@@musicavariada6975 Как музыкант был прямолинейный в критике других и диктатор как педагог -- это то, что я о нём слышал кроме восторженности... 55лет назад он меня потряс и я начал фанатично осваивать инструмент.. За эти годы много изменилось и мое отношение к его игре.. Он был не без изъяна, но ВЕЛИКИЙ основатель ...
Cuatro comentarios sobran, para estar orgullosa de este español, poco conocido y reconocido. Yo de música desgraciadamente na!!. Pero oído tengo. Este hombre fue un genio que influyó en grandes músicos de todo el mundo
What I find astounding for one of my generation (I'm 56) is the amount of negative criticism leveled at the man who single-handedly rescued the classical guitar from total obscurity. Yes, his sound is old-fashioned and romantic, but that is how musicians played in his day! Think of this. If it wasn't for Andres Segovia the guitar as a classical instrument would have remained a curiosity, like the ukulele. It was only played as such in private clubs, without nails, and without any respect from the classical community. The classical music scene's opinion was that the guitar, however charming, just didn't have the sonority to stand up and be heard in concert, and needed to be relegated, like the lute, to the past. There was no 'scene' outside of Spain, where it was a very minor thing of the late guitar composer Francisco Tarrega club. There were no classical guitar concerts and no way to make a living as a classical guitarist; unless you could convince the classical scene that you were a curiosity worth subsidising for a concert. This is what he achieved; He rescued the classical guitar from obscurity and enshrined it as a concert classical instrument, as well as educating a follower base to the extent of starting a whole new musical scene. He single-handedly mobilised the musical public to the glory of his music and created a sensation. He definitely was the father of us all - in this John Lennon was absolutely right. I'm not saying Maestro Segovia wasn't a concert classical snob and a classical guitar purist - he most definitely was - just think of his famous snub to the Beatles; apparently John Lennon opined in an interview that Segovia was the Daddy of us all, and when Andres Segovia was told this he noted that if this were the case he sadly had to admit that he couldn't remember the mother! To Wanda Landowska; the very great French/Polish harpsichordist, he stated that the harpsichord was a pointless instrument and past it's time, as it sounded like a piano with a cold! Diplomacy was definitely not on his CV; but listen to his playing! I've just played this same video to a friend of mine who records Bach, Mozart and Brahms on piano (and beautifully!), and he's totally blown away, of course. Maestro Segovia played beautifully, he was a consummate artist, and together with Julian Bream the reason why the classical guitar is my first instrument. Of the early performing guitar virtuosos they where the most unique, and both in their own way willing to forgo convention for the glory of their music. It was Segovia who started playing with his nails when everyone else was using fingertip flesh only; and Bream who was musician enough to realise the wisdom of this and change horses in midstream. He subsequently had to face the same kind of wannabe envy criticism Segovia knew only too well when he reintroduced John Dowland's lute music and played it with nails on his reconstructed Renaissance lute ; because it sounded better to him that way. I must admit that I value and love his vinyl recordings of Dowland and often play them; although they are also beautifully played by the more recent fingertip only crowd. Which of you chaps know that Fernando Sor was also of this persuasion and only played with fingertips! Fingertip only is more historically correct for lute and guitar; but I definitely concur with Segovia that nails are really necessary for a sonorous classical guitar tone. Needless to say; I'm a fan of them both and they were both part of the reason why the guitar captured my heart. Thank you Neil Yonamine for posting this video. I can listen to and watch my old Maestro any time. I don't find anything unmusical about this recording, as it suits the more romantic approach of his times. Given the context of the culture he came from, he made quite a romantic splash with his guitar. As a guitarist and knowing the technical difficulties inherent in our instrument; you don't get to look down on the likes of the great Segovia unless you have at least matched his achievements. Just experience his legato - if nothing else; this isn't easy on the classical guitar!
Thanks to him Barrios was not allowed to be played by pupils in concert and he abandond the great Paraguayan from his masterclasses. We all know why: Barrios was a thread to this ego. Furthermore when it comes to interpretation, one can say that Andres is unique, but I hear Andres, not the music. It is a style of playing. Listen to Alicia de la Rocha play Granados, La Maya de Goya, see the score, hear the expressiveness and than play this guys' rendition. Furthermore he bullies his pupils, it must be played in his way, with his idiotic fingerings and changes. He even knew better then the great Villa Lobos how it should be played and how the composition should be. And another thing: when a woman plays, he is allways gentile, well after all he stays human, right, but I would say: different strokes different folks, I never felt the emotion in Andres' playing nor did I admire his aura, but some do, well do what you feel and think and write it down. And yes he has done a lot, but also destroyed a lot, so it may be...
No disrespect to the master but the way he chases Chapeldine out of a master class is shocking - it’s here on TH-cam- all because of the changing of the fingering.
