When Strat Players Finally Get A Jazzmaster
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- เผยแพร่เมื่อ 22 พ.ค. 2024
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Sonic Youth, Cocteau Twins, My Bloody Valentine, Tame Impala, The Cure, J Mascis, Alvvays, Jonny Marr are all attached to it, I definitely recommend listening to Jazzmaster artists, ultimate Indie guitar
Johnny Marr had a Jag signature?
I know he started out on a weird Gretsch, then his 'famous' 335...l don't doubt he's got a JM.. blokes got everything else!!
Tom Verlaine from the band Television used jazzmasters too...because they used to be cheap lol
J Mascis is from the 90’s Alt band Dinosaur Jr. some amazing tones out of all of those records
Tame Impala is not known for using Jazzmasters
Johnny Marr did play a JM. Like in Modest Mouse I think. But just occasionally. Of course he is much more known for the Jag, that’s for sure.
In terms of the "Indie-stuff": if you read up on what Thurston Moore has to say about Jazzmasters and Jaguars you'll understand that at one point they were cheaper to get than Strats and Teles... so a lot of the alternative/noise/grunge etc players used them. Aesthetically there is an anti-virtuoso vibe and sound to them (a reaction to all the hair bands). You've got some AMAZING sounds coming out of there that need to be recorded. Looking forward to that.
The whole “anti-virtuoso” thing is what made the Jazzmaster and Jaguar appeal to me. There are things I do on my Jazzmaster that I wouldn’t do on my Strat or Les Paul. I tend channel The Smiths and Fugazi with my Jazzmaster (tho neither bands use it).
Elvis Costello too, cdnt afford a Strat or Tele, so got a 60s JM...
Excellent guitars .. l can't play Strats.. l keep hitting the middle pickup!!
@@baabaabaa-yp2jhI still have my 1983 Squier Bullet Strat my parents bought for me back in the day. Still play it 40 years later. And I STILL keep hitting the middle pickup. 😂
@@rcieszkowski Hahahaha!
Glad it's not just me then!! I like the tones Stats make, but theyre not for me mate!
83!! They're well made, those first Squiers, mates got a Butterscotch Tele same year...well done!!
Why do you hit middle pickup? I have one strat atm, had another one in the past and it was not the case
Congrats on your purchase. Just FYI jazzmaster pickups are not P90s as you mentioned, they are their own thing. Just like a strat single coil but instead of tall and skinny, they are wound flat and wide. The slugs are the magnets. In P90s the magnet is a bar on the underside of the pickup in which the 6 screws are mounted. The screws themselves are not magnetic. The sound is very different as well, usually the P90s are thick and throaty whereas jazzmaster pickups are usually bright and spanky.
Every jazzmaster owner be like:
“Just FYI those pickups are not actually P90s”
@@mikhailk.9262i can confirm as a jazzmaster owner this is true
Be nice to see a output graph or something but the video is pretty useless. I think they have a higher Q - a higher frequency peak at the high end somewhere. But I think that is also caused by the 1 meg pot.
I'm a metal and hard rock guy who uses modern spec guitars and pickups. I really dig the Jazzmaster. People tend to severely underestimate the versatility of these instruments. They have the 'mojo' as well. Great video Mike 💯
yes, this exactly, there's a reason why the guys from Portugal. The Man use them, because It can go all the way to metal for when they want to go in that direction in their live shows
I'm 78, I got my JM at 15 in 1960. Triple burst w/Rosewood board. The pups on it are SPECTACULAR. Play it with flat wire rounds, perfect for the surf music my band played.
Mike, it’s so refreshing to watch your videos. I really appreciate the sincerity and open-mindedness that you demonstrate. This “exclusivist” mentality that could develop amongst guitarist ends up hamstringing our creative expression. Thanks Mike for fighting against that!
YAY to that Sir!
Man, you always go above and beyond by having a narrative in your videos. It feels like I'm settling in to be told a story. Really, really great stuff man.
I would like to state that Teles are beautiful
YES THANK YOU
I loved the look of the Tele from the first time I set eyes on one. I love the plain ones and I love my cherry sunburst one.
yep, he obviously hasn't seen my seafoam green one
Right?! Such an understated and beautifully simplistic and classy design.
