I also want to note that using trackers in a slightly lighter or darker hue of green or blue is ideal bc you can take advantage of the despot slider in the keylight effect (to avoid masking later). 😀👍
I shot that blank sign at 2:00. Glad it's being used for a good purpose. (Side note, that blank sign is overtop an actual sign, so you're tracking a tracked sign "inception" style.)
@@JamesOrlowski ahhh, so cool! I love it when people who shot the stock we use, find our videos :) Super neat! (and got your inception comment now, you removed the original sign for us! So you did the extra work for us!). I hope users get that they can follow that photoshop hack to remove anything unwanted on the sign.
Thank you for being so clear in your explanations and taking such a gradual, step-by-step approach. Most people on other channels talk so fast that I often give up halfway through the tutorial
Gal, you're awesome. Your explanations are very clear, not too fast and pleasant to follow. So far, I wouldn't learn so much as I also teach After Effects practice, yet I will definitely advise your channel to my students :) Thanks a lot :)
Great tutorial! handy and well explained, and great video editing, I am so thankful. Don't tell anybody, but I have a thousand studio shots with tracking markers, some of which are stuck to props.
There is no tracking panel in Pr, Pr has basic tracking but nothing as close to Ae. If you want to do complex tracking or even basic, you need to know Ae :-)
Yes! This is why some tracking points are a lighter shade of blue or green on set! 🎉 And then you can use the despot tools as we showed in the video to remove them more easily
For a something like that billboard shot, you'd be better of using planar tracking on the actual original billboard content rather than green screen/keying. Less edge jank and and an easier track with better lock to the surface.
@@PremiereGal Yes. I've been editing solely in the beta for about the past year. This is the first time I've had this big of an issue. I went back to the previous version and it is working fine now.
We did the because we had to get rid of the markers by masking them out, if I didn't have a roto-ed layer on top of the dude, I would have a much harder time masking out the markers. Since we have a seperate layer of the subject, I was able to make a simple square mask and do simple keyframes to follow the screens to get rid of the markers. If there were no markers to remove, we could just key the green and called it a day 👍
@@SimonHepworth because I would use garbage mattes and/or just mask them out rather than deal with roto. There's more than one way to skin that particular cat, I was just curious why that was her preference. Go grab some decaf and chill.
3:55 I don't understand this step. First, you export the frame to photoshop but when import the frame (PS) how the frame replace only de sticker and the all elements (markers, etc..) that you edited in the scene? the rest of video looks normal, the entire photoshop layer is not superimposed. I don't understand 🤯🤯🤯🤯🤯🤯🤯
We did the because we had to get rid of the markers by masking them out, if I didn't have a roto-ed layer on top of the dude, I would have a much harder time masking out the markers. Since we have a seperate layer of the subject, I was able to make a simple square mask and do simple keyframes to follow the screens to get rid of the markers. If there were no markers to remove, we could just key the green and called it a day 👍
I also want to note that using trackers in a slightly lighter or darker hue of green or blue is ideal bc you can take advantage of the despot slider in the keylight effect (to avoid masking later). 😀👍
Oh, using Photoshop to remove the markers, and inserting that back in the scene -- Genius Level! lol You Go Premier Gal!
ya you cma also you content aware fill in ae, but much faster to use Ps :)
I shot that blank sign at 2:00. Glad it's being used for a good purpose. (Side note, that blank sign is overtop an actual sign, so you're tracking a tracked sign "inception" style.)
Haha yea, thought this would be useful for those of you who would want to remove existing language on a sign ;)
@@PremiereGal (That's my green screen billboard, too.)
@@JamesOrlowski ahhh, so cool! I love it when people who shot the stock we use, find our videos :) Super neat! (and got your inception comment now, you removed the original sign for us! So you did the extra work for us!). I hope users get that they can follow that photoshop hack to remove anything unwanted on the sign.
Finally, a tutorial that covers both how to use and remove tracking markers! This was super helpful-thank you! 🙌✨
🎉
Thank you for being so clear in your explanations and taking such a gradual, step-by-step approach. Most people on other channels talk so fast that I often give up halfway through the tutorial
Donno why but I watched it to the end. Awesome 👏🏻👏🏻
Always proud of you. From Ghana 🇬🇭🇬🇭🇬🇭
Hi, 2 things: 1. You’re Brilliant! 2. This helps me so much. Thank You 😊
☺️
Gal, you're awesome. Your explanations are very clear, not too fast and pleasant to follow. So far, I wouldn't learn so much as I also teach After Effects practice, yet I will definitely advise your channel to my students :)
Thanks a lot :)
vallahi aklımdan geçen videoyu çektin.tebrik ederim
Your lectures are amazing, please make tutorials on vox style documentary transitions and the storyboards
You explained very well. Thanks.
Amazing, we want more tutorials!
u r the best.thats video is another level
You saved my live...thanks for a great "How to use" 4:25 this part was awesome, thanks!!!
Such a great video, so much value in here
🎉
Excellent tutorial with great examples. :)
Thanks a lot! Very clear and useful explanation. Subscribed!
