Why I prefer 35mm over 28mm in Street Photography
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- เผยแพร่เมื่อ 8 พ.ค. 2024
- Today i want to talk about the differences and similarities, the pros and cons of 28mm and 35mm (eqvivalents as using APS-C cameras) in Street Photography. I will be using the Fuji XT4 with the Voigtländer Color Skopar 18mm F1.8 and the Fuji x100v. Join me on my stroll through Berlin to discover your future favorite focal length!
My last video about Zone Focus as mentioned in the video:
• Mastering manual focus...
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I am Oliver, a Street Photographer from Germany with a big love for Italy - mainly Turin. But i am a passionate traveller as well - check out my website krumes.com for photos i´ve made on my journeys to Tokyo, New York, Paris, London, Myanmar, Vietnam or China. I´ve been shooting Street Photography (on Fuji x100v and XT4, Ricoh GR3 and Sony A7CR2) for nearly 20 years now. In 2016 i started to teach Street Photography workshops. I had solo and group exhitibions in Germany, Austria, Hungary and Italy, published my first Street Photography book "Immerse light, embrace shadows" last year and was juror for international photo contests. This channel is for all Street Photography beginners and pros - if you have any requests for future videos, please leave a comment - very curious about your opinions. Oh, and I am still a beginner in this TH-cam thing so your comments help me a lot - and please forgive me my bad English (I am tschörmän)...
Some additions - when it comes to street photography, choosing between a 28mm and a 35mm lens can significantly impact the outcome of your shots. Each focal length offers unique advantages and considerations that can influence the mood, composition, and overall storytelling of your images.
28mm Lens:
Expansive View: The 28mm lens provides a wider field of view, allowing you to capture more of the scene in your frame. This can be particularly useful for street photography as it enables you to include more context and environment in your shots.
Dynamic Perspective: With a 28mm lens, you can create dynamic and immersive images that draw viewers into the scene. This focal length is great for capturing the hustle and bustle of urban spaces and emphasizing the relationships between subjects and their surroundings.
Dramatic Distortion: Keep in mind that wide-angle lenses like the 28mm can introduce distortion, especially when shooting up close. Embrace this distortion creatively to add a unique and artistic touch to your street photographs.
35mm Lens:
Natural Perspective: The 35mm lens closely resembles the human eye's perspective, making it ideal for capturing scenes in a natural and familiar way. This focal length can lend a sense of intimacy to your street photos, drawing viewers into the moment.
Versatile Composition: A 35mm lens strikes a balance between wide-angle and telephoto lenses, offering versatility in composing your shots. You can isolate subjects against their surroundings or include more context while maintaining a sense of connection with the scene.
Minimal Distortion: Compared to wider lenses, the 35mm typically exhibits less distortion, resulting in more natural-looking images. This can be advantageous when photographing architecture or scenes where straight lines are important.
Tips for Choosing:
Consider Your Style: Think about the aesthetic you want to achieve in your street photography. If you prefer expansive views and dramatic perspectives, opt for the 28mm. For a more natural and versatile approach, the 35mm may be better suited.
Location and Environment: Take into account the type of environment you'll be shooting in. Tight urban spaces may benefit from the wider view of a 28mm lens, while a 35mm lens could excel in capturing street portraits or details in a crowd.
Subject Interaction: Evaluate how you intend to interact with your subjects. A 35mm lens might allow for closer engagement without being too intrusive, whereas a 28mm lens could emphasize the relationship between subjects and their surroundings.
Ultimately, the decision between a 28mm and a 35mm lens in street photography boils down to personal preference, shooting style, and the narrative you wish to convey. Experiment with both focal lengths to discover which one aligns best with your vision and helps you tell compelling stories through your lens.
I love the step zoom function on my Canon G7Xii, helping me to figure out which focal length(s) I tend to prefer shooting in vs the results that I prefer for future GAS purposes. With regular zoom the focal lengths are too random, but at least with step they're fixed to 24, 28, 35, 50, 85 & 100mm on this camera at least. 👍
I really love your videos and even more your photos.
I get that having a little coffee/tea during a video sets a mood/vibe. A lot of youtubers do it. I wish they would just move the mic away from their throats. That gulping sound when swallowing really kills the mood. Just my two cents.
Great video, as always. I really appreciate you. Thank you.
Thank you so much for your feedback mate, so happy to read! The mic is not really perfect , I know as a I have my better mic not with me right now...sorry, working on it!