For me it’s an acquired taste, didn’t like them when I started but they started to grow on me after a year or so of playing
It was fun sharing this journey with you. Thank you for expanding my horizons with respect to the many guitar options available to us. Your jazzmaster produces some very beautiful tones. Your nerdiness is too appealing to me and I write that as a fellow nerd. 😝 I feel like sharing a bunch about my embryonic guitar playing journey, but I’ll spare you and my fellow viewers of your work. I will say that I this particular video has compelled me to subscribe to your channel. What is baffling to me is that I had subscribed before now!
Blessings and Merry Christmas!!! 😊
One of my favorite guitar content creators on the platform.
Love the Jazzmaster, love the vods and love Mike.
The lead circuit (tone and volume, three way toggle switch, has two 1meg pots, lots of high/treble). The rhythm circuit has 50k pots which gives it a woody/almost muddy tone that was intended for jazz players. The pickups are different from p90’s, they have short poles with wider winds. Gets a distinct tone you can’t get from other single coils. It’s a GREAT studio guitar to have around due to its versatility and different distinct sound.
Great studio guitar depending on where you are geographically. Those wider range single coils can pick up aircraft radio apparently although it's never happened to me and I love my jazzmaster
@@meroinheroin lol I can't play mine with my phone in my pocket
The rhythm circuit volume is 1 meg, the tone is 50k.
Mike... I have only seen a couple of your videos... but I love your excitement... your willingness to explore and how you share your thoughts out loud. Most of us who love this box with strings can relate. Blessings to you and thanks for sharing...
New subscriber, love this video. I picked up an Original '60's Jazzmaster a couple of years ago and I love it! It really has a wide range of tones, and I have really enjoyed exploring it! Thanks!!!!!
Thanks for this video. I appreciate your style of introducing new gear and ideas. I've been a worship guitarist for over 20 years and never considered a jazzmaster. Now it's on my very short list.
Hey Mike, It's funny that the Jazzmaster was meant to be Fender's upscale model for actual Jazz players, but mostly ended up in teenage Surf & Garage bands back in the day. Along with the Tele and Strat it's a great and unique instrument, glad to see you're enjoying it!👍👍
Loved this video! I'm on a never ending hunt for tone. Fell in love with jazzys in 2019. Inspiring instrument for me 🙏🏻
The timing for this video is funny cuz I just picked up my first jazzmaster and I had the same exact thoughts you had about writing it off and going straight to a strat, now I can’t put the jazzmaster down and think it looks awesome! Great video!
Elvis Costello played a Jazzmaster and wrote a lot of his big hits with it.
Yep, only Jazzmaster
Such a great video! I love seeing the potential of this guitar. I’ve been thinking about a Jazzmaster for a long time, but never actually purchased because it seemed “undefined”. You brought a lot of clarity to the sounds it’s capable of and some history behind its use.
Now it’s time for me to go down the proverbial rabbit hole and find out about the tones, dimensions pros and cons - like you I’ve never explored one of these - great vid! ✊🏼
I've always loved the look of the Jazzmaster. The sound is so much warmer than a Strat but can be made to be bright. There's so much versatility to these that the only ones that can take true advantage are those who are willing to branch outside of their comfort zone. I did and I'm glad for it. This is truly one of the very best guitars for an all around tone for just about any style of music. I only wish that I had room for one but I need to let a few go. I have no room. Thank you for sharing this with us. It is so refreshing to see today's youth enjoying music with real instruments and not just computerized noise from a synthesizer.
Great video. Love your Tele conversion. I was the same and now have 1 Strat and 3 Teles.
The Jazzmaster for me is the clean open chirds and open string sound. Beautiful!
J Mascis was my guitar hero as a teenager. He still slays with a JM. I bought my Squier J Mascis JM in 2021. Saw Dinosaur Jr. Live (finally) in ‘22. Loudest gig ever.
Saw them at Desert Stars in 2016, great show and as you said, loud.
How comfortable is that neck? I got a 2015 one in a trade because of well it played.
@@jeffrey.a.hanson The neck is super comfortable. Apparently, it’s based off the Rory Gallagher Strat neck.
