I dont think that was the Hauser. I think it was the 1933 Ramirez He had an accident with the Hauser in 1947 and damaged it, so he used Ramirez guitars after that.
@@terryeverson9820 That's wrong. The 'accident' with the '37 Hauser happened in 1961, after which Segovia played Ramirez (as well as some Fleta) guitars.
The single quality that stands out to the listener is the evocation of the timbre and character of many instruments of the orchestra. At the hands of the master, we hear the cello, the flute, the violin, the cymbals, the Celeste. And also the human voice in all a supreme eloquence.
82 dislikes? tough audience. Even if this is not your taste, he was the best at what he did. He helped make the guitar popular and is a legend. A master of his style and the sounds of other instruments that were only produced with an orchestra before him. He created all of that on the guitar. Neoclassical guitarists after him and now wouldn't have played this way, without him. Not just his music, many styles evolved after him.
I saw him in concert at Jones Hall in Houston in 1974. At that time I'd been playing classical for a couple years and for 8 years prior i played rock and blues. When I picked up classical, I did so with a vengeance, practicing 8 hours a day and playing classical only. I was a guitar major at a local university. I thought I was pretty hot stuff. So here i am, sitting about 10 rows back, critiquing his technique with a certain amount of grudging respect when he launches into a tune that happened to be my semester project, and he's playing through it like it was nothing. Effortlessly. A piece that I'd been busting my butt on for months. And he was in his 80s! Knocked me down a few pegs, it did. That's the only piece I remember from that concert.
I saw him in NYC in 1966. Seven encores, one of which was Primavera, by Castelnuovo-Tedesco. I didn’t keep the program, sorry to say. But I’ve been working on Primavera since 1975.
Yep that’s the wonderful arrogance of the young right there! Without it, we wouldn’t be able to achieve anything in life, but if we don’t get rid of it soon, again we go back to not achieving anything in life!
Increíble lo que podía hacer este hombre, que además del virtuosismo tocando la guitarra, el color que le imprimía a sus interpretaciones te hacían observarlo y escucharlo sin decir una palabra, sensacional!!!!
Cuando veo y oigo a Segovia, me acuerdo de Glenn Gould y su originalidad al piano, la importancia de la personalidad del intérprete capaz de no hacer caso a la tradición previa, y de su valor para hacer prevalecer su visión por encima de los convencionalismos de su tiempo. Esto es universal en el Arte, lo hicieron Goya y Picasso en la pintura, Stravinsky y Schubert en la música, Miguel Angel y Modigliani en la Escultura, Oscar Wilde y García Lorca en las letras... Segovia no fue creador pero consiguió con su esfuerzo personal: 1. Sacar del olvido a este noble y antiguo instrumento. 2. Atraer a grandes compositores no guitarrísticos, para la composición de grandes obras para él y para la Humanidad. (Falla, Debussy, H.Villalobos). 3. Atrajo una audiencia de público cultivado para la guitarra. 4. La enseñanza de la guitarra en todos los Conservatorios del mundo. Todo esto parece labor de Titan, algo lejos de nuestras capacidades, una hazaña digna de españoles de otros tiempos.
I listened to Segovia records as a boy. I had the saw him at a USC Master Class in the early 80's while studying classical guitar at San Diego State University. There were few opportunities to experience the Maestro back then. I am so grateful to those who post these videos: thank you!
Service: In 'Paris' (playing on a 1937 Hauser guitar): 00:00 - J.S. Bach: Prelude in Dm 01:18 - Sor: Variations on a Mozart's "Magic Flute" 04:50 - Torroba: Sonatina (1st Mov) Recorded at Segovia's Masterclass, in Santiago de Compostela, Spain (playing on a 'Ramirez 1a' guitar) 7:32 - J.S. Bach: First Suite for Cello - 1.Prelude (arr. by M. M. Ponce) 11:01 - "Andrés Segovia - A Fondo" (9 May 1976) - a brief clip from the whole interview
It is very relevant what guitar Segovia plays, 1937 Hauser. I noticed that the modern days guitars are also well made using new machining tools & electronic vibration sensors & meters, they are quite accurate in producing very pleasant vibrant pure sound . So are the grand pianos , Bösendorfer being my favorite made in beautiful Austria.
