Yuncham lim for me. Although he using a different fingering resulting in a slur during Mazeppa's ride than the intended gallop. Other than that it's perfection
@Jim Davis and Trevor Hderson I will make it clear to then buddy. What's the problem with you? You seem like the type of person that gets into fights because they can't resolve anything verbally. Just enjoy his piano playing and "shut up". It's ok, u no understand mi anyway.
Yeah, the Tchaikovsky competition is not like some composer specific competitions (Chopin competition for example). In the Tchaikovsky competition you're actually required to play pieces by other composers. For example in the 2015 competition in one round every performer had to play at least one etude for each of the following composers: Liszt (Transcendental or Paganini etudes), Chopin, Rachmaninoff (Etudes Tableaux). The Transcendental etudes are a perfect way to show off technique of course :-)
Very impressive performance. The fast tempo is a real challenge, at the high expected level from the competition. And knowing that any mistake is a serious thing in competitions, the choice of the piece plus the tempo chosen makes it much more incredible. Unfortunately, sometimes the student/challenger interpretation is much more relevant than the one of many reknowned pianists, because of the importance of the moment for him. This is an example of something that deserves a standing ovation, but since this is a competition, the jury has to make it seems you can do better than that...
I have a friend who's played this piece: now he's playing Feux follets, Islamey and Gaspard de la nuit at the same time. I don't understand how he doesn't have broken hands.
Technically, you say. Not everything in music is about how fast you can play. Secondly, they all use different techniques and have different difficulties. Feux follets is really harsh on your fourth and fifth fingers, and also is very hard to coordinate on the modified thalberg's trill. Islamey is more focused on leaps onto large chords quickly before readjusting to play the tune at the same time. Gaspard de la nuit is based on new, improvised techniques (chromatic major seconds in one hand) and jumping around the keyboard (as well as fast notes)
Easily the best interpretation of all! The dynamics and the pedalimg are superb and the mood and contrasts are exquisite.. beats all the performances I've ever heard, including mine
Yukio Yokoyama's is better, albeit a studio recording that no doubt took many attempts to fine-tune as perfectly as he did. As far as live performances go, this one certainly reigns supreme in that regard.
@@magik1283 I am one of the few people who dislike Cziffra's style, except for a few recordings. I consider myself to be kind of a Lisztian scholar and I truly believe that there's a reason why Liszt has a reputation of being an oversmashed piano destroying composer without any touch of lyricism. It's these old timers who let their virtuosity get in the way. Cziffra is brilliant in polonaise 1 and Valse Impromptu and can really find clarity in some textures where others produce only noise, but his delivery is often enough one or two levels of forte above what's written in the score. The old scratchy recordings certainly do not help to make a case for him. His goal was to play like he had 4 hands, above all else, even his peers admitted to that. I honestly think, even in the most macabresque of Liszt's pieces, one can find musicality and clarity, which is not what I find when I listen to Cziffra. But to each their own I guess :) I mean it's been 5 years since the comment, I now think Berezovsky's version is the superior one and I think of this one as being oversmashed :D. That's life I guess
@@Viflo I completely disagree. Cziffra is an old school styled player with high understanding of music over all and specially one of the greatests interpretators of Franz Liszt's music. His goal never was to act like he had 4 hands and he shows it in playing chopin when he never rushes his pieces. He has incredible amounts of creativity for example 1:08 in this th-cam.com/video/9xHBY-duRj4/w-d-xo.html&ab_channel=MusikschuleLengerich video second variation the way he leads the thirds is almost nowhere else seen and this is what Liszts pupil Emil von Sauer pointed out in his edition of transcendental etudes. The reason he plays Liszt like this is that its the way its supposed to sound like. Watching his improvs shows how great pianist he was probably as high ranked as Liszt himself. You can actually see on his face and hear in his music the thankfulness for surviving deathcamps.
Out of Berezovsky's performance and this, I prefer this by Kultyshev. It is more dramatic and artistic although both players have absolutely incredible technique.