My JM is my #1. It's fantastic for layering tracks, it mixes so well, it handles all sorts of distortion but still lets the notes ring clear. I love using it to cover songs that are very NON jazzmaster sounding, bc it gives them a new flavor (i.e., Led Zep, acoustic blues, actual jazz like Grant Green, anything I can think of).
It was built for sitting and playing, but made famous from thrashing. If I only had 1 electric, it would be the JM. #2 would be a 335. With those two you can cover almost any sonic ground.
So glad to see a video done on my favourite guitar! My favourite Jazzie player is Nels Cline from Wilco. Your video is beautifully done, and I've subbed as a result! Looking forward to more!
Welcome to the offset pool - the tonal waters are deep and wide and layered and unique.
I think the key is to spend time and really figure out what their abilities are - as you’ve done. I originally thought the Jazzmaster was just for shimmery chorus but I can get everything from hollow body to jazz box to bluesy to strat/ tele neck - and they handle fuzz and overdrive incredibly well.
The Jaguar and Mustang are their own, well, animals and also benefit from time and testing to get a hang of what they can do.
You are a poet man
I'm learning guitar two years now (with an SG)
I don't see a reason for me, to go for a second guitar
But your comment inspired me
If i achieve to be good enough.. the Jazzmaster will be my first try
@@dimitris70 I am also just 3 yrs into playing guitar and only about half of that time on electric. I've been spending alot of the last 12 months playing lots of different guitars and now am working on scaling back. I think there's a ton of wisdom in just using one instrument (and the SG is awesome) and spending your time honing your skills and maximizing what that can do before worrying about loading up on more gear.
Agree with you!
The Jazzmaster is such a massively underrated guitar!!!
Almost every time I see a band one of them has a jazzmaster, they are pretty popular
It's not so much as underrated, as they are very misunderstood, it all comes from people putting 9's on them, and guitar magazines from the 60's to today, making up all sorts of lies about them, and internet forums repeating those lies, because they don't know any better, and people aren't willing to do their homework.
You'll see it over and over that the bridge and tremolo are the worst junk ever designed.
You'll see all sorts of band aid fixes too, like mastery bridges, buzz stops, and stay trems,, and you'll see everyone thinks they need a neck shim.
All you need is to put 11's on it, and set up the trem correctly. Basically, when it's in tune, you should be able to slide the lock button back without touching the bar, and the lock also shouldn't touch anything, but once it's locked, if you pull up on the trem bar, it shouldn't move at all. It's a bit tedious to get it right. But once it's all set right, it's a rock solid system, and it will stay in tune, and not buzz at all.
One thing to note, older versions of jazzmasters like the Japanese ones from the 90's do not have real jazzmaster pickups, and they don't sound like the real deal.
Guitar work in most current music is sparse notes and clean tones with reverb. Jazzmasters are great for that. Players love the retro 60's tone. Good for dream pop. And layering over a synth.
The control layout is a neat idea that works better in theory than in practice. It's almost a two channel guitar. You can set the rhythm circuit for the neck pickup and set the lead circuit for either two pickup operation or bridge pickup only. In a studio that could be handy. In practice you kinda know the sweet spots for the pickups so you just roll the knobs to taste and dont use the rhythm/lead circuit switch. The pickups have their own lane that either speaks to you or doesnt. Its a nice guitar to have in a collection i guess.
Great video and perspective! I really loved what you had to say at the end of your video. For some reason I never approached the Stratocaster, because I was convinced by the internet that offsets were the cool thing. After trying out a few strats I really fell in love with the tone, shape, pretty much everything about it. I ended up buying one and I can’t put it down 😌❤️
really love the quality and format of your videos, mike. cheers!
There’s many artists playing JM, but mostly it’s related to post-punk, shoegaze, britpop, alternative and 2000s indie era. The Cure, The Horrors, Ride, The Charlatans, Radiohead, Dinosaur JR, My Bloody Valentine, Sonic Youth, Wilco, Portishead (yeah, even trip hop), The Walkmen, Noel Gallagher and that’s only what I remember
I agree. I got the MIM Troy Van Leeuwen signature Jazzmaster last year and I love it. I use the rhythm circuit for warm cleans.
