My respect to you and to all who tries to make cello technic more understandable. Concerning shifts there is a golden rule I have learned from my teacher Lev Evgrafov in Moscow Conservatory - the shifts should be done in that TEMPO in which you are playing. This rule can sound at first a bit abstract,but it is actually very applicable and useful. Just imagine you make a shift in Swan and in any fast passage like opening of the second movement of Prokofiev 's Concertante - it should be obviously very different speeds by making position changes. But I agree generally,that in scales it is better to do shifts a bit faster than the tempo is.
This is fantastic to hear! I never would imagine that a little scale lesson could help even bass singers! By the way, my favourite one: bass! When I was a teenager, I used to sing in choir and always as bass. It rocks!
@@IliaLaporevcellist Tx Ilia! So cool to hear from you. Yes, our current music director said "I want you guys to sound like Cellos", so I'm studying cello theory and techniques. (We're working on R. Thompson's "Frostiana") There is a discipline to translate the technicalities from one instrument to the analogies of another (here, the diaphragm and the voice). "Equal bowing" -- proper and strong breath control. etc etc. I guess I could write a small treatise on the parallels.
Muchas gracias Leonardo! I like a lot the book by Wells Cunningham, of course there are a lot of books, but me personally I like ‘The Art Of Scales’ most! See you soon!
@@IliaLaporevcellist Its a pleasure. By the way! Dont forget "cello mind" by Hans Jorgen Jensen ;-) Ist a very practical ans amzing work for Intonation. Hasta pronto!
Ещё один совет и Вам Илья! Техника игры гамм должна быть унифицирована в левой руке для быстрой смены позиций, особенно начиная с 7 позиции, и в этом случае унификация движения левой руки при смене позиций выше 7 решает проблему интонации, а это главная задача, скорость, звук и ИНТОНАЦИЯ! Если работать в этом направлении, где должно быть минимум лишних движений и максимум результат, то время для достижения безупречного исполнения гамм будет минимальным, а это есть главное во всём!
Thanks!! Your lessons are so helpful 🥰 I noticed my left fingers were weak….that’s why my position change wasn’t beautiful. I appreciate if you make lesson video for beginner like this. I can’t wait to watch your lesson again. Love From Japan🎼
Thank you! I definitely will make a video specifically for Beginners! Do you want me to make a video about scales for Beginners, or something else? Love from Brazil! 🎼
@@IliaLaporevcellist Thank you!! I’m struggling with bowling😭 For example, I can’t change from D string to A string. Sound is not beautiful. If you have time, please how to change bow between strings . One more thing, please teach me how to use right thumb. (Sorry my poor English. I hope you can get what I want to say💦) I learned a lot how to use left fingers from your lessons. I’ll practice! Love
Ar dic U laded fingering? Ar - TIK -u - LATE - ted fingering. means the FINGER GETS to BEGIN the note by pounding hard enougn on the string as it lands to CREATE STRING VIBRATION BEFORE the BOW changes direction. This allows the bow to begin ITS new vibration speed on a string that is already resonating. The bow must be capable of changing the vibration of the stick with. EVERY pitch, so if the left hand will START the VIBRATION. PRIOR. to the arrival of the bow hair, then cleanliness results. This fellow moves his left hand very beautifully because in HEARING the pitch that he desires, his trained hand will GO to the note. Helping that, he KNOWS the name of the note that he is seeking: You cannot find, except by dumb luke, a note that you can't read or don't remember. KNOW the name of the note you want, HEAR the pitch, and ALLOW your LEFT Hand to get there before the BOW. ARTICULATE THE NOTE by firm finger pressure and/or a bit of finger pounding!
Илья! Время не в пользу вашего метода, самое ценное для всех результат с минимумом усилий и потраченного времени, есть более совершенный метод, я Вам могу засвидетельствовать это, он уже апробирован мною и моими коллегами виолончелистами.. С УВ.А.S
THE ART OF SCALES. BY. WELLS C U N N I N G H A M. Remember to Practice slowly to learn it fast. Clearly A R T I C U L A T E D speech input a l l o w s for clearly understood and comprehended o u t p u t. -roughly quoting Noam Chomsky.
🎻 BOOK YOUR ONLINE CELLO LESSON WITH ME!
www.laporevilia.com/online-cello-lessons
My newest Mantra thanks to you "no lazy fingers for shifts" 🤓🤓🤓
He he he he he 😃😉
My respect to you and to all who tries to make cello technic more understandable.
Concerning shifts there is a golden rule I have learned from my teacher Lev Evgrafov in Moscow Conservatory - the shifts should be done in that TEMPO in which you are playing. This rule can sound at first a bit abstract,but it is actually very applicable and useful. Just imagine you make a shift in Swan and in any fast passage like opening of the second movement of Prokofiev 's Concertante - it should be obviously very different speeds by making position changes. But I agree generally,that in scales it is better to do shifts a bit faster than the tempo is.
God I love this guy! I'm a singer, a Bass, and this helps me!
This is fantastic to hear! I never would imagine that a little scale lesson could help even bass singers! By the way, my favourite one: bass! When I was a teenager, I used to sing in choir and always as bass. It rocks!
@@IliaLaporevcellist Tx Ilia! So cool to hear from you. Yes, our current music director said "I want you guys to sound like Cellos", so I'm studying cello theory and techniques. (We're working on R. Thompson's "Frostiana")
There is a discipline to translate the technicalities from one instrument to the analogies of another (here, the diaphragm and the voice).
"Equal bowing" -- proper and strong breath control. etc etc.
I guess I could write a small treatise on the parallels.
I say this on every one of your videos but your channel is the Best! So very helpful, amazing content. Thank you!! 🙏😊
I don’t mind at all that you say this on every video!! 😃 Thank you so much!! 🙏🏻🙏🏻
Thanks for the great lesson and for the tipp about the book of The Art of Scales by Wells Cunningham! See you soon!!