Tremenda perfeccion en esta interpretacion con visos de melodias ucranianas de una historia del Hetman Mazeppa !!!!!!!!!!! Slava Ukrainii Slava Gerojiam !!!!!!!!!!!!!!
Yeah, he's awesome... I've also seen him playing 12 transcendent Liszt etudes and that was amazing cos it's not esay to play all of them at once, only a few pianists do that and he's one of them. I'm in love with this guy :)) (his talent actualy)
4:50 wow those hand leaps would kill me if i attempted this piece! talk about technical difficulty. But there is some beauty in this piece despite all the drama and fireworks, especially during the middle section where the main melody is mellow. It's very introspective and heroic.
Thematically dark and technically terrifying, this piece isn't play by a guitarist in makeup at a metal concert but a well dressed pianist at a competition.
This is a phenomenal performance. Seldom does anybody take it at this tempo and still a high level of artistry and accuracy. Even though the velocity is great, it does not seem rushed and this is a very difficult thing to do in a piece of this level of difficulty. Liszt could probably take it at this tempo and get the same effect. Miroslav pulls off an incredible performance under extreme pressure - a feat very dfficult to duplicate.
It was the same thing I tought when I listened this the first time. I have understood this piece only after having heard it 4/5 times, and now is one of my favorite piano pieces. Liszt is difficult to understand. Chopin, for example, is very simpler: in a Chopin's walzer that I'm learning now, in 4 pages most measures are ripeated, 2, 3 or 4 times in the piece, so that the listener is accustomed to the theme already after the first listening. Liszt is more various and it's required much time to understand him and discover that his music isn't just a set of random notes
@@salvatore14531 yea chopin is quiet easy to understand compared to lizst but some of his pieces with pylorythym is quiet hard to understand. Oh and btw im learning Winter Wind (and yea past the first 5 bars)
Yup. That's how I found out about this piece too. I swear to god its so amazing. If you haven't heard the symphonic poem version of this piece do so. That's one of the best classical pieces I've ever heard in my life and I only discovered it this week.
For most people this beautiful study appears merely as a set of random notes. I have understood this piece only after having heard it 4/5 times, and now is one of my favorite piano pieces. Liszt is difficult to understand. Chopin, for example, is very simpler: in a Chopin's walzer that I'm learning now, in 4 pages most measures are ripeated, 2, 3 or 4 times in the piece, so that the listener is accustomed to the theme already after the first listening. Liszt is more various and it's required much time to understand him and discover that his music isn't just a set of random notes
Well, I just say there are millions people that thank Arrau's great interpretations. Just a detail. Before I had known Arrau I hated the classical music of piano. Today I like so much due his music. His style is absolutely unique, his capacity to communicate feelings throw his music... unparalleled, gooseflesher. In my opinion no other pianist had same sensitivity before and may be no-one will have after Arrau. He was an authentic genius of the music.
It's not about "playing well", it's about Liszt notating a specific fingering to have a specific sound, a musical purpose. It's not to be confused with a fingering that you choose with the particular build of the hand in mind.
やっぱりどのマゼッパの動画見ても、ミロスラフさんのマゼッパが群を抜いて凄すぎます。この人は奇才です。素晴らしい
truth.
Yuncham lim for me. Although he using a different fingering resulting in a slur during Mazeppa's ride than the intended gallop. Other than that it's perfection
@@Sasseaterあの24の運指で弾けるわけないだろ
同感です❤
Liszt's version of a lullaby
Hehe
@kainoamh ah... Liebestraum No. 3. The best Liszt composition imo.
Liszt wrote a Berceuse which is literally a lullaby. s.174
Right.
Franz Liszt What?
音が、ちゃんと音になって響く音楽を奏でられる人はほんとにすごい人。これ見てると音楽ってすごいなって改めて思わされる。
この人のマゼッパが一番好きかも。。この型にはまらない、挑戦的な感じわくわくする。めっちゃかっこいいなあ
Te entiendo, suele pasar
@Jim Davis and Trevor Hderson いやあんたが黙れば?