@NASACrooks In what kind of crooked world Barrios music is popular music. Even if you play it on a Mandolin, the composition and structure is classical music. How is Mazurka Apassionata something for guitar begginers. Most of his pieces are above intermediate level. On the other hand, Segovia only played the instrument, he didn't compose. Yeah he may have done a lot of groundwork for classical guitar recognition in classical music, but that's it. Barrios composed some of the finest, intrincate and most popular pieces for the instrument.
The famous flamenco maestro, Nino Ricardo, once said "To play flamenco the fingers must dance upon the strings". Maestro Segovia teaches us another understanding of what that means in that he writes to us with his guitar the pen and the music his paper. He says we are alive and we can celebrate it with every fibre of our beings, just hear it, it is there, follow it and you find it! Thank Maestro and thank you for sharing this exceptionally beautiful tv recording of a talent of all the talents.
L'aisance de tout interprète quelque soit l'instrument dont il est le champion fait tjs plaisir à voir autant qu'à entendre.C'est le cas ici pour la guitare , c'était vrai pour Rampal pour la flûte , pour Pablo Casals pour le violoncelle , etc après il reste la modestie devant le génie , l'admiration devant les compositeurs , et le plaisir de l'écoute.
Como puede ser jac, que la guitarra alla influido tanto en la música, por que tantos y tantos genios de la música admiran a A. Segovia? Escuchale. Y no es francés.
@@claranotario5569merci de votre réponse amicale.Depuis les disques de vihuela da mano d'Hopkinson Smith , puis bien sûr ceux d'André Segovia , j'admire cette instrument et son message d'une âme espagnole .La barrière de la langue est ainsi contournée et cela est un grand pas vers plus d'humanité et de paix.
Yup- have played a '54 Monch guitar from the same school/period of German guitar classical builders. Very light, exacting construction, loud, great separation, as if the guitar is ready to explode. You've got to play to these instrument to see what I mean...
An interesting truncated version of Sor's 'Gran Solo'. This is the first time I've seen the Ponce 'Gavotte' attributed to (A.) Scarlatti, too. All in all this is wonderful expressive playing!
It looks like he's playing a Fleta. If so, this was just after the '37 Hauser mishap, after which Segovia began trying out different concertizing/recording guitars: Fleta, Ramirez etc.
@@ChrisWrightOM1 Sometime in late 1961 or early '62, the 1937 Hauser suffered an accident in the recording studio when a microphone fell on it.. Segovia took it to Hermann Hauser ll for repair; his solution was to refinish the whole top. In retrospect, this was a bad move, because afterwards, Segovia claimed the guitar no longer sounded the same, particularly the high E string, which he said, seemed to have "died."
@@excellenceinguitars3282 Wondering how anyone can tell the difference, in such a grainy/old film, between a Hauser II and Segovia's more famous 1937 Hauser I.
Very impressive performance and Segovia was the best classical guitar player of his time. I like his music very much. And he did also good transcriptions for the guitar. I also play guitar but I have to practice a lot to reach his skills. All the best for all the music lovers and a great time. 😊
😂😂😂😂😂 Mucho mejor que Segovia fue Barrios y el prohibió que se toqué, por suerte su mejor alumno grabo un álbum con su música y le catapultó al Estrellato, lastima que ya no estaba, y ese Si Compuso. Segovia no compuso nada, solo un estudio, fue un gran guitarrista intérprete solo eso y arreglador, solo eso
I used to play the first piece. The Gavotte by Scarlatti but it was another arrangement in another key. I love Segovia. Very expressive performer in a time when the recording technology was not that good. I have to say this though, John Williams is the absolute best classical guitarist of all time in my opinion. His technical skills are flawless. But they're both amazing masters.
I got hooked on Segovia's playing in the early sixties, and went to see him performing in the Portsmouth (UK) Guildhall at about the same time. It was expensive for me, about half a weeks wages. My mates, and parents, thought I was mad to sit through an evening with the Master. I totally disagreed. What do you think?
There is something in the playing of this man that always captivates me. I dont give a fuck to the momentary sloppiness. I always hear music in Segovia. And virtually every note-perfect player seems boring to me. The difference is in the most little details, definitely. Segovia is essential. People say that he is overcomed because there are people with better technique and blabla. If you think Segovia is overcomed and you dont listen to him and the old school you don't really know what the guitar is really all about.
Segovia said this often: "Study music more than you study the guitar." The magic you hear is because Segovia is not trying to play the guitar. He is trying to play music. Also, those note-perfect players with excellent technique are standing on the shoulders of Segovia, who came before them all and worked out many of the issues the newer players never had to face in the same way because Segovia had already blazed the path for them.