Now you need a jag! I’ve had one for 20 years and it’s been so inspiring to play and write on. I think it has a shorter scale from the jazz master too. Super fun guitar.
I agree with stepping outside your comfort zone. I've been a Fender fan and really into Indie stuff, offsets are my jam. But then I got a Tele and learned to love it. Recently I've done something I never thought I'd do: get into Les Paul style guitars. Heck, I'm as anti-hair metal as you can get but I got a Kramer with a Floyd Rose on it and can't help but dive bomb on it.
They all have their charms.
Another reason why I love jazzmasters so much is because you can play behind the strings and it sounds amazing, especially if you want to make more noisy and chaotic sounds, or even just spooky
I laugh every time i see someone do that
Thanks for this. Thinking of purchasing a Squier CV JM tomorrow-shocking value for the money, most of what you get for over twice the price. You helped me out.
I got the 40th Squire jazzmaster in the sand color, maple neck. It was a monumental moment going from my SE Silver Sky and playing this and thinking... Holy shhh this is the most comfortable guitar I've ever played, I'm obsessed with how it looks (now), and I love messing with the 2 circuits.
how does the tremolo and tuners feel on it? I'm really considering getting a squier jazzmaster this christmas and maybe switching out the pickups but i have never used squiers before.
@@poopsock2007 the tremolo is fine, I've barely used it. But I would infinitely recommend the 40th anniversary, I got the vintage one not the gold one so it has rock blasted steel tuners and bridge, has a fantastic look to it. Satin paint and neck. The tuners have a really great feel to them, honestly one of my favorite parts of the guitar. I've seen Chris Buck touring with his you can look him up he really loves it
@@aathmpsn I own a 40th anniversary too
I play a jaguar because it meets certain preferences of mine over the jazzmaster, but people really put these guitars in a box, that typical surf rock or indie jangle. Yet they take dirt like champions, glad you highlighted that. The most versatile guitars out there in my opinion and no one knows about it.
Great video, Mike! I fell in love with the Jazzmaster, listening to Guitaracula with the Russian surf band, Messer Chups. He plays clean with a vintage Fender reverb unit. The tone is incredible. I just got a J. Mascis Squire Jazzmaster and I love it!!!
Thanks for posting this. I had never heard of Messer Chups before. Agree, the tone here is stellar! Tremendous stuff: th-cam.com/video/C7RDcrmpSE8/w-d-xo.html
My favourite Fender. Played one regularly for over a decade. It’s midrange clarity, articulation, beautiful vibrato is unmatched and no surprise it was used by lots of studio cats in the ‘60s. Then there’s the indie links. And I play jazz on it both in small ensembles and a couple of Big Bands. But please use at least .11 gauge strings on it.
Hi, i've never played a Jazzmaster (strat player), I hope to own 1 one day as I think they are beautiful, I just wondered why you'd recommend using minimum 11's on one, is it for tuning stability or tone? Or something else?
The issues many JM players have with strings popping out from the bridge slots (particularly if you’re a heavy handed player) can be alleviated by using higher tension strings which provide more stability. I’ve never had this issue but some other players install Mastery bridges to help with the problem.
I’ve been eyeballing this exact guitar for a while now. It’s stunning!
I like Mike's videos. He's kinda got a poetic and introspective flair for the mastery of the art of guitar. After watching his videos, I feel like there are other people out there that have some of the same crazy thoughts and self-doubts.
I really enjoy the storytelling in your videos. That black and white past joke was great.
Great review - Thanks for breaking down your experience into an enjoyable 10 minutes - Rock on !
Your storytelling is fantastic! Thanks.
BRO! Your tones are coming throughhhhhhhhh beautifully on this thing
man i love your videos, fantastic storytelling!
great vid! the JM handles fuzz REALLY well (at least mine does!). it's quickly becoming my favorite guitar.
