - -
and now the oboe is the conductor
Did anyone else notice the violist at 1:12 who had left-handed viola?
@Farnik01 -- As a left-handed violist myself, I most certainly did! :-)
3:00 there are 2 parts that demand more
virtuosity (fast tone repetitions)
even if it fails - just have the courage
to do , that counts
and do it very light -
1st oboe: same problem - but please try
to 1st violins: please produce a little
booming in that part
Could someone please translate what he is saying? That would be most appreciated. Thank you so much.
You don't have to type in every single word. Just the main ideas, or just a brief summary of what he's getting at would be most appreciated. Thank you so much.
Noooo. Everything thanks
Sorry my translation is a bit out of order. I gave my best but TH-cam obviously did not react like it should.
1:12-1:21 I had never seen anyone playing like that!
I would, but it´s a lot of work and the limitation of words in one com makes it even harder ....
Dmitry Shostakovich at 7:44 !!!!
He was born in 1906. Sorry I don't think so.
9:05 to violins: you have to play so dominant
that you won´t need a conductor anymore -
that´s my dream and we could achieve it
as there´s enough rehearsal time -
you must play without any brakes, very
fluently and charming -
maybe describing a beautiful woman with
long legs walking around, who arrogantly
looks down at you - what makes her even
more attractive for you.
皆さん、なんて集中して音符は一つしかないのにクライバーの要求する音を出そうとしているのでしょう。ドイツ語を勉強して彼が何と言っているのかつぶさに知りたくなりました。でも、美しい音楽と映像だけで我慢します。どうもありがとう。
5:55 to the violins: not that honest, should
be more sensitive and double-tongued,
attack much softer, like before you
touch the skin you touch the hairs, same
thing with your strings in this part
7:30 the staccato is too clumsy - like if you
had too many pounds of weight -
you got to describe a very posh man - or
who thinks he is posh -
now without interruption
O.k. folks - here we go:
0:32 welcome everybody etc.
1:25 brass sectn. - not that heavy, much
lighter
1st oboe - please talk with your lines
like `I´m so unlucky´
2:15 I want it slower - calmer - - -
and now the oboe is the conductor