@@The6pruz truth. My dad used to play Asturias a lot when I was a kid and it's what made me ask him to teach me so that's what he used as a template for teaching me scales, chords and left/right hand coordination. If I'm playing some sequence that mixes some hybrid picking with multi finger tapping and string skipping with some inside picking and sweep sprinkled in, while Andres might never think to play the same sequence in that style or even be able to, the only reason I can play that way is because I had him and his ilk as a template.
Scarlatti....really? This Gavotte has been attributed to Dowland - who definitely didn´t write it....then to Ponce, which is somewhat more possible, as he could write in most styles and had that slightly nostalgic tone. What number would this piece have in Scarlattis production?
It was in fact written by Ponce... Segovia was hoping that by attributing the piece to a more obscure composer, the general public would not question the credibility of it's origin and he could then "back fill" the catalog of guitar pieces from different time periods in history.
Arte siempre por encima del mal llamado "virtuosismo", lo verdaderamente difícil (en guitarra) es tocar despacio, que se oigan las diferentes voces y con sonido equilibrado según requiera el estilo de la composición, pocos después lo han logrado.
Where does such knowledge come from? Yes, the thing is that, if, for example, Segovia had strings of medium tension, but judging by how pumped up his fingers were, Andres had fleshy ones, and even in this case they sounded, if necessary (when it was necessary), as loud as strings strong tension would not sound like the average guitarist. That's what I'm guessing now.@@Dan_Frechette_Songwriter
7:49 lol.. it looks like he’s wearing those glasses that have the flashlights built in! Which I had thought about getting a pair of so o could sight read better in low lighting situations.. ha
Yo creo que Andrés Segovia es a la guitarra lo que Chaplin al cine: un precursor imprescindible que abrió caminos por todo el mundo. Pero hoy se toca muchísimo mejor. Uno necesita adorarle de vez en cuando pero lo hace como un acto de agradecimiento arqueológico, para disfrutar más con el sonido hay muchos guitarristas en TH-cam.
Estoy de acuerdo en que son insuperables en su aportación, en su momento. Concretamente me parece mentira que en una sola vida Andrés Segovia fuera capaz de poner en pie toda la música que él sugirió y dio a conocer en las salas de concierto y en sus grabaciones, ese es un terreno que él ganó para la guitarra y nadie puede quitárselo, pero hoy aquí en youtube hay mil guitarristas que tocan mejor que él, con más gracia, con mejor sonido, obras más virtuosas. Es lo que pienso yo. Ayer mismo Jose María Gallardo ha publicado un Homenaje a Debussy maravilloso. Me encanta Thu Le, Ekaterina Puskarenko y alucino con Yamandu Costa, Antoine Boyer pero hay muchos, muchos
@@juandelacruz471 es cierto hoy hay infinidad de guitarristas extraordinarios yo mismo hice una lista acvtual de 140 mujeres guitarristas q son en su mayoria rusas y japonesas por otra parte sabia usted q jose maria gallardo fue quien le enseño a tocar el concierto de aranjuez a paco de lucia
Andres Segovia es MUCHO más que esta mera grabación. Esta grabación no le hace justicia por ningún lado, todo lo contrario; lo desacredita. Las interpretaciones de las piezas son buenas, pero la grabación y el sonido no. Artistas de la vieja escuela como Yepes, Segovia y Bream nunca han sido superados, es más, la nueva tradición guitarrística tiene mucho que aprender de genios como estos. Hace falta volver a los orígenes. El simple hecho de la existencia de guitarras tipo Smallman demuestra claramente que la tradición moderna de la guitarra se ha desviado y se ha descarrilado. El legado de los grandes que le dieron a la guitarra el renombre que tiene hoy en día se ha malinterpretado completamente. Qué pena que haya tantos interpretes con una gran técnica que sin embargo no dicen nada; qué pena que malgasten sus energías tratando de tocar legato, tratando que la guitarra suene como un piano con guitarras tipo Smallman, qué pena que no tengan sentido del ritmo, los acentos y la articulación tipo staccato que caracterizaba a la vieja escuela, qué pena que les gusten tanto compositores como Barrios, etc...
This work is by Manuel Ponce….Segovia said that he disguised as Scarlati because he desnn’t like a programme with to many works of one composer and he play to many pieces of Ponce..
ES CIERTO,LA TÉCNICA GUITARRÍSTICA A PROGRESADO MUCHO Y AHORA , LOS VIRTUOSOS ACTUALES PUEDEN SUPERAR TÉCNICAMENTE AL MAESTRO SEGOVIA PERO...EL SONIDO Y LA EXPRESIÓN ARTÍSTICA DE DON ANDRÉS ,AHÍ QUEDARÁ PARA SIEMPRE COMO UN EJEMPLO DEL ARTE MÁS REFINADO.
