What other guitarists would you like me to share some concepts from? I feel I've already done a lot of Yngwie and Eric on the channel, who would you like to see next?
Subscribed 100%. I practiced for 6-7 years religiously, theory, reading sheet music, all that. I let it fall to the wayside, thankfully over the last 2 months I have made it a priority to practice everyday. Felt unsure what direction to go in. This is what I needed, not just re-learning the theory I forgot, but actually being able to apply it. Thanks for this bro!
@jacobhartley. I got caught in the trap of obsessively learning theory and sight reading for nearly 10 years neglecting the fun side of electric guitar. I have now dropped most of the scholarly side and am aiming to get physically better, but by calling on theory as I need it.
That is a great way to phrase it! Sounds like we came up similar. My friends were being taught classic rock songs, and all I could think was, "why aren't they learning the circle of fifths, and reading sheet music" lol Teacher asked what I wanted to learn and what was my end goal, and I told him all the details, and he delivered lol @@frannyp46
3:52 - So if I get this right, instead of for example the A major pentatonic, 2nd position, you play the D major pentatonic 5th positon, but keep the A as root note?
Mr lewis, I think that you're amazing however I am an old guitarist that was late for about 20 years and now I'm back please explain how you use an E minor pentatonic with a B minor being the fifth are you judging the fifths of an E minor scale or an e pentatonic scale. You see where I'm going with this? LOL also what the positions is seven and so six how do you integrate them with the minor pentatonic you know the box shape please I'm sorry to bother you but I'm so curious? Thank you
That's a really cool scale. Plus lack of 3rd means I can cheat with it over power chords and sort of sound like I actually know how to play! Thank you.
Really insightful man! I feel like avoiding that minor 3rd until you want to use it/resolve that suspended sound is so powerful. Idk if it is just me, but I feel like EJ’s sound is heavily based around his sus chord voicings. Would love to know if you agree
I'd love to see someone break down the style that John McLaughlin had during his Mahavishnu years. I always wondered why his ideas sounded so distinctly fusiony and different. You certainly have the speed to play his runs so it will be easy for you to catch what makes his solo approach a little quirky.
Interesting that you broke the code. However, I want to come up with my own special bent towards technique and styling. Eric Johnson is unique and that is why his style stands out so much.
What other guitarists would you like me to share some concepts from? I feel I've already done a lot of Yngwie and Eric on the channel, who would you like to see next?
Marty Friedman would be cool.
Adam Rogers lol
Holdsworth, Frisell, Rosenwinkle, Moreno
Marcus King !!!
Eric Gales!!!
Dude - you’re killing it
Thanks man! That means a lot, and thanks for taking the time to check it out :)
Absolutely loved this, thank you for sharing! The minor chord application is just brilliant. Looking forward to more Eric Johnson styled lessons
Glad you enjoyed it! I'll definitely be making more :)
Subscribed 100%. I practiced for 6-7 years religiously, theory, reading sheet music, all that. I let it fall to the wayside, thankfully over the last 2 months I have made it a priority to practice everyday. Felt unsure what direction to go in. This is what I needed, not just re-learning the theory I forgot, but actually being able to apply it. Thanks for this bro!
@jacobhartley. I got caught in the trap of obsessively learning theory and sight reading for nearly 10 years neglecting the fun side of electric guitar. I have now dropped most of the scholarly side and am aiming to get physically better, but by calling on theory as I need it.
That is a great way to phrase it! Sounds like we came up similar. My friends were being taught classic rock songs, and all I could think was, "why aren't they learning the circle of fifths, and reading sheet music" lol
Teacher asked what I wanted to learn and what was my end goal, and I told him all the details, and he delivered lol
@@frannyp46
3:52 - So if I get this right, instead of for example the A major pentatonic, 2nd position, you play the D major pentatonic 5th positon, but keep the A as root note?
Exactly! That's correct. Playing the D major Pentatonic, over A gives the collection of notes we want :)
Finally aha moment for me , it took me years of searching
Awesome video. Your link for free tab and backing track doesn’t seem to be working?