Muchas gracias Leonardo! I like a lot the book by Wells Cunningham, of course there are a lot of books, but me personally I like ‘The Art Of Scales’ most! See you soon!
@@IliaLaporevcellist Its a pleasure. By the way! Dont forget "cello mind" by Hans Jorgen Jensen ;-) Ist a very practical ans amzing work for Intonation. Hasta pronto!
Thanks for the portuguese subtitles!!
De nada! Mas é Kaisuky que faz as legendas para mim! 🙂
My wife has ptsd from my scales playing. She told me to turn off your video as she can't take it any more lol. Awesome
Fantastic! Love it when we can annoy our wives loool!
Ещё один совет и Вам Илья!
Техника игры гамм должна быть унифицирована в левой руке для быстрой смены позиций, особенно начиная с 7 позиции, и в этом случае унификация движения левой руки при смене позиций выше 7 решает проблему интонации, а это главная задача, скорость, звук и ИНТОНАЦИЯ! Если работать
в этом направлении, где должно быть минимум лишних движений и максимум результат, то время для достижения безупречного исполнения гамм будет минимальным, а это есть главное во всём!
Welcome back our amaizing tutor!! 🔥🔥🔥
Oh yeah! 😃
Boa noite obrigado excelente aula Deus te abençoe grandemente nesse projeto de ensino.
Muito obrigado e que Deus te abençoe igualmente! Ótimo fim de semana!
Amém
Thanks!! Your lessons are so helpful 🥰
I noticed my left fingers were weak….that’s why my position change wasn’t beautiful.
I appreciate if you make lesson video for beginner like this. I can’t wait to watch your lesson again.
Love From Japan🎼
Thank you! I definitely will make a video specifically for Beginners! Do you want me to make a video about scales for Beginners, or something else? Love from Brazil! 🎼
@@IliaLaporevcellist Thank you!!
I’m struggling with bowling😭 For example, I can’t change from D string to A string. Sound is not beautiful. If you have time, please how to change bow between strings .
One more thing, please teach me how to use right thumb.
(Sorry my poor English. I hope you can get what I want to say💦)
I learned a lot how to use left fingers from your lessons. I’ll practice!
Love
So helpful as usual. Thank you so much!
Dankje Claudett! Very glad you found it useful!!
Poderia fazer alguns videos em portugues ha muitas pessoas q precisam dessas dicas assim como eu.
Always precious tips !!!👏🏿🙏🏿🌷📚🎶
🙏🏻😊🙏🏻
Great Video, love the part about even distribution and bow speed, so important.
Thank you so much! Oh, there are so many more things I could say. But who wants to see my face for hours? 🤣
@@IliaLaporevcellistplease make a video thats an hour long about rococ variations
Thank you!
You are welcome! Thanks!
Thank you very much for the video !!
You are welcome!!
Excellent advice and clearly explained and demonstrated by playing in both the good vs bad way!
Thank you! Hope it was helpful!
Yo tambien busco la afinación como lo hiciste! 👏👏👏
Great.
Thanks!
good ideas thanks!
You are welcome!
Good video lesson for cello scale!!! Thank you!!!
Thank you! Hope you found it useful!
Very helpful 🙏 thank you so much
You are welcome! Glad you found it helpful!
Request--Would love to hear you go over some of the cello parts in Mahler 2, 1st mvmnt.
Thanks for your request! And a great one too! Do you have some specific parts in mind? Because it is a very long mouvement ;)
@@IliaLaporevcellist Oh yes, that is true, just the expositoion, theme one.
Also, how about the Lion from Carnival. That chromatic run. Thanks. Dylan
Gotcha! 👍🏻
Bonjour merci c est un super cours ,quelle sont vos cordes larsen soliste ou médium, spirocore wolfram?
Merci beaucoup! Les cordes que j’utilise sont: corde La et Re: Larsen Soloist (Medium), corde Sol et Do: Spirocore Wolfram!
Hi Ilia, do you still think that this the best book for scale playing?
I think speaking english with a foreign accident helps when trying to play cello.
Ar dic U laded fingering? Ar - TIK -u - LATE - ted fingering. means the FINGER GETS to BEGIN the note by pounding hard enougn on the string as it lands to CREATE STRING VIBRATION BEFORE the BOW changes direction. This allows the bow to begin ITS new vibration speed on a string that is already resonating. The bow must be capable of changing the vibration of the stick with. EVERY pitch, so if the left hand will START the VIBRATION. PRIOR. to the arrival of the bow hair, then cleanliness results. This fellow moves his left hand very beautifully because in HEARING the pitch that he desires, his trained hand will GO to the note. Helping that, he KNOWS the name of the note that he is seeking: You cannot find, except by dumb luke, a note that you can't read or don't remember. KNOW the name of the note you want, HEAR the pitch, and ALLOW your LEFT Hand to get there before the BOW. ARTICULATE THE NOTE by firm finger pressure and/or a bit of finger pounding!
Luckily, I have perfect pitch, it’s just my bowing sucks. Must be so hard for the master to demonstrate rookie mistakes.
Илья! Время не в пользу вашего метода, самое ценное для всех результат с минимумом усилий и потраченного времени, есть более совершенный метод, я Вам могу засвидетельствовать это, он уже апробирован мною и моими коллегами виолончелистами.. С УВ.А.S
THE ART OF SCALES. BY. WELLS C U N N I N G H A M. Remember to Practice slowly to learn it fast.
Clearly A R T I C U L A T E D speech input a l l o w s for clearly understood and comprehended o u t p u t. -roughly quoting Noam Chomsky.
linguist Stephen Krashen, not Chomsky..