It's written by Ponce imitating the baroque style, but Segovia liked to deceive the public putting the name of old composers to pieces written by contemporary composers. Maybe to avoid possible prejudices from the public.
I think that being recorded not in a studio and with portable equipment in 1961 makes less than an ideal recording. Julian Bream and others have said it was an amazing guitar. Even on his recordings I don't think we get the true sound of this guitar. Some modern recordings of older guitars sound wonderful. (just my 2 cents....)
Luthiers struggle to get good highs in a classical guitar. Assuming that by metallic you mean the highs, that would be a good thing generally speaking.
+Julian It's not Hausser that sounds metallic. It's Segovia. And he sounds like that on every single guitar. His right hand position is 90 degrees against the strings. That gives you a cold, metallic sound. That's why I like the modern hand position more. It gives you much warmer sound.
After the show a great player who’s a fan, “Excuse me maestro, but why did you leave out so much of the gran solo?” All of the sudden a portal opens up and he gets sucked into oblivion.... HA!!!
It is hard to believe that the Scarlatti gavotte really is by Scarlatti. I have a notion, that Ponce might have written it - as a tribute to an earlier style.
Segovia didn’t have nice slender fingers like most guitarists have, but fat stubby ones. That proves that it’s not the size and shape of the fingers that counts the most in being an outstanding guitarist!
Here’s what someone who loves and cares for every note they play sounds and feels like.
My first time watching this guitar player
I couldn’t imagine such a perfection,
The best ever
es Segovia fue un capo de la guitarra clasica se tocatodo
@@rpaulette5436Se toca Todo menos al más grande de la historia, Agustín Barrios, al que incluso por envidia prohibió tocar a sus Discípulos
@@musicavariada6975
Как музыкант был прямолинейный в критике других и диктатор как педагог -- это то, что я о нём слышал кроме восторженности...
55лет назад он меня потряс и я начал фанатично осваивать инструмент..
За эти годы много изменилось и мое отношение к его игре.. Он был не без изъяна, но ВЕЛИКИЙ основатель ...
Grazie Maestro, il migliore di sempre, per sempre. Nessuno mai come Te.😮
Гений гитары!Рыцарь Гитары!Выдающийся музыкант,Артист с Большой Буквы!!!Культура исполнения -это высшее совершенство!Браво маэстро!!!❤
Cuatro comentarios sobran, para estar orgullosa de este español, poco conocido y reconocido. Yo de música desgraciadamente na!!. Pero oído tengo. Este hombre fue un genio que influyó en grandes músicos de todo el mundo
I never grow tired of listening to Segovia!!
Exelente ejecución muchas gracias por compartirla
Outstanding sense of counterpoint. Best thumb in classical guitar history!
Inigualable!!.💕
¡No es posible tanta perfección!
UN MAESTRO pienso q Andres Segovia fue el mejor guitarrista del mundo
Many know the maestro saw the guitar as a mini-orchestra..His amazing control of all the voices proves this..
Verdade
But at sometime ..you are ready. Let it go !!! Play!! So love that guitar 🎸
.
Il più grande di tutti i tempi!
Great quality! Thanks for this!
E sempre il numero 1 !!!
Thank you for posting this! I always enjoy listening to his playing, especially recordings I have never heard before.
Thank you very,very, much for posting this HE IS THE MASTER!!!!!
Pure expression and soul. Nobody comes close.
😂😂😂😂 Nadie se acerca?? Es verdad Barrios no solo se acerco lo paso por arriba, compuso 1000 veces mas que Segovia!!!
Very good original recording of the great master🎶👌🎶👌 A joy to listen. thx for posting
Thank you for this video; I just came across it. The quality is great which helps me study his technique.
This is legandary grandmaster level!
This is absolute raw Segovia.
Never a grimace or the slightest indication of difficulty whatsoever... amazing...much can be learned just by watching him play 🔥
eraaa muy seguro para tocar
What I find astounding for one of my generation (I'm 56) is the amount of negative criticism leveled at the man who single-handedly rescued the classical guitar from total obscurity. Yes, his sound is old-fashioned and romantic, but that is how musicians played in his day! Think of this. If it wasn't for Andres Segovia the guitar as a classical instrument would have remained a curiosity, like the ukulele. It was only played as such in private clubs, without nails, and without any respect from the classical community. The classical music scene's opinion was that the guitar, however charming, just didn't have the sonority to stand up and be heard in concert, and needed to be relegated, like the lute, to the past.