Este señor es un maestro y quien elevó la guitarra española a las más altas cotas. Dignificó este instrumento y su personalidad y trabajo incansable durante más de 90 años. Máximo respeto por nuestro querido maestro. Eterno Andrés Segovia.
I had the honor of attending one of Maestro Segovia's concerts in 1980. I had 13th row center at the Milwaukee Performing Arts Center. At the time I was a young hotshot rock guitarist. The arrogant little prick I was, I thought I'd pick up a few things at his concert. I was amazed that there were no microphones or sound system of any kind. I wondered how he was going to be heard in a full auditorium. He walked onstage, and I immediately thought two things: 1. here's a man who's been playing at the top of the musical food chain for almost 3/4 of a century in a genre he practically defined. And 2. that wasn't his usual Hauser guitar (I used to pay attention to details like that). He sat down, adjusted his tuning, and then LOOKED DIRECTLY AT ME! It was the longest 10 seconds I'd ever experienced! Now, I wasn't making noise or fidgeting; I was sitting patiently waiting for the Maestro to play. But he probably didn't like the way I looked. Then he got up and walked off stage! Everyone is like "what the hell,,," Then he came back with a different guitar that looked like his usual Hauser! I was thinking "He read my mind!!" He knew more about me that I knew about myself. From that moment on, I was scared to death of him. Then he started to play. It's one thing to hear / see recordings. Quite another to be in the same room hearing this music in person. It was magical. Every phrase was poetry. Every note was a work of art. When the concert ended, he was standing by the stage speaking to some people. I wanted to go up to him and introduce myself, but I was terrified of him. I regret this. I went home, practically in tears, picked up my guitar, and tried to play. I couldn't play it. I put it in the case and didn't touch it for three weeks.
Right as i was reminding myself of how monotonous the comments are on classical guitar videos, i look at yours. That was like the Segovia of comments! Ill always remember your story Edit: there's lots of good comments here. Not just people saying bravo maestro r.i.p. thousands of times
@@MrUrech Thank you for the kind words! I figure if I'm going to take the time to comment, I must come with some attitude and leave something interesting behind.
This is surely Segovia at the top of his powers, really. The 50's was his best decade, really. The recordings he did in this period are mindblowing. And i keep listening that he is overcomed....
He was around 60 when recording this....it's very impressive but it's very likely he played even better in his 20ies/30ies, as most musicians do. Unfortunately there's no video of these early years. Of course there are the early recordings that give a clue, but an early video recording would have been amazing to watch and listen...
In combining the bass, rhythm and lead all into one guitar he creates the envy of all guitarists. One of the 5 grand masters of the 20th century is truly a pleasure to watch and to listen to. Segovia and Yepes were definitely at the top. Sor was probably the greatest guitarist EVER.
I rented the VHS in early 1990 when I was experimenting with classical guitar. I took 2 years of classical guitar studies in my local community college. It was a great experience. I'm not a master but know my way around the guitar and can read music. I cover way too many genres to be a master of the classical guitar. Recently I tried my hands on flute and noticed that my classical guitar reading skills paid off. I'm now 48 and enjoying many genres of music.
I haven't taken the 2 years of formal studies but did take classical guitar lessons for about 6 months. I have been playing for 20 years. I love the classical guitar but with life and wife and kids it is so hard to spend the time to learn and perfect the classical pieces. I prefer Tarrega pieces as they don't require quite as much time to learn and sound good.
I don't think so. The modern guitarist has clearly a technique more advanced than Segovia but It's great listening to him and by another hand, he had a horrible right-hand technique. Good Vibrato that's it
@@rom-ci Segovia had fantastic Vibrato yes - meaning that he knew how to use it effectively! But that's not all he had - he knew how to make Music. Same as Julian Bream, even more musical. Yes modern players have impressive techniques but since Barrueco and William started with their pristine flawless sterile performances. We ended up with a generation of expressionless music. Now finally some of the new younger players in the last few years are bringing Music to the forefront. One example = Raphaël Feuillâtre.
Today's top guitarists can all play with more technical virtuosity than Segovia but no one can match his sense of color and the excitement he generated because every note carried some surprise element. Love it!