@Jim Davis and Trevor Hderson then stop being toxic and don’t say anything
@Jim Davis and Trevor Hderson I will make it clear to then buddy. What's the problem with you? You seem like the type of person that gets into fights because they can't resolve anything verbally. Just enjoy his piano playing and "shut up". It's ok, u no understand mi anyway.
@Jim Davis and Trevor Hderson
You should make your personality mature.
In 2007, he won the 13th International Tchaikovsky Competition in Moscow, Russia, being awarded second prize - no first prize was awarded that year.
あぁ、マゼッパだ！って感じる演奏…この人のマゼッパ好きです‼️
間違えないように楽譜通り弾く事よりもこの音は今こう進むべきだ！！っていう強い意志を感じるし、実際少しのミスがあってもこういう演奏の方が聴いてて鳥肌立つし感動する。
この人の演奏神だなあ、、
この演奏者さんのマゼッパが一番好き
私もです❗️マゼッパ、定期的に聴きたくなる曲wなのですが、必ずここに戻ってきます。素晴らしい演奏だと思います🎶
私も同じく！
本当この人のマゼッパに戻る💦
ピアノに関して素人ですけどメリハリが心地よくて1番しっくりくる感じですね！
どの演奏者より段違いで勢いとこの曲に対する覚悟を感じますよね
え、この人やばいな
他の人と全然違うマゼッパ、めちゃめちゃかっこいい
Be in Tchaikovsky Competition, plays Transcendental Lizst. Ma boi.
Yeah, the Tchaikovsky competition is not like some composer specific competitions (Chopin competition for example). In the Tchaikovsky competition you're actually required to play pieces by other composers. For example in the 2015 competition in one round every performer had to play at least one etude for each of the following composers: Liszt (Transcendental or Paganini etudes), Chopin, Rachmaninoff (Etudes Tableaux). The Transcendental etudes are a perfect way to show off technique of course :-)
Well... Tchaikovsky really wasn't famous for his piano works, boi.
absolute stud!
@@markoharamija4945 but his piano concertos are pretty famous
2nd one is not really famous, although it should be.
Very impressive performance. The fast tempo is a real challenge, at the high expected level from the competition. And knowing that any mistake is a serious thing in competitions, the choice of the piece plus the tempo chosen makes it much more incredible.
Unfortunately, sometimes the student/challenger interpretation is much more relevant than the one of many reknowned pianists, because of the importance of the moment for him. This is an example of something that deserves a standing ovation, but since this is a competition, the jury has to make it seems you can do better than that...
Seneres Aartomus the fast tempo? He ruined Mazeppa...
Dany Mobil3Leg3nds I think it's better with this tempo.
Great job by the pianist. But I do not enjoy this tempo at all. Daniil Trifonov's performance sounds far better to me.
True! Very talented and bold at that!
Berezovskys the best
마제파 죽고 다시 태어나는걸 반복해도 치지 못할곡이지만 너무 노래가 내 취향이라 빠져서 열심히 찾아보고 댕겼는데 이 연주가 젤 좋은듯.. 딴 분들 연주도 너무 좋지만 이 연주 듣자마자 소름이 발끝부터 우주까지 돋아버림... 뼈 묻고 갈께요ㅠㅠ
리스트가 살아잇다면 이렇게 땀 뻘뻘흘리며 혼비백산 치고있는 피아니스트들 공연장 제일 뒷자리에서 선글라스 끼고 다리꼬고 필짱끼고 한쪽입꼬리 올리고 "ㅋ" 이러고 보고있을듯
리스트는 진짜 어떻게 저런곡을 만든거지
ㅋㅋㅋㅋ
I have a friend who's played this piece: now he's playing Feux follets, Islamey and Gaspard de la nuit at the same time.
I don't understand how he doesn't have broken hands.
