Learn How To Use Augmented (#5 #9) Chords as Passing Chords.

[@chikeregodwin7846]

God bless you Sir for this

[@fabiancosster2992]

Waw this is amazing keep making more videos like this.GodBless you forever.

[@PlayCreatively]

Thank you so much 😀

[@maichal1834]

Nice

[@PlayCreatively]

Thanks

[@seanonel]

I play the root and flat 7 in the left with a 1st Inversion triad in my right. The top 2 notes allow for easy access to the altered tones. Seeing it like this makes it easy to find other altered tones like the flat 5 and flat 9... May not work for everyone...

[@PlayCreatively]

I’ll will see if I can look at that voicing, sounds cool

[@seanonel]

@@PlayCreatively Yeah, so basically for a G7 Altered, I play G and F in the left and B D G in the right. D is on 5 so a flick to semitone left or right gives you b5 or #5 (enharmonically #11 or flat-13). Pinky is on root. Next 3 semitones are flat-9, 9 and #9. The whole thing is quite intuitive once you get the feel for it!
Thanks for sharing, I’ve learned a lot from you...

[@noob-lc7ih]

I’m not sure how E7(#5#9) is a 4th away from Am7

[@timp410]

He is playing a 2-5-1

[@PlayCreatively]

Hey maybe I misspoke but A is a 4th way from E

[@seanonel]

Go up to A from the E (perfect 4th) instead of up to E from the A (perfect 5th). I think he he is pulling his chords from circle of 4ths and not from the circle of fifths...

[@noob-lc7ih]

Yes thank you I understand now, I was confusing the circle of fifths and forths

[@royburchett738]

What happened to you. You was supposed to get back with me.

[@PlayCreatively]

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