Dino and Mick Thomson have the meanest right hands, in my opinion. Their downpicking speed is insane and takes ALOT of constant practice, you just have to play until it burns and keep going.
When I was learning as a teenager in the 90s, I would electrical tape my pinky finger to ring finger so my pinky could play power chords. Worked well to train it. Fast forward, Jeff Loomis sharp picks helped me sweep pick and have better attack!
What makes Dino so unique is not the speed of his picking, but how fucking tight his playing is. Some Fear Factory songs had 4, 6 tracks of the same riff and it sounds just like 1 single track.
@@Sphereal But having it sound like it was one single track and still expect that to bring some heaviness into the mix? That does not seem correct. I mean, what fattens it up is that there are actual differences between the tracks. Otherwise it would just be louder I guess, or perhaps suffer from phase issues and instead become weaker.
@@TheImprovisationsNot everyone stacks identical rhythm parts but there is value in doing it. It will give the rhythm guitars more presence and body in the mix. Back in the 90's they would layer identical rhythms as well as identical drum parts at times. A good example of how effective it can be is Metallica's self-titled. Whether you like the music or not, the production is pretty huge for the time. Bob Rock did a lot of layering. I think I remember hearing that they used like 8 rhythm tracks for Sad But True. Using 1 or 2 rhythm tracks and turning up the volume will not give it the same fullness and power in the mix, of course depending on your tones. With the wrong tones, stacking identical rhythms can just make your mix muddy. The playing has to also be extremely tight.
guitar tech at a store told me about this and since ive always thought and experimented with different sounds, especially with guitars there the pieces are made of bone, metal, plastic for the nuts because it vibrates different, same with the picks
Pick gauge really matters to me. I don't use anything beyond a 0.70mm anymore. (starting using that because Meshuggah used it in the their 7 string days, so I don't wanna hear about it being flimsy, it obvious ain't.) 1.0 and beyond dulls the grind I get out of my picking technique. I built up my picking speed and tightness by playing to Demanufacture everyday back then.
He has a good perspective because I see both sides. Personally I’m picky (pun) but I could see how someone wouldn’t car or really notice the tonal difference in different picks
Glenn Fricker would lose his $#!+ Over this but I agree, it makes difference. Not a huge one obviously, but it matters from different aspects and should not be overlooked.
Agreed, and Glenn's resume is ripping apart the audience that makes it possible for him to do TH-cam for a living and not much else. Dino has a real resume of accomplishments.
I'm going to swap my strings back to a lighter gauge after years of playing with at least a 52 bottom E, now at 56, and try that electrical tape trick.
"I just wake up and "trrrrrrr"" 🤣
Dino is a legend ❤
As well as being an incredible guitarist, you never get tired of listening to Dino talk.
Saw dino at the ormsby guitar factory here in Perth such a nice dude. And yep that picking hand is digital precise!
For me I just played along with fear factory riffs until I nailed it. Seriously. Dino did more for my right hand than porn hub
😂😂
Same dude, still my favourite stuff for fast picking/strumming
Hilarious🤣
❤❤❤ Gold comment award.
Dino and Mick Thomson have the meanest right hands, in my opinion. Their downpicking speed is insane and takes ALOT of constant practice, you just have to play until it burns and keep going.
dino is my fav guitarist. love the disruptor amp sim, great job jst.
As a teenager I used the first Divine Heresy album to practice my right hand technique
Picks are the most overlooked factor in shaping your tone, IMO. I will audition at least 10 picks before I settle on a tone.
My tone completely changed when i switched from jim dunlop .63 to the jazz 3 picks.
@@pattol666 even between different jazz 3 they sound different. the red ones sound nothing like the nylon ones and the tusq ones are super bright
Gray Dunlop nylons on NYXL strings is all I can fw
You couldn't be more correct.
When I was learning as a teenager in the 90s, I would electrical tape my pinky finger to ring finger so my pinky could play power chords. Worked well to train it. Fast forward, Jeff Loomis sharp picks helped me sweep pick and have better attack!
You’re the man Dino!
Dino is the man, huge influence!
Dino Cazares, true LEGEND! ☠️
Dino my homie! He’s an absolute killer musician! He’s very underrated!
"Different picks will give you different peaks of where you pick." Words to pick by. 😂
What makes Dino so unique is not the speed of his picking, but how fucking tight his playing is. Some Fear Factory songs had 4, 6 tracks of the same riff and it sounds just like 1 single track.
very much so.
Seems a bit unnecessary to have all those tracks then?
@@TheImprovisations Not at all: the heaviness stems from having different tracks of the same riff, recorded through different setups.
