Hi, may I ask about that how Martin Frost made the sound in Let's be happy? Unfortunitely I can not tell which part, but you will notice that unique part when you listen the performance.
He does a lot of growling and flutter tonguing throughout the piece, but I imagine you are talking about this part at the end: th-cam.com/video/O_JkhFuzEoo/w-d-xo.html There he is playing notes while also trilling the top one or two side trill keys.
As a clarinet player I think the most effective way to notate it would be to notate the pitch that is produced and then above it have a comment for the musician saying (rapid movement of the fingers while maintaining the same pitch). A good example is in Scott McAllister's Black Dog. (th-cam.com/video/zwJO4jEJH3s/w-d-xo.html) About 5 seconds in you'll hear the clarinet playing the same note but clearly switching fingerings.
it's very cool!
Thank you. Beautifully demonstrated. Give me some composing ideas - good with you and yours - Bill - UK
Hey! Thanks for the video. I have a question. How would you write the overtones on a music sheet? how would you specify that effect? thanks
Most often the piece will have the specific fingering needed to produce a multiphonic, as well as the 2 notes it should sound if voiced correctly.
Thanks for sharing!! Is there a textbook that you would recommend that describes voicing??
so useful,thank you,
Hi, may I ask about that how Martin Frost made the sound in Let's be happy? Unfortunitely I can not tell which part, but you will notice that unique part when you listen the performance.
He does a lot of growling and flutter tonguing throughout the piece, but I imagine you are talking about this part at the end: th-cam.com/video/O_JkhFuzEoo/w-d-xo.html
There he is playing notes while also trilling the top one or two side trill keys.
is there any masterclass for timpani? By Mr Yancich perhaps? thanks
Great idea! Once we're comfortably back in hall, we'll add that to the list. Thanks for watching!
Thanks! Actually I was in Atlanta last year and watched Casablanca. It was great. I was on my trip back from Athens going to Memphis.
Amazing!!
out of curiosity as a composer, how would you notate the same-note glissando at 5:20?
As a clarinet player I think the most effective way to notate it would be to notate the pitch that is produced and then above it have a comment for the musician saying (rapid movement of the fingers while maintaining the same pitch). A good example is in Scott McAllister's Black Dog. (th-cam.com/video/zwJO4jEJH3s/w-d-xo.html) About 5 seconds in you'll hear the clarinet playing the same note but clearly switching fingerings.
Great video, but who decided it would be good for the viewer to keep staring directly into two studio lights? FFS!!!
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Some very interesting techniques, but importantly, and very disappointingly, very short on how to achieve these techniques.