Hey, Sorry for the late response. Ive fixed the link :)
I just found this channel tonight. I love your ideas, and your technique is insanely good
Duuuude….you’re playing is great!!! Immediately subbed. Keep the great content coming!!
Great video, a super helpful and at least for me different way of looking at this. Thanks!
I heard 6sus pentatonic notes suitable for rock fusion style... Amazing sound & notes..
I don't have anything else to say right now other than absolutely phenomenal, killer playing!
Thank you so much for saying that :)
thank for a great post, didnt the chord change when playing the 7sus pent?
Whoa fair play man, next level in sight. 👍
So over Am you’d play the Em pentatonic ? Do you then bounce between Am pentatonic or Em pentatonic and the 3rd mode of the Em pentatonic?
Glad I found this, outstanding lesson, fantastic
Wow ! Incredible picking hand !
Hey Luke.
Brilliant lesson mate!
Love EJ.
x
Thanks Andy! Hopefully we can catch up soon.
it's depressing when you see this guy's talent and the number of subscribers.
Luke! You’re a phenomenal player. Love your content!
Mr lewis, I think that you're amazing however I am an old guitarist that was late for about 20 years and now I'm back please explain how you use an E minor pentatonic with a B minor being the fifth are you judging the fifths of an E minor scale or an e pentatonic scale. You see where I'm going with this? LOL also what the positions is seven and so six how do you integrate them with the minor pentatonic you know the box shape please I'm sorry to bother you but I'm so curious? Thank you
That's a really cool scale. Plus lack of 3rd means I can cheat with it over power chords and sort of sound like I actually know how to play! Thank you.
Really insightful man! I feel like avoiding that minor 3rd until you want to use it/resolve that suspended sound is so powerful. Idk if it is just me, but I feel like EJ’s sound is heavily based around his sus chord voicings. Would love to know if you agree
I'd love to see someone break down the style that John McLaughlin had during his Mahavishnu years. I always wondered why his ideas sounded so distinctly fusiony and different. You certainly have the speed to play his runs so it will be easy for you to catch what makes his solo approach a little quirky.
Great video Luke, lovely playing and well explained
Hi, Luke. I just found your video. Great info and lesson. However I can't download the book. Its dec 30 Is the link broken?
You are awesome, and you deserve millions of subs!
Wow. Absolutely amazing phrasing
Hi, Luke I just found your video, but the link to the PDF doesn't work. Has it expired? Its Dec 30. Great lesson and ideas though. Thanks and regards
I wish you could do a demo step by step so that we can follow. . Or by having a tabs..thanks
Yes, great playing and very valuable information, but all very fast and so difficult to follow for those of us with feet of clay.
Great lesson! Great playing. I absolutely love carl verheyen's playing. He and Johnson have some similarities. Maybe a video breakdown of him?
Whoa, that’s a fantastic idea! I’ve definitely got some Ideas I’ve stolen from Carl that are worth sharing. Thanks Jimmy 👍
Great video Luke
Please share your TABS and with demo note to note slowly..thanks
Very nice playing !!
Nice work Luke, great ideas here!
Great right hand ,strong stuff.
Outstanding.❤🎸
link doesn't work
thanks! very helpful
I can't find the pdf on the link :(
Hey, sorry about that, I've updated the link. It should work now :)
.. Thank You for your insight.
Interesting that you broke the code. However, I want to come up with my own special bent towards technique and styling. Eric Johnson is unique and that is why his style stands out so much.
I just discovered gold.
Thank you, Sir. I wisch I could give you more thumbs up.
Please show your demo slowly and with tabs as well...
wow Luke!! you are incredible
Thank you so much Jamie, That obviously means the world coming from you!
One question why are we going a fifth above E. great stuff btw 😀
All that theory was over my head. I didn't learn anything. You play great, though.
You may prefer to call it suspended pentatonic, but -- IT IS! The only widely adopted term besides Egyptian Scale
EJ also likes them odd groupings
Wov!!!!!!!!
I have no idea what the F this guy is talking about but he sounds rad
It's ok
But now check out Ryan wariner
Very nice, but doesn't really sound like Eric Johnson
ok cool , you play like eric but there's already eric johnson ! you play extended pentatonics scales ...so what ? nothing ? ok !