There was no 'scene' outside of Spain, where it was a very minor thing of the late guitar composer Francisco Tarrega club. There were no classical guitar concerts and no way to make a living as a classical guitarist; unless you could convince the classical scene that you were a curiosity worth subsidising for a concert. This is what he achieved; He rescued the classical guitar from obscurity and enshrined it as a concert classical instrument, as well as educating a follower base to the extent of starting a whole new musical scene. He single-handedly mobilised the musical public to the glory of his music and created a sensation. He definitely was the father of us all - in this John Lennon was absolutely right.
I'm not saying Maestro Segovia wasn't a concert classical snob and a classical guitar purist - he most definitely was - just think of his famous snub to the Beatles; apparently John Lennon opined in an interview that Segovia was the Daddy of us all, and when Andres Segovia was told this he noted that if this were the case he sadly had to admit that he couldn't remember the mother! To Wanda Landowska; the very great French/Polish harpsichordist, he stated that the harpsichord was a pointless instrument and past it's time, as it sounded like a piano with a cold!
Diplomacy was definitely not on his CV; but listen to his playing! I've just played this same video to a friend of mine who records Bach, Mozart and Brahms on piano (and beautifully!), and he's totally blown away, of course. Maestro Segovia played beautifully, he was a consummate artist, and together with Julian Bream the reason why the classical guitar is my first instrument. Of the early performing guitar virtuosos they where the most unique, and both in their own way willing to forgo convention for the glory of their music. It was Segovia who started playing with his nails when everyone else was using fingertip flesh only; and Bream who was musician enough to realise the wisdom of this and change horses in midstream. He subsequently had to face the same kind of wannabe envy criticism Segovia knew only too well when he reintroduced John Dowland's lute music and played it with nails on his reconstructed Renaissance lute ; because it sounded better to him that way.
I must admit that I value and love his vinyl recordings of Dowland and often play them; although they are also beautifully played by the more recent fingertip only crowd. Which of you chaps know that Fernando Sor was also of this persuasion and only played with fingertips! Fingertip only is more historically correct for lute and guitar; but I definitely concur with Segovia that nails are really necessary for a sonorous classical guitar tone.
Needless to say; I'm a fan of them both and they were both part of the reason why the guitar captured my heart. Thank you Neil Yonamine for posting this video. I can listen to and watch my old Maestro any time. I don't find anything unmusical about this recording, as it suits the more romantic approach of his times. Given the context of the culture he came from, he made quite a romantic splash with his guitar. As a guitarist and knowing the technical difficulties inherent in our instrument; you don't get to look down on the likes of the great Segovia unless you have at least matched his achievements. Just experience his legato - if nothing else; this isn't easy on the classical guitar!
Thanks to him Barrios was not allowed to be played by pupils in concert and he abandond the great Paraguayan from his masterclasses. We all know why: Barrios was a thread to this ego. Furthermore when it comes to interpretation, one can say that Andres is unique, but I hear Andres, not the music. It is a style of playing. Listen to Alicia de la Rocha play Granados, La Maya de Goya, see the score, hear the expressiveness and than play this guys' rendition. Furthermore he bullies his pupils, it must be played in his way, with his idiotic fingerings and changes. He even knew better then the great Villa Lobos how it should be played and how the composition should be. And another thing: when a woman plays, he is allways gentile, well after all he stays human, right, but I would say: different strokes different folks, I never felt the emotion in Andres' playing nor did I admire his aura, but some do, well do what you feel and think and write it down. And yes he has done a lot, but also destroyed a lot, so it may be...
No disrespect to the master but the way he chases Chapeldine out of a master class is shocking - it’s here on TH-cam- all because of the changing of the fingering.
@NASACrooks In what kind of crooked world Barrios music is popular music. Even if you play it on a Mandolin, the composition and structure is classical music. How is Mazurka Apassionata something for guitar begginers. Most of his pieces are above intermediate level.
On the other hand, Segovia only played the instrument, he didn't compose. Yeah he may have done a lot of groundwork for classical guitar recognition in classical music, but that's it. Barrios composed some of the finest, intrincate and most popular pieces for the instrument.
Well! All this and the 2 comments are quite an eyeful! Thanks to all for this chain of comment.
Thanks for sharing. We can learn so much from watching and 🎶listening
A recording with no mixing table, no sound engineering or correction, no reverb. And it still sounds. Why? - Segovia.
The famous flamenco maestro, Nino Ricardo, once said "To play flamenco the fingers must dance upon the strings". Maestro Segovia teaches us another understanding of what that means in that he writes to us with his guitar the pen and the music his paper. He says we are alive and we can celebrate it with every fibre of our beings, just hear it, it is there, follow it and you find it! Thank Maestro and thank you for sharing this exceptionally beautiful tv recording of a talent of all the talents.
Exactly, it is the soul of the classical approach, every note is a world on its own.
