❤ Thank you once again. Great warm ups. Feuillard “Jr.” - great etudes! And thank you for your candor sharing warm up 5. This is a part of my life I need to improve and hearing how it helped your playing and practice is inspiring.
Hello Ilia, Of course I enjoy your vidéos. After three years of practice, I have difficulty with the bow direction. Thank you so much for your advises. José.
Olá Iliaa, tudo bem?? Sou Brasileiro e admirador do seu trabalhoo, dicas e principalmente sua forma de transmitir o seu conhecimento👏🏻👏🏻 Mas infelizmente a tradução do TH-cam para o português falha bastante e ñ consigo entender seus vídeos sobre dicas de estudos, exercícios, articulações etc... Seria uma honra um dia poder contemplar um vídeo seu em português🙏🏻🤝🏻 e na medida do possível vamos tentando entender e colocar em práticas suas dicas aqui! Parabéns, acredito q com esses vídeos está ajudando muitos violoncelistas👏🏻
This is sort of an advanced question, but what is the point of warming up ? What happens if you don't? I see you use Feuillard to warm up, is all this just a waste of time? Can't you just jump right into the piece you are working on and warm up by using a light bow and going slow, then let the bow pressure increase as well as tempo as the time goes by? My hands tend to cramp up, when playing something like the Prelude from 5th suite, my hands really hurt, so much I can't always make it through the entire piece, I feel I don't have hand muscle endurance. I don't know if I must warm up like you explain if it will work, gonna try it out!
Im surprised it’s taken a year for anybody to reply, but the way I see it, and have been taught, there are 2 main reasons for warming up. The first one is because both practicing and playing are physical actions and can take a lot of energy and physical work. Certain types of warmups like finger agility are to get your body started moving, like how an athlete would stretch their muscles. The second main reason is so the player has a good way to isolate and focus solely on basic technique & fundamentals before starting a session. The second main reason is to use warmups as a way for the player to go through easy motions with every muscle except the focused group. Common exercises like this are open strings (focus on right hand), shifting exercises (focus on motion of the left arm while shifting), or moderately slow scales (can be versatile, player can shift focus on whatever is important like posture, tension, or either hand shape). There is a third secret reason that my current professor like to joke about but also holds some truth. “If you play all of your warmups, do all of the techniques and all of the scales, then you will have played every note on the cello. Now your repertoire will be so easy you’ve already played it, just with a random order” I may have rambled a bit and maybe some of this you’ve learned by now, but I hope this gives some good insight
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🎻 BOOK YOUR ONLINE CELLO LESSON WITH ME!
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Thank you so much, your insights and experience is just priceless, and so, so helpful. Best wishes
This is really great :) Thank you☺️
Thank you so much! I enjoy a lot your videos! You are a great musician! 😃
아니. . 첼로댁님!! 🥰 여기 계셨다니요!
Great points, one and all!!
Many thanks!
❤ Thank you once again. Great warm ups. Feuillard “Jr.” - great etudes! And thank you for your candor sharing warm up 5. This is a part of my life I need to improve and hearing how it helped your playing and practice is inspiring.
You are the best teacher !!
Great video! I am proud of myself I do 1,2,3 and 5 already everyday. No 4 is a new insight for me and very inspiring! Thanks en groetjes!
Dankje Barbara! No. 4 was the reason that I created this video! It’s also a new insight for me 😁 Hopefully see you soon in The Netherlands!
@@IliaLaporevcellist yes that would be awesome! Keep me posted!
Hello Ilia,
Of course I enjoy your vidéos.
After three years of practice, I have difficulty with the bow direction. Thank you so much for your advises.
José.
Always great hints !!!👏🏻👏🏻👏🏻
Muito obrigado Luis! Ótimo final de semana!
Thank you so much for sharing this! Really helpful :)
You are welcome!
i lovo your tips... i'm studying with you every single day
Thank you so much! Glad to be your virtual teacher!
Thank you for sharing your tips !! 😍
You are welcome! 😊
Thank you for sharing this precious information
You are welcome!
These are most helpful!
🙏🏻🙏🏻🙏🏻
Excellent! 👍
Me encantan tus vídeos, muchas gracias!
Gracias a ti Andrés!
Very nice, thanks 🎶🌸🎻
Wow! I love it! 😍🥰
Thank you my friend!!
Olá Iliaa, tudo bem??
Sou Brasileiro e admirador do seu trabalhoo, dicas e principalmente sua forma de transmitir o seu conhecimento👏🏻👏🏻
Mas infelizmente a tradução do TH-cam para o português falha bastante e ñ consigo entender seus vídeos sobre dicas de estudos, exercícios, articulações etc...
Seria uma honra um dia poder contemplar um vídeo seu em português🙏🏻🤝🏻 e na medida do possível vamos tentando entender e colocar em práticas suas dicas aqui!
Parabéns, acredito q com esses vídeos está ajudando muitos violoncelistas👏🏻
Opa, amigo. Brazuca aqui também. Realmente, a didática dele é excelente. Bons estudos para todos nós.
Very useful, as always!
Thanks Natali!
Thanks 👏🏻👏🏻👏🏻
You are welcome! De nada!
What is the recommended amount of time to complete this regimen of exercises?
5:16
Cossman? That's part of my practice routine whether I like it or not.
Cossman is the man! I also use him daily, but somehow he isn’t in my top 5, in the top 10 for sure! Next time I will mention good old Cossman ;)
This is sort of an advanced question, but what is the point of warming up ? What happens if you don't? I see you use Feuillard to warm up, is all this just a waste of time? Can't you just jump right into the piece you are working on and warm up by using a light bow and going slow, then let the bow pressure increase as well as tempo as the time goes by? My hands tend to cramp up, when playing something like the Prelude from 5th suite, my hands really hurt, so much I can't always make it through the entire piece, I feel I don't have hand muscle endurance. I don't know if I must warm up like you explain if it will work, gonna try it out!
Im surprised it’s taken a year for anybody to reply, but the way I see it, and have been taught, there are 2 main reasons for warming up. The first one is because both practicing and playing are physical actions and can take a lot of energy and physical work. Certain types of warmups like finger agility are to get your body started moving, like how an athlete would stretch their muscles. The second main reason is so the player has a good way to isolate and focus solely on basic technique & fundamentals before starting a session. The second main reason is to use warmups as a way for the player to go through easy motions with every muscle except the focused group. Common exercises like this are open strings (focus on right hand), shifting exercises (focus on motion of the left arm while shifting), or moderately slow scales (can be versatile, player can shift focus on whatever is important like posture, tension, or either hand shape). There is a third secret reason that my current professor like to joke about but also holds some truth. “If you play all of your warmups, do all of the techniques and all of the scales, then you will have played every note on the cello. Now your repertoire will be so easy you’ve already played it, just with a random order”
I may have rambled a bit and maybe some of this you’ve learned by now, but I hope this gives some good insight
Ahh..listen to those heavenly overtones just ring when you draw your long tones..
Exhalation Voices distract unfortunately
Why do you broke your wrist? Looks pretty awkward
Broke my wrist? When? lol