The way the pickups are designed is the reason behind this. Something about those wide wound short slugs does something with distortion/fuzz and it’s magical
Mike I’m like you, I wanted to learn to play guitar as a young man so I looked at guitars. My father played a Fender Stratocaster and he taught me pretty much everything about guitars and music when I was younger and coming into my own. I knew the story of left handed Jimi Hendrix playing the Stratocaster upside down, reversing the headstock. I didn’t understand at the time how different the guitars Fender produced were or why they were different, I just knew there was something special about the look of the Stratocaster. As for the Telecaster, I realize it’s a great guitar now but back then it didn’t have the aura of the Stratocaster in my opinion so when I went to pick out a Stratocaster for Christmas my freshman year in high school I chose a 1995 MIM 3-color sunburst Fender Standard Stratocaster w/ the maple neck. It was a sight to see being at the guitar store all the amazing guitars but with such an innocent lack of information or knowledge to even know why I liked that particular guitar vs identical model w/rosewood neck for instance. As time went on I would see so many guitarists playing Fender guitars, including the Jaguar and the Jazzmaster. I’ve never owned one personally but lately I’ve really been wanting to play one and find out for myself what it’s all about. Maybe I’ll get that chance soon.
Something about your video setup really did the sunburst finish justice, I rarely ever see it look that good in a video. Also nice work with the video all around.
The Vintage II series has really blown me away. I got the '61 Strat a few weeks ago and it plays like butter (or maybe my other guitar neck is garbage, who knows lol). There definitely is something very inspirational about buying a completely different type of guitar than what you're used to playing (deluxe tele has been my main stay for years after switching to that from a Les Paul). Really digging the guitar vibes you put out here 🤘
Ive been playing a vintera jazzmaster for a couple years now, I was originally drawn in by the look (replaced the pickguard with an off white one) but stayed for the dark but clear tones you can get out of it
Mike Palm of Agent Orange (one of the progenitors of surf punk, as it were) switched from using an SG (I believe) to a Jazzmaster at some point. Jazzmasters are pretty versatile which is why a lot of people use them. The rhythm guitarist in the Ventures also seemed to prefer the Jazzmaster, evidenced by the fact that he continued to play the Jazzmaster after their Mosrite sponsorship was up. Jazzmasters are just kind of bad ass.
My favorite thing about my Jazzmaster is the tremolo system, it's the smoothest one I've ever used, and I've used a bunch of different bigsby, Floyd, and strat tremolos. I almost always live with both pickups on in middle position. It's almost like a fuller version of the strat 2nd position (bridge and middle pickup) with not as much 'quack'.
Yes and the AMPro II JM is even better. Having owned both tremolo systems, the Panorama that comes with the AMPro II has way more tonal range, very smooth and is very easy to set up. Pretty much every issue with the older models has been solved including having a rounded heel, no e string jumping problems with the bridge, the neck angle is easily adjustable and has an incredibly silky smooth neck. The only problem with some players that like heavier gauge strings is that stock, it can only be used with 9s or lower (I love 8s!). If a player insists on heavier strings, there is a heavier spring available. I have owned my Dark Night for over a year, and my Strat VG (and other electrics) get very little playing time now.
I don't have and have never had a strat. I've been looking but I picked up a jazz master with p90s a few weeks ago and loved it. Was belting out AC/DC and thought man, why you never see anyone rocking these.
Back in 1970 one of our finest guitarist in HS used a jazzmaster to play Dazed and Confused and nailed it note for note and sound. I was amazed and now respect tgat guitar so much.
I had the same experience with the telecaster, but now it’s my favorite guitar
Spot on. There is just something about the electric guitar. Different models always have the ability to surprise you and coax out something new. I think we will all have our core guitars that really fulfill what we really need, but it is always nice to find a new and unusual model that inspires us differently.
An Offset and Fuzz is all you need. Recently sold my Strat because it just didn't fit and replaced it with a JM. Loved it so much that 2 weeks late the second offet came home, a Mustang. Great video as always!
I love your message towards the end.
I've had the same experience with Telecasters, I always thought they looked like hideous cutting boards and were only for country players. One day I walked into a guitar shop, convinced that I would buy a Strat to add something with single coils to my collection. I tried half a dozen and was unsatisfied with all of them... then they handed me a Tele and said to have a go at it. And suddenly I got it. It just FELT right. Whichever setting I tried, despite all the switching being weird, all of the sounds were distinct and they all sounded amazing. I've played everything from Jazz to metal on that guitar since then, and it's with me at every rehearsal and every show.