Technically, you say. Not everything in music is about how fast you can play.
Secondly, they all use different techniques and have different difficulties.
Feux follets is really harsh on your fourth and fifth fingers, and also is very hard to coordinate on the modified thalberg's trill.
Islamey is more focused on leaps onto large chords quickly before readjusting to play the tune at the same time.
Gaspard de la nuit is based on new, improvised techniques (chromatic major seconds in one hand) and jumping around the keyboard (as well as fast notes)
Komodo nope. Gaspard requires EXTREMELY skills. For example, you wont find an amateur playing Gaspard but you will find people playing FF.
Charles- Valentin Alkan You dont seem. know ff quite well if you think an amateur can play it
@@greenapple306 I don't think that's what he meant, he just phrased it really badly.
This Mazeppa is just so stunning! It is amazing that he can play this crazy piece so wonderfully.
この曲を弾いた時、どんな曲よりも難しいと思いました（汗）めちゃくちゃ体力も腕力も要るこの大曲を、この方は最後まで乱すこともなく、かつダイナミックにこなされて、素晴らしすぎます👏🏻👏🏻👏🏻どうしてこんなにも指の動きが速いのか😮
몇 년째 찾아듣고 있는지ㅠㅠ 저한테는 최고의 마제파 연주네요
かーっっっこいぃーーーーーーーー！！！！！！！！！！！
観ていて、聴いていて、とても血が騒ぐ素敵な演奏でした。
Как будто исполняет сам автор! БРАВО!!!🔥🔥🔥
I love how every time he hits those chords that builds the melody he bangs his head
It's actually a way to absorb the shock coming from hitting the keys.
Easily the best interpretation of all! The dynamics and the pedalimg are superb and the mood and contrasts are exquisite.. beats all the performances I've ever heard, including mine
Yukio Yokoyama's is better, albeit a studio recording that no doubt took many attempts to fine-tune as perfectly as he did. As far as live performances go, this one certainly reigns supreme in that regard.
You wouldnt care to record and upload your interpretation would you?
somebody has not heard cziffras playing
@@magik1283 I am one of the few people who dislike Cziffra's style, except for a few recordings. I consider myself to be kind of a Lisztian scholar and I truly believe that there's a reason why Liszt has a reputation of being an oversmashed piano destroying composer without any touch of lyricism. It's these old timers who let their virtuosity get in the way. Cziffra is brilliant in polonaise 1 and Valse Impromptu and can really find clarity in some textures where others produce only noise, but his delivery is often enough one or two levels of forte above what's written in the score. The old scratchy recordings certainly do not help to make a case for him. His goal was to play like he had 4 hands, above all else, even his peers admitted to that. I honestly think, even in the most macabresque of Liszt's pieces, one can find musicality and clarity, which is not what I find when I listen to Cziffra.
But to each their own I guess :) I mean it's been 5 years since the comment, I now think Berezovsky's version is the superior one and I think of this one as being oversmashed :D. That's life I guess
@@Viflo I completely disagree. Cziffra is an old school styled player with high understanding of music over all and specially one of the greatests interpretators of Franz Liszt's music. His goal never was to act like he had 4 hands and he shows it in playing chopin when he never rushes his pieces. He has incredible amounts of creativity for example 1:08 in this th-cam.com/video/9xHBY-duRj4/w-d-xo.html&ab_channel=MusikschuleLengerich video second variation the way he leads the thirds is almost nowhere else seen and this is what Liszts pupil Emil von Sauer pointed out in his edition of transcendental etudes.
The reason he plays Liszt like this is that its the way its supposed to sound like. Watching his improvs shows how great pianist he was probably as high ranked as Liszt himself. You can actually see on his face and hear in his music the thankfulness for surviving deathcamps.
I agree. One of the best Mazeppas I've heard in a long time.
