This grouping of oboe, clarinet, bassoon and horn is today's wonderful personal discovery. The story of its lost score and unclear authenticity (unquestionable attribution to Mozart) adds to its attraction .
Wolfgang Amadeus Mozart wrote two outstanding sinfonia concertante: this one for four winds, and, perhaps still more exciting, another with viloin and alto (he played the alto part). Note that he did not quotethe concerto for flute and harp as sinfonia conertante, but as double concerto. The difference is thin.
The rest of the story is worth knowing... It was at the very height of this concertante rage that Mozart arrived in Paris, in March 1778. On April 5th, almost immediately afterwards, he wrote home that he was about to compose a sinfonia concertante for flute, oboe, horn and bassoon. The Symphonie was composed at the order of Jean Le Gros, director of the famed Paris Concert Spirituel, and the score was turned over to him for performance in that spring or summer of 1778, at the height of the concertante fad. Mozart expected it to bowl over the concertante 'fans' -but the performance never took place. It was conveniently 'forgotten'. Petty intrigue, against the brilliant intruder from Salzburg who was breaking into the local market with dangerously superior product. Mozart, always suspicious of his rivals (and invariably tactless), for once seems to have put his finger on the true offender-Cambini, the very man who had so recently put his assembly for concertante musical into top-speed operation. Mozart wrote home on May 1st, speaking of his troubles with Le Gros, that he thought Cambini was surely 'at the bottom of the business'. Not only did Cambini recognize Mozart's talent ('una gran testa!,'). On April 15, only a week or so before Mozart delivered his musical to Le Gros, Cambini had presented at the Concert Spirituel a Symphonie Concertante for exactly the same four instruments! (ETC)
Cambini was a jealous fool and unable to accept Mozart's perfection, he instead turned to imitation. They say, however, that imitation is the sincerest form of flattery. While Mozart rose to world-wide renown, and who's legacy endures strongly to this day, Cambini came in second-best at best, and is relegated to the bargain bin of the classical genre.
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This grouping of oboe, clarinet, bassoon and horn is today's wonderful personal discovery. The story of its lost score and unclear authenticity (unquestionable attribution to Mozart) adds to its attraction .
素晴らしい演奏ですね。
チャーミングなオーボエ。切れのいいファゴット。
甘い音色を奏でるクラリネット。パワフルなホルン。
どれも素晴らしい音で、堪能させていただきました。
指揮者の明るく愉しげな表情が素敵です。
ありがとうございました🥰
Great music, great performance. Thank you for the nice evening.)
Wonderful performance of a brilliant, exuberant, amazing piece of music.
Спасибо за запись.
1st movement 0:00
2nd movement 13:00
3rd movement 19:53
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@Zayd Elijah Definitely, have been watching on flixzone for months myself :D
Thank you maestro.
Wolfgang Amadeus Mozart wrote two outstanding sinfonia concertante: this one for four winds, and, perhaps still more exciting, another with viloin and alto (he played the alto part). Note that he did not quotethe concerto for flute and harp as sinfonia conertante, but as double concerto. The difference is thin.
Bravissimi!!!
wunderbar
4:49💐
1st. Movement 00:00. 2nd. Movement 13:00. 3rd. Movement 19:53
4:46🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀🚀
4:55. Yes. That.s. It
👍
1st. Movement 0:00.
2nd. Movement. 13:00.
3rd. Movement. 1O
18:45
4:43. 🎻🎻🎻🎻🎻🎻🎻🎻🎻🎻
💐💐💐5:50
28:34 tweet. Tweet. Ooh. Ok. And. Bravo👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
The rest of the story is worth knowing... It was at the very height of this concertante rage that Mozart arrived in Paris, in March 1778. On April 5th, almost immediately afterwards, he wrote home that he was about to compose a sinfonia concertante for flute, oboe, horn and bassoon. The Symphonie was composed at the order of Jean Le Gros, director of the famed Paris Concert Spirituel, and the score was turned over to him for performance in that spring or summer of 1778, at the height of the concertante fad. Mozart expected it to bowl over the concertante 'fans' -but the performance never took place. It was conveniently 'forgotten'. Petty intrigue, against the brilliant intruder from Salzburg who was breaking into the local market with dangerously superior product. Mozart, always suspicious of his rivals (and invariably tactless), for once seems to have put his finger on the true offender-Cambini, the very man who had so recently put his assembly for concertante musical into top-speed operation. Mozart wrote home on May 1st, speaking of his troubles with Le Gros, that he thought Cambini was surely 'at the bottom of the business'. Not only did Cambini recognize Mozart's talent ('una gran testa!,'). On April 15, only a week or so before Mozart delivered his musical to Le Gros, Cambini had presented at the Concert Spirituel a Symphonie Concertante for exactly the same four instruments! (ETC)
This is fascinating. Thank you. Where/how did you learn this story?
15:05
🎲ok. God. Oh. God. My. Word. We. Have Sweets.
オーケストラがコンチェルトに数的調和している。
シンフォニア・コンチェルタンテって今一つ普通のコンチェルトと違いがわからなかったけど、この編成なら分かりますね
Cambini was a jealous fool and unable to accept Mozart's perfection, he instead turned to imitation. They say, however, that imitation is the sincerest form of flattery. While Mozart rose to world-wide renown, and who's legacy endures strongly to this day, Cambini came in second-best at best, and is relegated to the bargain bin of the classical genre.
I would say that Mozart was a great virtuoso but a copycat as a composer. Cambini was a great composer without any competence as virtuoso
No no I’m. Fine. But. No no. No I ,m. Good food 🥘 food 🥘 and I got it
1st. Movement. 0:00.
2nd Movement 13:00.
3rd Movement 19:53