Just got a Troy Vanleeuwen jazzmaster for Christmas and I am in love. I agree I always thought they were ugly and gimmicky and never even gave them a second look until recently and it had opened up a whole new world of inspiration. So glad I got it. Looking at a Jaguar next. Variety is the spice of life!
So I haven't played a Jazzmaster, but I got the G&L (Leo Fender's company after he sold Fender) Doheny. The pickups are amazing (a little noisy) but most G&L's have treble and bass rolloff tone knobs. The amount of sounds at your fingertips is endless! Loved the video btw.
Really enjoyed your video. Keep up the good work 👏
I've had 1963 original Jazzmaster since I was a teenager. I'm getting on up there in years now a days and that dang old Jazzmaster is still my awesome all time favorite. I have a hoard of vintage guitars that I have collected over the years and I always go back to the JM.
Welcome to the wonderful world of offsets! I was a life-long Strat player and got my first offset about 3 years ago, was the Johnny Marr signature Fender Jaguar. I ended up selling it because it was a bit too thin sounding for me. But I now own 4 Jazzmaster style offsets, two of which have Jazzmaster pickups, and two that have actual P90s. Those pickup designs look similar but have a different sound. P90s have become my all time favorite pickups. Try turning your volume and tone controls DOWN to about 5 or 6 and dial in an "edge of breakup" clean and bright tone, then use your volume and tone controls to boost your gain into overdrive! You'll find you can get a massively wide range of tones with this approach! As for the Jazz circuit you'll probably want to only use it for clean jazz tones, or that fuzzy muddy drive. If you ever do play a Jaguar, you'll notice that it's a smaller scale closer to that of a Gibson type LP etc. And has quite a different tone than JM. Anyway keep up the cool videos and enjoy your guitar journey! PS if you want a great JM style with P90s sans jazz circuit, LMK!
That jazz master is my dream guitar! I love seeing you play it!
I'd luv one too... just finding an excuse to get one (to go with the other 12!?!)..
The Japanese versions are really good... and Squier has em with anodised pickguards... decisions, decisions!!
@@baabaabaa-yp2jh Ive been looking at the cheap short scale versions and modifying them to fit my needs a bit better but thanks for the suggestions!
Great video! I got myself a JM (albeit a Squier 40th anniversary) about 6 months ago. Honestly, I'd initially wanted one *mostly* because of how it looks! I did read up a little before gettig it but just wasn't sure about it and it took me a little while to lock into it. But it kept on calling me back and now I love it!
I still use my Tele for when I'm initally working on an idea, and bash around on it more. But when I really want to just lose myself in noodling away, and to finesse something, the JM has won me over! I just wanbt to keep playing it.
I just got a Squier CV 60s' jazzmaster, and its an incredible guitar. I'll be upgrading to mastery hardware, cts pots, switchcraft jack and switch. But it is an incredible guitar. I am tempted to buy an identical second model and put either jazzmaster sized p90s or G&L doheny pickups in just to have one that's more rock and roll but still the same ergonomic, comfortable guitar. The jazzmaster vibrato is the best out there imo, and the jazzmaster pickups offer something completely different from any of my other guitars. Absolutely love it.
Glad it turned out well. Nice guitar.
Love that you threw in that shot of Jim Root with his JM. I have 3 jm's and his is one of them. Not your typical jm, but it's gorgeous!
Fabulous, entertaining, intelligent content my man. Love your videos!
Nice video! I put Fralin P90s in my JM. For me, the Jazzmaster's strongest attribute is the soulful sound of the wound strings, played clean, with a touch of reverb. No other guitar I've tried can match that tone.
Thanks for this video; I have been wanting one of these for a while, and now I want it even more!
There is nothing better than the rhythm tones on the Jazzmaster. Been using them for years in all styles of music. Extremely versatile guitars.
You just gained a subscriber! I love the vibe!
Great video young man! Thank you 🙏
Fantastic story telling. Your videos are getting very very good, Mike! Your MAJOR success is inevitable!
Your thumbnail and title are awesome too!
The jazzmaster is such a cool guitar. I've only got to play the Squier CV, and I'd really like to try some of the higher end ones too.
My jazzmaster is my favorite guitar I've ever owned. So versatile, handles overdrive as well as it does reverb-soaked clean sounds.