와 진짜 이거 이번년도 콩쿨곡으로 준비했었는데 코로나때문에 콩쿠르는 못나가고...손목은 다치고했는데 이분이 치는거 들으니깐 내가 그간 뭐한거지 생각듦..
와 이곡으로 콩쿠르를요..? 진짜 잘치시나봐요 부러워요ㅠㅠ
노력은 헛되이지 않는답니다^-^ 이번에 비록 콩쿨을 나가지 못하게 되셨지만 이번에 연습한 것이 나중에 큰 도움이 될 것이에요😄응원합니다!
저 분 지금 차이코프스키 콩쿨에서 연주하고 있는건데 훈수 두는 놈들이 왜이렇게 많냐?? 저 분 저 연주때 1등없는 2등 수상하셨다.
Music is magic; these fabulous artists make us live beautiful moments .A big thank you.
I've heard him playing all of the 12 transcendental etudes live... Thats amazing and he's awesome... :)
本当にすごい。感動しました。
It's amazing
I cant listen to any other performers of this piece bc his playing is that good
Yeah, it's obviously the best performance
I aggree. This is extraordinary. But this year something happened : Yunchan Lim . You may want to check it out
Liszt's own
TH-camに載ってるマゼッパの中で1番好き
I don't know who won the competition, but this was enthralling! Liszt must have been proud!
Nobody won , he and another guy from Russia divided the 2nd prize
6:56 Nikolai Petrov's nod of approval :-)
Is he nikolai?!
@@franzliszt8576 Yes
Классно исполнено! Виртуозно, безупречно. А речитатив очень выразительный и наполненный.... Я тронута.... Браво!
개인적으로 그동안 들은 마제파 중에서 제일 좋앗음
마제파를 어떻게 이래치지? ㄷㄷ
躍動感があり、勢いと迫力を感じました。特に後半が好きです。素晴らしい演奏です！
弾けるだけでも凄いけど、この人の奏でる音、他の人と全く違くて吃驚した。ヤバイ。
この曲、ほんと難しいよね。
のだめカンタービレでハマって楽譜買って練習したけどまじ難しい。弾ける人が羨ましい笑髪の毛フサッファッは笑った笑笑
once i saw him live playing all twelve etudes i immediately fell in love with Liszts works.
He plays it like an actor on the scene. Fabulous.
I love this interpretation, very powerful with emotion and really bring out the meaning of this piece
Out of Berezovsky's performance and this, I prefer this by Kultyshev. It is more dramatic and artistic although both players have absolutely incredible technique.
the reason why this is my favorite mazeppa performance is because it makes my heart beat so fast, I feel like I'll have a heart attack.
Same, bruhhh 😭🖐🏼
😅🤣😂😂👍
Tremenda perfeccion en esta interpretacion con visos de melodias ucranianas de una historia del Hetman Mazeppa !!!!!!!!!!! Slava Ukrainii Slava Gerojiam !!!!!!!!!!!!!!
チャーン 髪｢フサッ｣ チャチャーン 髪｢フサッ｣ チャッ 髪｢フサッ｣
たっつん 流石に草
チャーンチャチャーンすこw
フサッ「髪」
Yeah, he's awesome... I've also seen him playing 12 transcendent Liszt etudes and that was amazing cos it's not esay to play all of them at once, only a few pianists do that and he's one of them. I'm in love with this guy :)) (his talent actualy)
Holy mother of Franz Liszt......!
Only classicism can be perfect but... it's perfect!
Br tá em toda parte
さよならドビュッシー読んでマゼッパがどんな曲か気になって見たら素人でも凄いって分かる… あとマゼッパどこかで聞いたことある気がするけどテレビとかでやってたのかな？
* のっぽぉー のだめカンタービレに出てきましたよ♪
4:50 wow those hand leaps would kill me if i attempted this piece! talk about technical difficulty. But there is some beauty in this piece despite all the drama and fireworks, especially during the middle section where the main melody is mellow. It's very introspective and heroic.
Fenomenale interpretazione! Forza, potenza, elasticità, fraseggio, dinamiche, spessore sonoro...