Thanks for sharing this very good document of the classical guitar
L'aisance de tout interprète quelque soit l'instrument dont il est le champion fait tjs plaisir à voir autant qu'à entendre.C'est le cas ici pour la guitare , c'était vrai pour Rampal pour la flûte , pour Pablo Casals pour le violoncelle , etc après il reste la modestie devant le génie , l'admiration devant les compositeurs , et le plaisir de l'écoute.
Como puede ser jac, que la guitarra alla influido tanto en la música, por que tantos y tantos genios de la música admiran a A. Segovia? Escuchale. Y no es francés.
@@claranotario5569merci de votre réponse amicale.Depuis les disques de vihuela da mano d'Hopkinson Smith , puis bien sûr ceux d'André Segovia , j'admire cette instrument et son message d'une âme espagnole .La barrière de la langue est ainsi contournée et cela est un grand pas vers plus d'humanité et de paix.
grazie per la condivisione di questo bellissimo documento.
THE GREATEST! Heard him live when he was 92. Mmmmm…..wish I could play like this!
Yup- have played a '54 Monch guitar from the same school/period of German guitar classical builders. Very light, exacting construction, loud, great separation, as if the guitar is ready to explode. You've got to play to these instrument to see what I mean...
Fantastic treasure this performance. Thank you.
Andre Segovia classic guitar style is the best
Thank you for uploading this!!
There are many great classical guitarists out there. I enjoy quite a few.
But Segovia will always be my favorite.
Fenomenal!!
Utterly beautiful.
I love how he drops those harmonics in there 🔥
An interesting truncated version of Sor's 'Gran Solo'. This is the first time I've seen the Ponce 'Gavotte' attributed to (A.) Scarlatti, too. All in all this is wonderful expressive playing!
El Maestro!
Magistral!
Бесподобно! Не знаю лучшего гитариста на Земле, чем Сеговия.
Мудрые слова мой друг! Привет из Коста-Рики
The first piece is from a suite that’s actually by Ponce though it was attributed to D. Scarlatti
#1 all-time guitarist period
😂😂😂😂😂😂😂 El N° 1 de todos los tiempos Se llamo Agustín Barrios y este Gran Guitarrista prohibio ser tocado por sus alumnos por pura ENVIDIA
It looks like he's playing a Fleta. If so, this was just after the '37 Hauser mishap, after which Segovia began trying out different concertizing/recording guitars: Fleta, Ramirez etc.
What was the Hauser mishap, please?
@@ChrisWrightOM1 Sometime in late 1961 or early '62, the 1937 Hauser suffered an accident in the recording studio when a microphone fell on it.. Segovia took it to Hermann Hauser ll for repair; his solution was to refinish the whole top. In retrospect, this was a bad move, because afterwards, Segovia claimed the guitar no longer sounded the same, particularly the high E string, which he said, seemed to have "died."
@@stddisclaimer8020 Thank you!
This is a Hauser II guitar! Not a Fleta.
@@excellenceinguitars3282 Wondering how anyone can tell the difference, in such a grainy/old film, between a Hauser II and Segovia's more famous 1937 Hauser I.
Beautifully done
How great to find this in my YT recommendations ! Thank you so much for uploading this amazing concert.
What a king
Very impressive performance and Segovia was the best classical guitar player of his time. I like his music very much. And he did also good transcriptions for the guitar.
I also play guitar but I have to practice a lot to reach his skills. All the best for all the music lovers and a great time. 😊
😂😂😂😂😂 Mucho mejor que Segovia fue Barrios y el prohibió que se toqué, por suerte su mejor alumno grabo un álbum con su música y le catapultó al Estrellato, lastima que ya no estaba, y ese Si Compuso. Segovia no compuso nada, solo un estudio, fue un gran guitarrista intérprete solo eso y arreglador, solo eso
I used to play the first piece. The Gavotte by Scarlatti but it was another arrangement in another key. I love Segovia. Very expressive performer in a time when the recording technology was not that good. I have to say this though, John Williams is the absolute best classical guitarist of all time in my opinion. His technical skills are flawless. But they're both amazing masters.
I got hooked on Segovia's playing in the early sixties, and went to see him performing in the Portsmouth (UK) Guildhall at about the same time. It was expensive for me, about half a weeks wages. My mates, and parents, thought I was mad to sit through an evening with the Master. I totally disagreed. What do you think?
Magnifico es el performante.
There is something in the playing of this man that always captivates me. I dont give a fuck to the momentary sloppiness. I always hear music in Segovia. And virtually every note-perfect player seems boring to me. The difference is in the most little details, definitely. Segovia is essential. People say that he is overcomed because there are people with better technique and blabla. If you think Segovia is overcomed and you dont listen to him and the old school you don't really know what the guitar is really all about.
Agree completely
Absolutely!!! Well said.
