Thank you, the video was very helpful! I'm writing a cadenza for a mozart violin concerto and had no idea how where to start, your explanations really helped me focus
Thank you so much for this! I’m playing the Stamitz viola concerto, and the main cadenza people use for it (the Beyer cadenza) just feels so out of place to me, and this video gave me so much guidance on what a god classical cadenza should be like.
One has to create cadenzas that are part of the original style of the piece. For example, you cannot use mozart-ish "pack" to improvise a cadenza for a piano concerto originally written by Schubert or Mendelsohn. It is important to know the period style the piece was created in.
True. But actually the harmonic basis can be quite similar though enlarged by more advanced versions of altered subdominant, suspensions and D9ths. Of course it is just one of possibilities.
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thank you for the inspiration that you give me for my mozart d minor concerto! you seem a very very lovely person!
Excellent, thank you. I'm doing one for horn.
Thank you, the video was very helpful!
I'm writing a cadenza for a mozart violin concerto and had no idea how where to start, your explanations really helped me focus
Thank you so much for this! I’m playing the Stamitz viola concerto, and the main cadenza people use for it (the Beyer cadenza) just feels so out of place to me, and this video gave me so much guidance on what a god classical cadenza should be like.
Спасибо, очень интересный урок
One has to create cadenzas that are part of the original style of the piece. For example, you cannot use mozart-ish "pack" to improvise a cadenza for a piano concerto originally written by Schubert or Mendelsohn. It is important to know the period style the piece was created in.
True. But actually the harmonic basis can be quite similar though enlarged by more advanced versions of altered subdominant, suspensions and D9ths. Of course it is just one of possibilities.
Thank you very much!
Very well explained!