すげー。この人のマゼッパいいね。
それな、人の心を引き寄せるピアノってこれなんだなって思う。
中間部のエロティックさがすんばらしい
んでもって主題の迫力と正確さと
電車の中で見てるということを忘れそうだったわw
피아노전공 안하길 다행이네... 이런 진짜 말도안되는 괴물들이 다해먹을테니...
ㅎ
저런분들은 나라에 다섯 있을까 말까죠
@@jeonghwi ㅇㅈㅇㅈ
공감대쓰
He.... He is maaaaaaad!
Don't know how I'm just now finding this. Lovely performance.
It is like a epic of the ancient Greek heroes.
Thematically dark and technically terrifying, this piece isn't play by a guitarist in makeup at a metal concert but a well dressed pianist at a competition.
This is my favourite Tchaikovsky piece
Hahahahaha🤣
A simple, but also good joke)
@@ensiehsafary7633 he plays this in the Tchaikovsky competition
Kultyshev's Mazeppa best Mazeppa
Ermanno Citraro best is nowhere
No
*Boris Berezovsky is typing*
erma Especially his Mazeppa was recorded on performance, not in the studio
Trifonov has joined the chat
나만 저분 황재성 닮았다고 생각하냐
Он не играет, он переживает эту музыку,очень проникновенно исполненно!!! Браво!!!
すげーよ
リストといえばラ・カンパネラがよく演奏されますが、マゼッパも演奏効果が大きくいいですね
大石元継 ラカンパネラとは難易度が雲泥の差ですけどね
カンパネラの方が難しくないですか？大練習曲はまだしも...
弾いてみたらわかりますよ。マゼッパの方が倍難しいです。
弾いてみる勇気が起きないよな。
散々練習した挙句弾けないとなるとものすごく情けないし時間の無駄だ。
そんな僕はただの臆病だ
もっくんハッピー 演奏効果の定義にもよるでしょうけど、マセッパの難易度を考えたらこの曲の演奏効果が高いとはなかなか言えないと私は思います。
the best playing of mazeppa to my ears
awesome! Greatest performance of this piece I have ever heard.
Прекрасное исполнение! Мощь, драматизм! Спасибо. Прекрасный пианист!
amazing... I've heard him playing live... thats awesome... he's awesome... :)
What a marvelous pianist!!!
마제파를
이렇게 이런속도로
이렇게 정확하게 치기까지
얼마나 노력하셨을지 보이네요,,,,
엄청 대단하시다
베레갓 보고 넘어왔는데 베레갓은 강렬함이 기억에 남는다면 이분은 진짜 미친 섬세함이네.... 마제파는 최고다....
Incredible! Genius! What a performance! 👏👏👏👏
This piece, is the ULTIMATE piece to learn : EPIC !!! Awesome perfomance too !
셈여림부터 하나하나 지린다 왜만들었지
너만 칠려고 만들었잖아 나쁜놈아 ㅋㅋㅋㅋ
도플갱어 왜이리 많음?
왜 만들었냐 진짜 미친새끼야
༼(∩ ͡°╭͜ʖ╮͡ ͡°)༽⊃━☆ﾟ. * ･ ｡ﾟ
@Aaronic_sonic translators
This is a phenomenal performance. Seldom does anybody take it at this tempo and still a high level of artistry and accuracy. Even though the velocity is great, it does not seem rushed and this is a very difficult thing to do in a piece of this level of difficulty. Liszt could probably take it at this tempo and get the same effect. Miroslav pulls off an incredible performance under extreme pressure - a feat very dfficult to duplicate.
absolutely breathtaking!