@@Sphereal But having it sound like it was one single track and still expect that to bring some heaviness into the mix? That does not seem correct. I mean, what fattens it up is that there are actual differences between the tracks. Otherwise it would just be louder I guess, or perhaps suffer from phase issues and instead become weaker.
@@TheImprovisationsNot everyone stacks identical rhythm parts but there is value in doing it. It will give the rhythm guitars more presence and body in the mix. Back in the 90's they would layer identical rhythms as well as identical drum parts at times. A good example of how effective it can be is Metallica's self-titled. Whether you like the music or not, the production is pretty huge for the time. Bob Rock did a lot of layering. I think I remember hearing that they used like 8 rhythm tracks for Sad But True. Using 1 or 2 rhythm tracks and turning up the volume will not give it the same fullness and power in the mix, of course depending on your tones. With the wrong tones, stacking identical rhythms can just make your mix muddy. The playing has to also be extremely tight.
Dino is a great dude 😊
Love Dino's technique and tone. His puhllllllllls are legendary 😂
This is gold!! 😊
If you want a super bright/sharp tone try a banjo pick! Made of metal and it’s super crisp sounding- but it wears the strings out much quicker
Yay Dino!
Loved this shark pick rules.
I use those purple Jim Dunlop 2mm Big Stubby picks on guitar and the 3mm on bass! Best picks in the world!
Jazz picks for the win. Nothing else quenches the tone thirst
His tone in Digimortal sounds like it's popping out of the speakers and punches you in the face!
Now I HAVE to try this weight on the wrist thing!
Legend.
guitar tech at a store told me about this and since ive always thought and experimented with different sounds, especially with guitars there the pieces are made of bone, metal, plastic for the nuts because it vibrates different, same with the picks
88 mil. Dunlop sharps ftw!!!!🤘
Pick gauge really matters to me. I don't use anything beyond a 0.70mm anymore. (starting using that because Meshuggah used it in the their 7 string days, so I don't wanna hear about it being flimsy, it obvious ain't.) 1.0 and beyond dulls the grind I get out of my picking technique. I built up my picking speed and tightness by playing to Demanufacture everyday back then.
I cant use a flimsy pic....I need atleast 1.0-1.5....Jazz IIIs all the way!
I totally agree man. I play with 0.48 mm picks and thinner picks definitely give more clarity and "twang"
dunlop flow 1mm is the best pick, sharp point with a roundish side, so you get the speed and the clarity both
Saw him in the 90's in mtl. He looks like he wasn't barely moving and sound was effing aggressive and tight.
He has a good perspective because I see both sides. Personally I’m picky (pun) but I could see how someone wouldn’t car or really notice the tonal difference in different picks
The Master Roshi method 🔥😂
Tried playing Demanufacture..... now I'm here
Dino is the man!
Oh wow... Ankle weights on his wrists. Now that is extreme training.
👍
Can someone please tell me what song it is that’s playing in the background while Dino is speaking? Sounds badass
What’s the background music?
Dino Cazares - Roboticist - It's a new song he made using the 'Disruptor Toneforge' guitar plugin
Darude - Sandstorm
Alguien pase ejercicios para tomar esa velocidad de dino en la guitarra
- What's your secret for speed, Dave?
- Colombian man, pure colombian
Ultex sharp ftw
Does he ever play solo's?
Glenn Fricker would lose his $#!+ Over this but I agree, it makes difference. Not a huge one obviously, but it matters from different aspects and should not be overlooked.
Agreed, and Glenn's resume is ripping apart the audience that makes it possible for him to do TH-cam for a living and not much else. Dino has a real resume of accomplishments.
Glenn Fricker loses his shit over everything. He's an angry old ballsack
I'm going to swap my strings back to a lighter gauge after years of playing with at least a 52 bottom E, now at 56, and try that electrical tape trick.
Lord, don’t use electrical tape. Use a gaffer tape or even some monkey tape for grapplers. Electrical tape has nasty adhesive
This is the first time Ive heard someone talk about pics and then mention the WAVs to support. Interesting....
There are plenty of videos about this (some from URM Academy i think) already.
ahh the Rock Lee method
That's what gene Hogland does but with his feet xD
DaFuK ?!!?
The pick that appeared when the Dino spoke is not the sharp model. Sharp model it's very pointy.
First
Could you imagine if he would've used those weights for their intended purpose
Why are you even talking when you have nothing relevant to say?
@terry84mar : Could you imagine if you didn't make fun of overweight people ?
Would be awesome.
Dino was really out there in his early days wearing Saiyan weighted clothing to improve his strength and speed.
0:47 i thought only drumners use it