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PAGANINI, Caprice n°24 in A minor / Fondation Singer-Polignac (Adélaïde Ferrière)
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- เผยแพร่เมื่อ 3 ธ.ค. 2020
- Adélaïde Ferrière performs her own arrangement of the famous "Caprice n°24" by Niccolo Paganini at the Fondation Singer-Polignac
www.adelaideferriere.com
adelaideferriere
adelaideferriere
A_Ferriere
Adélaïde is a Yamaha Artist and a Kolberg Mallet Artist
Piece : "Caprice n°24 in a minor"
Composer : Niccolo Paganini
Performer : Adélaïde Ferrière
Arranger : Adélaïde Ferrière
The single of this arrangement has been released by Evidence Classics on all streaming platforms
Production : Jean-Philippe Leclair
Label : Evidence Classics
Sound Engineer : Julie Grisel
Instrument : Yamaha 5100-A
Mallets : Jasmine Kolberg Red Solo 1
Location : Fondation Singer-Polignac, Paris
Hair Styler : Alexandre de Paris
Special thanks to the Fondation Singer-Polignac, Denis Mancaux, Yamaha Music Europe, Yamaha Music USA, Kolberg Germany
Love the transcription, and your paying is divine!
It's become so refreshing to hear music played on the marimba. No gimmicks, no outside silliness on the bars - just music. Thank you.
Great transcription and performed beautifully
Love your phrasing!
Très beaux les passages virtuoses joués piano, c'est sans doute plus difficile que de marteler forte.
Sublime 🤩 🎶
Merci Adélaïde 👏
What a talent!!! Wonderfull playing!!
~Another great performance!
Incredible arrangement, beautifully played. Congratulations!
*Vraiment bravo.*
Salut
Awesome arrangement and the playing is so good it is stunning.
Bonjour Madame,
C'est magnifique ce que vous jouez ! Dans mon pays, "la marimba" est toujours présent dans nos événements festifs.
👏🏻 Bravo!
Very good but camera is moving too much and distracting.
...................
Kann ich bitte eine Note haben? ! ! !
Beautifully played, but what a bloody stupid bit of video editing which ruins the experience.
Music, arrangement, playing are all great....unfortunately the camera work is something else. It must be a 12yr old with ADHD who thinks that constant movement of camera position and focus is necessary to prevent us from losing interest. As if the music by itself is insufficiently interesting.
I've come back to this by accident and my original observation - which I'd forgotten making - hit me with renewed force. The musicality is outstanding (though cannot quite displace Itzhak Perlman)...and the editing is EVEN WORSE than I thought. Would that this had been a low budget operation that placed a cheap camera on a tripod and just pressed 'Go' and then published it raw....it would have been perfect!