Also, there's a maturity difference being in your 20-30's and your 60s. A true virtuoso only gets better, I think in the current generation only Marcin Dylla strikes me as someone who will truly just get better with age.
This is a compilation of much more than 1954. He’s playing the Hauser. Later, he is playing the Ramirez., And the huge hands! He was born to play the instrument.
Perhaps a blessing that Sor's 'Mozart Variations' has grown interpretatively since 1954. Granted that all contemporary artists having missed the composer's own performance of the piece, the original score is still the best guide for this lovely piece, allowing for its virtuosic performance to supersede its technical technical demands , which have their limited limitations and therefore their impressiveness.
Very interesting to hear Segovia be interviewed in Spanish. I had only heard his interviews in English previously. Too bad they cut it so short; all we got was some biographical information from his early childhood and a song his uncle would sing to him. I wanted to hear him speak in his native tongue about the guitar and its place in music -- especially since what little he said here was so poetic.
Avevo molti anni fa sentito una conferenza sui primi contatti tra Segovia e Castelnuovo Tedesco in cui il primo indicava al secondo come modello per scrivere per la chitarra le variazioni sul das klingelt so herrlich di Sor. È stato per me una gioia ascoltarle da Andres Segovia in questa registrazione offertami casualmente da TH-cam e dal canale che lo ha trasmesso.
@@josemarioruiz666 Agistin Barrios Mangore. mangore es el nombre de un cacique, y el se lo puso como segundo apellido.Agustin Barrios interpretaba sus propias obras, las que el mismo componia. Andres Segovia, un gran maestro de la gutiarra, interpretaba obras de otros compositores.
Iam from southern 🌊sea side of Iran,I see him equal with a master of old Iranian TAR player , sometimes I listen to sir Segovia It makes me feel good, especially when I draw 🎨✍🏻 It depends on where you are on a stormy ocean night Or in the heart of the sandy desert under the moonlight, 🏜🏜 Has recorded his accent and personality in the mortal world, everyone looks at the world through his own lens, He emphasizes relying on his strong accent, his gaze with patience And a lot of tolerance power، A variety of Color’s , own accent Has been accompanied.
Thank you Daniele for your archiving and posting of the life and times of Segovia, the greatest hero of the classical guitar... I hope you are reaping the benefits that you deserve by doing, what must be, allot of demanding work on your part....M, Los Angeles
Thank you Mark, I really like the style of Segovia and views are already satisfaction! Obviously also I look for luck in life and music and if it comes I will be very happy ! (are you a musician?)
He wasn't the father of the guitar. There were great classical guitarists of the 19th century: Carulli, Giuliani, Sor, Aguado who were famous for their concerts and compositions for guitar. But by the late 19th century the guitar had lost its status as a concert instrument. The only great classical guitarists were Tarrega and his student Llobet, who were also good composers and transcribers. What Segovia did was bring the classical guitar back into prominence as a concert instrument and build up its repetoir with transcriptions of music by great composers and new music by living composers.
@@anthonypuccetti8779 Yes, but Segovia is the single element responsible for the popularity of the guitar today. His efforts caused guitar departments to be opened in conservatories and university music schools around the world. He brought the guitar to the world much like Bruce Lee brought kung fu to The West.
You haven’t missed a great deal: just a slurry of compliments, and some pretty well known stuff about his place and date of birth, plus a few generalities about his childhood.
En América latina tuvimos a Agustín Barrios "Mangoré" con el plus de además de ser un eximio ejecutante de guitarra fue compositor de sus grandes obras de una riqueza y dificultad únicas que no tuvo la misma suerte que la de don Andrés Sevogia de vivir una larga vida.
Mmmm, have to disagree. Those who came after certainly stood on his shoulders, and they (and we) owe him a debt ofgratitude, but they in their turn produced more agreeable sounding music.
Recording quality is very good. So often we just hear the ping of the notes on a classical. Here we get some sustain. Not to mention the masterful playing.