Well, personally I like both. Depending on where i go and what king of images I'm trying to achieve, i use every focal lenght. I shot from 16mm to 300mm. The letter is quite hard to make use for street and dont use very often, but i managed to get some interesting justapositions with it. I usually live between 28 and 50, with some 50's cropped to the 70-80ish, intentional at moment of the shot. Although everyone may eventually find a sweet spot,I think its interesting to try everything and give some time to it, after all there are great recognized photographers doing great work with all of them, from fish eye to super tele
I used to think that I need every lens. One set with 28mm and 50mm, because that's what everyone uses. One 35mm, because of course. One 40mm, because it's the best of both worlds according to people.
Now I think it doesn't matter.
I'm a 35mm street shooter. So I love my X100V. My second system is now the Pana S5-II and I combine this with the Sigma 45. No experience till now, but it's the smallest AF lens for this camera.
The Lumix is a fantastic camera from what I´ve heard! Great combo
X100v has a 28mm
@@ronald7482 it has a 23mm/35mm ff
my 23 f1.4 is glued to my xt5. beste grüße 🙂
Viele Grüße zurück aus Fhain! Super Objektiv.
@@streetphotographyguy Winke-Winke aus Neukölln! Ja, ich liebe es. In dieser Version etwas cleaner als die 1. Version, aber jeden Cent wert und unglaublich vielseitig. Und mach weiter so, Deine Videos verfolgen diesen ganz eigenen gedanklichen Ansatz, der mir sehr gefällt.
Team 28mm here🙋🏻♂️ #team_28mm
Great choice! :-)
i prefer to be close while using 28mm. Good comparison 👍🏻
How much do you want to be disconnected from the scene? How close and immersed in the scene do you want you to be? Questions and decisions! You need to ask yourself what creates your narrative and emotion. After years of experimenting with 50, 35 and 28, I like close with layers so I shoot primarily with a 24mm as it allows more dynamism and impact but you must get very close, so its not a focal length for beginners nor those with confidence issues!
Are we talking about the 35 mm ff or aps c 35?
It's not clear to me
As he talks about Fuji x, it‘s about APS-C
I think he's talking 35mm FF - he uses a X100, which is 23mm crop, to talk about 35mm. See also 00:52
Moin Meister.....
Da mein Kamerasystem MfT ist, kann ich mit 28mm oder 35mm nur bedingt mithalten.
Für meine Art der Fotografie auf der Straße passt am besten das Lumix 25mm f1.7 (50mm FB). Oder das Sigma 30mm f2.8 (60 mm FB) oder das extrem scharfe Sigma 60mm f2.8 ( 120mm FB), wenn mehr Abstand gewollt ist.
Das Sigma 19 mm f2.8 (38mm FB) ist für mich schon zu weitwinkelig, fotografiere ich (noch) zu ungern mit, weshalb es meist daheim bleibt.
Und ja, ich nehme immer nur eine Festbrennweite mit, ansonsten wechselt man zu oft hin und her und verpasst dann das eine oder andere. 😉
Grüße aus Berlin...... :)
Hi! MfT ist doch unschlagbar, wenns um Größe und Gewicht geht...das 25er stelle ich mir recht geil vor, schön lichtstark. Mit 50mm habe ich damals auch begonnen und jahrelang nichts anderes angefasst. Ja, das ständige Wechseln liegt mir auch nicht...danke für deinen Kommentar, beste Grüße aus Fhain!
Bei MFT hat man ḍen Kompromiss zwischen 28 und 35: das PanLeica 1.7/15. Aber wenn dir 19 schon zu weit ist....
50mm users be like
I own three 35 mm lenses which answers this question without even asking it. And a 40 mm Voigtländer btw.
Nothing beats 35mm ;-) I never tried 40mm tbh...
Ich bin aktuell bei Fujifilm sogar eher beim 23mmf2 und dem 50mmf2.
Even here in the San Francisco Bay Area I feel that both 35mm and 28mm are too wide. Too many distractions, and people are wary of cameras. Have recently switched to 50mm and now 85mm.
This is a great combination! I never tried 85 for Street, sounds interesting...
85 for street can be great, you can get good shots of people whilst compressing the perspectives to reveal the context they’re in without too much clutter.
I guess 24mm is right out then... 😿
I had to skip after that sip sound. Sorry!
Ich bevorzuge die Ricoh GR III mit den 18mm 😁
Kann ich gut verstehen, war auch jahrelang eine meiner Favoriten!