Liszt drank a 2 liter of mountain dew before sitting down to compose this
It was the same thing I tought when I listened this the first time. I have understood this piece only after having heard it 4/5 times, and now is one of my favorite piano pieces. Liszt is difficult to understand. Chopin, for example, is very simpler: in a Chopin's walzer that I'm learning now, in 4 pages most measures are ripeated, 2, 3 or 4 times in the piece, so that the listener is accustomed to the theme already after the first listening. Liszt is more various and it's required much time to understand him and discover that his music isn't just a set of random notes
@@salvatore14531 yea chopin is quiet easy to understand compared to lizst but some of his pieces with pylorythym is quiet hard to understand. Oh and btw im learning Winter Wind (and yea past the first 5 bars)
That is exatly right! You know me!
この人にヴァイオリニストの日本人のお嫁さんいるのが驚き、、、なんか親近感ｗｗ
何という方ですか？
@@いちご大福-d7w
神尾真由子さんです。
後に結婚したクルティエシェフさんと同じ2007年のチャイコフスキー国際コンクールのヴァイオリン部門では優勝されてますよ。
因みに、クルティシェフさんは優勝者(1位)無しの第2位でした。
Com esse "Mazzepa" tudo indica nesse virtuose o misto de Arrau- Bolet- Czifra! Bravo! Brilhante!
強迫的音壁、かと思えば崩れる、なんてダイナミック
Yup. That's how I found out about this piece too. I swear to god its so amazing. If you haven't heard the symphonic poem version of this piece do so. That's one of the best classical pieces I've ever heard in my life and I only discovered it this week.
人生の岐路にいる私にとって、激しくもの悲しいこの曲に引かれます。私はリストのような人生を送るのかしら
He plays very , very well
Tchaikovsky competition, and this mad lad plays Transcendental Liszt 4.
This god has no chill
審査員席にいるニコライ・ペトロフ氏の厳しい目線が気になる。あのパガニーニによる超絶技巧練習曲集の世界初録音者。
ペトロフ氏映ってますか！
Его невозможно не увидеть. Масштабен во всех отношениях. Он сказал о Култышеве:"Этот музыкант умеет разговаривать с Богом".
Best Mazeppa I have heard so far. Proficiat!
Happy Fransisca
So he is.
He has a studio recording of the 12 transcendental etudes. It's so good; one of the most satisfying recordings I've ever heard.
For most people this beautiful study appears merely as a set of random notes.
I have understood this piece only after having heard it 4/5 times, and now is one of my favorite piano pieces. Liszt is difficult to understand. Chopin, for example, is very simpler: in a Chopin's walzer that I'm learning now, in 4 pages most measures are ripeated, 2, 3 or 4 times in the piece, so that the listener is accustomed to the theme already after the first listening. Liszt is more various and it's required much time to understand him and discover that his music isn't just a set of random notes
Well, I just say there are millions people that thank Arrau's great interpretations.
Just a detail. Before I had known Arrau I hated the classical music of piano. Today I like so much due his music. His style is absolutely unique, his capacity to communicate feelings throw his music... unparalleled, gooseflesher. In my opinion no other pianist had same sensitivity before and may be no-one will have after Arrau. He was an authentic genius of the music.
このテンポが合ってるんだから、動画では機械的に感じてしまうが、相当な技術がないと無理。超絶技巧出来ていて素晴らし‼︎
사람마다 표현하는게 다르구나
이런 오래된 영상 특 시작때 하얗게보임 ㅋㅋㅋ
Love. the energy. 🔥🔥🔥🔥
Que maravilla. Gracias.
My whole body hurts just thinking about playing this entire piece..
He seriously won the second prize for this performance...
He had to win the first for sure. But he was not made to.....
Sometimes, we shouldn't judge people by there face, I learnt that from it
2:05 he's exhausted
Браво! Великолепное исполнение!
It's not about "playing well", it's about Liszt notating a specific fingering to have a specific sound, a musical purpose. It's not to be confused with a fingering that you choose with the particular build of the hand in mind.
Ah.............................................................................................................................!
Fantastic!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
The best version of Mazeppa on TH-cam is Ovchinikov's. Listen to it and you will be stunned. I was.
bravo..!!