I frequently listen to these songs with other guitar players ..I never think there 's other play so good like this old man doing such xtremedous good as
People these days need to pay a great respect to these amazing masters of music and should be greatful to be able to hear this magnificent work..music for great artists who have real music taste not rubbish
As well as the obvious genius of Segovia, let me just put in a good word for the sound recordist: the reproduction quality is just beautiful, & when you factor in the fact that it was recorded in 1954 it's phenomenal ... well done, whoever you were!
Segovia es el único que me hipnotiza y escucho hasta el final. Nunca aburre. El más grande
Thanks God who gave us this greàt master who opened our ears eyes and hearts to understand the magic of the guitar.
Mil gracias Daniele por permitirnos disfrutar de esta joya. ❤
The tone production, the complete mastery, the colours he coaxed out of that Hauser with those misleadingly plumb hands... he was one of a kind.
El mejor, mi admiración, respeto y cariño 🙏🥰🤗🥰🥰
I dont think that was the Hauser. I think it was the 1933 Ramirez He had an accident with the Hauser in 1947 and damaged it, so he used Ramirez guitars after that.
Oh good info Terry, never short of a great guitar
@@terryeverson9820 That's wrong. The 'accident' with the '37 Hauser happened in 1961, after which Segovia played Ramirez (as well as some Fleta) guitars.
G@@terryeverson9820
The single quality that stands out to the listener is the evocation of the timbre and character of many instruments of the orchestra. At the hands of the master, we hear the cello, the flute, the violin, the cymbals, the Celeste. And also the human voice in all a supreme eloquence.
82 dislikes? tough audience. Even if this is not your taste, he was the best at what he did. He helped make the guitar popular and is a legend. A master of his style and the sounds of other
instruments that were only produced with an orchestra before him. He created all of that on the guitar. Neoclassical guitarists after him and now wouldn't have played this way, without him.
Not just his music, many styles evolved after him.
Accidental dislikes. Or somebody got beat over the head with a classical guitar.
ignore them !!!!...
I saw him in concert at Jones Hall in Houston in 1974. At that time I'd been playing classical for a couple years and for 8 years prior i played rock and blues. When I picked up classical, I did so with a vengeance, practicing 8 hours a day and playing classical only. I was a guitar major at a local university. I thought I was pretty hot stuff. So here i am, sitting about 10 rows back, critiquing his technique with a certain amount of grudging respect when he launches into a tune that happened to be my semester project, and he's playing through it like it was nothing. Effortlessly. A piece that I'd been busting my butt on for months. And he was in his 80s! Knocked me down a few pegs, it did. That's the only piece I remember from that concert.
Wich piece was it?
I saw him in NYC in 1966. Seven encores, one of which was Primavera, by Castelnuovo-Tedesco. I didn’t keep the program, sorry to say. But I’ve been working on Primavera since 1975.
Yep that’s the wonderful arrogance of the young right there! Without it, we wouldn’t be able to achieve anything in life, but if we don’t get rid of it soon, again we go back to not achieving anything in life!
Wow! I saw him at the same concert in Houston in 1974, at Jones Hall. I got him to autograph the program, and I still have it.
I saw him at Orchestra Hall in Chicago in 1975 (?). A thrilling experience.
Ver y apreciar el maximo talento, que enseña lo que es Interpretar una obra en su contenido........Bravo ..!!!!!!
Increíble lo que podía hacer este hombre, que además del virtuosismo tocando la guitarra, el color que le imprimía a sus interpretaciones te hacían observarlo y escucharlo sin decir una palabra, sensacional!!!!
pioneer and master
Cuando veo y oigo a Segovia, me acuerdo de Glenn Gould y su originalidad al piano, la importancia de la personalidad del intérprete capaz de no hacer caso a la tradición previa, y de su valor para hacer prevalecer su visión por encima de los convencionalismos de su tiempo.
Esto es universal en el Arte, lo hicieron Goya y Picasso en la pintura, Stravinsky y Schubert en la música, Miguel Angel y Modigliani en la Escultura, Oscar Wilde y García Lorca en las letras...
Segovia no fue creador pero consiguió con su esfuerzo personal:
1. Sacar del olvido a este noble y antiguo instrumento.
2. Atraer a grandes compositores no guitarrísticos, para la composición de grandes obras para él y para la Humanidad. (Falla, Debussy, H.Villalobos).