Great tutorial as always!
This tutorial is so helpful 💜
Hi gal,I am Bangladeshi,like this video❤
Yay! You're the best, Gal! ❤❤❤❤
We did it :)
the freeze tool is a plus, ty :-)
Glad to have found your channel very helpful thank you.
Excellent tutorial
Great tutorial! handy and well explained, and great video editing, I am so thankful. Don't tell anybody, but I have a thousand studio shots with tracking markers, some of which are stuck to props.
Oh wow! And where do you keep these thousands of studio shots?
jeg er fan Du er super god til at fortælle måske nogle gange går det for stærkt Tak
Great tutorial. Love fron Nigeria.
Your voice is fantastic!
Glad you think so!
Thanks ,you explained very well 👌
good video 💯 Your soo nice Premiere Gal
Absolutely awesome! Thank you 😊
:)
6:15 this is exactly what i wanted!! thank you very much excellent content
im subscribing :)
Thank you for this video! It's so informative and coherent.❤ Could someone please explain why we need to use null with 3d camera?
i love u, u be too much. place explain better like u made the app. didnt like AE but u made it simple as ABC
you got my subscribe for this
Amazing . I'm from Bangladesh
this was am EXCELLENT VIDEO
Is there any "blend if" option in after effects like ps? that would be great
yeah ive always wanted this feature
Lovely thanks
Thanks
You earned Sub and like
Really cool vid and really cool gal
Thanks!!!
thank you
Great job! Is this tutorial available for Premiere Pro as well?
There is no tracking panel in Pr, Pr has basic tracking but nothing as close to Ae. If you want to do complex tracking or even basic, you need to know Ae :-)
Wow 😊
Is there an advantage to using this over Mocha?
I usually use blue or some shade of green colours as tracking points to avoid the headache of rotoscope.
Yes! This is why some tracking points are a lighter shade of blue or green on set! 🎉 And then you can use the despot tools as we showed in the video to remove them more easily
How do you deal with two planes (floor and wall) with subject movement?
Cool
why wouldn't you apply the tracking data / camera tracking to any masks that you might need? does it make things go weird?
hie premiere gal
can please create tutorial for aladin genie tell in after effect
❤
u are so dope... I would love to work with you
great tutorial. but why didnt you use the keylight instead of rotobrush. would have been faster and cleaner
used both because of tracking markers
For a something like that billboard shot, you'd be better of using planar tracking on the actual original billboard content rather than green screen/keying. Less edge jank and and an easier track with better lock to the surface.
We have another video on planar tracking. we wanted to show another technique
I'm from Bangladesh. I have a question. I want to be a good editors in my country. How i will be it?
I want to become a professional video editor like you.
Then what's the point of making the screens green when we are going to rotoscope the subject anyways?
the roto is only to help remove the markers
The latest beta update is causing me all kinds of issues. Every time I click on a clip in the timeline it crashes on me. Really frustrating.
Are you editing in the beta?
@@PremiereGal Yes. I've been editing solely in the beta for about the past year. This is the first time I've had this big of an issue. I went back to the previous version and it is working fine now.
where i find like your Street signs
I dont follow females and barely even watching their videos till the end, but i for ONCE do.
Please video editing in cupcut Please
There's really no point in rotoing the guy when the screens are going to be beneath the footage anyway, that's just an extra PITA unnecessary step.
We did the because we had to get rid of the markers by masking them out, if I didn't have a roto-ed layer on top of the dude, I would have a much harder time masking out the markers. Since we have a seperate layer of the subject, I was able to make a simple square mask and do simple keyframes to follow the screens to get rid of the markers. If there were no markers to remove, we could just key the green and called it a day 👍
Spoken like someone who’s never had to deal with tracking markers before.
That's funny @@SimonHepworth, literally deal with them on the daily ;)
@@KowProdMedia and yet, doesn’t know why you’d need to do roto work to cover them.
@@SimonHepworth because I would use garbage mattes and/or just mask them out rather than deal with roto. There's more than one way to skin that particular cat, I was just curious why that was her preference. Go grab some decaf and chill.
3:55 I don't understand this step. First, you export the frame to photoshop but when import the frame (PS) how the frame replace only de sticker and the all elements (markers, etc..) that you edited in the scene? the rest of video looks normal, the entire photoshop layer is not superimposed.
I don't understand
🤯🤯🤯🤯🤯🤯🤯
God! Save Us. she talking non stop! oh my god!
oi oi
Why did you rotoscope hacker? There was no need for that step at all
We did the because we had to get rid of the markers by masking them out, if I didn't have a roto-ed layer on top of the dude, I would have a much harder time masking out the markers. Since we have a seperate layer of the subject, I was able to make a simple square mask and do simple keyframes to follow the screens to get rid of the markers. If there were no markers to remove, we could just key the green and called it a day 👍
çok gereksiz konuşuyorsun.sadece ne yapacaksan onu anlatsan çok daha iyi olur.hepimiz ingilizce bilmiyoruz.git evinde arkadaşlarınla sohbet et.
This video is great! Thank you so much!