Segovia said this often: "Study music more than you study the guitar." The magic you hear is because Segovia is not trying to play the guitar. He is trying to play music. Also, those note-perfect players with excellent technique are standing on the shoulders of Segovia, who came before them all and worked out many of the issues the newer players never had to face in the same way because Segovia had already blazed the path for them.
@@The6pruz truth. My dad used to play Asturias a lot when I was a kid and it's what made me ask him to teach me so that's what he used as a template for teaching me scales, chords and left/right hand coordination. If I'm playing some sequence that mixes some hybrid picking with multi finger tapping and string skipping with some inside picking and sweep sprinkled in, while Andres might never think to play the same sequence in that style or even be able to, the only reason I can play that way is because I had him and his ilk as a template.
Nuances of musicality and timbers, he's the best. Profound knowledge of music that other players don't have at his level.
No one else plays like Segovia. Forget rock and country players. Theirs technique is completely different.
Sublime acords
I don't understand why this guitar looks smaller than the other guitars I see him play?
creo que es una Ramirez la que uso hasta que la cambio por una de un luthier aleman Hauser de nombre me parece
@@rpaulette5436yes, but it looks like a smaller scale length. I always thought Segovia played a 664 mm.
Maestro Segovia
Majestic,no less
Better than 2019 phone recording
Valeu Neil...que maravilha!!!!
Scarlatti....really? This Gavotte has been attributed to Dowland - who definitely didn´t write it....then to Ponce, which is somewhat more possible, as he could write in most styles and had that slightly nostalgic tone. What number would this piece have in Scarlattis production?
It was in fact written by Ponce...
Segovia was hoping that by attributing the piece to a more obscure composer, the general public would not question the credibility of it's origin and he could then "back fill" the catalog of guitar pieces from different time periods in history.
Imagine a time when this would be broadcast live on television.
A primeira música "gavotte" é de Alessandro Scarlatti pai de Domenico.
That gavotte is by Ponce, passing it off under the name of Alessandro Scarlatti.
What is a full name of second piece( sor)
Valeu Neil!!!
Arte siempre por encima del mal llamado "virtuosismo", lo verdaderamente difícil (en guitarra) es tocar despacio, que se oigan las diferentes voces y con sonido equilibrado según requiera el estilo de la composición, pocos después lo han logrado.
10:08 Estudo número 1.
Regognisable style of playing and sound.
Siii, hace orquesta con una guitarra, pelito de punta
Floating grace.
That's how its done son!
What caliber of strings does he play ? Does anyone know ?
9mm
@@moni426 Don't tell anyone else that . 9 mm you have a rubber band from one thing .
Black Augustine
Where does such knowledge come from? Yes, the thing is that, if, for example, Segovia had strings of medium tension, but judging by how pumped up his fingers were, Andres had fleshy ones, and even in this case they sounded, if necessary (when it was necessary), as loud as strings strong tension would not sound like the average guitarist. That's what I'm guessing now.@@Dan_Frechette_Songwriter
Grande!
This was in 1961 ???? Has Segovia ever been young at all ??
I wish you could see the photo I have of him as a lad of 15 in 1908.
Gavotte was written by Manuel Ponce
7:49 lol.. it looks like he’s wearing those glasses that have the flashlights built in! Which I had thought about getting a pair of so o could sight read better in low lighting situations.. ha
Grande Segovia
Yo creo que Andrés Segovia es a la guitarra lo que Chaplin al cine: un precursor imprescindible que abrió caminos por todo el mundo. Pero hoy se toca muchísimo mejor. Uno necesita adorarle de vez en cuando pero lo hace como un acto de agradecimiento arqueológico, para disfrutar más con el sonido hay muchos guitarristas en TH-cam.
no por cantar mas alto significa q se canta mas bonito
Me gustaría saber quién ha superado a Chaplin, y de la misma manera díganos quién ha superado a Segovia.