3. Atrajo una audiencia de público cultivado para la guitarra.
4. La enseñanza de la guitarra en todos los Conservatorios del mundo.
Todo esto parece labor de Titan, algo lejos de nuestras capacidades, una hazaña digna de españoles de otros tiempos.
Muchísimas gracias.
Talent, technique and love and knowledge for the music, and a lack of distractions brought us this musician.
Thanks For the Post , JOHN...Semper Fi
I listened to Segovia records as a boy. I had the saw him at a USC Master Class in the early 80's while studying classical guitar at San Diego State University. There were few opportunities to experience the Maestro back then. I am so grateful to those who post these videos: thank you!
I have heard many performances of this piece. This is the very best, unequalled today even with all the virtuosi that there are around
Poetry in motion ! The sound he made will live in the ears of guitarists forever ! xxxxxxx
El más grande guitarrista, mil gracias por publicarlos, recibe un abrazo fraterno desde Bogotá Colombia mi hermoso y amado país 💛💛💙❤️🥰🤗👏👏👏
Muchas gracias Florencita, un fuerte abrazo desde Italia , ciao !
❤️🤗
Sí, efectivamente, este señor fue y es un maestro de la guitarra en todo sentido. Muchas gracias Andrés Segovia (EPD).
Service:
In 'Paris' (playing on a 1937 Hauser guitar):
00:00 - J.S. Bach: Prelude in Dm
01:18 - Sor: Variations on a Mozart's "Magic Flute"
04:50 - Torroba: Sonatina (1st Mov)
Recorded at Segovia's Masterclass, in Santiago de Compostela, Spain (playing on a 'Ramirez 1a' guitar)
7:32 - J.S. Bach: First Suite for Cello - 1.Prelude (arr. by M. M. Ponce)
11:01 - "Andrés Segovia - A Fondo" (9 May 1976) - a brief clip from the whole interview
Thank you very much… I need same service for this th-cam.com/video/CQfYgLJKDQQ/w-d-xo.html
Thank you
Me: What is he playing? I'll go look in the comments.
guyfromBR: Your welcome.
It is very relevant what guitar Segovia plays, 1937 Hauser. I noticed that the modern days guitars are also well made using new machining tools & electronic vibration sensors & meters, they are quite accurate in producing very pleasant vibrant pure sound . So are the grand pianos , Bösendorfer being my favorite made in beautiful Austria.
Este señor es un maestro y quien elevó la guitarra española a las más altas cotas. Dignificó este instrumento y su personalidad y trabajo incansable durante más de 90 años. Máximo respeto por nuestro querido maestro. Eterno Andrés Segovia.
se murio a los 65 años 😅!
This is Andre's at his momentus best. The expression an execution pure genius.
Thought the same his on fire
I had the honor of attending one of Maestro Segovia's concerts in 1980. I had 13th row center at the Milwaukee Performing Arts Center. At the time I was a young hotshot rock guitarist. The arrogant little prick I was, I thought I'd pick up a few things at his concert.
I was amazed that there were no microphones or sound system of any kind. I wondered how he was going to be heard in a full auditorium.
He walked onstage, and I immediately thought two things: 1. here's a man who's been playing at the top of the musical food chain for almost 3/4 of a century in a genre he practically defined. And 2. that wasn't his usual Hauser guitar (I used to pay attention to details like that).
He sat down, adjusted his tuning, and then LOOKED DIRECTLY AT ME! It was the longest 10 seconds I'd ever experienced! Now, I wasn't making noise or fidgeting; I was sitting patiently waiting for the Maestro to play. But he probably didn't like the way I looked.
Then he got up and walked off stage! Everyone is like "what the hell,,," Then he came back with a different guitar that looked like his usual Hauser! I was thinking "He read my mind!!" He knew more about me that I knew about myself. From that moment on, I was scared to death of him.
Then he started to play. It's one thing to hear / see recordings. Quite another to be in the same room hearing this music in person. It was magical. Every phrase was poetry. Every note was a work of art.
When the concert ended, he was standing by the stage speaking to some people. I wanted to go up to him and introduce myself, but I was terrified of him. I regret this.
