“REBONDS B” - by Iannis Xenakis (performed by Adélaïde Ferrière)
ฝัง
- เผยแพร่เมื่อ 14 ม.ค. 2022
- Kolberg Artist Adélaïde Ferrière performs “Rebonds B” by Iannis Xenakis (1922 - 2001) - recorded 2021 at Kolberg Percussion in Germany performed on Kolberg instruments and stands.
For more information about the instruments, mallets and stands, please contact us directly or use the comments.
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THE PIECE
"Rebonds B" is a composition for percussion solo by the Greek composer Iannis Xenakis. The work was composed between 1987 and 1989. He dedicated the composition to the percussionist Sylvio Gualda, to whom he also dedicated other works such as "Komboï".
The work "Rebonds" is divided into two independent movements, "Rebonds A" and "Rebonds B". However, Iannis Xenakis himself explicitly stated that the order of the movements is free. Rebonds is the composer's only solo work for percussion apart from "Psappha". He relied on mathematical principles in the composition.
The work has increasingly established itself as an elementary part of the solo, concert and competition literature.
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ADÉLAÏDE FERRIÈRE
As winner of 15 awards in France and abroad (France, Austria, Netherlands, USA), Adélaïde Ferrière was the first percussionist ever to be named one of the "24èmes Victoires de la Musique Classique".
Her concerts and guest appearances at festivals have taken her to stages all over the world - from Paris or Monte-Carlo to Dublin, Colombia or Latvia. She has been described as a "star of classical percussion" by Radio Classique, for example, and „The Times" is delighted with the "impressive flair" of her music.
Adélaïde Ferrière is an official Kolberg Artist and impresses with extraordinary performances also on TH-cam:
/ adélaïde ferrière
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KOLBERG PERCUSSION
Percussion instruments and orchestral equipment for world-class sounds - this has been the passion of the German manufacturer for over 50 years.
In addition to a globally unique portfolio of percussion instruments and mallets made in-house, Bernhard Kolberg developed the "combination stand system", which is still unique today and allows multi-percussionists and orchestral percussionists to combine instruments tailor-made for every occasion and every work.
Customers include the world's most prominent soloists, orchestras and colleges.
More about Kolberg Percussion: www.kolberg.com/en/
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THANKS TO
Audio by: adrian-von-ripka.com/
Video by: www.philo-media.de/
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Gefördert von der Beauftragten der Bundesregierung für Kultur und Medien:
www.kulturstaatsministerium.de - เพลง
Απίστευτη εκτέλεση!!! Μπράβο✨👌👏👏👏
SUPREME PERFORMANCE!!
I love the "darbouka"-esque sound in the bongos, wonderful middle eastern effect. Beautiful composition and wonderful execution and interpretation by Adélaïde!
Υπεροχο Εξοχο και ως χορευτικό ❤
Wow she was in the zone .... truly amazing ❗
Wow!
This is what makes social media great🔥
Brava!! 👏👏👏
Very nice performance. Thanks for sharing!
one of the best ones i’ve heard!
I agree!
Air. The lady lets there be air in her performance- breathes energy an interest. I love it.
Excellent performance!
Thank you for coming to Xalapa ❤
Bravo !!!!
Et quelle majesté se dégage de la concentration de cette femme !
The amazing dexterity..... sublime!!!
Nice!
Strange how people will hate «atonal» music played on a piano, but have no problems listening to a piece for unpitched percussion.
i'll bet that some people dislike music for unpitched percussion
Studies for multipercussion are not unpitched, you should know a little more about percussive language.
Even more fascinating is that people understand contemp music used in film but not when they hear same in concert hall.
Magnifique ! Très très belle composition magnifiquement rendue ! Les différentes sonorités des instruments sont très parlantes ! Bravo au compositeur et bravo à Mlle Ferrière !
French touch ✨️
@@kolbergpercussion Thanks you for your comment ! Xenakis has choosen to come in France, and has composed a lot of music ! Always innovative ! And percussions are a great part of his work. Always a challenge for musiciens !
Great sound!
Génialissime !
Great playing! Aloha from Hawaii.
Bravissima!!
Made my day! Thanks
Wahooo absolument incroyable !!! J'adore
Nice one! 🔥
Très belle interprétation et super technique !!!
Bravissimo!
Album available here: lnk.to/Adelaide_Contemporary
3:04
Incredibly wonderful delightful
Absolute Perfection! Thank you!
that is the biggest, juiciest tom drum i've seen, i need it in my life
Lovely
ce n'est plus de la percu, c'est du kung-fu. Bravo !
awesome
So fire 🔥
Amazing!!
me gustaria ese lugar lleno de instrumentos musicales para vivir ❤ 😊 y su musica es la "banda sonora" ideal
Чудово! Дуже подобається!❤
Perfekt
Magnifique❤
Soooo cool ❤
💥💥💥
Merci, c'est merveilleux
Wow! Never knew about this piece until now, and it got me so many ideas! Could not stop thinking about writing some distorted guitars over it. :P
Just excellent!
Thank you
Thanks to you!
génial 🙂
Adelaide slayed
This is wonderful
Man, I see you everywhere - Cool jem are you gonna get a pia?
Musical like singing.
amazing. congratulaions.
Thanks for your comment, she is so impressive!
Amazing player!!!! Does anyone know the model of the mallets she is using?
Rar!
Shes pretty fckn impressive great job
Find her ...she is great playing.
What mallets are you using? Great performance!
Thanks a lot! He used the 812 R (Rattan) mallets:
kolberg.com/en/Multi-percussion-mallets-plastic-material-1-812/812
Make sure you get the long version 🙌🏻
Welche Mallette benutz sie?
Scramble all Vipers, Cylons incoming!
I love this entire performance! Except for one minor MINOR thing: The uncoated Tom head just really stuck out to me - it sounded so out of character with the rest of the drums. And all the other drums had either a coated/synth calfskin heads, that sounded GREAT. The uncoated just didn't make much sense to me.
That would be the only thing I'd change, otherwise, one of the best I've heard!
GOES well WITH beethoven PATHETIQUE movement ZWEI
Doesn't remind me of Xenakis, but I don't know everything he wrote.
Excellent performance / choice of timbres and ambience ( not too dry which is always terrible for percussion !)
la musique percussive comme celle là demeure trop inconnu .
Nice!