Yo no conozco a nadie que lo haya conseguido
Estoy de acuerdo en que son insuperables en su aportación, en su momento. Concretamente me parece mentira que en una sola vida Andrés Segovia fuera capaz de poner en pie toda la música que él sugirió y dio a conocer en las salas de concierto y en sus grabaciones, ese es un terreno que él ganó para la guitarra y nadie puede quitárselo, pero hoy aquí en youtube hay mil guitarristas que tocan mejor que él, con más gracia, con mejor sonido, obras más virtuosas. Es lo que pienso yo. Ayer mismo Jose María Gallardo ha publicado un Homenaje a Debussy maravilloso. Me encanta Thu Le, Ekaterina Puskarenko y alucino con Yamandu Costa, Antoine Boyer pero hay muchos, muchos
@@juandelacruz471 es cierto hoy hay infinidad de guitarristas extraordinarios yo mismo hice una lista acvtual de 140 mujeres guitarristas q son en su mayoria rusas y japonesas por otra parte sabia usted q jose maria gallardo fue quien le enseño a tocar el concierto de aranjuez a paco de lucia
Andres Segovia es MUCHO más que esta mera grabación. Esta grabación no le hace justicia por ningún lado, todo lo contrario; lo desacredita. Las interpretaciones de las piezas son buenas, pero la grabación y el sonido no. Artistas de la vieja escuela como Yepes, Segovia y Bream nunca han sido superados, es más, la nueva tradición guitarrística tiene mucho que aprender de genios como estos. Hace falta volver a los orígenes. El simple hecho de la existencia de guitarras tipo Smallman demuestra claramente que la tradición moderna de la guitarra se ha desviado y se ha descarrilado. El legado de los grandes que le dieron a la guitarra el renombre que tiene hoy en día se ha malinterpretado completamente. Qué pena que haya tantos interpretes con una gran técnica que sin embargo no dicen nada; qué pena que malgasten sus energías tratando de tocar legato, tratando que la guitarra suene como un piano con guitarras tipo Smallman, qué pena que no tengan sentido del ritmo, los acentos y la articulación tipo staccato que caracterizaba a la vieja escuela, qué pena que les gusten tanto compositores como Barrios, etc...
This work is by Manuel Ponce….Segovia said that he disguised as Scarlati because he desnn’t like a programme with to many works of one composer and he play to many pieces of Ponce..
Bravo! Impressionante!
ES CIERTO,LA TÉCNICA GUITARRÍSTICA A PROGRESADO MUCHO Y AHORA , LOS VIRTUOSOS ACTUALES PUEDEN SUPERAR TÉCNICAMENTE AL MAESTRO SEGOVIA PERO...EL SONIDO Y LA EXPRESIÓN ARTÍSTICA DE DON ANDRÉS ,AHÍ QUEDARÁ PARA SIEMPRE COMO UN EJEMPLO DEL ARTE MÁS REFINADO.
sono d'accordo con te Alfredo.
Nessuno può superare il Maestro Segovia, nè tecnicamente nè espressivamente.
@@robertotosini8160 muchos dicen que hay mejores pero escuachas a Segovia y sentis la musica es otra cosa
Who wrote the first piece? Ponce? I know, that he wrote in many styles.
It's written by Ponce imitating the baroque style, but Segovia liked to deceive the public putting the name of old composers to pieces written by contemporary composers. Maybe to avoid possible prejudices from the public.
15:28 HIS FRETBOARD IS ON FIRE!!! 🔥 🔥 🔥.. (lol)
❤😮🎉
The first guy to get bitten by the bug.
12:27 Romance de los Pinos
🤩
Solo con que se diga Andres Segovia esta todo dicho
13:32 make sure you mute all the strings when you adjust your low E so everyone can hear that Wood creaking there! 😂
I swear this guy was never young...he must've been born old, lol...seems one hardly ever sees the Maestro as a young man...great clip! 🔥
"oh Segovia" Ian Dury
Fernando Sor..not Fernandos Sor!!
That Hausser sounds very metallic. Segovia himself called it the best guitar in the world. I dont know why
This is not his historical Hauser's guitar, the 1937 one. It's definitely a Hauser, but not "that" Hauser: the rosette is different.
I think that being recorded not in a studio and with portable equipment in 1961 makes less than
an ideal recording. Julian Bream and others have said it was an amazing guitar. Even on his recordings
I don't think we get the true sound of this guitar. Some modern recordings of older guitars sound wonderful.
(just my 2 cents....)
Luthiers struggle to get good highs in a classical guitar. Assuming that by metallic you mean the highs, that would be a good thing generally speaking.
+Julian It's not Hausser that sounds metallic. It's Segovia. And he sounds like that on every single guitar. His right hand position is 90 degrees against the strings. That gives you a cold, metallic sound. That's why I like the modern hand position more. It gives you much warmer sound.
Classical guitar is difficult to record properly. It is almost always a different story when you hear it live in person.
After the show a great player who’s a fan, “Excuse me maestro, but why did you leave out so much of the gran solo?” All of the sudden a portal opens up and he gets sucked into oblivion.... HA!!!
It is hard to believe that the Scarlatti gavotte really is by Scarlatti. I have a notion, that Ponce might have written it - as a tribute to an earlier style.
Yes it was written by Ponce...
I wold have wished a better sound engeneer for this great player...better microphoning, a bit more room and reverb
Segovia tenía lo que otros no: "duende".
Segovia didn’t have nice slender fingers like most guitarists have, but fat stubby ones. That proves that it’s not the size and shape of the fingers that counts the most in being an outstanding guitarist!
3:16