I went home, practically in tears, picked up my guitar, and tried to play. I couldn't play it. I put it in the case and didn't touch it for three weeks.
Right as i was reminding myself of how monotonous the comments are on classical guitar videos, i look at yours. That was like the Segovia of comments! Ill always remember your story
Edit: there's lots of good comments here. Not just people saying bravo maestro r.i.p. thousands of times
@@MrUrech Thank you for the kind words! I figure if I'm going to take the time to comment, I must come with some attitude and leave something interesting behind.
What a cool story. Thank you.
Three weeks...I think that's the norm. For me too.
The fingers must recover from the shock of what they have witnessed !
Perhaps the look of surprise or disappointment on your face was recognized and remedied. Either way quite a compliment from the Maestro to you.
This is surely Segovia at the top of his powers, really. The 50's was his best decade, really. The recordings he did in this period are mindblowing. And i keep listening that he is overcomed....
Soytu19 I agree this is how he should be remembered. Even though he retained the quality of sound in his later years.
Soytu19 Learned a lot from Kirk Hammet.
He was around 60 when recording this....it's very impressive but it's very likely he played even better in his 20ies/30ies, as most musicians do. Unfortunately there's no video of these early years. Of course there are the early recordings that give a clue, but an early video recording would have been amazing to watch and listen...
@@tmjcbs The wax cylinder recordings from the 20's and 30s of him show a musician that was supremely technically gifted plus very musical.
Always something new to be learned from Maestro Segovia. Thank you.
My high School girlfriend was learning classical guitar in the early 70’s and we saw Segovia in Sarasota,Fla. he was incredible.
Muchas gracias por compartirlo, un abrazo fraterno lleno de muchas bendiciones, desde Bogotá Colombia mi hermoso y amado país 🥰💛💛💙❤️🥰
Incredible clarity for such old recording. A precious collection.
Truly the master of the guitar!
In combining the bass, rhythm and lead all into one guitar he creates the envy of all guitarists. One of the 5 grand masters of the 20th century is truly a pleasure to watch and to listen to. Segovia and Yepes were definitely at the top. Sor was probably the greatest guitarist EVER.
Wonderful to see the master in a video from the 50’s. Saw him in Toronto at Massey Hall in the early 80’s. Thanks for posting.
Beautiful playing by Segovia at his peak.
Q maravilla escuchar al gran maestro de la guitarra
I rented the VHS in early 1990 when I was experimenting with classical guitar. I took 2 years of classical guitar studies in my local community college. It was a great experience. I'm not a master but know my way around the guitar and can read music. I cover way too many genres to be a master of the classical guitar. Recently I tried my hands on flute and noticed that my classical guitar reading skills paid off. I'm now 48 and enjoying many genres of music.
I haven't taken the 2 years of formal studies but did take classical guitar lessons for about 6 months. I have been playing for 20 years. I love the classical guitar but with life and wife and kids it is so hard to spend the time to learn and perfect the classical pieces. I prefer Tarrega pieces as they don't require quite as much time to learn and sound good.
That Tone. Gracias Maestro.
OMG, been listening to him since the early 80's when my boss Lou DeHayes introduced me. Thank you Lou.
Before there was rock and roll there was a self-taught genius at work.... thank God this video exists for us to enjoy
Beautiful- this video proves what an exceptional man this was
Thank you Segovia on the master class on Vibrato. An aspect of classical guitar technique that most modern classical guitarists don't understand.
I don't think so. The modern guitarist has clearly a technique more advanced than Segovia but It's great listening to him and by another hand, he had a horrible right-hand technique. Good Vibrato that's it
@@rom-ci Segovia had fantastic Vibrato yes - meaning that he knew how to use it effectively! But that's not all he had - he knew how to make Music. Same as Julian Bream, even more musical. Yes modern players have impressive techniques but since Barrueco and William started with their pristine flawless sterile performances. We ended up with a generation of expressionless music. Now finally some of the new younger players in the last few years are bringing Music to the forefront. One example = Raphaël Feuillâtre.
I agree @@bachiano1
@@bachiano1
And Stephanie Jones.
@@pascalsolal 👍
Today's top guitarists can all play with more technical virtuosity than Segovia but no one can match his sense of color and the excitement he generated because every note carried some surprise element. Love it!