I'm 45. Been playing Jazzmasters since I was 17. Got a bunch of them, some worth 3-4k. Played hundreds of gigs. Once you sort out the trem, you can even dive-bomb and it will remain in tune. Make sure the nut is right and what strings you use is upto you. I found that 11's was the sweet spot. :)
what a coincidence mike, just bought myself a red squire classic vibe 60's Jazzmaster, really love the offset body and the "tiny" neck profile compared to my ES-335, looking forward to play my JM 😍
Great playing and great sounds man! 🤟🤟🤟
7:72 the bite!! the crunch!! Now I'm curious about the diff btwn jazzmaster & jaguar. great vid!
The timing of this video is perfect because I just discovered your channel the other day and I just got a jazzmaster too haha!!!
Last year I sold my strat and bought a Squier CV Jazzmaster CME exclusive - and it has quickly become my favorite guitar.
Awesome guitar! I have an American Pro 2, and it is a great departure from my Gibsons.
Also, it's a common misconception that those are P90s, but they are not. They are actually just like a Strat pickup but wound shallow and wide instead of tall and narrow.
Great video! I have been a strat lover for decades, but I have had a few Epiphones and Gibsons here and there because I also love a fat humbucker sound. So? So here I sit at 61 years of age and I'm going off into Surf music, LOL! I'm definitely going to squire a jazzmaster for this endeavor. When I get like this I usually run off and play only mandolin for a while, that usually clears my head. I've played pretty much only mandolin for the last couple weeks but still I'm obsessed with surf. I've got a couple friends coming along for the ride. Thanks for posting this video, it's encouraging. A surf band from old people living in south Louisiana! What could be more natural?
Fender offsets: They're worth the weight.
Went through the strat to the Jazzmaster in '85. It introduced me to Seymour Duncan, and as a certified grumpy old boy, I've even dipped into Jaguars. Loving it!
Luthier here. Love this video. I like how you kept your mind open and worked to understand it’s nuances.
As a Fender fan, I’d love to see you do the same with the Mustang (if you haven’t already)
Mustangs are definitely underappreciated if you don't count Cobain's fans lol. But seriously, they have a bite like no other guitar I've played ❤
@@brunokubin Well thats the thing, people dont realize theres actually alot going for them besides 90s rock, they have alot of high end that plays very nice with effects
@@therideneverends1697 well said.
One of my first guitars was a no name guitar literally no brand name on it that was basically a jazzmaster with a strat style bridge and HSS pickups.
Since then I’ve always really liked the shape. I personally don’t like the tremolo on them, but I don’t really like trems outside of Floyd rose.
When I started building guitars for myself the first one I did was a jazzmaster with a stoptail, humbucker in bridge, p90 in the neck. Turns out Fender started making it with the same layout and call it a Powercaster.
Just found you...really nice presentation and narrative. I subscribed, of course.
Mike, you mentioned you love Coldplay (me too!!!) and I'm pretty sure Jonny Buckland used a Jazzmaster on a lot of the Parachutes stuff! P90s get a certain kind of creamy single coil tone that just works so well for atmospheric dreamy lead lines. I'd also recommend listening to some songs by Vacation Manor, again the Jazzmaster works so well with lush 80s style chorus tones. Hope you enjoy your new guitar!
The Jazzmaster was made for Jazz, but it came out in the same year Gibson released the ES335. There is a trick though. With the rhythm circuit volume and tone full on you can get a great bluesy lead tone.
Nice Mike!! Loved the video.
What an INTERESTING review of the Jazzmaster... I remember this ax from my earliest days as a student of guitar (late 50s)...I thought, oh this thing is for 'jazz' guitarists...and ignored it all together... now I want to hear how Voo-Doo Childe sounds on a jazzmaster, lol
What funny timing. I've been looking into the American Vintage 2 series currently, well starting yesterday. Mainly Strats and Tele's though.
Amazing storytelling, awesome video, congrats!
The trem system is the upgraded version. The original had the screws under the strings and after some wear you'd hear a buzz of the string vibrating against the screw head.
Patrick Walden on Down in Albion. Patrick was lead guitarist and wrote many of the songs with Peter. His playing is sublime, check out the early live performances of Babyshambles