Also, there's a maturity difference being in your 20-30's and your 60s. A true virtuoso only gets better, I think in the current generation only Marcin Dylla strikes me as someone who will truly just get better with age.
Thanks for posting. I had the pleasure of seeing Segovia live in an auditorium in Vancouver in the mid seventies. A performance i'll never forget.
I'm so jealous of this one statement that it's hard to understand.
Segovia is just incredible.
He's playing his Hauser! (Before mic accident...)
At 8 min he's on his Ramirez 1a.
HERMANN HAUSER guitar. Beautiful sounding instrument. Especially in Segovia's hands.
Que historia de video, es una joya para los amantes de la guitarra. Bendiciones!
Without words , only the song this guitar and one good night sleep
Im hear to work , study and happy hour
Segovia made the guitar sound lovely 🥰
absolutely amazing!
Excelente 👏👏👏👏👏
Je ne me lasse pas d’écouter cet immense guitariste. Quelle virtuosité ! Merci !
I dont understand Spanish but I sat through the whole interview in the end. I'm in love with spanish and Segovia.
Wonderful film, thank you for sharing this. I am not a classical guitarist but a great admirer of this art and Andres Segovia.
This is a compilation of much more than 1954. He’s playing the Hauser. Later, he is playing the Ramirez., And the huge hands! He was born to play the instrument.
Le maître des maîtres... Une technique époustouflante au service d'interprétations exceptionnelles.
Perfection! 👌
beautiful music
Perhaps a blessing that Sor's 'Mozart Variations' has grown interpretatively since 1954. Granted that all contemporary artists having missed the composer's own performance of the piece, the original score is still the best guide for this lovely piece, allowing for its virtuosic performance to supersede its technical technical demands , which have their limited limitations and therefore their impressiveness.
Very interesting to hear Segovia be interviewed in Spanish. I had only heard his interviews in English previously. Too bad they cut it so short; all we got was some biographical information from his early childhood and a song his uncle would sing to him. I wanted to hear him speak in his native tongue about the guitar and its place in music -- especially since what little he said here was so poetic.
Какая великолепная игра и запись...так много лет назад
Avevo molti anni fa sentito una conferenza sui primi contatti tra Segovia e Castelnuovo Tedesco in cui il primo indicava al secondo come modello per scrivere per la chitarra le variazioni sul das klingelt so herrlich di Sor. È stato per me una gioia ascoltarle da Andres Segovia in questa registrazione offertami casualmente da TH-cam e dal canale che lo ha trasmesso.
The one and only. Andres Segovia !!!
Agustin Barrios(interprete y compsitor) was Greater than Segovia. le doy a segovia un honroso segundo lugar, entre los maestros.
You know, "Barrios Mangore"? This gay, is the Best. Segovia is only Good
@@josemarioruiz666 Agistin Barrios Mangore. mangore es el nombre de un cacique, y el se lo puso como segundo apellido.Agustin Barrios interpretaba sus propias obras, las que el mismo componia. Andres Segovia, un gran maestro de la gutiarra, interpretaba obras de otros compositores.
@@josemarioruiz666 you mean 'guy' i suppose, dont you know what a gay is? (homosexual) btw he is not better than Segovia....
Gracias por tus videos...
Esto es una maravilla maravillosa. Gracias por publicar este video. Es diamante el video.
Such flawless, effortless technique.
What a nice video. It’s insane watching Andrés Segovia turn any piece to life.
Iam from southern 🌊sea side of Iran,I see him equal with a master of old Iranian TAR player , sometimes I listen to sir Segovia
It makes me feel good, especially when I draw 🎨✍🏻
It depends on where you are on a stormy ocean night
Or in the heart of the sandy desert under the moonlight,
🏜🏜
Has recorded his accent and personality in the mortal world, everyone looks at the world through his own lens, He emphasizes relying on his strong accent, his gaze with patience
And a lot of tolerance power، A variety of Color’s , own accent
Has been accompanied.
Thank you Daniele for your archiving and posting of the life and times of Segovia, the greatest hero of the classical guitar... I hope you are reaping the benefits that you deserve by doing, what must be, allot of demanding work on your part....M, Los Angeles
Agustin Barrios "mangore"si que era GRATEST
Thank you Mark, I really like the style of Segovia and views are already satisfaction! Obviously also I look for luck in life and music and if it comes I will be very happy ! (are you a musician?)
**EXCELENT VIDEO!! THANK YOU FOR SHARING**
Andres Segovia is " Father Abraham " of Classical Guitar. I have been listening to Segovia and Classical guitar since 1985
He wasn't the father of the guitar. There were great classical guitarists of the 19th century: Carulli, Giuliani, Sor, Aguado who were famous for their concerts and compositions for guitar. But by the late 19th century the guitar had lost its status as a concert instrument. The only great classical guitarists were Tarrega and his student Llobet, who were also good composers and transcribers. What Segovia did was bring the classical guitar back into prominence as a concert instrument and build up its repetoir with transcriptions of music by great composers and new music by living composers.
@@anthonypuccetti8779 Yes, but Segovia is the single element responsible for the popularity of the guitar today. His efforts caused guitar departments to be opened in conservatories and university music schools around the world. He brought the guitar to the world much like Bruce Lee brought kung fu to The West.
Beautiful
В руках Анреаса Сеговии - гитара космический оркестр ! Вечное Браво !
Amazing guitar !
wow. Up close playing views, worth a thousand lessons! wish there were subtitles for the interview-
You haven’t missed a great deal: just a slurry of compliments, and some pretty well known stuff about his place and date of birth, plus a few generalities about his childhood.
Enorme!
Sunday evening and coffee with love
Relíquia, fantástico!!!!!!!!!
En América latina tuvimos a Agustín Barrios "Mangoré" con el plus de además de ser un eximio ejecutante de guitarra fue compositor de sus grandes obras de una riqueza y dificultad únicas que no tuvo la misma suerte que la de don Andrés Sevogia de vivir una larga vida.
the best guitar player the world has ever had
I'd argue probably the most important as well. He put guitar on the map like no one else before.
Mmmm, have to disagree. Those who came after certainly stood on his shoulders, and they (and we) owe him a debt ofgratitude, but they in their turn produced more agreeable sounding music.
One of the most important for the development of the Classical guitar. Kind of like Paco De Lucia and how he helped evolve Flamenco music.
I agree
Show um grande mestre com certeza responsavel pela admiração de muitos pela classic guitar
Many thanks!
Recording quality is very good. So often we just hear the ping of the notes on a classical. Here we get some sustain. Not to mention the masterful playing.
Mr. Segovia's fingers are fast as the wings of a hummingbird and makes his guitar singing beautiful melodies at the same time.
Thank you for the upload ..The Hauser guitar in the Paris video ..then the next is 1A Ramirez .great to see these old clips :)
I frequently listen to these songs with other guitar players ..I never think there 's other play so good like this old man doing such xtremedous good as
he is one of my heroes!
In fact, 7:32 has been recorded at Segovia's masterclass in Santiago de Compostela.
People these days need to pay a great respect to these amazing masters of music and should be greatful to be able to hear this magnificent work..music for great artists who have real music taste not rubbish
Grande maestro Segovia!!! PIÙ GRANDE, nel mondo!!!
Thanks for share
Bello ❤
As well as the obvious genius of Segovia, let me just put in a good word for the sound recordist: the reproduction quality is just beautiful, & when you factor in the fact that it was recorded in 1954 it's phenomenal ... well done, whoever you were!
There are perfect record in the 50's i.e Miles Davis!
I can't get that quality on modern amateur equipment, i.e. Phone.
No way awesome upload!!! I’ve seen all parts, but never together!!! Thank you!! :)
duas conhecida que um dia eu toquei ... FLAUTA MAGICA DE MOZART E SUITE DE BACH ... ESPLENDOROSO E IMORTAL
I love Segovias arrangement of this piece.
Excellent excellent excellent !
Masterful!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!;)
Before this man, the guitar was a parlor instrument. Now we have Paco De Lucia, Gypsy Kings, Steve Howe, Al Di Meola, etc. Amazing.
А. Сеговия не был, но остался величайшим мастером!
Thanks !
Super
Que genio irrepetible